japan

NY, Basic Books, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 793 pages. In this exceptionally innovative work, Walter McDougall projects on a large screen four hundred years of exciting voyages of discovery, pioneering feats, engineering marvels, political plots and business chicanery, racial clashes and brutal wars. It is a chronicle complete with little-known facts and turning points, but always focused on the remarkable people at the center of events, among them the America-loving Japanese ambassador to Washington on the eve of the attack on Pearl Harbor, the Russian builder of the Trans-Siberian Railway, and a Hawaiian queen during the first period of Western competition for the islands.Let the Sea Make a Noise . . . is a gripping account of the rise and fall of the empires in the last, vast, unexplored corner of the habitable earth -- an area occupying one-sixth of the globe. Clean copy.

Hardcover. Jefferson NC, McFarland Publishing, 1st, 1997, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with white lettering. 176 pages, b&w illustrations. In 1945, the author found herself in the monsoon-drenched jungles of Assam, caring for soldiers in the China-Burma-India theater of war. Nothing in her nurse's training had prepared her for the tropical diseases her patients faced, nor had her experiences readied her for a hospital where men spat on the floor, rats were pervasive, and patients were as likely to sell their medicine as swallow it. What made the experience tolerable was Nurse Camp's romance with one of the airmen who flew the Hump, supplying O.S.S. troops behind Japanese lines and carrying General Joseph Stillwell's Chinese troops to fight the battle of North Burma. She accompanied her future husband on some of his missions. Based, in part, on letters she wrote to her parents, this is the poignant story of one nurse's experience in World War II and how her service changed her life forever. Name on front fly leaf, otherwise a clean, bright copy.

Hardcover. NY, Dial, 1st US, 1994, Book: Very Good, Dust Jacket: Very Good, Non-paginated. hardcover with dust jacket. Illustrated in color by French. Tight copy.

Hardcover. NY, Dial, 1st US, 1994, Book: Very Good, Dust Jacket: Very Good, Non-paginated. hardcover with dust jacket. Illustrated in color by French. Tight copy.

Hardcover. New York, Wise-Parslow, reprint, 1928, Book: Very Good, Dust Jacket: None, Hardcover. 91 pages. Color illustrations by Frederick Richardson. Edgewear. Rubbing to corners, spine, covers.

Hardcover. Chicago, Book House For Children, 30th printing, 1954, Book: Very Good, Textured blue-purple cloth covers with gilt titles, set-in circular color plate to front with embossed border, decorative illustrated endpapers, profusely illustrated with color illustrations by Katharine Sturges. Slight edgewear and rubbing to covers, spine stiff and tight, pages clean, crisp and unmarked; a beautiful clean, tight copy in great condition.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 1971, Hardcover in a bright dust jacket, 378 pages. From dust jacket notes: "For most Americans, the Second World War started on December 7, 1941, and much of the fighting took place in strange, faraway places. For the British, the war started on September 3, 1939, and much of the action took place in the skies over England. In the spring of 1940, after months of uneasy calm, Germany invaded the Lowlands and conquered France within a few days, leaving England without her only meaningful ally on the Continent. A year would pass before the Soviet Union was drawn into the war, and eighteen months before the Japanese attacked Pearl Harbor. The United Kingdom, with a land area about the size of Wyoming, was alone, all alone, with only the Straits of Dover separating the island from Hitler's war machine. For six years Mollie Panter-Downes covered the war for The New Yorker magazine from her native England. Even at the height of the air war over London, when 'all that is best in the good life of civilized effort appears to be slowly and painfully keeling over,' she continued to file her fortnightly reports in an understated but dramatic fashion that reflected the fortitude of her fellow countrymen: 'The announcements of the first air-raid deaths are beginning to appear in the obituary columns of the morning papers. No mention is made of the cause of death, but the conventional phrase "very suddenly" is always used.' William Shawn, editor of The New Yorker, has assembled Miss Panter-Downes' 'Letter from London' columns into a consecutive, on-the-spot chronicle of the war in England."

Hardcover. Boston, Houghton Mifflin, 1st, 1956, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket, 149 pages. Life of a Japanese, rescued from shipwreck by an American whaler, who spent his youth in New England, returned to Japan, and was important in the opening of Japan to the Occident in the 19th century. Clean copy.

Hardcover. Boston, David Godine, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 132 pages, 110 ill. (109 color, including covers). Photographs taken on Guggenheim Foundation and Asian Cultural Council Fellowship in 1983 and 1984 in Japan, Indonesia, Hong Kong, Thailand, India, the Philippines, China, Burma, South Borneo, and Vietnam. Like new in publisher's shrink-wrap.

