Hardcover. Canada, Nostalgia Press, Inc., Reprint, 1977, Book: Very Good, Dust Jacket: Very Good, 166 pages. Hardcover with dust jacket. Mild soiling to dust jacket with only minor wear to dust jacket edges. Inside otherwise clean & unmarked. A tight copy with illustrations throughout.
Hardcover. New York, Harper, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 560 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Color pictures in center. Black and white pictures throughout. Remainder dot on bottom edge.
Hardcover. Damiani Publishing, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 189 pages. La Strada captures the life and drama of Italy's streets from World War II through the 1970s. Its exquisite photographs, made by some of the most deeply skilled artists of the mid-twentieth century, are imbued with the essence of Neo-Realism, the aesthetic that produced some of the most influential Italian film and literature of the same era. The American gallerist and curator Keith de Lellis's selection of more than 200 pictures, some previously unpublished, by more than 60 masters--including Mario Giacomelli, Nino Migliori, and Mario De Biasi--reveals the touching, the humorous, and the tragic in the day-to-day lives of the Italian people, liberated from the grips of Fascism. A treasure trove, and a case for the continuing recognition of this inspired group of picture-makers. Clean copy
Hardcover. Guilford,CT, The Lyons Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 492 pages. Here for the baseball fan, in one comprehensive volume, are Lardner's finest writings about baseball during its golden age. Out of a column written for The Saturday Evening Post evolved his most famous work, You Know Me, Al, which introduced the world to the bush-league pitcher Jack Keefe. Lardner's skills as the finest American humorist since Mark Twain are on full display in the stories "My Roomy," "Horseshoes," "Alibi Ike," and "The Yellow Kid." Also included are his outstanding journalistic pieces about the Chicago Black Sox World Series scandal of 1919 that chronicle his struggle to come to grips with a national betrayal, the memory of which still scars the sport to this day. LARDNER ON BASEBALL is a full, diverse, and exciting collection of works from a legendary writer who transformed a simple game into the stuff of great literature. Clean copy.
Hardcover. NY, Scribner, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Twenty-six New Yorker cartoonists take on aging, retirement, death and the Great Beyond. George Booth, Edward Koren, Marisa Acocella Marchetto (creator of Cancer Vixen) and Gahan Wilson are among those confronting the Reaper. Some cartoons in the book have previously appeared in the New Yorker, but most are originals. Contributors range in age from their 30s to the 90-year-old Frank Modell. Various cartoons deal with the shock of baby boomers as their old age looms: Roz Chast depicts the body with a mind of its own, aging despite its owner's wishes; J.B. Handelsman draws an executive telling an older worker that the company encourages certain employees to die. But many of the cartoons celebrate the continuing vitality of seniors, such as Lee Lorenz's female astronaut who will be the first Gray Panther to walk on the moon. The hooded Grim Reaper is a continuing presence, but many cartoons are set in heaven or hell. In the back of the book, most of the contributors say who they would like to meet in the Great Beyond. In this life-affirming collection, even death can't halt the momentum of the human comedy. Clean copy.
Hardcover. Boston, Godine, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 210 pages. Hilary Masters' memoir Last Stands exhibits uniqueness in writing with a universal appeal. Whether it be upper class zeal, lower class pride, war stories, grandparents, grandchildren, health, humor, abuse, neglect, tolerance, strength, or even food, there is something in it for everyone. Overall, Last Stands is a patchwork piece--a memoir and indirect autobiography glittered with several familial biographies. Masters constantly switches scenes and elements of focus, but he overlaps his storyline, keeping the reader grounded, despite a sequence of simultaneous events. Thus, history is tied together in a busy but logical manner. Although Masters reveals disturbing events, he adds tidbits of humor to lighten the mood. In addition, he compares and contrasts fictitious characters, such as Odysseus, to events in his own life--a technique that grants him boundless points-of-view. Furthermore, his ingenuity unfolds with his use of secondary sources: letters, poems, epitaphs, and invitations. Finally, his use of dialogue carries the story where it might otherwise seem bland.
Hardcover. New York, Whittlesey House, 1st, 1944, Book: Very Good, Dust Jacket: Good, Hardcover, unpaginated, approx. 250 b&w cartoons gathered from the Saturday Evening Post in the mid-forties. Cartoonists include Gardner Rae, Ted Key, Barbara Shermund, Chon Day, George Price, many others. Bright and clean, dust jacket present with spine chipping.
Hardcover. New York , Grosset & Dunlap, 1st, 1946, Book: Very Good, Dust Jacket: None, Unpaginated, a collection of over 250 b&w cartoons by artists like Syd Hoff, Ali, Garrett Price, Soglow, Dave Breger, and many others. Illustrated cardboard covers with light wear.
Hardcover. Garden City, NEW YORK, Doubleday Doran , 1st, 1936, Book: Good, Dust Jacket: None, Hardcover, 303 pages. Some discoloration to end papers. Some soiling to covers. Spine faded. Light rubbing to extremities. No dust jacket.
Hardcover. Ithaca NY, Cornell University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 209 pages with index. Why do we laugh? Do we really want to know why? We are torn between desire to understand the joyous human response of laughter and reluctance to expose the secret of our spontaneity to the rigors of intellectualizing, the labors of analysis. Marcel Gutwirth here offers a fresh approach to laughter and the full range of funny occasions-- from the artistry of Molire's Misanthrope to the unique nature of Beckett's comic wisdom. Clean copy.
