Hardcover. New York & London, G. P. Putnam's Sons, reprint, 1905, Book: Good, Dust Jacket: None, Hardcover, 442 pages, b&w illustrations. Maroon cloth, gilt titles to front and spine. Light wear to edges and boards, faint foxing to a few pages. Neat, tight copy.
Hardcover. Syracuse University Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 350 pages. Describes Israel's use of spies in Lebanon during the seventies, the secret relations between Israel and Jordan, and U.S. secret channels to the PLO. Posner focuses on violence and terrorism employed by the Palestinians in their quest for nationhood, and on inter-communal violence in the Middle East in general and more specifically in Lebanon. He treats the little-known Circassion community in Jordan, that community's role in the Arab-Israeli conflict, the Sadat peace initiative, and the role of the United States in seeking a peaceful resolution of the civil war in Lebanon. A good book to gain a perspective on contemporary diplomacy and Middle East politics. Clean copy.
Hardcover. London, England, Oxford University Press, Reprint, 1953, Book: Very Good, Dust Jacket: None, 788 pages. Hardcover. Vol. III & IV only. Previous owner's name stamped on contents page and front endpapers. Green cloth cover boards, gilt title on spine, spine very faded (see image). Pages and edges have a touch of tanning. Edges have a specked design. v. 3. Holiness and its upholders -- v. 4. The renewal and the source of holiness. DOMESTIC SHIPPING ONLY.
Hardcover. Monte Carlo, Andre Sauret, 1st, 1965, Book: Good, Dust Jacket: Good, Hardcover, red cloth covered boards with embossed illustration. 172 pages. 76 black and white photographs. Introduction by Jacques Prevert. 4 original color illustrations and jacket design by Marc Chagall. Text in French. There is some water damage to rear cover and a tan stain to bottom rear of dust jacket. Interior clean, great circus photographs. DOMESTIC SHIPPING ONLY.
Hardcover. Seattle, Fantagraphics Books , 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 424 pages, illustrated in b&w. This scholarly book examines historical depictions of Jewish people in comics. Showcases more than 150 comic strips, comic books and graphic novels from all over the world, stretching over the last five centuries and featuring Jewish characters and Jewish themes. The book is divided into chapters on Anti-Semitism, the Old Testament, the Holocaust, Israel, the Golem and much more, featuring everything from well-known comics like Art Spiegelman's Maus and the work of Will Eisner to much more obscure (and in some cases far less savory) but no less culturally and historically interesting examples of how Jewish culture has been depicted in comics. Each strip, comic, or graphic novel is spotlighted via a short but informative 200-word essay and a representative illustration. Clean copy.
Softcover. Toronto, Art Gallery of Ontario, Toronto, 1st, 2010, Book: Near Fine, Dust Jacket: None, Like new in publishers shrink-wrap. This survey of Schnabel's career to date presents the artist's painterly production, from the 1970s through to the present, juxtaposing his large-scale paintings with his numerous critically acclaimed movies-'Basquiat' (1996), 'Before Night Falls' (2000), 'The Diving Bell and the Butterfly' (2007) and his newest film 'Miral,' which addresses the Palestinian-Israeli conflict. The complete scripts of each of these movies are featured, punctuated with stills chosen by Schnabel. Published for the Art Gallery of Ontario's 2010 survey, 'Julian Schnabel: Art and Film' is the first appraisal of how Schnabel works across media, bridging painting, writing and cinema. 447 pages.
Softcover. Canada, Art Gallery of Ontario, Toronto, 1st, 2010, Book: Very Good, Dust Jacket: None, Like new in publishers shrink-wrap. This survey of Schnabel's career to date presents the artist's painterly production, from the 1970s through to the present, juxtaposing his large-scale paintings with his numerous critically acclaimed movies-'Basquiat' (1996), 'Before Night Falls' (2000), 'The Diving Bell and the Butterfly' (2007) and his newest film 'Miral,' which addresses the Palestinian-Israeli conflict. The complete scripts of each of these movies are featured, punctuated with stills chosen by Schnabel. Published for the Art Gallery of Ontario's 2010 survey, 'Julian Schnabel: Art and Film' is the first appraisal of how Schnabel works across media, bridging painting, writing and cinema. 447 pages.
Hardcover. Israel, Yeshivat Kol Yehuda, Reprint, 1970, Book: Very Good, Dust Jacket: Very Good, 264 pages. Hardcover. Black & white illustrations. Dust jacket with light wear along edges. Clean, unmarked pages.