Hardcover. Ostfildern, Hatje Cantz, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover in a white cardboard slipcase, 352 pages. One of the best-known Japanese artists of the international scene, Mariko Mori, born in 1967 in Tokyo, envisions fantastical worlds and beings in spectacular photographs and videos--frequently casting herself amid these scenarios as a Bjork-esque avatar in biomorphic and technological symbiosis. Mori studied fashion design in Tokyo, worked briefly as a model and later studied fine art in England, and this early education is visible in her elaborately produced photographs, videos and sculpture that are as reminiscent of Hollywood as they are of contemporary art. Her recent work involves exotic landscapes, computer-generated images and choreographed performances for which the artist designs her own costumes and plays the central characters.This extraordinary and substantial publication offers a retrospective of Mori's entire oeuvre, and is the first to present the complete Beginning of the End: Past, Present, Future, a photographic cycle produced over a period of 11 years, in which Mori presents herself as a time traveler in a plexiglass capsule at significant symbolic locations, from Giza to New York to Shanghai.

Softcover. Tokyo/NY, Kodansha USA, reprint, 1999, Book: Very Good, Dust Jacket: Very Good, Softcover with a dust jacket, 152 pages. Highlights over 130 outstanding examples from the vast holdings of the Victoria and Albert Museum in London. Strikingly original and sumptuously colored, the ukiyo-e in these pages recapture the spirit of the period in which they were created. Here can be found the glamorous courtesans of the Yoshiwara pleasure quarters, the flamboyant vigor of kabuki theater, and the diversities of the Japanese landscape. Clean copy

Hardcover. New York, George Braziller, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 231 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. 124 color prints. 13 gatefold illustrations especially valuable: nearly 5 feet wide when opened. Textual material includes descriptions of each screen reproduced, a glossary, and short biographies of the artists whose work is presented.

Hardcover. New York, Alskog/Holt Rinehart Winston, 1st, 1975, Book: Very Good, Dust Jacket: Very Good, 190 pages, b&w photographs by Gene Smith. Minor edgewear to dust jacket, otherwise very good. This is a seminal photography book by the wonderful documentary photographer W. Eugene Smith and his wife Aileen M. Smith, showing incredible bravery in which the Smith's risk their own life after W. Eugene Smith is physically beaten. Also, this is the first photography book to examine the toxic affect on human beings of toxics in the water system.

Hardcover. Cambridge MA, Harvard University Press, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, 322 pages, bright maroon cloth covers with silver lettering on spine. Bright, clean copy in a similar dust jacket. Previous owner's signature on front fly leaf.

Softcover. Seattle, Fantagraphics, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. A quarterly anthology of literary comics. This first volume of Mome features the following: John Pham's (Epoxy) 221 Sycamore Ave., Paul Hornschemeier (Mother Come Home and Forlorn Funnies) contributes a six-part graphic novella titled Life with Mr. Dangerous, Anders Nilsen's The Beast is a full-color, 12-page absurdist monologue by a single character on the push-and-pull of art and politics, Jeffrey Brown contributes an autobiographical piece, David Heatley contributes the first of a series of fictional stories revolving around a cast of characters in a town called a Overpeck (also the name of the strip) that follows a bizarre dream logic, Andrice Arp adapts a Japanese fairy tale called Jewels of the Sea, Kurt Wolfgang examines death, Gabrielle Bell examines the existentialism of the dot-com boom, Jonathan Bennett dances with the Ventures, and Sophie Crumb (Belly Button Comix) delivers a piece of comics biography. With cartoons by Martin Cendreda.

Softcover. Seattle, Fantagraphics, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 112 pages. A quarterly anthology of literary comics. This first volume of Mome features the following: John Pham's (Epoxy) 221 Sycamore Ave., Paul Hornschemeier (Mother Come Home and Forlorn Funnies) contributes a six-part graphic novella titled Life with Mr. Dangerous, Anders Nilsen's The Beast is a full-color, 12-page absurdist monologue by a single character on the push-and-pull of art and politics, Jeffrey Brown contributes an autobiographical piece, David Heatley contributes the first of a series of fictional stories revolving around a cast of characters in a town called a Overpeck (also the name of the strip) that follows a bizarre dream logic, Andrice Arp adapts a Japanese fairy tale called Jewels of the Sea, Kurt Wolfgang examines death, Gabrielle Bell examines the existentialism of the dot-com boom, Jonathan Bennett dances with the Ventures, and Sophie Crumb (Belly Button Comix) delivers a piece of comics biography. With cartoons by Martin Cendreda.

Softcover. Chicago, Terra Museum of American Art, 1st, 1984, Book: Very Good, Dust Jacket: None, Softcover, 159 pages, with 72 illustrations, 52 in color. Light edge wear to wrappers, else a very clean, tight copy. These monotypes are presented by Cecily Langdale in this book which was published in 1984. It contains a brief Biography of the artist that describes his influences, travels and contacts, and a general discussion about Monotypes which summarises their chronology, style and technique. These two essays are illustrated by 28 b/w figures. The monotypes are then presented, in colour, with commentaries on each by Langdale that integrate factual information and artistic significance. Addenda include a further 3 monotypes by the artist and there is a Bibliography of relevant publications. Prendergast executed his last monotypes in 1901-02, probably because of his increased interest on the complexities of oil painting techniques that he continued to explore for the remainder of his life. For anyone unfamiliar with monotypes, the information provided by Langdale is extremely useful to enable a full appreciation of the works presented in this book. The artist used oil paint in the preparation of his monotypes and may have used a spoon to transfer the images onto the Japanese tissue support.

