instruments music

Hardcover. Neptune NJ, Paganiniana Publications, 1st, 1977, Book: Very Good, Dust Jacket: None, 176 pages, maroon cloth covers with gilt lettering, design. Scarce book by a master teacher. No dust jacket issued.

Softcover. Wochester MA, Simplex Player Action Company, reprint, Book: Very Good, Dust Jacket: None, Softcover booklet, undated, but appears to be a reprint from about 1940. Instructions for a device that used to help tune and repair pianos. 40 pages, b&w illustrations. Light wear to wrapper otherwise clean.

Softcover. Urbana IL, University of Illinois Press, reprint, 2003, Book: Very Good, Dust Jacket: None, Softcover, 433 pages. From the plaintive tunes of woe sung by exiled kings and queens of Africa to the spirited worksongs and "shouts" of freedmen, enslaved people created expansive forms of music from the United States to the West Indies and South America. Dena J. Epstein's classic work traces the course of early black folk music in all its guises. Anchored by groundbreaking scholarship, it redefined the study of black music in the slavery era by presenting the little-known development of black folk music in the United States. Her findings include the use of drums, the banjo, and other instruments originating in Africa; a wealth of eyewitness accounts and illustrations; in-depth look at a wide range of topics; and a collection of musical examples. This edition offers an author's preface that looks back on the twenty-five years of changes in scholarship that followed the book's original publication. Clean copy.

Hardcover. Germany, PPVMedien, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 220 pages profusely illustrated in color. The story of Taylor Guitars from small San Diego company to a company producing over 70000 quality guitars a year. Showcases many rare guitars, including instruments made by Bob Taylor before the company's founding, standard production models and custom built instruments. Clean copy.

Softcover. Baton Rouge, Louisiana State University , Revised Ed., 2002, Book: Very Good, Dust Jacket: None, Softcover, 105 pages. Interviews with the jazz drummer, known for his wild style of drumming, who recounts his life and adventures playing with some of the best known jazz musicians and bands of his time. Includes additional reading and selected recordings. 6 leaves of b&w photo plates. Bright and clean, but with the light odor of a smoker-owned book.

Hardcover. Milwaukee WI, Backbeat Books, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with spiral binding, 304 pages. The Fiddle Handbook is a treasure trove of information spanning the whole range of fiddle playing. It looks in detail at the most commonly played styles among today's fiddlers. From America, there's old time, bluegrass, Cajun, Western swing, country, blues, rock, klezmer, and jazz, while from the British Isles there's Irish, Scottish, and English. There is also a quick romp through Eastern Europe and beyond, from the spike fiddles of Africa and Asia to the Chinese Erhu, the fabulous Indian Sarangi, and the mysterious Norwegian Hardingfele. A wealth of musical examples - ornaments, bowing patterns, scales, modes, exercises and complete tunes - are faithfully reproduced on the accompanying CDs, to give you a taste of each style. Clean copy.

Hardcover. San Francisco, Backbeat Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. INSCRIBED BY LASKIN on the title page. For more than 30 years, Grit Laskin has been building guitars, and his striking inlay work places his instruments in a class all their own. He is credited with single-handedly taking the ages-old tradition of musical instrument inlay from its purely decorative roots into an art form, a means of expression. In his hands, shell, stone, legal ivory and metal emerge as the palette of a re-invented medium. A sumptuous, full-color-throughout, coffee-table quality tome, this is the first book to document the breadth of his work and the techniques he has devised. Clean copy.

Softcover. US, Boyds Mills Press, 1st, 1993, Book: Very Good, Dust Jacket: None, Softcover, illustrated in color by Yaccarino. Like new in publisher's shrink-wrap. Package contains everything that you need to construct your own house that will measure approximately 8 x8 1/2 inches when constructed. Name the familiar objects that appear on the cubes. Identify the musical instruments that the people are playing. Mimic the emotions that are portrayed on the cubes. Tell stories about the people and animals that live in The House of Fun! Create your own cubes (use an unconstructed cube as your pattern).

Hardcover. Lake Oswego OR, Metamorphous Press, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, b&w illustrations, 104 pages. A veteran piano tuner presents a non-technical, literary view of the quixotic tuning system used on keyboard instruments for hundreds of years. Focuses on the "comma", which is the pitch difference by which (9/8)^12 > (2/1), discusses its history, its importance in piano tuning, and philosophically what it all means. Winner of the Western States Book Award for creative nonfiction in 1986.

Softcover. San Diego, CA, H.S. Wake, 1st, 1982, Book: Good, Dust Jacket: None, Non-paginated. Report cover style binding. Fold out plans, diagrams, etc. throughout. Light wear and soil to plastic cover. Pages lightly soiled.

