india north

Hardcover. New York , Aperture Book, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages, illustrated throughout in b&w. Light yellowing to edges and light shelf-wear to dust jacket, else a clean, tight copy. This book shows the life's work of one of the most brilliant photojournalists of our time, who raised the status of his craft to that of high art. In his bestselling autobiography, Unreasonable Behavior, Don McCullin told the extraordinary and sometimes harrowing story of how he grew up in north London's gangland and graduated from poverty to stardom as the most daring and self-sacrificing reporter of wars around the world - from Cyprus to Israel, the Congo and Biafra to Vietnam, Pakistan to Cambodia, Beirut to Iraq. But his interests go far beyond the battleground in all its degradation which he has captured so brilliantly. In this book he has collected some 200 of what he considers to be his best pictures. A few have become well-known icons, many have not been seen in a book before. They depict unemployed miners collecting coal from the beach at dawn, down-and-outs in the East End, the homeless in Bradford, but they also reveal a passion for landscape, especially in the mysterious light of India, and a moving contact between human beings in a harsh environment. DUE TO WEIGHT. DOMESTIC SHIPPING ONLY

Hardcover. New York, Random House , 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 402 pages. Cloth boards in a bright dust jacket. Clean, tight copy. The subjects of Salman Rushdie's collection of non-fiction range from The Wizard of Oz, U2, India and Indian writing, the death of Princess Diana, and football, to twentieth-century writers including Angela Carter, Arthur Miller, Edward Said, J. M. Coetzee and Arundhati Roy. In a central section, 'Messages from the Plague Years', Rushdie focuses on the fight against the Iranian fatwa, presenting texts both personal and political, which show for the first time how it was to live through those days. Rushdie's columns for the New York Times confront current issues - Kashmir, Northern Ireland, Kosovo, Islam and the West - as well as lighter topics such as reality TV, sport and sleaze. The book ends with the lectures that give it its title - Rushdie's exploration of the theme of frontiers: crossing them, breaking taboos, and - in the light of September 11 - the world of permeable frontiers in which we all live.

Hardcover. College Station, Texas A&M University Press, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with a small tape repair, 805 pages. The Confrontation of Indians, Spanish, and French in the Southwest, 1540-1795. Spanning two and a half centuries, from the earliest contacts in the 1540s to the crumbling of Spanish power in the 1790s. Storms Brewed in Other Men's Worlds is a panoramic view of Indian peoples and Spanish and French intruders in the early Southwest. The primary focus is the world of the American Indian, ranging from the Caddos in the east to the Hopis in the west, and including the histories of the Pueblo, Apache, Navajo, Ute, and Wichita peoples. Within this region, from Texas to New Mexico, the Comanches played a key, formative role, and no less compelling is the story of the Hispanic frontier peoples who weathered the precarious, often arduous process of evolving coexistence with the Indians on the northern frontier of New Spain. Clean copy.

Hardcover. NY, David McKay , 1st, 1952, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth stamped in black. 158 pages, illustrations and text in brown. Dust flap taped to inside front cover. Otherwise a clean copy.

Hardcover. Minneapolis, University Of Minnesota Press, 2nd pr., 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 228 pages, color and b&w illustrations. The haunting cry of the loon has for centuries fascinated people living in or near wilderness in northern parts of the world. The loon's call, its ability to dive, and its distinctive black and white feather pattern appear again and again in the myths and legends of North American Indians. There is included a disc recording of common loon vocalizations. Clean copy.

Softcover. Coos Bay OR, B&B Publishing, reprint, 1994, Book: Very Good, Dust Jacket: None, Softcover, 60 pages, illustrated in b&w. Originally published by the Josephine County Historical Society in Grants Pass, Oregon. Clean copy.

Hardcover. Boston, Bradbury Soden & Co., 1st thus, 1844, Book: Good, Dust Jacket: None, Hardcover, 336 pages, frontispiece engraving with tissue guard, extra engraved title page, many b&w text illustrations. Brown cloth with black leather spine stamped in gilt. Pages with tanning to edges, light water stain to bottom corners of most pages, affecting text and images, but not horrible. Covers show mottling, discoloration to foredges, front and rear. Interior clean, binding tight.

Hardcover. NY, Kraus Reprint, reprint, 1977, Book: Very Good, Dust Jacket: None, Hardcover, brown cloth, 341 pages. A reprint of a book first published in 1856. No dust jacket issued.

Hardcover. Yardley PA, Westholme Publishing, BC Ed., 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 337 pages. The opening years of the French and Indian War were disastrous for the British. In 1755 General Braddock's troops were routed at the Battle of Monongahela and by the middle of 1756 Fort Oswego on Lake Ontario had fallen. Hindered by quarrelsome provincial councils, incompetent generals, and the redcoats' inability to adapt to wilderness warfare, Britain was losing the war. In 1757 the 35th Regiment of Foot stepped into the breach. A poorly trained assortment of conscripts, old soldiers, and convicted criminals led by Lieutenant Colonel George Monro, the regiment was destined to take center stage in the most controversial event of the war. Fort William Henry on the southern shore of New York's Lake George was a key fortification supporting British interests along the frontier with French America. Clean copy.