Hardcover. NY, Macmillan, 1st, 1945, Book: Good, Dust Jacket: None, Hardcover, light tan cloth covers with light wear, 436 pages. The author spent 25 years in China as a journalist. Powell's book covers the period between (1917-1945) and discusses the personalities of the day: Chiang Kai Shek, Yuan Shi Kai and Chang Husiliang as well the intrigues of the Soviets and the Japanese. Note: Powell lost both his feet to the Japanese at his stay at the Bridge House. No markings.

Hardcover. New York, St. Martin's Press, 1st US, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 233 pages, black cloth covers with gilt lettering on spine. Previous owner's signature on front fly leaf. Some light pencil marking to pages. Nihonjinron is a school of thought about Japanese persons exceptional uniqueness espoused by Japanese intellectuals in the early 20th century. The author attempts to prove that "nihonjinron" it is a kind of 'fictional mentality' supposedly based on ancient traditions.

Softcover. Washington DC, National Geographic Society, 1st, 1921, Book: Very Good, Dust Jacket: None, Original magazines July - December 1921, in a maroon pebbled hardcover binding. Magazines are dated and paged, with photographs and maps, but do not have covers, advertisements, etc. Several pages of color plates. Includes two folding color maps: South America and the Islands of the Pacific. Also illustrated WWI insignia, 16 pages of Japanese scenes in color. Clean, bright volume.

Softcover. Chicago, University of Chicago Press, reprint, 1996, Book: Very Good, Dust Jacket: None, Softcover, 253 pages. Friedrich Nietzsche's work has had a significant impact on the intellectual life of non-Western cultures and elicited responses from important thinkers outside of the Anglo-American philosophical traditions as well. Bringing together thirteen internationally renowned scholars, this is the first collection of essays to address the connection between Nietzsche's ideas and philosphies in India, China, and Japan. The contributors are Roger T. Ames, Johann Figl, Chen Guying, Michel Hulin, Arifuku Kogaku, David A. Kelly, Glen T. Martin, Sonoda Muneto, Graham Parkes, okochi Ryogi, Eberhard Scheiffele, Mervyn Sprung, and Joan Stambaugh.

Softcover. New York , powerHouse Books, 1st, 2010, Book: Near Fine, Dust Jacket: None, Softcover. Like new in publishers shrink-wrap. Features photographs of female impersonators who have performed in the gay district of Osaka, Japan, from the '90s to the present, along with an essay discussing the photographer's work and the country's gay culture. Text by Eric Shiner and Simone Fukayuki.

Hardcover. Philadelphia, The Winchell Co., 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, 297 pages, b&w illustrations, in a bright dust jacket. Clean. Helene Iswolsky, daughter of a Russian diplomat, grew up in Japan, Denmark, Russia, and France. In 1911, her father became Russian ambassador to France. She returned to Russia for her debut in 1914, to be presented to the Tsarina Alexandra. While there she attended the wedding of Prince Felix Yusupov, who was to murder Rasputin three years later. After the Tsar was overthrown, her father retired to Biarritz and died there in 1919, leaving unpaid debts. The author took up translating and writing. She had a religious awakening and became a Catholic. A sojourn in a Benedictine monastery left her changed, but she decided not to make the cloister her life. The author knew many notable people in the Paris area, especially writers, poets, critics, philosophers of the "new wave," Christian humanists, and Russian emigres. She attended the Sunday afternoon gatherings of Jacques Maritain and Nicholas Berdiaev, and worked on Emmanuel Mounier's journal "Esprit." When the Nazis occupied France, she escaped to America with her mother. Here she founded an ecumenical movement called "The Third Hour" and taught Russian at Fordham University and other schools. She was a close friend of Dorothy Day and the Catholic Worker movement. Scarce.

Hardcover. Michigan, Scholarly Publishing Office University of Michigan, Reprint, Book: Very Good, Dust Jacket: None, 507 pages. Hardcover. Reprint of 1857 J.B. Lippincott & Co. publication produced from digital images created through the University of Michigan University's Library's preservation reformatting program. B/w illustrations throughout. Pages clean, spine straight, binding tight. ISBN label on back cover. Light foxing to edges. Blue cloth cover boards, gilt title on spine. "Visits to the Malay and Loo-Choo Islands, the Coasts of China, Formosa, Japan, Kamtschatka, Siberia, and the Mouth of the Amoor River."