japan war

Hardcover. NY, Random House, 1st, 1939, Book: Good, Dust Jacket: None, Hardcover, textured beige cloth, moderately soiled. No edition or printing stated on copyright page. Illustrated with 32 pages of b/w photographs, as well as endpaper maps, red and black frontispiece illustration. The story of the trip Auden and Isherwood made to China during its war with Japan, prior to the outbreak of the Second World War. Includes 32 pages of photographs, as well as several sonnets and one long poem by Auden. Narrative written by Isherwood. There is a tan stain that goes across pages 68-69, that looks like a rorschach test. Otherwise clean.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1982, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with a hole on front fore-edge, 318 pages. Mutsu Munemitsu was the Foreign Minister of Japan during the time of the Sino-Japanese War from 1894 until the signing of the peace treaty on May 8, 1895. Mutsu was responsible for the secret documents on diplomatic matters in which he was involved, such as the Sino-Japanese War of 1894-1895 and the facts about the Triple Intervention. The phrase "kenken" means "serving the sovereign with a pained heart," thus showing his loyalty to serve the Emperor. The documents in this book are exceedingly important as they are virtually the only material mentioning the diplomatic situations in the days of the Sino-Japanese War of 1894-1895. Name on front fly leaf otherwise clean.

Hardcover. Chapel Hill, North Carolina, Algonquin Young Readers, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 113 pages. Hardcover. Extensive color illustrations by James McMullan throughout. Illustrated paste downs and end papers. Clean, unmarked copy with only minor wear to dust jacket. McMullan explained, "In my late seventies I decided to organize my memories of my childhood before and during the Second World War into a coherent narrative. The tension of our lives when the Japanese army took over our town in China and the subsequent anxieties of traveling from country to country with my mother has imprinted the incidents of those years into my memory with an enduring lucidity that defies the otherwise fading recall of my aging mind."

NY, Basic Books, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 793 pages. In this exceptionally innovative work, Walter McDougall projects on a large screen four hundred years of exciting voyages of discovery, pioneering feats, engineering marvels, political plots and business chicanery, racial clashes and brutal wars. It is a chronicle complete with little-known facts and turning points, but always focused on the remarkable people at the center of events, among them the America-loving Japanese ambassador to Washington on the eve of the attack on Pearl Harbor, the Russian builder of the Trans-Siberian Railway, and a Hawaiian queen during the first period of Western competition for the islands.Let the Sea Make a Noise . . . is a gripping account of the rise and fall of the empires in the last, vast, unexplored corner of the habitable earth -- an area occupying one-sixth of the globe. Clean copy.

Hardcover. Jefferson NC, McFarland Publishing, 1st, 1997, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with white lettering. 176 pages, b&w illustrations. In 1945, the author found herself in the monsoon-drenched jungles of Assam, caring for soldiers in the China-Burma-India theater of war. Nothing in her nurse's training had prepared her for the tropical diseases her patients faced, nor had her experiences readied her for a hospital where men spat on the floor, rats were pervasive, and patients were as likely to sell their medicine as swallow it. What made the experience tolerable was Nurse Camp's romance with one of the airmen who flew the Hump, supplying O.S.S. troops behind Japanese lines and carrying General Joseph Stillwell's Chinese troops to fight the battle of North Burma. She accompanied her future husband on some of his missions. Based, in part, on letters she wrote to her parents, this is the poignant story of one nurse's experience in World War II and how her service changed her life forever. Name on front fly leaf, otherwise a clean, bright copy.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 1971, Hardcover in a bright dust jacket, 378 pages. From dust jacket notes: "For most Americans, the Second World War started on December 7, 1941, and much of the fighting took place in strange, faraway places. For the British, the war started on September 3, 1939, and much of the action took place in the skies over England. In the spring of 1940, after months of uneasy calm, Germany invaded the Lowlands and conquered France within a few days, leaving England without her only meaningful ally on the Continent. A year would pass before the Soviet Union was drawn into the war, and eighteen months before the Japanese attacked Pearl Harbor. The United Kingdom, with a land area about the size of Wyoming, was alone, all alone, with only the Straits of Dover separating the island from Hitler's war machine. For six years Mollie Panter-Downes covered the war for The New Yorker magazine from her native England. Even at the height of the air war over London, when 'all that is best in the good life of civilized effort appears to be slowly and painfully keeling over,' she continued to file her fortnightly reports in an understated but dramatic fashion that reflected the fortitude of her fellow countrymen: 'The announcements of the first air-raid deaths are beginning to appear in the obituary columns of the morning papers. No mention is made of the cause of death, but the conventional phrase "very suddenly" is always used.' William Shawn, editor of The New Yorker, has assembled Miss Panter-Downes' 'Letter from London' columns into a consecutive, on-the-spot chronicle of the war in England."