Softcover. Kitchen Sink Press, reprint, 2009, Book: Very Good, Dust Jacket: None, Softcover, 168 pages. In 1945, World War II ended and a new age dawned. In Li'l Abner, Al Capp moved along with everyone else into this age, guiding vbhis immensely popular adventure strip into satire. At the top of his artistic and storytelling form, Capp was more than ready to greet the postwar era. In this book you'll meet Orson Waggon (Orson Welles), boy radio genius, who has a sensational idea: kill somebody during an actual broadcast --a somebody named Abner Yokum. Also in this volume: Timberwolf McHowl, Moonbeam McSwine (who prefers the company of pigs to men) gets a bath; Fleabrain, Lonesome Polecat, Barbara Seville and another wild Sadie Hawkins Day Race. Orson Welles parody and more! Introduction by Madeline Gardner, Al Capp's sister (with early family photos) and another fine intro by Dave Schreiner putting the year in historic context.12 x 9 horizontal format
Softcover. US, Kitchen Sink Press, 3rd pr., 1988, Book: Very Good, Dust Jacket: None, Softcover, Volume 1 only. 232 pages, Clean, unmarked copy with only minor wear to wrappers. This book reprints the 1934 and 1935 daily strips and includes an introduction by Catherine Capp, the artist's widow and first assistant on the strip; an article by Capp, tracing the early years of Li'l Abner and its characters; and an article recounting Capp's early life and career.
Softcover. US, Kitchen Sink Press, 3rd pr., 1988, Book: Very Good, Dust Jacket: None, Softcover, Volume 1 only. 232 pages, Clean, unmarked copy with only minor wear to wrappers. This book reprints the 1934 and 1935 daily strips and includes an introduction by Catherine Capp, the artist's widow and first assistant on the strip; an article by Capp, tracing the early years of Li'l Abner and its characters; and an article recounting Capp's early life and career.
Softcover. Kitchen Sink Press, reprint, 2009, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. A great send-up of '50s youth culture and Elvis Presley parody (Daisy Mae almost marries Elvis!) Li'l Abner eats mud mushrooms and becomes the size of a blimp. The Lizard of Ooze menaces Manhattan in a spoof of '50s monster movies. And Fearless Fosdick goes to Paris. Moonbeam McSwine catches Tiny Yokum in the annual Sadie Hawkins Day Race. Also in this volume: Lower Slobbovia, Senator Jack S. Phogbound, Lonesome Polecat and Hairless Joe. Plus a surprise appearance by Phil Silvers (TV's Sgt. Bilko). And don't miss the very entertaining introduction by James Vance which focuses on "cartoonist feuds," a special form of publicity stunt mastered by Capp, pitting himself publicly against such fellow creators as Will Eisner (The Spirit), Allen Saunders (Mary Worth) and Milton Caniff (Steve Canyon). Harvey Kurtzman ultimately parodied the feud schtick in a "Hey Look!" strip reprinted here. [See the Volume 17 introduction for Capp's thinly-disguised attack on fellow cartoonist Ham Fisher.] Heavily ghosted during this period by Frank Frazetta.
Softcover. Kitchen Sink Press, reprint, 2009, Book: Very Good, Dust Jacket: None, Softcover, 164 pages. In 1958, Al Capp turned his sights on Organized Crime in the outrageoue tale of the Lady in Red, the most beautiful mobster ever drawn, who makes Dogpatch her hideout! America was fascinated with the Mafia after Congressional hearing had exposed its inner workings, and Capp takes readers on a wild ride as the gorgeous gangster impersonates Daisy Me, leaving Abner's long-suffering spouse to pay for her crimes! Also in this volume, Gloria Van Welbilt roars through Dogpatch with her flying pig, Abner is captured by statuesque Amazons and ends up with his head shrunken, and aliens from Planets Pincus try to turn Manhatten into a Disneyland-type amusement park called Crazyland!
Softcover. Kitchen Sink Press, reprint, 2009, Book: N, Softcover, 164 pages. In 1958, Al Capp turned his sights on Organized Crime in the outrageoue tale of the Lady in Red, the most beautiful mobster ever drawn, who makes Dogpatch her hideout! America was fascinated with the Mafia after Congressional hearing had exposed its inner workings, and Capp takes readers on a wild ride as the gorgeous gangster impersonates Daisy Me, leaving Abner's long-suffering spouse to pay for her crimes! Also in this volume, Gloria Van Welbilt roars through Dogpatch with her flying pig, Abner is captured by statuesque Amazons and ends up with his head shrunken, and aliens from Planets Pincus try to turn Manhatten into a Disneyland-type amusement park called Crazyland!
Softcover. US, Kitchen Sink Press, reprint, 1988, Book: Very Good, Dust Jacket: None, 159 pages. Light edgewear to wrappers. Black and white comics throughout.
Softcover. US, Kitchen Sink Press, reprint, 1989, Book: Very Good, Dust Jacket: None, 159 pages. Light edgewear to wrappers. Black and white comics throughout.