immigrants

Softcover. Philadelphia, University of Pennsylvania Press, reprint, 2003, Book: Very Good, Dust Jacket: None, Softcover, 338 pages. In North America industrial agriculture has now virtually displaced diversified family farming. The prevailing system depends heavily on labor supplied by migrants and immigrants, and its reliance on monoculture raises environmental concerns. In this book Jane Adams and contributors--anthropologists and political scientists among them--analyze the political dynamics that have transformed agriculture in the United States and Canada since the 1920s. The contributors demonstrate that people become politically active in arenas that range from the state to public discourse to relations between growers and their contractors or laborers, and that politics is a process that is intimately local as well as global. The farm financial crisis of the 1980s precipitated rapid consolidation of farms and a sharp decline in rural populations. It brought new actors into the political process, including organic farmers and environmentalists. Fighting for the Farm: Rural America Transformed considers the politics of farm policy and the consequences of the increasing alignment of agricultural interests with the global economy. The first section of the book places North American agriculture in the context of the world system; the second, a series of case studies, examines the foundations of current U.S. policy; subsequent sections deal with the political implications for daily life and the politics of the environment.

Hardcover. Staten Island NY, Center Migration Studies , 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 359 pages. Clean copy.

Softcover. Ithaca NY, Cornell University Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 390 pages. Since World War II, an important transformation has occurred in American society as wives and others have increasingly taken jobs outside the home. American women has always worked, however - first almost solely in the home and later also as wage earners outside the home. Anthropologist Louise Lamphere here provides an analysis of both kinds of work and shows how they have been interconnected in the lives of women in the industrial community of Central Falls, Rhode Island. The author offers a dynamic picture of working-class women, one that sees them not as passive victims but as active agents who draw upon a range of strategies and behaviors both to deal with their employment and to help their families cope with the industrial order. The book will be engaging reading for anthropologists, social and labor historians, sociologists, political economists, and students of women's studies. Clean copy.

Hardcover. Ames IA, Iowa State University Press, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, 254 pages. A very clean hardcover edition in dust jacket and INSCRIBED BY HARNACK on the title page. The book 'focuses on the formation in the 1880s of a colony of upper-class British immigrants who viewed Iowa pioneering as a way of perpetuating the Victorian gentleman's code. It covers a broad range of social history of the latter part of the 19th century, from London drawing rooms to Iowa pig farms, and includes a careful scrutiny of Walter and James Cowan, brothers who were typical of Victorian gentlemen in this special venture'.

Hardcover. New York, Viking, 1st, 1939, Book: Good, Dust Jacket: None, Hardbound, 273 pages. Illustrated with brown woodcuts by Angelo. Lightly soiled endpapers. Stain to top of book cover. Spine a bit cocked. Pink top edge. Recounts the experiences of an Italian immigrant boy living in California. The sequel to Angelo's Nino with delightful, simple illustrations by the author.

Hardcover. NY, Knopf, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Black & white photos. 579 pages. A massive and well-researched biography of one of the most powerful and influential men in Hollywood, from his days as a poor Polish immigrant through his steady climb to prominence. Photographs, notes, and sources, index.

Hardcover. NY, Harper & Brothers, 1st, 1935, Book: Very Good, Dust Jacket: Good, Hardcover, black cloth with gilt lettering in a worn, chipped dust jacket, 370 pages. A tale of the grandsons of a Slovenian immigrant vividly portrayed with settings in the California coastal towns of San Francisco and San Pedro.

Softcover. Bennington, VT, Bertani Books, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers, 90 pages, INSCRIBED BY AUTHOR TO IRVING ADLER on front fly leaf, very clean and tight copy.

Hardcover. Steidl, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover, 360 pages. In 1878, the Photographic Times claimed that ten minutes provided sufficient exposure for photographing a landscape. Six years earlier, an English immigrant to the West Coast named Eadweard Muybridge, going by the commercial name of Helios, had already pushed photography far in the opposite direction: not to soak up time into pictures, but to divide time with the quickest exposures then imaginable. In 1872, the tycoon Leland Stanford had commissioned Muybridge to photograph his horse, Occident, to determine whether it ever lifted all four hooves off the ground at once. In proving that this was indeed the case, Muybridge achieved a five-hundredth-of-a-second exposure, and so began an anatomy of motion-in humans, horses, birds-that exploded the possibilities of photography and ultimately led to the development of the motion picture. Helios: Eadweard Muybridge in a Time of Change offers an opportunity to trace the life and art of the great photographer. In the wake of a wave of recent scholarship and renewed interest, it pitches his entire body of work against the backdrop of one of the most transformative periods of American and European history. Published to accompany a retrospective exhibition organized by the Corcoran Gallery of Art, Helios features essays by Philip Brookman, Marta Braun, Corey Keller and Rebecca Solnit that provide a variety of new approaches to Muybridge's art and influences.