Hardcover. Shambhala, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 174 pages, color plates. Little known during his lifetime, the Japanese biologist and artist Iwasaki Tsuneo (1917-2002) created a strikingly original and exquisitely intricate body of modern Buddhist artwork. His paintings depict themes ranging from classical Buddhist iconography to majestic views of our universe as revealed by science--all created with the use of painstakingly rendered miniature calligraphies of the Heart Sutra, one of the most important scriptures of Mahayana Buddhism. In this groundbreaking book, Paula Arai presents over fifty of Iwasaki's paintings, elucidating their Buddhist contexts and meanings as well as their intimate connections to Iwasaki's life as a war survivor, teacher, scientist, and devout Buddhist practitioner. Having been posthumously recognized by His Holiness the Dalai Lama, Iwasaki's paintings are sure to be regarded as an innovative and heartfelt contribution to the artistic legacy of twentieth-century Buddhism.

Hardcover. Westport CT, Greenwood Press, reprint, 1981, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with gilt lettering on spine, 210 pages. Professor Dunn presents an account of the making of the Japanese peace treaty. He discusses the international environment from the outbreak of World War II to 1950, the San Francisco conference of September 1951 and the security arrangements which the United States helped to create in the Pacific and Asian area. Originally published in 1963 by Princeton. Name on front fly leaf, otherwise clean.

Softcover. NY, Pantheon Books, 1st, 1982, Book: Very Good, Dust Jacket: None, Softcover, 297 pages. This compelling social history uses diaries, memoirs, fiction, trial testimony, personal recollections, and eyewitness accounts to weave a fascinating tale of what ordinary Japanese endured throughout their country's era of economic growth. Through vivid, often wrenching accounts of peasants, miners, textile workers, rebels, and prostitutes, Mikiso Hane forces us to see Japan's "modern century" (from the beginnings of contact with the West to World War II) through fresh eyes. In doing so, he mounts a formidable challenge to the success story of Japan's "economic miracle." Starting with the Meiji restoration of 1868, Hane vividly illustrates how modernization actually widened the gulf, economically and socially, between rich and poor, between the mo-bo and mo-ga ("modern boy" and "modern girl") of the cities and their rural counterparts. He interlaces his scholarly narrative with sharply etched individual stories that allow us see Japan from the bottom up. Clean copy.

Hardcover. NY, Library of America, 12th pr., Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 830 pages. Known in his lifetime primarily to readers of science fiction, Philip K. Dick is now seen as a uniquely visionary figure, a writer who, in editor Jonathan Lethems words, wielded a sardonic yet heartbroken acuity about the plight of being alive in the twentieth century, one that makes him a lonely hero to the readers who cherish him.This Library of America volume brings together four of Dicks most original novels. The Man in the High Castle (1962), which won the Hugo Award, describes an alternate world in which Japan and Germany have won World War II and America is divided into separate occupation zones. The dizzying The Three Stigmata of Palmer Eldritch (1965) posits a future in which competing hallucinogens proffer different brands of virtual reality, and an interplanetary drug tycoon can transform himself into a godlike figure transcending even physical death.Do Androids Dream of Electric Sheep? (1968), about a bounty hunter in search of escaped androids in a postapocalyptic society where status is measured by the possession of live animals and religious life is focused on a television personality, was the basis for the movie Blade Runner. Ubik (1969), with its future world of psychic espionage agents and cryonically frozen patients inhabiting an illusory half-life, pursues Dicks theme of simulated realities and false perceptions to ever more disturbing conclusions. Remainder mark to bottom edge, otherwise like new.

