Hardcover. Rome, Silvana Editoriale d'Arte, 1st, 1955, Book: Very Good, Dust Jacket: Good, Hardcover in a bright, lightly worn dust jacket. Italian text. B&w photos throughout by List.
Softcover. Madison WI, University of Wisconsin Press., reprint, 1999, Book: Very Good, Dust Jacket: None, Softcover, 254 pages. This is the life story of Rosa Cavalleri, an Italian woman who came to the United States in 1884, one of the peak years in the nineteenth-century wave of immigration. A vivid, richly detailed account, the narrative traces Rosa's life in an Italian peasant village and later in Chicago. Marie Hall Ets, a social worker and friend of Rosa&;s at the Chicago Commons settlement house during the years following World War I, meticulously wrote down her lively stories to create this book. Clean copy.
Hardcover. Roma, CalicEditori, First Thus, 2004, Book: Very Good, Dust Jacket: Very Good, 440 pages. Hardcover in Italian text. Red cloth boards with black titles to spine. Bright navy dust jacket with photograph & red printed titles. Clean, unmarked & crisp copy.
Hardcover. New York, Macmillan Company, 1st, 1968, Book: Very Good, Dust Jacket: Fair, Hardcover, 173 pages, with 132 photo plates of Coletti's work, introduction by Alan Pirest, with bibliography, biographical chronology, index, etc. Previous owner's writing on front fly leaf and rear endpaper, dust jacket edge tears with two corner chunks missing, price clipped, otherwise, internally clean and tight copy.Although born in Italy Joseph Coletti spent his life in the United States and became one of the great religious sculptors of the 20th Century.
Hardcover. Venice IT, Arsenale Editrice, 2nd Ed., 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 168 pages, color photos throughout. This edition of Secret Gardens in Venice, entirely in color, is intended to satisfy the growing desire of Venetians and tourists to know more about this fascinating city and its history. Examining both the present reality and the past history of the gardens of Venice, the authors seek to understand the special fascination of these places. Gianni Berengo Gardin has created a series of fascinating poetic images, which reveal a wholly new and unknown side of Venice. Clean copy.
Softcover. Carrara Italy, privately printed, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, unpaginated (48 pages), illustrated in color and b&w. Contains reproductions of Tallarigo's stone sculptures created from 1990-1995. Text in Italian and English.
Hardcover. Rome , Compagnia Edizioni Internazionali, Reprint , 1968, Book: Very Good, Dust Jacket: Very Good, 173 pages. Hardcover. Numerous full color illustrations. Illustrated flyleaves and endpapers. INSCRIBED BY AUTHOR on frontispiece. Gray and white dust jacket with full color illustration on the front. Light edgewear and foxing on top edge.
Hardcover. New York, G.P. Putnam's Sons, 1st Edition, 1920, Book: Very Good, Dust Jacket: None, 580 pages. Hardcover. 24 b/w illustrations throughout including frontispiece with tissue guard and 6 maps (fold out). Blue cover boards, gilt title on spine (slightly faded) and front cover, some moisture damage to front cover, bump to bottom right corner of board. Tanning to pages and edges, pages otherwise unmarked.
Hardcover. Tokyo, International House of Japan, 1st English Ed., 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 201 pages. Many of the world's major economies face shrinking populations this century. Everyone from Japan and Italy to China will have older and then shrinking populations in the foreseeable future. Japan is the first major economy to head down this path and there is a great deal to learn from their experience. Professor Masutani's book is the best text available in English. Some quick lessons - automation is not a solution, economies will shrink. The sometimes desperate acts that companies and governments take to prevent this shrinkage (like running deficits and over investment in automation and infrastructure) will make things worse, not better. Shrinking populations can lead to a healthier and happier population if the right policy steps are taken. Companies need to shift focus from growing the top-line (sales) to a focus on value generation and the bottom line. Clean copy.
