holland

Hardcover. Holland MI, Hope College , 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 554 pages. Memorial biography of a beloved teacher of literature at Hope College in Maryland.

Hardcover. Philadelphia , Lippincott, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, 152 pages. Hardcover with Dust jacket with light price sticker residue otherwise very good. Tight copy.

Hardcover. New York, Harry N. Abrams, Inc., 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 282 pages, plus index. Text by Bernard Barenholtz and Inez McClintock, photographs by Bill Holland. Light blue cloth covers with gilt titles to spine, illustrated laminate dust jacket, 285 illustrations including 100 plates in full-color. Light rubbing to dust jacket, clean boards, pages crisp and unmarked; a very clean, tight copy in great condition.

Hardcover. New York, Harry N. Abrams, Inc., 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 282 pages, plus index. Text by Bernard Barenholtz and Inez McClintock, photographs by Bill Holland. Light blue cloth covers with gilt titles to spine, illustrated laminate dust jacket, 285 illustrations including 100 plates in full-color. Light rubbing to dust jacket, clean boards, pages crisp and unmarked; a very clean, tight copy in great condition.

Hardcover. New York , Abrams, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, burgundy cloth with gilt lettering. Book and unprice-clipped pictorial dust jacket are without defects. A beautiful catalog of the great Ralph Esmerian collection of American folk art done when the 400 outstanding works were given to the American Folk Art Museum in New York. Outstanding plates followed by detailed descriptions.

Softcover. Amsterdam, North - Holland Publishing, 2nd pr., 1957, Book: Very Good, Dust Jacket: Very Good, Thin card covers in a lightly sunned dust jacket, 122 pages. Remarkable work in which the author aimed to collect some of the data available in the state of science of Bochenski's times and to arrange them in a kind of outline, which showed forth some of our indebtedness to Greek Logicians, and allowed the reader to see how their results were reached.

Hardcover. NY, Simon & Schuster, 3rd pr., 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, color illustrations. Renowned artist and architect Maya Lin's visual and verbal sketchbook--a unique view into her artwork and philosophy. Boundaries is her first book: an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artworks. Like her environmental sculptures, it is a site, but one which exists at a remove so that it may comment on the personal and artistic elements that make up those works. In it, sketches, photographs, workbook entries, and original designs are held together by a deeply personal text. Boundaries is a powerful literary and visual statement by "a leading public artist" (Holland Carter). It is itself a unique work of art. Clean copy.

Hardcover. NY, Distributed Art Publishers (DAP), 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with silver lettering. One of the most influential American artists working today, Carrie Mae Weems has investigated narratives around family, race, gender, sexism, class and the consequences of power for more than 40 years. Her complex oeuvre-always ahead of its time, and profoundly formative for younger generations of artists-has employed photography (for which she is best known), fabric, text, audio, digital images, installation and video. Writing in the New York Times, Holland Cotter succinctly described Weems as "a superb image maker and a moral force, focused and irrepressible." This volume, spanning four decades of work, is the most thorough survey yet published. It includes Weems' earliest series, such as Family Pictures and Stories, for which she photographed her relatives and close friends; the legendary Kitchen Table Series, in which she posed in a domestic setting; and other critically acclaimed works and series such as Ain't Jokin', Colored People, From Here I Saw What Happened and I Cried, Not Manet's Type, The Jefferson Suite, Monuments, Roaming, Museums, Constructing History (A Class Ponders the Future), Slow Fade to Black and the Obama Project, among many others. Contextualizing these pieces are essays by LaCharles Ward and Fred Moten and a chronology by Raul Munoz. The book also includes a visual essay by Weems that presents a personal selection of her own works from the artist's perspective. In publisher's shrinkwrap.

Hardcover. Springfield MA, W.J. Holland, reprint, 1872, Book: Good, Dust Jacket: None, Hardcover, terra-cotta cloth with gilt decorated cover. 160 pages, all edges gilt. Many b&w engravings. Vignettes of child life 150 years ago. Gutter crack at title page otherwise a clean, bright copy.