Hardcover. Philadelphia, University of Pennsylvania Press, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine, 266 pages. Ex-lib with a small stamp to title page and top edge, label on spine. Otherwise a clean, bright copy. After Franz Kafka died in 1924, his novels and short stories were published in ways that downplayed both their author's roots in Prague and his engagement with Jewish tradition and language, so as to secure their place in the German literary canon. Now, nearly a century after Kafka began to create his fictions, Germany, Israel, and the Czech Republic lay claim to his legacy. Kafka's Jewish Languages brings Kafka's stature as a specifically Jewish writer into focus. David Suchoff explores the Yiddish and modern Hebrew that inspired Kafka's vision of tradition. Citing the Jewish sources crucial to the development of Kafka's style, the book demonstrates the intimate relationship between the author's Jewish modes of expression and the larger literary significance of his works. No dust jacket.
Hardcover. London, Lutterworth, 1st UK, 1955, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with faded gilt lettering on spine, 115 pages. A fascinating glimpse into the debate in Scandinavia concerning a number of inter-related Biblical themes focused on the concept of the Messiah, a debate associated with scholars such as Mowinckel, Pedersen, Widengren, and Bentzen himself. The argument traces the development of the Messianic figure from its Old Testament roots, starting with the Messiah of many of the Psalms, which represents a demythologised form of the Oriental conception of kingship, through the eschatologised Messiah of the prophetic thought of Isaiah and Micah, and then to the prophet-Messiah of Second Isaiah, which although still a present and entirely human figure, embodies the insight that the saviour of Israel must suffer and be cast in the role of a Moses Redivivus as leader of a new Exodus. The Son of Man of Daniel 7 carries this eschatologising process even further, until the Christology of the New Testament emerges as a creative synthesis of these Old Testament types. In this synthesis, Jesus is a new Adam, the Messiah present in the flesh and present still in His body the Church, the suffering Prophet playing the part of the new Moses and the once and future Divine King. Bentzen argues that ultimately this figure of Christ the Messiah transcends not only the Old Testament types on which it is based, but also the subsequent historical development of the Christian Messianic tradition.
Hardcover. NY, W. W. Norton & Company, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Written by two members of archaeological expeditions which have excavated at Caesarea, the ancient city on the coast of Israel built by Herod the Great, this book tells the story of the great city, from its beginnings to its destruction in the 13th century. Readers discover this past through archaeologists' eyes, as the text considers not only artifacts and written sources but the processes by which archaeologists reconstruct the past. A companion volume to a traveling exhibition of Caesarean artifacts, this is very highly recommended for both its clarity and creativity. 244 pages illustrated in color plus index. Clean.
Hardcover. London, Macmillian St. Martin's Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, 553 pages. Hardcover with price-clipped dust jacket. Dust jacket spine has St. Martin's Press sticker on bottom. Internally, clean and tight. Cover boards have light soil to front and fading to bottom edge.
Hardcover. UK, Cambridge University Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 288 pages, map illustration. Includes bibliographical references (pages 261-277) and index. Subjects: To 1917; Jewish-Arab relations History To 1917; Jews Colonization Palestine; Labor Zionism Palestine; Land settlement Palestine; Palestine Social conditions; Palestine History 1799-1917. Name, date on front fly leaf otherwise clean, tight copy.
Hardcover. Ontario CA, Vanwell Publishing St. Catherines, Ontario, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 344 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. New York , Farrar & Rinehart, 1st, 1942, Book: Very Good, Dust Jacket: Very Good, Hardcover, 276 pages, illustrated in b&w by Henry Gillette. INSCRIBED BY DEAN on half title page. Dust jacket with light edgewear, chipping. Book has a slight slant, otherwise clean, very good.
Hardcover. Burlington, VT, Lund Humphries, Reprint, 2008, Book: Very Good, Dust Jacket: None, 208 pages. Hardcover with no dust jacket. Very clean, unmarked copy with only minor edgewear. Color illustrations throughout. Tight copy. Power to the People presents the Israel Museum's major collection of propaganda posters from the early years of the Soviet Union, documenting one of the most interesting chapters in twentieth-century graphic design. Inspired by the traditional vernacular of political cartoons, by the lubok wood-cut technique of Russian folk art, and by the ideas of Futurism, the poster artists employed a new visual language to explain the results of the Revolution to the Soviet people. The Israel Museum's collection of Soviet propaganda posters is the largest museum collection of its kind outside Russia. This book illustrates the entire collection for the first time.