Hardcover. Princeton NJ, Princeton University Press, 2nd pr., 1969, Book: Very Good, Dust Jacket: Very Good, 637 pages, black cloth covers with red and gilt design on spine. Previous owner's signature on front fly leaf. Bright, price-clipped dust jacket.

Hardcover. NY, W. W. Norton, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 635 pages. The definitive history of one of the most brutal campaigns of the war in the Pacific. "What Iris Chang did for our understanding of the Rape of Nanking, James M. Scott has now done for the Battle of Manila. Here is a sweeping tale of frenzied fighting and heartbreaking devastation, written by a meticulous historian who has unflinchingly probed the truth of this largely forgotten episode from the Pacific." Clean copy.

Softcover. London/NY, Thames & Hudson, 1st, 2024, Book: Very Good, Dust Jacket: None, Softcover, 288 pages. An accessible and visually rich study of Japanese photography since 1945 by an experienced curator specializing in Japanese art and culture. From the severity of post-war Realism to the diversity and technical ingenuity of the present, via movements and groups such as Vivo in the 1960s and 'girls' photography' in the 1990s, this visually bold and richly volume traces the development of Japanese photography since 1945. Interleaved are new interviews with some of the most influential practitioners in photographic history, from Moriyama Daido to Araki Nobuyoshi and Kawauchi Rinko. Lena Fritsch writes with imagination and clarity, interrogating a cross-section of photographic movements and works against the vivid, shifting backdrop of Japanese social, cultural and political history. The result is both an accessible introduction and an illuminating work of analysis for general readers and aficionados alike.

Hardcover. NY, W W Norton & Co., 1st, 1982, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket, 258 pages, b&w illustrations. Records in detail Watson's heroic war against the whalers and seal hunters who are decimating the animal populations. The young Canadian conservationist, is determined to stop that, even if it costs him his life. Three times, on the ice floes off Labrador, he threw himself between baby harp seals and their killers. He sprayed the pups with a harmless red dye, rendering their white pelts commercially useless. He was beaten, nearly drowned, jailed. Against Soviet and Japanese whalers, he raced his kamikaze inflatable dinghy to a blocking position between harpooner and whale. Then, which his own boat, the Sea Shepherd, supported by the Cleveland Amory's Fund for Animals, Watson rammed the pirate whaler Sierra off Portugal. Bookplate on inside front cover, light foxing to edges of text block, otherwise clean.

Softcover. New Haven CT, Yale University Press, 2009, Book: Very Good, Dust Jacket: None, Softcover, 144 pages. Like new in publisher's shrink-wrap. Designated a Living National Treasure in 1956, Serizawa Keisuke (1895-1984) was one of the greatest artists of 20th-century Japan. This is the first book in English to trace Serizawa's artistic biography in detail using the finest examples of his work from leading Japanese collections. A major exponent of the mingei (people's crafts) movement, Serizawa achieved fame as a textile designer using traditional stencil-dyeing techniques and often working in large-scale formats such as folding screens or kimonos. The stunning works in this catalogue are important not only for the originality of their conception, but also for the variety of their materials: cotton, silk, hemp and a range of other fibers, and paper decorated with the brilliant yet warm hues of vegetable dyes. Dramatic in design, Serizawa's textiles have an expressive power that far transcends expectations of a "craft" medium.