Hardcover. New York, Harry Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 208 pages. Hardcover with dust jacket. Clean, tight copy. Illustrated heavily by author. To create this latest gem, Poortvliet found inspiration in the rich legacy of Dutch landscape and genre painting traditions and in his own Dutch heritage as well. He became intrigued by a document dating from the year 1566 that revealed the existence of an armoire owned by his distant ancestor, Jacob Jansz Poortvliet. That armoire led Rien Poortvliet to come upon something valuable indeed - a treasure trove of insights into the world of his ancestor. Characteristically evocative, the words and images in Daily Life in Holland are rich in detail and delicate in coloration, and perhaps the most beautiful of any of Poortvliet's works to date. In this fascinating saga, he recreates the lives of his forebears as they toiled and celebrated their way through daily existence. He does not conjure up a romantic vision of the past - the Dutch countryside was not all tulips and windmills! There were adversity and hard work, and we learn that 1566 was an extraordinary year in Holland, marked by famine and plague, great freezes, floods and droughts, comets and earthquakes, and an invasion by the Spanish as well.

Softcover. NY, Abbeville Press, 3rd printing, 1982, Book: Good, Dust Jacket: None, Softcover, 255 pages, illustrated throughout in color and b&w. a Clean, tight copy. Third printing of this large trade paperback published for the Walker Art Center in Minneapolis for the 1982 exhibition. Illustrated with 205 b&w and color plates.

Softcover. NY, Abbeville Press, 3rd printing, 1982, Book: Very Good, Dust Jacket: None, Softcover, 255 pages, illustrated throughout in color and b&w. a Clean, tight copy. Third printing of this large trade paperback published for the Walker Art Center in Minneapolis for the 1982 exhibition. Illustrated with 205 b&w and color plates.

Hardcover. Seattle, WA, Fantagraphics, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 304 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. The Secret Origins of King Kong, and the Urge to Destroy New York. Color pictures throughout. This comic strip by cartooning pioneer Winsor McCay, titled simply Dino, opens a surprising new window into McCay's life and work and showcases his exquisitely beautiful and delicate delineations (exactingly reproduced from the original art). Merkl explores the influences McCay brought to the strip-including McCay's own Gertie the Dinosaur animated shorts, the animation in 1933's King Kong, and the growth of New York City from the Holland Tunnel to the Empire State Building-and traces our love of dinosaurs and monster movies down through the decades. Oversized. DOMESTIC SHIPPING ONLY.

Softcover. Groningen, Holland, International Art Publishing, 1st, 1962, Book: Very Good, Softcover, illustrated card wraps, 32 watercolors in chromolithography by Molendijk. Introduction by B. Van Der Veen Czn. Spine edgewear. Clean.

Hardcover. Oxford UK, Oxford University Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 382 pages. This study addresses the need for a more current understanding of Cartesian philosophy by considering the different constructions of Descartes's thought that emerged in the Calvinist United Provinces (Netherlands) and Catholic France, the two main centers for early modern Cartesianism, during the period dating from the last decades of his life to the century or so following his death in 1650. It turns out that we must speak not of a single early modern Cartesianism rigidly defined in terms of Descartes's own authorial intentions, but rather of a loose collection of early modern Cartesianisms that involve a range of different positions on various sets of issues. Though more or less rooted in Descartes's somewhat open-ended views, these Cartesianisms evolved in different ways over time in response to different intellectual and social pressures. Chapters of this study are devoted to: the early modern Catholic and Calvinist condemnations of Descartes and the incompatible Cartesian responses to these; conflicting attitudes among early modern Cartesians toward ancient thought and modernity; competing early modern attempts to combine Descartes's views with those of Augustine; the different occasionalist accounts of causation within early modern Cartesianism; and the impact of various forms of early modern Cartesianism on both Dutch medicine and French physics. Name on front fly leaf, otherwise clean.