Softcover. Princeton NJ, Princeton University Press, 1st US, 2018, Book: Very Good, Dust Jacket: None, Softcover, 276 pages, b&w illustrations. Wry political fairy tales from a nineteenth-century politician that speak to our current times. Edouard Laboulaye (1811-1883), one of nineteenth-century France's most prominent politicians and an instrumental figure in establishing the Statue of Liberty, was also a prolific writer of fairy tales. Smack-Bam, or The Art of Governing Men brings together sixteen of Laboulaye's most artful stories in new translations. Filled with biting social commentary and strong notions of social justice, these rediscovered tales continue to impart lessons today. Inspired by folktales from such places as Estonia, Germany, Iceland, and Italy, Laboulaye's deceptively entertaining stories explore the relationships between society and the ruling class. Clean copy.
Softcover. NY, American Italian Historical Assoc., 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 248 pages. This volume consists of a selection of 14 scholarly works examining the urban experience of Italian Americans in small towns and big cities, out of the approximately 60 stimulating papers presented at the 41st annual Conference of the American Italian Historical Association, held in 2008. Clean copy.
Hardcover. Torino, Italy, Hopeful Monster Editore, 1st, 2003, Book: Very Good, Dust Jacket: None, 45 pages. Hardcover with no dust jacket. Color and black and white photographs throughout. Clean, tight copy. Italian Text.
Hardcover. Bologna, Italy, Damiani, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover. Includes decorative slip case. Like new in publisher's shrink-wrap. Shoebox Studio records a moment in a fashion model's career that is rarely seen by a wider public: the model's first "getting-acquainted" photoshoot, in which no attempt is made to beautify or exaggerate her face, pose or expression. Having produced photo campaigns for some of the world's premier beauty clients (Lancome, L'Oreal, Revlon), French photographer and painter Stephane Coutelle is ideally placed to make these portraits of vulnerability and aspiration: his Shoebox Studio sees an unending parade of young women, newly arrived from all over the world and pursuing their first career. His first meeting with a model aims to establish their character and psychology, before professional reflexes take hold, and before complicity is established between photographer and model. Shoebox Studio gathers portraits of aspiring models taken between 2006 and 2010.
Hardcover. New York, The Museum of Modern Art, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 375 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. 507 illustrations (108 in color, 399 in duotone). Founded in 1935, The Museum of Modern Art's Department of Film and Media is home to one of the most important moving-image archives in the world. Still Moving: The Film and Media Collections of The Museum of Modern Art marks the first time that MoMA has published a volume dedicated exclusively to these holdings. Drawn primarily from the Museum's vast library of film stills, the nearly 500 images in this book represent just a fraction of the department's renowned archive, including one of the world's most important collections of international silent cinema; classic early sound films from the United States, Great Britain, France, Germany, Italy, Russia, and Japan; extensive holdings of documentary and animation shorts and feature films; significant examples of Hollywood filmmaking from studios such as Warner Brothers, RKO, MGM, Twentieth Century-Fox, and Paramount; and more recent works by leading independent and avant-garde film and media artists.
Hardcover. New York, The Museum of Modern Art, New York, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 375 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. 507 illustrations (108 in color, 399 in duotone). Founded in 1935, The Museum of Modern Art's Department of Film and Media is home to one of the most important moving-image archives in the world. Still Moving: The Film and Media Collections of The Museum of Modern Art marks the first time that MoMA has published a volume dedicated exclusively to these holdings. Drawn primarily from the Museum's vast library of film stills, the nearly 500 images in this book represent just a fraction of the department's renowned archive, including one of the world's most important collections of international silent cinema; classic early sound films from the United States, Great Britain, France, Germany, Italy, Russia, and Japan; extensive holdings of documentary and animation shorts and feature films; significant examples of Hollywood filmmaking from studios such as Warner Brothers, RKO, MGM, Twentieth Century-Fox, and Paramount; and more recent works by leading independent and avant-garde film and media artists.
