japan

Philadelphia Museum of Art , 1st, 1994, Book: Very Good, Dust Jacket: None, Softcover, large format 12" X 12", 236 pages, illustrated i color throughout. Includes 316 illustrations, including 246 in full colour. The catalogue to accompany the exhibition held Sept. 25 to November 20, 1994 in Philadelphia. The exhibition surveyed the design history of Japan from 1950 through to the early 1990s. Clean copy.

Hardcover. Chicago, Rand McNally & Co, 1st, 1904, Book: Good, Dust Jacket: None, Hardcover, green cloth, pink, black and dark green pictorial design of crow on branch. Illustrated in color by Sanchi Ogawa. 80 pages, all with decorative borders, many with color illustrations. Shelf wear. front hinge partially cracked, sort tear to frontispiece at gutter, not affectin image. Otherwise clean, no markings.

Softcover. NY, George Braziller , 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog, published in association with the Spencer Museum of Art, University of Kansas. 192 pages illustrated in color and b&w. Clean, bright copy.

hardcover. London, Phaidon Press, 2nd, 1954, Book: Very Good, Dust Jacket: Fair, Hardcover. 139 pages. Contains numerous color plates tipped-in. Also contains black & white prints. Some rubbing to corners and spine edge. Dust jacket with edgewear, chipping, soiling, small tears.

Softcover. Tokyo, DH Publishing, 2007, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. A retrospective of the almost extinct phenomenon of billboard painting in Japan, this is a fascinating look at the golden age of cinema as seen through the eyes of Japanese artists and media. Contains cover-to-cover, full-color photos, film trivia and historical background. More than just a mine of retro-kitsch, this is a unique look at Western cinema from across the ocean, for both casual readers who wish to flick through and explore the vivid images, and those interested in the historical significance of the depiction of the West and Western films in Japan.

Hardcover. Oxfork UK, Ashmolean Museum, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover, 254 pages. 94 color plates, index of artists, essay summaries in Japanese, bibliography.

Hardcover. US, Taschen, 1st, 1999-10-01, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages, illustrated throughout in color and b&w. Light edgewear and rubbing to dust jacket, else a clean, tight copy.

Hardcover. Rutland, Vermont, Charles E. Tuttle Co, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover, 287 pages. Huge survey of Japanese prints, with many tipped-in and folding plates. 257 plates including 55 tipped-in full color plates, acetate protected color dust jacket, cloth bound cover with gilt lettering on spine, pattern of oriental woman on fabric sewn into cover. Price-clipped, slight chipping to top of dust jacket spine; a tight, attractive copy. DOMESTIC SHIPPING ONLY.

Hardcover. Tokyo, Toyo Bunko, Reprint, 1969, Book: Very Good, Dust Jacket: Very Good, 377 pages. Hardcover. Volume II only. Illustrated with black & white photographs. Light wear. Clean, tight copy.

Hardcover. Tokyo/Amsterdam, Bijutsu Shuppan-Sha/Abrams, 1st, 1964, Book: Very Good, Dust Jacket: None, Hardcover, 554 pages, illustrated with hundreds of color and b&w plates of Japanese temples from the year 552. Photographs by Tatsuzo Sato, Shihachi Fujimoto, Yoshio Watanabe, Ken Domon, Yasukichi Irie, Yukio Futagawa. Bijutsu Shuppan-Sha. Bibliography. Large folio, brown silk cloth with gilt lettering. In a edgeworn green slipcase. Heavy volume, extra charges for priority shipping.

Softcover. Chicago, University Of Chicago Press, reprint, 1988, Book: Very Good, Dust Jacket: None, Softcover, 209 pages. The essays collected in this volume reveal the dramatic story of 'mindfulness' at all levels of Tokugawa society and demonstrate the importance of this history for modern Japanese culture. Name on front fly leaf, otherwise clean.

Hardcover. New York, Charles Scribner's Sons, 1st, 1891, Book: Good, Dust Jacket: None, 128 pages. Hardcover with decorated front cover. Covers have heavy wear on edges. Light soil and darkening to pages. Gutter lightly cracked.

Hardcover. NY, Rizzoli, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, still in publisher's shrinkwrap. A rare and poignant compilation of photography and written anecdotes by American photographer and artist Lee Jaffe that captures his close friendship, collaboration, and travels with the artist Jean-Michel Basquiat as they traversed Japan, Thailand, and Switzerland in 1983. Lee Jaffe, a cross-disciplinary visual artist, musician, and poet, took photos of his friend, Jean-Michel Basquiat, when they traveled abroad in 1983. As a photographer, Jaffe had a connection to Basquiat, and their time spent together resulted in an archive of imagery that captured one of the art world's true legends through an unfiltered and authentic lens. Basquiat and Jaffe connected over reggae music at a mutual friend's art show. It was the early 1980s in New York, when the art scene was raw, complicated, and thriving, and Jaffe cultivated strong connections with cultural figures such as Basquiat, Bob Marley, and Peter Tosh. "For me, watching him [ Jean] paint reminded me of the times I would sit and play harmonica while Bob Marley, with his acoustic guitar, would be writing songs that were eventually to become classics," Jaffe says. "With Jean and Bob, it seemed like they were channeling inspiration coming from an otherworldly place." This beautiful volume presents snapshots of Basquiat: from the artist smiling on a bullet train to Kyoto and behind-the-scenes documentation of Basquiat creating artwork in St. Moritz, to poignant portraits that mirror his undeniable magnetism. These rare depictions of Basquiat come to life with Jaffe's unforgettable experiences of their friendship, collaborations, and travels detailed in private written memories and anecdotes. This insightful and moving illustrated volume captures the soul of the unedited, ambitious, young artist during the height of his short yet unprecedented artistic career.