Softcover. Holland/Boston, D. Reidel Publishing Company, reprint, 1977, Book: Very Good, Softcover, 205 pages. Hermann von Helmholtz (1821-1894), was a prominent German physicist and physician who comtributed to the philosophy of science. The Paul Hertz/Moritz Schlick Centenary Edition of 1921, with notes and commentary by the editors. Name on front fly leaf otherwise a clean, bright copy.

Hardcover. New York , Doubleday, 1st, 1993, Book: Very Good, Dust Jacket: None, Hardcover, illustratrd glazed boards, no dust jacket. Color illustrations by Spier. Clean copy.In 1687, young Sietze Hemmes helps rescue a vessel foundering off the Dutch coast, and three hundred years later, another Sietze Hemmes takes part in a similar rescue, in parallel stories that explore the themes of heroism and selflessness.

Hardcover. New York, Harper and Row, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 66 pages, in a bright unclipped dust jacket. INSCRIBED BY ORR on the title page. Black and white drawings by Brad Holland. The poet's second book.

Hardcover. NY, Harper & Row , 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 201 pages. B&w drawings by Brad Holland.

Hardcover. New York, Harper & Row, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover, 201 pages, b&w drawings by Brad Holland. Light edge wear, soiling to dust jacket. Foxing to top edge. Else a clean, tight copy.

Hardcover. Holland/Boston, D. Reidel Publishing, 1dt, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a blue dust jacket, 186 pages. A criticism of Fideism, the view that religious faith should not seek the support of reason. Clean, bright copy.

Hardcover. Philadelphia, Lippincott, 1st, 1977, Book: Very Good, Dust Jacket: Good, Hardcover, 157 pages. Previous owner's inscription opposite half-title page. Dust jacket with price clip, big chip on rear panel. Otherwise clean.

Hardcover. NY, G. P. Putnam's Sons, 1st, 1881, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth. Cover has gilt drawing of a windmill and black lettering. Gilt lettering on the spine. Translated from Italian by Caroline Tilton. 408 pages, 18 b&w plates. With chapters on Zealand, Rotterdam, Delft, The Hague, Leyden, Haarlem, Amsterdam, Utrecht, Broek, Zaandam, Almaar, Helder, Zuyder Zee, Friesland, Groningen. Names on prelim pages, otherwise a clean, bright copy.

Hardcover. Boston, MFA Publications, Museum of Fine Arts, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages, profusely illustrated. From the 1890s through the turn of the century, there was a flourishing of new, imaginative art and craft throughout Europe that we now know as Art Nouveau. The Netherlands experienced an inventive variant of this art and design phenomenon, but until now it has been largely overshadowed by its counterparts in other countries, especially France. This richly illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of more than 100 works on paper--posters, decorative calendars and illustrated books, as well as prints and drawings. These innovative works of graphic design reveal the progressive Dutch artists' conscious reaction against the past, their inspiration in natural forms and exotic cultures, and their embrace of the principle that art should transform everyday life. They also show how the New Art--Nieuwe Kunst in Dutch--coexisted and sometimes intertwined in the Netherlands with other artistic strands, including persistent realist trends, Symbolism and the emergence of modernism. Included here are early drawings by well-known artists Vincent van Gogh and Bart van der Leck, as well as new discoveries from Jan Toorop, Theo Nieuwenhuis, Samuel Jessurun de Mesquita, Theo Hoytema, G. W. Dijsselhof and C. A. Lion Cachet. This beautifully illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of over one hundred posters, decorative calendars, and illustrated books, as well as prints and drawings. With text by Clifford S. Ackley, one of the leading specialists on Dutch prints and drawings, Holland on Paper in the Age of Art Nouveau provides a fascinating and visually rewarding introduction to a rich and creative artistic era.