Hardcover. Notre Dame IN, University of Notre Dame Press, 1st, 1990, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black and gilt. 227 pages plus a section of b&w plates in rear.. A series of nine papers delivered at a conference with the same name in 1988 at the University of Notre Dame. It considered the relationship between politics and the literary and visual arts. Political scientists and anthropologists focus on the institutions that express power relationships. The aim of the Notre Dame Conference was to consider the relationship between politics and the literary and visual arts. The visual arts considered in this volume range from the traditional fine arts categories of painting, sculpture and architecture to minor art objects such as medals, badges, banners and seals. In general terms, the study of politics denotes the study of power relationships. Within this larger framework political scientists and anthropologists have chosen to focus on the institutions and structures that express these relationships and/or the actions that are undertaken by individuals and groups to define, alter, or reinforce them. Clean copy.
Softcover. London, Phoenix Press, reprint, 2001, Book: Very Good, Dust Jacket: None, Softcover, 718 pages. One of history's greatest reformers, Garibaldi won his first battle against Aegean Pirates, his last battle against German Dragoons. He went to jail in Russia and led Brazilian rebels in the field. He was twice an admiral and seven times a general, a high government official in at least five countries, became Commander in Chief of the Uruguayan Army, Dictator of Sicily and Freeman of the City of London.
Softcover. Torino IT, Claudiana, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, laminated wrappers, 526 pages, b&w illustrations. ITALIAN TEXT. Labels inside covers, from university library but like new, never checked out.
Softcover. NY, W. W. Norton , reprint, 1984, Book: Very Good, Dust Jacket: None, Softcover, 339 pages. In Felix Gilbert's skilled analysis, the figures of Niccolo Machiavelli, whose writing changed the way people think about politics, and Francesco Guicciardini, whose History of Italy is one of the first classics of modern historical writing, provide important clues to interpreting the Renaissance. "Instead of treating these two great figures in isolation, Professor Gilbert puts them into the context of their times, into the stream of political thinking and historical writing of which they were a part. . . .His book is the fruit of years of writing of which they were a part. . . .His book is the fruit of years of original research among Florentine archives and of careful thought about the problems of Renaissance politics and historiography." Clean, bight copy.
Softcover. NY, Bloomsbury, reprint, 2010, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 509 pages, b&w illustrations. In 1945, disguised in German greatcoat and helmet, Mussolini attempted to escape from the advancing Allied armies. Unfortunately for him, the convoy of which he was part was stopped by partisans and his features, made so familiar by Fascist propaganda, gave him away. Within 24 hours he was executed by his captors, joining those he sent early to their graves as an outcome of his tyranny, at least one million people. Bosworth's Mussolini allows us to come closer than ever before to an appreciation of the life and actions of the man and of the political world and society within which he operated. With extraordinary skill and vividness, drawing on a huge range of sources, this biography paints a picture of brutality and failure, yet one tempered with an understanding of Mussolini as a human being, not so different from many of his contemporaries. Clean copy.
Hardcover. Roma, CalicEditori, First Thus, 2004, Book: Very Good, Dust Jacket: Very Good, 440 pages. Hardcover in Italian text. Red cloth boards with black titles to spine. Bright navy dust jacket with photograph & red printed titles. Clean, unmarked & crisp copy.
Softcover. Princeton NJ, Princeton University Press, 1st US, 2018, Book: Very Good, Dust Jacket: None, Softcover, 276 pages, b&w illustrations. Wry political fairy tales from a nineteenth-century politician that speak to our current times. Edouard Laboulaye (1811-1883), one of nineteenth-century France's most prominent politicians and an instrumental figure in establishing the Statue of Liberty, was also a prolific writer of fairy tales. Smack-Bam, or The Art of Governing Men brings together sixteen of Laboulaye's most artful stories in new translations. Filled with biting social commentary and strong notions of social justice, these rediscovered tales continue to impart lessons today. Inspired by folktales from such places as Estonia, Germany, Iceland, and Italy, Laboulaye's deceptively entertaining stories explore the relationships between society and the ruling class. Clean copy.
Hardcover. NY, Verso, 1st, 2009, Hardcover in a bright, unclipped dust jacket, 561 pages. The New Old World looks at the history of the European Union, the core continental countries within it, and the issue of its further expansion into Asia. It opens with a consideration of the origins and outcomes of European integration since the Second World War, and how today's EU has been theorized across a range of contemporary disciplines. It then moves to more detailed accounts of political and cultural developments in the three principal states of the original Common Market-France, Germany and Italy. A third section explores the interrelated histories of Cyprus and Turkey that pose a leading geopolitical challenge to the Community. The book ends by tracing ideas of European unity from the Enlightenment to the present, and their bearing on the future of the Union. The New Old World offers a critical portrait of a continent now increasingly hailed as a moral and political example to the world at large. Clean copy.
Hardcover. Princeton NJ, Princeton University Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 375 pages. In probing chapters on C. G. Jung, Hans-Georg Gadamer, Georges Bataille, and Maurice Blanchot, Wolin discovers an unsettling commonality: during the 1930s, these thinkers leaned to the right and were tainted by a proverbial "fascination with fascism." Frustrated by democracy's shortcomings, they were seduced by fascism's grandiose promises of political regeneration. The dictatorships in Italy and Germany promised redemption from the uncertainties of political liberalism. But, from the beginning, there could be no doubting their brutal methods of racism, violence, and imperial conquest. Postmodernism's origins among the profascist literati of the 1930s reveal a dark political patrimony. The unspoken affinities between Counter-Enlightenment and postmodernism constitute the guiding thread of Wolin's suggestive narrative. In their mutual hostility toward reason and democracy, postmodernists and the advocates of Counter-Enlightenment betray a telltale strategic alliance--they cohabit the fraught terrain where far left and far right intersect. Clean copy.