Hardcover. NY, Random House, 1st, 1939, Book: Good, Dust Jacket: None, Hardcover, textured beige cloth, moderately soiled. No edition or printing stated on copyright page. Illustrated with 32 pages of b/w photographs, as well as endpaper maps, red and black frontispiece illustration. The story of the trip Auden and Isherwood made to China during its war with Japan, prior to the outbreak of the Second World War. Includes 32 pages of photographs, as well as several sonnets and one long poem by Auden. Narrative written by Isherwood. There is a tan stain that goes across pages 68-69, that looks like a rorschach test. Otherwise clean.

Softcover. Tokyo, Photographer's Gallery, 1st, 2003, Book: Very Good, Dust Jacket: None, Two softcovers in a cardboard slipcover. Unpaginated. All illustrations, mostly in color, with some b&w. Published in conjunction with an exhibition held at Photographers' Gallery, Tokyo, October 23 - 25, 2003. Clean copies.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1982, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with a hole on front fore-edge, 318 pages. Mutsu Munemitsu was the Foreign Minister of Japan during the time of the Sino-Japanese War from 1894 until the signing of the peace treaty on May 8, 1895. Mutsu was responsible for the secret documents on diplomatic matters in which he was involved, such as the Sino-Japanese War of 1894-1895 and the facts about the Triple Intervention. The phrase "kenken" means "serving the sovereign with a pained heart," thus showing his loyalty to serve the Emperor. The documents in this book are exceedingly important as they are virtually the only material mentioning the diplomatic situations in the days of the Sino-Japanese War of 1894-1895. Name on front fly leaf otherwise clean.

Hardcover. New York, Atheneum , 1st, 2003, Book: Very Good, Dust Jacket: Very Good, In the early 1950s, Katie Takeshima and her family live in Iowa, where her parents own a Japanese supermarket. When the store goes out of business in 1956, the family moves from Iowa to an apartment in Georgia, where Katie's parents work at a chicken hatchery with other Japanese families. Hardcover, 244 pages. Newbery Award winner. Very good pictorial dust jacket without award medal present, unclipped. SIGNED NEWBERY AWARD BOOKMARK ENCLOSED signed "Cynthia".

Hardcover. NY, Dodd Mead, 1st US, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Photo of author laid-in, translated from Japanese by Simon Grove.

Softcover. Seoul Korea, Taewon Publishing , 1st, 1973, Book: Very Good, Dust Jacket: None, Softcover, 85 pages. McGrane's historical analysis presents a lucid overview of events during the crucial years of Japanese intervention and occupation during the late nineteenth and early twentieth century. Some sunning to wraps, name on front fly leaf, otherwise clean.

Softcover. Tokyo, Fuji Television Gallery, 1st, 1982, Book: Good, Dust Jacket: None, Softcover, staple-bound, 24 pages; in English and Japanese. Illustrated in b&w. Crease to top corner/pages of catalog, otherwise clean.

Softcover. Berkeley CA, University of California Press, reprint, 1990, Book: Very Good, Dust Jacket: None, Softcover, 218 pages. Students and teachers of Chinese history and philosophy will not want to miss Daniel Gardner's accessible translation of the teachings of Chu Hsi (1130-1200)-a luminary of the Confucian tradition who dominated Chinese intellectual life for centuries. Homing in on a primary concern of our own time, Gardner focuses on Chu Hsi's passionate interest in education and its importance to individual development. For hundreds of years, every literate person in China was familiar with Chu Hsi's teachings. They informed the curricula of private academies and public schools and became the basis of the state's prestigious civil service examinations. Nor was Chu's influence limited to China. In Korea and Japan as well, his teachings defined the terms of scholarly debate and served as the foundation for state ideology. Clean copy.

Hardcover. Chapel Hill, North Carolina, Algonquin Young Readers, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 113 pages. Hardcover. Extensive color illustrations by James McMullan throughout. Illustrated paste downs and end papers. Clean, unmarked copy with only minor wear to dust jacket. McMullan explained, "In my late seventies I decided to organize my memories of my childhood before and during the Second World War into a coherent narrative. The tension of our lives when the Japanese army took over our town in China and the subsequent anxieties of traveling from country to country with my mother has imprinted the incidents of those years into my memory with an enduring lucidity that defies the otherwise fading recall of my aging mind."

Hardcover. Jefferson NC, McFarland Publishing, 1st, 1997, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with white lettering. 176 pages, b&w illustrations. In 1945, the author found herself in the monsoon-drenched jungles of Assam, caring for soldiers in the China-Burma-India theater of war. Nothing in her nurse's training had prepared her for the tropical diseases her patients faced, nor had her experiences readied her for a hospital where men spat on the floor, rats were pervasive, and patients were as likely to sell their medicine as swallow it. What made the experience tolerable was Nurse Camp's romance with one of the airmen who flew the Hump, supplying O.S.S. troops behind Japanese lines and carrying General Joseph Stillwell's Chinese troops to fight the battle of North Burma. She accompanied her future husband on some of his missions. Based, in part, on letters she wrote to her parents, this is the poignant story of one nurse's experience in World War II and how her service changed her life forever. Name on front fly leaf, otherwise a clean, bright copy.

Hardcover. NY, Dial, 1st US, 1994, Book: Very Good, Dust Jacket: Very Good, Non-paginated. hardcover with dust jacket. Illustrated in color by French. Tight copy.