Softcover. NY/London, Routledge, 1st, 1995, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 233 pages. Ignatiev traces the tattered history of Irish and African-American relations, revealing how the Irish used labor unions, the Catholic Church and the Democratic party to succeed in American. He uncovers the roots of conflict between Irish-Americans and African-Americans and draws a powerful connection between the embracing of white supremacy and Irish "success" in 19th century American society. Clean copy.

Hardcover. NY, Charles Scribner's Sons, reprint, 1907, Book: Good, Dust Jacket: None, Hardcover, 304 pages. Illustrated with b&w plates (drawings and photographs). Later printing, originally printed in 1890. Bound in 1/4 blue cloth and decorated beige paper covered boards, with bright gilt titles on the spine. Boards have wear, chipping to paper. extremities of the boards. Riis's famous muck raking work exposing the despair and harsh conditions of life among the poor in NYC. Includes chapters on Jew Town, The Color Line, the Italians and other groups. Led to major reforms includes floor plans for tenements to improve the lot of the immigrants. Monumental work in the reform movement. Previous owner's small oval sticker on front cover and on inside front cover, light pencil notes to front fly leaf, otherwise tight and clean interior.

Hardcover. College Station TX, Texas A&M University, 1st, 1985, Book: Very Good, Dust Jacket: None, Hardcover, terra-cotta cloth, 145 pages. The subjects of Craig Clifford's ruminations range from Willie Nelson to Walter Prescott Webb, from German philosophers to an Irish immigrant out to save the American West, and in them Clifford voices the concerns of a new generation of Texans and other earthlings. Clean copy, no dust jacket.

Softcover. Charleston SC, Arcadia Publishing, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 128 pages. INSCRIBED BY THE AUTHOR on the half-title page. Italian-American theatre sprang to life in New York City shortly after waves of Italian immigrants poured into this country in the 1870's. The mass migration brought both the performers and the audiences necessary for theatrical entertainment. Hungry for recognition, support, and social exchange, the men and women from Italy formed amateur theatrical clubs as one way of satisfying emotional needs. By 1900, the community had produced the major forces that created the Italian-American theatre of the ensuing decades. In The Italian-American Immigrant Theatre of New York City, author Emelise Aleandri regenerates the excitement of the stage through striking photographs, programs, and other memorabilia generously loaned by families of the theatre community. She follows the fortunes of the earliest nineteenth-century companies and introduces those that arose in the twentieth-century. Within these pages are scenes of comedy, tragedy, vaudeville, and radio, featuring stars such as Mimi Cecchini, Guglielmo Ricciardi, Concetta Arcamone, Antonio Maiori, Rita Berti, Farfariello, and Olga Barbato. Clean copy.

Softcover. Bloomington, Indiana University, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 443 pages, b&w illustrations, index. Traces the origins of American cinema's century-long fascination with Italy and Italian immigrants to the popularity of the pre-photographic aesthetic - the picturesque. "To read Bertellini's superb book is to enter into an intense, rich, and intricately layered experience of Italian immigrant culture in the New York of the 1900's and 1910's." Clean copy.

Softcover. Charleston SC, Arcadia Publishing, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 128 pages. In America "the streets were paved with gold." That was the mistaken notion of many an immigrant to the United States in the late 1800s and early 1900s. On Long Island, deluded sojourners from Italy were to find that in fact there were few streets and that they themselves were to be the ones to build them. A pictorial history covering more than a century of history, Long Island Italians depicts the transition of urban Italians as they moved increasingly from the city to the suburbs in Nassau and Suffolk Counties. Many photos, clean copy.

Hardcover. NY, Peder Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The biography of an immigrant girl from Fubine, a small village in Northern Italy, who makes a life for herself in the Bronx. A rambling account but very interesting with many b&w personal photos. Privately printed. Much on NY city life in the 20s and 30s in the Italian immigrant community. Clean copy.

Hardcover. NY, Scholastic, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. INSCRIBED BY KROLL on dedication page. More than anything Mary wants to ride in the horse-drawn cart with Mr. Finnegan on her first St. Patrick's Day in America. A touching story of a young immigrant girl whose one and only wish really does come true. Clean copy.

Softcover. New York, iUniverse, Inc., 1st, 2008, Book: Very Good, Dust Jacket: None, 97 pages. Softcover. B/w illustrations throughout. In excellent condition. Very clean inside and out.

