italy north

Atgen PA, Schiffer, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 144 pages illustrated in color and b&w. In 1942, Ed Vebell landed with the US Army in North Africa and was recruited by Stars & Stripes, the US armed forces newspaper, as their official staff artist. Daily, he drew illustrations and reported on the progress of World War II throughout Europe. This book offers a selection of his sketches, drawings, paintings, and photographs from that time, and presents one artist's view of the war from North Africa, through the campaigns in Italy, France, and Germany. After the war, the author spent two weeks with the Russians in Berlin, and was then assigned as the courtroom artist during the Nuremberg War Crimes Trials. Along the way are Ed's reminiscences about such personalities as famed war correspondent and artist Bill Mauldin, singers Josephine Baker and Edith Piaf, Charles de Gaulle, Gen. Teddy Roosevelt Jr., and many others. Ed also reminisces about his two years photographing backstage at the Folies Bergere in Paris, as well as his time as an Olympic fencer. Clean copy.

Hardcover. Italy, Gruppo Editoriale Fabbri, 1st, 1982, Book: Very Good, Dust Jacket: None, Hardcover, glossy pictorial boards. A retrospective survey of the photographs of Donald McCullin. The text is in Italian. He covered lots of violent events, war, civil war, terrorism. 50+ photos in this book from: Northern Ireland, Vietnam, Biafra, Cambodia, Beirut, India. ITALIAN TEXT. Clean copy.

Softcover. Philadelphia, Paul Dry Books, 1st US, 2002, Book: Very Good, Dust Jacket: None, Softcover, 326 pages. In an extraordinary literary debut, Aldo Zargani reconstructs the lost world of his Jewish childhood during the perilous years 1938-45 when he and his family fled from Fascists and Nazis in northern Italy. His haunting memoir acquires a cinematic intensity as he crosscuts from the blood-red stone spires of Basel, where his father failed to find refuge for his family in 1939, to fiery scenes of the Allied bombing of Turin in 1942, to the freezing winter of 1943-44, which Zargani and his brother spent hidden in a Catholic boarding school deep in the countryside.

Hardcover. NY, Macmillan Company, 1st, 1932, Book: Very Good, Dust Jacket: None, Hardcover, brick-red cloth with bright gilt lettering on cover and spine. Illustrated with 56 reproductions of etchings, aquatints, and drawings by John Taylor Arms, each with a captioned tissue-guard.. A delightful travelogue with exquisite artwork of John Taylor Arms. He specialized in portraying the gothic architecture of France and Italy. Traveling the back roads and visiting the then out-of-the-way towns of northern Italy by car, he visually captures the look and feel as his wife provides a charming travelog. Clean, bright copy.

Hardcover. Chapel Hill NC, University of North Carolina Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 277 pages, illustrated in b&w and color. The putto (often portrayed as a mischievous baby) appears frequently in the art and literature of Renaissance Italy. The "spiritelli" embody a minor species of demon, neither good nor bad. This book discusses the manifestations of the putto-spiritello in 15th-century art and literature. It offers parallel interpretations of two works: Botticelli's "Mars and Venus", a painting in which infant Satyr-putti appear as the panic-inducing spirits of the nightmare, and Politian's "Stanze", a poem in which masked cupids appear to the hero in a deceiving dream. The text concludes with an examination of the functions of such masks in the poetry and public masquerades sponsored by Lorenzo de'Medici and in Michelangelo's scheme for the decoration of the Medici Chapel. Clean copy.

Hardcover. NY, Peder Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. The biography of an immigrant girl from Fubine, a small village in Northern Italy, who makes a life for herself in the Bronx. A rambling account but very interesting with many b&w personal photos. Privately printed. Much on NY city life in the 20s and 30s in the Italian immigrant community. Clean copy.

Hardcover. London, Bloomsbury Publishing, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial cloth, 301 pages, color illustrations. Across the Mediterranean, one delicious cuisine gives way to the next. From Spain and Italy, through Greece and Turkey and down to North Africa, the region is rich with deeply delicious food. In Mediterra, renowned chef and author Ben Tish gives the tour of a lifetime. With seven-spice falafel from Lebanon, pork belly gyros from Greece, classic tiramisu from Italy, and grilled smoky sardines from Crete, the full flavors of the region are on glorious display for recipes that work across diets and seasons. Clean, bright copy.

Hardcover. NY, Metropolitan Museum of Art , 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 272 pages. Painters of Reality, titled after an exhibition held in Milan more than fifty years ago, is the first study in English of this major aspect of Italian art. It builds on the work of the art historian Roberto Longhi. Reexamining the subject in light of copious subsequent scholarship, the authors of this volume contribute major essays that define and discuss naturalism as it appeared in both Lombard paintings and drawings. There is also a fresh consideration of the North Italian predecessors whose influence is apparent either directly or indirectly, in the paintings of Caravaggio. More detailed discussions of the subject center on the precise elements that constituted Leonardo's "hypernaturalism": the important schools of paintings that arose in Brescia, Bergamo, Cremona, and Milan; and Caravaggio's most notable successors in northern Italy, who kept Lombard realism alive into the eighteenth century.Among the 136 paintings and drawings, many never before seen outside of Italy, are influential drawings by Leonardo and major paintings by Caravaggio. Other acknowledged masters in the history of European art are represented, including Lorenzo Lotto, Giovanni Girolamo Savoldo, Giovanni Battista Moroni, and Giacomo Ceruti. Works also appear from significant but less widely known artists such as Sofonisba, Anguissola, Vincenzo Campi, Moretto da Brescia, and Fra' Galgario.

Hardcover. Seattle, Fantagraphics, 1st, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 298 pages. Published for the first time in English -- and the first time in color -- the classic Petra Chérie by Italian master Attilio Micheluzzi follows the dramatic adventures of a mysterious heroine during the end of World War I. Originally published in serial format from 1977-1982, Petra Chérie follows the adventures of Petra De Karlowitz, 'Chérie' to creator Micheluzzi, who addresses her throughout the book. Born to a Polish businessman and the most beautiful woman in Paris, raised in Canton, China, and now based in neutral Holland, she is a spy who answers only to herself. Evoking but cleverly eschewing stereotypes of the femme fatale, Petra is equally at home in the cockpit of an airplane and behind the wheel of a motorcar. More than that, she is an endlessly fascinating enigma and one of the most iconic characters in Italian comics. In short, thrilling tales across sky, sea, and land, zipping from Northern Europe to Mitteleuropa, from the Balkans to the Bosphorus to the nascent Soviet Union, Micheluzzi grapples with an era when Europe's borders were in flux and battle lines were often blurred. Clean copy.

Softcover. South Royalton VT, Steerforth Press, reprint, 2001, Book: Very Good, Dust Jacket: None, Softcover, 187 pages plus b&w photos. With haunting photographs and piercing descriptions, Women of the Shadows depicts the secluded women of southern Italy and their passionate, painful, heartrending existence. Cornelisen, who lived among these women in the mountainous villages of Lucania after World War II, reveals their struggles during a time when most of their men had to leave for factories in the industrial north. The women remained behind to work the fields. There's Peppina, Ninetta, Teresa, Maria, Pinuccia, and Cettina, all women who "have done things of which they are not proud; they know it in their hearts, as one woman said, that nothing is private, they would also agree with her conclusion: That doesn't mean you get used to it." With an extraordinary understanding of the interior lives of these and other women, Cornelisen brings them out of the shadows to tell their heroic stories in a book which truly merits the label "classic." A new introduction by the author suggests that the more things change, the more, in essence, they remain the same. Wrappers sunned, otherwise tight and clean.