Hardcover. Berkeley, CA , University of California Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 283 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Black and white illustrations throughout. This richly detailed study reconceptualizes a striking but enigmatic moment in Rembrandt's art from the 1650s--one of the artist's most prolific and creative periods. Michael Zell identifies a significant theological shift in Rembrandt's use of religious imagery and interprets this shift in light of the unique religious and social conditions of seventeenth-century Amsterdam. Rembrandt's biblical art has generally been regarded as the embodiment of a Protestant aesthetic. By looking closely at the artist's relationship with his patron Rabbi Menasseh ben Israel and the ideas of a group of "philosemitic" Protestants with whom the rabbi was engaged in an apologetic dialogue, Zell deepens and complicates our understanding of Rembrandt's sacred art from this period.
Hardcover. Wilmington DE, Scholarly Resources Inc., 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The transcripts of Reagan.s five-minute broadcasts he made starting April 3rd, 1982. Clean copy.
Hardcover. New York , Aperture Book, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 207 pages, illustrated throughout in b&w. Light yellowing to edges and light shelf-wear to dust jacket, else a clean, tight copy. This book shows the life's work of one of the most brilliant photojournalists of our time, who raised the status of his craft to that of high art. In his bestselling autobiography, Unreasonable Behavior, Don McCullin told the extraordinary and sometimes harrowing story of how he grew up in north London's gangland and graduated from poverty to stardom as the most daring and self-sacrificing reporter of wars around the world - from Cyprus to Israel, the Congo and Biafra to Vietnam, Pakistan to Cambodia, Beirut to Iraq. But his interests go far beyond the battleground in all its degradation which he has captured so brilliantly. In this book he has collected some 200 of what he considers to be his best pictures. A few have become well-known icons, many have not been seen in a book before. They depict unemployed miners collecting coal from the beach at dawn, down-and-outs in the East End, the homeless in Bradford, but they also reveal a passion for landscape, especially in the mysterious light of India, and a moving contact between human beings in a harsh environment. DUE TO WEIGHT. DOMESTIC SHIPPING ONLY
Hardcover. NY, Crowell, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The third novel in Israel's mystery series featuring private detective B.F. Cage, this time investigating French professional basketball, drugs and the Paris underworld.
Hardcover. NY, Crowell, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The third novel in Israel's mystery series featuring private detective B.F. Cage, this time investigating French professional basketball, drugs and the Paris underworld.
Softcover. Hanover NH, Brandeis University Press , reprint, 1997, Book: Very Good, Dust Jacket: None, Softcover, pictorial wraps, 228 pages. INSCRIBED BY AUTHOR on title page. The Dead Sea is unlike any other place on earth. Situated a quarter mile below sea level, so saline it can't support life, surrounded by a desolate landscape, it is not just a geologic feature but a source of mystery connected to religious faith. In elegant and vivid prose, Barbara Kreiger re-creates and analyzes the myths and legends surrounding the site and examines both its natural history and its gradual and difficult exploration. But The Dead Sea (first published as Living Waters in 1988) is more than a detailed and delightful travelogue. It is also an inquiry into the human and political drama that has swirled around this mysterious place for more than 12,000 years. In an afterword to the new edition, Kreiger shows how the sea in the post-Peace Accord era may come to take on a new symbolism: with perpetual need for water and a thriving mineral industry as common bonds, Israel and Jordan, two traditional antagonists whose border bisects the sea, may find themselves joining forces to preserve its fragile ecosystem against the threats of technology and tourism. Tan stain to top corner of text b;ock, otherwise clean.
Hardcover. London, Faber & Faber, 1st, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 94 pages. David Daube was a scholar of Roman and Jewish law, and his expertise led him to some unique scriptural insights. In this stimulating monograph, Daube argues that the Bible presents the exodus as a judicial proceeding, with Egypt coming under God's judgment for its treatment of the Israelite slaves. He shows that this judicial model explains some unusual details of the narrative. For example, Moses' negotiations with Pharaoh and the fact that Israelite women were given jewelry before their departure are part of implementing the proper procedures for releasing slaves as outlined in Deut 15:13. Daube also brings out parallels in the biblical accounts of Israel's release from Egypt, Jacob's departure from Laban in Gen 31, and the release of the captured ark of the covenant by the Philistines in I Sam 6. Name on front fly leaf, light pencil notations to several pages.
Hardcover. NY, Crowell, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 233 pages. First edition of the author's 3rd novel and second B. F. Cage story. A story of murder set in Paris.