Hardcover. Intercourse, Pennsylvania, Good Books, 1st, 1991, Book: Near Fine, Dust Jacket: Very Good, The furniture tradition of the Mennonites, Russian immigrants in North America. 231 pages illustrated with several maps and 241 (mostly color, some black/white) photographic illustrations. Book is in near fine condition, dust jacket is in very good condition with some signs of edge wear.

Hardcover. Houghton Mifflin Harcourt, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages. Illustrated by Mary Azarian. The journey begins for a young immigrant named Miss Bridie. It is a journey of hope and uncertainty, a journey that will take her to a new land, a new home, and--if she has chosen wisely--a good life. With elegant woodcuts, Caldecott medalist Mary Azarian brings to life Leslie Connor's spare story of a life rich with blessings, yet not without challenges. Here is a lyrical tribute to the millions of immigrants who left their homes to begin anew in America--and an enchanting look at how one woman carves out a life with the help of a common shovel.

Hardcover. New Haven CT, Yale University Press, 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover, Original black lettered cloth quarter laid on pictorial boards, 184 pages. A fascinating exploration of how photography, graphic design, and popular magazines converged to transform American visual culture at mid-century. This dynamic study examines the intersection of modernist photography and American commercial graphic design between 1930 and 1960. Avant-garde strategies in photography and design reached the United States via European emigres, including Bauhaus artists forced out of Nazi Germany. The unmistakable aesthetic made popular by such magazines as Harper's Bazaar and Vogue--whose art directors, Alexey Brodovitch and Alexander Liberman, were both immigrants and accomplished photographers--emerged from a distinctly American combination of innovation, inclusiveness, and pragmatism. Beautifully illustrated with more than 150 revolutionary photographs, layouts, and cover designs, Modern Look considers the connections and mutual influences of such designers and photographers as Richard Avedon, Lillian Bassman, Herbert Bayer, Robert Frank, Lisette Model, Gordon Parks, Irving Penn, Cipe Pineles, and Paul Rand. Essays draw a lineage from European experimental design to innovative work in American magazine design at mid-century and offer insights into the role of gender in fashion photography and political activism in the mass media.

Hardcover. NY, Citadel Press, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 294 pages, b&w illustrations. They were the Godfathers of the Movies. Groundbreaking pioneers of the Hollywood Dream Factory, Joseph and Nicholas Schenck may not have been household names like the Warner brothers or Louis B. Mayer, but they were infinitely more powerful, influential--and ruthless. A pair of Russian immigrants with giant ambitions, the Schencks turned their small nickelodeon business in New York's Bowery into a partnership with Loew's movie theaters and a controlling interest in three major studios: MGM, Twentieth Century-Fox, and United Artists. They painted the silver screen silver, laid the foundations for the all-powerful studio system, and ruled a global movie empire from their Gatsby-sized mansions on the East and West Coasts. Clean copy.

Softcover. Boston, Beacon Press, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, illustrated wraps, 616 pages. Clean, bright copy. Sojourner Nadine Jane Johnson, also known as Mosquito, is an African-American truck driver. Set in a south Texas border town, Mosquito is the story of her accidental and yet growing involvement in "the new underground railroad," a sanctuary movement for Mexican immigrants. Mosquito's journey begins when she discovers Maria, a stowaway who nearly gives birth in the back of the truck; Maria will eventually name her baby Journal, a misspelled tribute to her unwitting benefactor Sojourner. Along the road, Mosquito introduces us to Delgadina, a Chicana bartender who fries cactus, writes haunting stories, and studies to become a detective - one of the most original and appealing characters in all of Jones's fiction. We also meet Monkey Bread, a childhood pal who is, improbably, assistant to a blonde star in Hollywood, where Mosquito pays her a memorable visit. As her understanding of the immigrants' need to forge new lives and identities deepens, so too does Mosquito's romance with Ray, a gentle revolutionary, philosopher, and, perhaps, a priest.

Softcover. Boston, Museum of Fine Arts Boston , 1st, 1982, Book: Good, Dust Jacket: None, 3 Softcover Volumes. Volume 1 - 94 pages. Features:Introduction/Migration and Settlement. Many illustrations in black & white and 8 pages in full color. Covers show light/moderate wear with some soiling to rear cover. Clean, tight copy. Volume 2 - 260 pages. Features: Mentality and Environment. Many illustrations in black & white and 8 pages in full color. Light/moderate wear. Clean, tight copy. Volume 3 - 209 pages. Features: Style. Many illustrations in black & white and 16 pages in full color. Light/moderate wear. Clean, tight copy. All 3 Volumes: Good+ condition.