Hardcover. NY, Knopf, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 418 pages, b&w illustrations. From the author of the best-selling One Minute to Midnight, a riveting account of the pivotal six-month period spanning the end of World War II, the dawn of the nuclear age, and the beginning of the Cold War. When Roosevelt, Stalin, and Churchill met in Yalta in February 1945, Hitler's armies were on the run and victory was imminent. The Big Three wanted to draft a blueprint for a lasting peace--but instead set the stage for a forty-four-year division of Europe into Soviet and western spheres of influence. After fighting side by side for nearly four years, their political alliance was rapidly fracturing. By the time the leaders met again in Potsdam in July 1945, Russians and Americans were squabbling over the future of Germany and Churchill was warning about an "iron curtain" being drawn down over the Continent. These six months witnessed some of the most dramatic moments of the twentieth century: the cataclysmic battle for Berlin, the death of Franklin Roosevelt, the discovery of the Nazi concentration camps, Churchill's electoral defeat, and the dropping of atomic bombs on Japan. While their armies linked up in the heart of Europe, the political leaders maneuvered for leverage: Stalin using his nation's wartime sacrifices to claim spoils, Churchill doing his best to halt Britain's waning influence, FDR trying to charm Stalin, Truman determined to stand up to an increasingly assertive Soviet superpower.

Hardcover. NY, Knopf, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 205 pages, b&w illustrations. The distinguished filmmaker chronicles his life from his birth in 1910 to the worldwide success in 1951 of his film "Rashomon" and provides a provocative account of the Japanese film industry. Much of the book focuses on his early life, and the reader empathizes greatly with the young Kurosawa. There was much tragedy in his young life, both within his family, but also with the nation of Japan during the years leading up to and including the war. Much of his early career was spent trying to work on and create good films while appeasing the Japanese censors. Remainder dot on top edge otherwise a clean copy.

Hardcover. New York, The Museum of Modern Art, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 375 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. 507 illustrations (108 in color, 399 in duotone). Founded in 1935, The Museum of Modern Art's Department of Film and Media is home to one of the most important moving-image archives in the world. Still Moving: The Film and Media Collections of The Museum of Modern Art marks the first time that MoMA has published a volume dedicated exclusively to these holdings. Drawn primarily from the Museum's vast library of film stills, the nearly 500 images in this book represent just a fraction of the department's renowned archive, including one of the world's most important collections of international silent cinema; classic early sound films from the United States, Great Britain, France, Germany, Italy, Russia, and Japan; extensive holdings of documentary and animation shorts and feature films; significant examples of Hollywood filmmaking from studios such as Warner Brothers, RKO, MGM, Twentieth Century-Fox, and Paramount; and more recent works by leading independent and avant-garde film and media artists.

Hardcover. New York, The Museum of Modern Art, New York, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 375 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. 507 illustrations (108 in color, 399 in duotone). Founded in 1935, The Museum of Modern Art's Department of Film and Media is home to one of the most important moving-image archives in the world. Still Moving: The Film and Media Collections of The Museum of Modern Art marks the first time that MoMA has published a volume dedicated exclusively to these holdings. Drawn primarily from the Museum's vast library of film stills, the nearly 500 images in this book represent just a fraction of the department's renowned archive, including one of the world's most important collections of international silent cinema; classic early sound films from the United States, Great Britain, France, Germany, Italy, Russia, and Japan; extensive holdings of documentary and animation shorts and feature films; significant examples of Hollywood filmmaking from studios such as Warner Brothers, RKO, MGM, Twentieth Century-Fox, and Paramount; and more recent works by leading independent and avant-garde film and media artists.

Hardcover. Urbana IL, University of Illinois Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 162 pages, b&w illustrations. In the wake of Kristallnacht, November 9, 1938, Sigmund Tobias and his parents fled their home in Germany and relocated to one of the few cities in the world that offered shelter without requiring a visa: the notorious pleasure capital, Shanghai. Seventeen thousand Jewish refugees flocked to Hongkew, a section of Shanghai ruled by the Japanese, and they created an active community that continued to exist through the end of the war. Tobias's coming-of-age story unfolds within his descriptions of Jewish life in the exotic sanctuary of Shanghai. Depleted by disease and hunger, constantly struggling with primitive and crowded conditions, the refugees faced shortages of food, clothing, and medicine. Tobias also observes the underlife of Shanghai: the prostitution and black market profiteering, the brutal lives of the Chinese workers, the tensions between Chinese and Japanese during the war, and the paralyzing inflation and the approach of the communist "liberators" afterward.Richly detailed, Strange Haven opens a little-documented chapter of the Holocaust and provides a fascinating glimpse of life for these foreigners in a foreign land. An epilogue describes the changes Tobias observed when he returned to Shanghai forty years later as a visiting professor.