Softcover. Philadelphia, University of Pennsylvania Museum, 1st, 1998, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps, 195 pages. Exhibition Catalog, illustrated throughout in color and b&w. This stunning catalogue includes color photographs of more than 230 objects, excavated in the 1930s by renowned British archaeologist Sir Leonard Woolley, from the third-millennium-B.C. Sumerian city of Ur. Learn the fascinating story of the excavation and preservation of these magnificent artifacts.Many of the objects are published in color and fully described for the first time--jewelry of gold and semiprecious stones, engraved seal stones, spectacular gold and lapis lazuli statuettes and musical instruments; and vessels of gold, silver, and alabaster. Curator Richard Zettler sets the stage with a history of Ur in the third millennium and the details of the actual excavations. Art historians Donald Hansen and Holly Pittman discuss the historical importance and significance of the many motifs on the most spectacular finds from the tombs. Clean copy.

Hardcover. Sussex, England, Amati, Ltd, 1st UK Edition, 1959-69, Book: Very Good, Dust Jacket: None, 1,344 pages (all books total). Hardcovers. A widely cited reference work providing information on approximately 9,000 violin makers. The work is based on the extensive notes of violinist and composer William Henley (1874-1957). Henley had in his youth studied with August Wilhelmj, and later became a professor of composition and principal of the violin at the Royal Academy in London. The book was the first to include a significant number of American craftsmen. B/w illustrations (plates) in vol. 7. Cover boards bound in burgundy cloth, gilt title on spine (slightly faded on vol. 1-5, but still quite bright on vol. 7. Bindings all tight. Spines straight. Some tanning and light foxing to edges from age, pages have some light foxing, especially on preliminary and hind pages, otherwise no markings. In beautiful condition.

Great Neck, NY, Musical Vistas, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, A collection of cartoons all about violins by an Hungarian artist who became one of the world's best violin makers. Dust jacket with light edgewear to corners.

Hardcover. NY, Ballantine Books , 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 368 pages illustrated in color. For thirty-five years, bestselling author and accomplished musician Jonathan Kellerman has been, as he puts it in his Introduction to this lavishly illustrated, endlessly fascinating volume, "chasing fabulous sound." The result of that quest is a world-class collection of guitars, mandolins, and other stringed instruments that number more than 120 . . . and counting. Whether writing about household names such as Fender, Gibson, Martin, and Dobro or about marques revered by aficionados-D'Angelico, Hauser, Stromberg, and Torres-Kellerman brings to bear the same sure storytelling instincts and keen attention to detail that characterize his bestselling fiction, making each entry a sparkling mini-essay as much to be savored as the sensual photographs that follow.

Softcover. privately printed, 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 375 pages, b&w illustrations. INSCRIBED BY COLE on the title page. Two days are never the same in the life of Billy Cole, a music instrument repairman. Over the course of nearly 50 years in the music business, Billy has become a personal friend and respected repairman to some of the top musicians in the industry. Through his fine craftsmanship and attention to detail, his small music shop is a welcoming haven for musicians to stop by, to gather and be amongst others that share a common interest in music. He has become a friendly face for a musician on the road, year after year. Come with the band, as you're transported to sound stages, studios and shows that tell the story of just another day with the music technician.

Softcover. Ventura CA, Pathfinder Publishing, 1st, 1990, Book: Good, Dust Jacket: None, Softcover, 214 pages, b&w illustrations. The story of the career, music, and life of the man who made drums a solo instrument, symbolized the swing era, and is still internationally recognized as "the world's greatest drummer." Book was once owned by a smoker and has odor.

Hardcover. Woodstock NY, The Overlook Press, 1st US, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 136 pages. A comprehensive and well researched account of the evolution of instruments and the role of the musician through the ages by first describing and illustrating those instruments bequeathed to us by the civilizations of Greece and Rome. Then, through the dark ages and on to the successive stages which shows the gradual changes to the instruments, how they were played and the music of he era. Clean copy.

Hardcover. Milan, Skira, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 224 pages. An outstanding photographic monograph from the Twenties and Thirties brings back the memory of ways of living, ceremonies, adorned bodies of an Africa that be aptly defined as "lost". These extraordinary, unpublished pictures, taken with great technical skill and with a sense of great dignity of the people portrayed, constitute a monument to the African continent as it was. Kazimir Ostoja Zagourski (1880-1941) was born in Poland and moved to Congo in 1924. Zagourski was the first professional photographer to travel throughout the interior of Congo and visited also the neighboring countries, Tchad, Rwanda, Burundi, Uganda, Kenya, and South Africa. During his long stay in Africa he took hundred of pictures, 500 of which, divided in two extraordinary series on different tribes, build up to a unique historic and ethnographic survey. In a sense, Zagourski's work constitutes the first "non-European" look, devoid of the colonial overtones that characterize much contemporary work. His forays into the depths of the African continent took him into the most remote villages of Kuba, Mangbetu, Bwaka, Tutsi, Masai, etc. where he took unprecedented pictures of great ethnographic interest. he documented for example, ceremonies (initiation, circumcision, excision, masked dances, etc.), the great African creativity in body ornament (from scarification to hair dresses, from jewels to lip plugs), clothes and all utilitarian objects placed in their appropriate cultural context (musical instruments, shields, stools, knives, containers, etc.).