Hardcover. Indianapolis, Bobbs-Merrill, 1st, 1929, Book: Good, Dust Jacket: None, Hardcover, black cloth stamped in gilt, faded on spine, 315 pages. Science fantasy adventure involving the resurrection of a Viking woman, who has been frozen for a thousand years, by a lost community of Vikings in the far north.

Hardcover. Berkeley, University of California Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 305 pages. The Wrestler's Body tells the story of a way of life organized in terms of physical self-development. While Indian wrestlers are competitive athletes, they are also moral reformers whose conception of self and society is fundamentally somatic. Using the insights of anthropology, Joseph Alter writes an ethnography of the wrestler's physique that elucidates the somatic structure of the wrestler's identity and ideology.Young men in North India may choose to join an akhara, or gymnasium, where they subject themselves to a complex program of physical and moral fitness. Alter's first-hand description of each detail of the wrestler's regimen offers a unique perspective on South Asian culture and society. Wrestlers feel that moral reform of Indian national character is essential and advocate their way of life as an ideology of national health. Everyone is called on to become a wrestler and build collective strength through self-discipline. Clean copy.

Softcover. Hanover NH, Hood Museum of Art, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, 32 pages, b&w plates. Clean copy.

Hardcover. Northampton MA, Kraushar Press, 1st, 1943, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth covers with black lettering, 163 pages, b&w photos. Inspired by a visit to Stoney Reservation in Alberta, Canada, the author spent 15 years visiting & living among 47 tribes, and developed a touring show of pictures, songs, dances, stories & sign language. Clean, bright copy.

Softcover. NJ, Rutgers University Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 244 pages. The story of westering Americans in the late nineteenth and early twentieth centuries has been told most notably through photographs of American Indians. Unlike this vast archive, produced primarily by male photographers, which depicted American Indians as either vanishing or domesticated, the lesser-known images by the women featured in Trading Gazes provide new ways of seeing the intersecting histories of colonial expansion and indigenous resistance. Four unconventional women-Jane Gay, who documented land allotment to the Nez Perces; Kate Cory, an artist who lived for years in a Hopi community; Grace Nicholson, who purchased cultural items from the Karuk and other northern California tribes; and Mary Schaffer, who traveled among the Stoney and Metis of Alberta, Canada-used cameras to document their cross-cultural encounters. Trading Gazes reconstructs the rich biographical and historical contexts explaining these women's presence in different Native communities of the North American West. Their photographs not only record the unprecedented opportunities available for Euro-American women eager to shed gender restrictions, but also reveal how women's newfound mobility depended on the increasing restrictions placed on Native Americans in this era.

Softcover. Lincoln NE, Bison Books, reprint, 2004, Book: Very Good, Dust Jacket: None, Softcover, 368 pages. Documents the generations of Native peoples who for twelve millennia have moved through and eventually settled along the rocky coast, rivers, lakes, valleys, and mountains of a region now known as Maine. Arriving first to this area were Paleo-Indian peoples, followed by maritime hunters, more immigrants, then a revival of maritime cultures. Beginning in the sixteenth century, Native peoples in northern New England became tangled in the far-reaching affairs of European explorers and colonists. Twelve Thousand Years reveals how Penobscots, Abenakis, Passamaquoddies, Maliseets, Micmacs, and other Native communities both strategically accommodated and overtly resisted European and American encroachments. Clean copy.

Hardcover. Indianapolis, Bobbs-Merrill, 1st, 1949, Book: Very Good, Dust Jacket: Good, 274 pages. Hardcover with dust jacket. Dust jacket illustrated, B&W drawings by Diana Thorne. Dust jacket with edgewear, chipping.

Softcover. Burlington VT, Robert Hull Fleming Museum, 1st, 1986, Book: Very Good, Dust Jacket: None, Softcover, 175 pages, illustrated in b&w and color. Six pages with light pencil marking otherwise clean.

Softcover. Chapel Hill, University of North Carolina, reprint, 2002, Book: Very Good, Dust Jacket: None, Softcover, 378 pages. Namias shows that visual, literary, and historical accounts of the capture of Euro-Americans by Indians are commentaries on the uncertain boundaries of gender, race, and culture during the colonial Indian Wars, the American Revolution, and the Civil War. She compares the experiences and representations of male and female captives over time and on successive frontiers and examines the narratives of captives Jane McCrea, Mary Jemison, and Sarah Wakefield. Clean copy.

Softcover. Norman OK, University of Oklahoma Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 656 pages. In mythic sagas of the American West, the wide western range offered boundless opportunity to a limited cast of white men. Buffalo roamed, deer and antelope played, and women's voices were never heard. Writing the Range allows us to hear many long-silenced women: Spanish-Mexican settlers and American Indians on New Spain's northern frontiers; Chinese, Basque, Japanese, Korean, Vietnamese, Slavic, and Irish immigrants; film stars Dolores del Rio and Lupe Velez; Navajos and African Americans who moved to western cities during World War II; and the activist Mothers of East Los Angeles, who organized to resist environmental dangers to their community. A valuable introduction to the rapidly changing field of western history, Writing the Range explains clearly how race, class, and culture are constructed and connected. The first section examines issues raised by more than a decade of multicultural western women's histories; following are six chronological sections spanning four centuries. Each section offers a short introduction connecting is essays and placing them in analytic and historical perspective. Clean copy.