Hardcover. Trans Pacific Press, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover in glossy boards, 170 pages. Stratification in Cultural Contexts is a collection drawn from research results of the East Asian Division of the Center for the Study of Social Stratification and Inequality at Tohoku University. In this book, scholars who specialize in areas of East and Southeast Asia examine how the problem of stratification manifests itself in different cultural and historical contexts, discussing when and in what circumstances the problem of stratification has become more serious, and suggesting how the tension could be eased. The topics dealt with are diversified, from religion to economic concerns. The local wisdom of traditional societies is used to analyze inequality and stratification in cases such as the phenomenon of 'religious revival' following democratization in Mongolian society, the lives of 'slaves' under the Choson dynasty in Korea, and the role of warrior-class women in early-modern Japan. Clean, bright copy.

Hardcover. Clover Press , 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards. The saga continues in Terry and the Pirates Volume 8, reproduced from Milton Caniff's personal set of color syndicate tabloid proofs. Pat Ryan's bittersweet reunion with the entire Sandhurst family including young daughter Merrily is cut short when they are captured and placed in a Japanese prisoner of war camp. Even worse, human weasel Tony Sandhurst is revealed as an Axis conspirator! Pat revs up an escape for Normandie, Merrily, and himself, but their path to freedom intersects with the Dragon Lady. When the Sandhurst women find themselves on their own behind enemy lines, their privations finally end in the same U.S. Army camp hospital where Terry Lee is recuperating! Terry has happy encounters with nurse Taffy Tucker and aviator Flip Corkin, and a less-pleasant encounter with the conniving redhead known only as Rouge! This tabloid-sized Volume 8 containing the 1942 dailies and Sundays is an unparalleled upgrade that no Terry fan can afford to pass up. Sill in publisher's shrinkwrap. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Softcover. Annapolis MD, Naval Institute Press, reprint, 1989, Book: Very Good, Dust Jacket: None, Softcover, 596 pages. The second part of H. P. Willmott's three-volume history of the war in the Pacific, this work tells how Japan arrived at a situation in which war with the United States was the only means of ensuring long-term security and resolving her immediate problems of access to raw materials and of an unwinnable war in China. Totally balanced in presentation, the book also explains the basis of Allied miscalculations and provides explanations of the defeats that overwhelmed American, British, and Dutch forces throughout Southeast Asia in a little more than three months. Willmott argues that it was Japan's concentration and economy of force that contributed to its success in that early campaign. It was a later decision to disperse forces over a large area, he says, that resulted in Japan's loss of the Coral Sea and Midway battles and ultimately the entire war. Clean copy

Softcover. UK, Cambridge University Press, reprint, 2011, Book: Very Good, Dust Jacket: None, Softcover, 231 pages, b&w illustrations. The Chinese peoples' experience of war during the Second World War, as it is known in the West, was one of suffering and stoicism in the face of dreadful conditions. China's War of Resistance began in 1937 with the Japanese invasion and ended in 1945 after eight long years. Diana Lary, one of the foremost historians of the period, tells the tragic history of China's war and its consequences from the perspective of those who went through it. Using archival evidence only recently made available, interviews with survivors, and extracts from literature, she creates a vivid and highly disturbing picture of the havoc created by the war, the destruction of towns and villages, the displacement of peoples, and the accompanying economic and social disintegration. Her focus is on families torn apart, men, women, and children left homeless and struck down by disease and famine. It is also a story of courage and survival. By 1945, the fabric of China's society had been utterly transformed, and entirely new social categories had emerged. As the author suggests in a new interpretation of modern Chinese history, far from stemming the spread of communism from the USSR, which was the Japanese pretext for invasion, the horrors of the war, and the damage it created, nurtured the Chinese Communist Party and helped it to win power in 1949. Clean copy.