Hardcover. London, Smith, Elder and Co., Second Edition, 1858, Book: Very Good, Dust Jacket: None, Three hardcover volumes with blue leather covers featuring marbled endpapers, raised bands along brown spines with red title plates, gilt decoration. Second Edition. Black & white, and some color illustrations in all 3 volumes by John Ruskin. Volume 1 - "The Foundations". 400 pages. Top edge gilt. Light, faint pencil marginalia to a few pages. Minor abrasion to covers. Clean, tight copy. Volume 2 - "The Sea Stories". 394 pages. Top edge gilt. Faint foxing to some pages. a few moderate abrasions to rear cover. Clean, tight copy. Volume 3 - "The Fall". 362 pages. Top edge gilt. Light pencil marginalia scattered throughout. Faint foxing to some pages. Minor abrasions to covers. Clean, tight copy. A nice set.
Hardcover. Milan, Mondadori, 1st, 1945, Book: Good, Dust Jacket: None, Hardcover, 6 unnumbered pages including the inside of both covers. Publisher's thick pictorial boards backed in white cloth-patterned paper & saddle stapled. Lightly soiled, edges slightly rubbed, otherwise very good. A nice example with all flaps and concealed color illustrations in perfect working order. Three stories of birds each with it's own open-the-flap text and graphic art. Laid in is a typed English translation of the text. Bruno Munari was "one of the most celebrated names in twentieth century Italy in graphic designing who fundamentally altered the landscape of many fields of visual arts, futurism and modernism He is credited for his contribution to industrial design, sculpture, painting, literature, film and concrete art." A collector's copy of this scarce title.
Hardcover. NY, The Grolier Club, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, cream colored boards with a red cloth spine, 195 pages. Limited to 500 copies. This excellent catalogue includes introductory essays by Martino Marazzi, Francesco Durante, and Robert Viscusi. It contains a bibliography of over 800 primary and secondary Italian-language works printed in America. Signed & inscribed by James Periconi to the previous owner on title page. Light fade to boards at top edge, Clean copy.
Hardcover. Chicago, Art Institute of Chicago, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 199 pages. Hardcover with dust jacket. Very clean, like new in publishers shrink-wrap. This catalogue presents 59 masterful Italian drawings from the late 15th, 16th, and 17th centuries: working drawings, preparatory sketches, and finished compositions that have been added in recent years to the private collection of Jean and Steven Goldman. In her essays, Jean Goldman assesses the collection within the context of Mannerism and the role of drawing in the business of art. She and Nicolas Schwed coauthor detailed entries on the works' attributions, subjects, and functions, complete with documentation including provenance, bibliography, exhibition history, and comparative illustrations. The catalogue presents the work of more than forty artists, some of whom, such as Giorgio Vasari and Pietro da Cortona, were major figures, and others who were virtually unknown. Together, these magnificent works trace the rise and evolution of Mannerism in Italy.
Hardcover. Cambridge, The MIT Press, 1st Edition, 1977, Book: Very Good, Dust Jacket: Very Good, 220 pages. Hardcover. Black & white illustrations throughout.Light foxing to edges, pen markings on a couple pages. Dust jacket with shelf wear, small tears to edges. Previous owner's signature to front flyleaf. Otherwise clean, tight copy.
Softcover. NY, Bordighera Press , 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 97 pages. Bilingual Edition in English and Italian. INSCRIBED BY THE TRANSLATOR, Laura Ruberto. "An immigrant woman's moving account of what one gains, but also what one loses, when emigrating to the U.S. from a village in rural Campania. All those who have been uprooted from their homes can identify with this Southern Italian woman's life story--marked by acceptance of hardship and the poetic memory of the village in which she was born and to which she could not bear to return". Clean, bright copy.
Hardcover. Italy, NY University Casa Italiana Zerilli-Marimo, 1st, 2005, Book: Very Good, Dust Jacket: None, Hardcover, white pictorial boards with light gray cloth spine. 30 pages illustrated in color, several fold-out plates. Clean, bright exhibition catalog. Opening essay in Italian and English.