jazz music

Hardcover. Gottingen GR, Steidl, 1st, 2007, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. Biography mostly comprised of color and B&W photos of the famed blues musician, and ephemera related to him. Introduction by Tom Waits, foreword by Glenn O'Brien, and poems by Tyehimba Gess. 256 pages.

Softcover. Evanston IL, Northwestern University Press, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 390 pages. INSCRIBED BY AUTHOR on title page. A swing note is, to the listener of the rhythm, an unexpected note, and it is the spark of life in jazz and its relatives. Whether playing the standards or the most experimental piece, it is how a musician handles these notes--fearlessly or safely--that determines the fate of the performance. Howard Reich's critical writing is similarly unexpected and fearless, and Let Freedom Swing is a collection of the articles from the past three decades that best capture this spirit. Each section of Let Freedom Swing composes a suite, focusing on either a person, place, or scene. Reich gives new life to the standards with his profiles and elegies for such giants as Gershwin, Ellington, and Sinatra. A profile of Louis Armstrong brings out the often angry side of Satchmo but also reveals a more remarkable musician and human being. His open-mindedness makes Reich a particularly astute observer of the experimental and new, from Ornette Coleman to Chicago experimentalist Ken Vandermark. And his observations about street music open our ears to the songs of everyday life. Reich's fearlessness is evident in his writing about daunting subjects, such as the New Orleans music scene after Katrina, the lost legacy of jazz in Panama, and the complicated legacy of "race music" in America. Clean copy.

Hardcover. NY, Broadway Books, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 564 pages, b&w illustrations. A definitive biography of this giant among jazz musicians - based on previously unexplored archives of Armstrong's writings. Photographs, discography, bibliography, endnotes, index. Clean copy.

Hardcover. Boston, Little Brown , 1st US, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 1st published in the UK 1971.

Softcover. Berkeley CA, University of California Press, 1st pbk, 2007, Book: Very Good, Dust Jacket: None, Softcover, 398 pages. Alex Stewart's excellent book tackles a subject which has been hidden in plain sight: the central importance of the big band, not as dead artifact of the Swing Era, but as a seminal and nurturing force through the entire history of jazz down to our own time. Through an attractive blend of ethnographic participant-observation, historiography, and formal analysis, Stewart puts the big band at the center of jazz, arguing for its indispensability as a locus of instrumental training and rehearsal, composition, legitimation, and professional networking. Informed and enriched by his own experience as a performer in those worlds. Light crease to front cover, clean copy.

Hardcover. NY, Harper & Row, 1st, 1966, Book: Very Good, Dust Jacket: None, Hardcover, turquoise cloth with gilt lettering on the spine, 272 pages, b&w illustrations. Bibliography. Index. The author considers the paradoxical period between the social and political revolutions of 1848 and the death of optimisn in 1914. Besides presenting a revealing and fascinating account of great social contrasts, the author introduces the reader into other aspects of life during this period, the relaxations and dissipations of both the rich and poor, from the showboat and the music hall to the lavish spectacles of the Nineties and the beginnings of jazz. Clean copy. No dust jacket.

Hardcover. New Haven CT, Yale University Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 398 pages. From colonial times to the present, American composers have lived on the fringes of society and defined themselves in large part as outsiders. In this stimulating book Michael Broyles considers the tradition of maverick composers and explores what these mavericks reveal about American attitudes toward the arts and about American society itself.Broyles starts by examining the careers of three notably unconventional composers: William Billings in the eighteenth century, Anthony Philip Heinrich in the nineteenth, and Charles Ives in the twentieth. All three had unusual lives, wrote music that many considered incomprehensible, and are now recognized as key figures in the development of American music. Broyles goes on to investigate the proliferation of eccentric individualism in all types of American music-classical, popular, and jazz-and how it has come to dominate the image of diverse creative artists from John Cage to Frank Zappa. The history of the maverick tradition, Broyles shows, has much to tell us about the role of music in American culture and the tension between individualism and community in the American consciousness.Leer menos

Hardcover. New York, Viking Studio, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 175 pages. Hardcover with dust jacket. Very clean, unmarked copy still in publishers shrink-wrap, though part of shrink-wrap is slightly torn. A collection of photographs taken in Memphis brings to life the legends of blues, jazz, rock and roll, and soul, including W.C. Handy, B.B. King, Muddy Waters, Elvis Presley, Aretha Franklin, Al Green, Isaac Hayes, and others.

Hardcover. NY, Henry Holt, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, price-clipped dust jacket. 192 pages including index. Traces the life and career of the influential jazz musician from the 1920s to his death in 1991. Profusely illustrated with b&w, some color photos.

Softcover. Lanham MD, Scarecrow Press, 2006, Book: Very Good, Dust Jacket: None, Softcover, 331 pages, b&w illustrations. Like most ground-breaking art forms, contemporary creative music is rarely understood or accepted in its own time, and for those reasons, can largely go unheard. Music and the Creative Spirit: Innovators in Jazz, Improvisation, and the Avant Garde aims to give today's brightest music innovators due recognition and respect, celebrating their work and creativity. Through personal interviews, artists such as Pat Metheny, Regina Carter, Joshua Redman, Fred Anderson, Dave Holland, Bill Frisell, David Murray, and John Zorn-to name just a few-offer clear, frank discussions about music, creativity, work, society, culture, current events, and more. Clean, bright copy.

Softcover. Baltimore, Johns Hopkins University Press, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 210 pages with index, b&w illustrations. Smoke. Shadows. Moody strains of jazz. Welcome to the world of "noir musical" films, where tormented antiheroes and hard-boiled musicians battle obsession and struggle with their music and ill-fated love triangles. Sultry divas dance and sing the blues in shrouded nightclubs. Romantic intrigue clashes with backstage careers. In her pioneering study, Music in the Shadows, film noir expert Sheri Chinen Biesen explores musical films that use film noir style and bluesy strains of jazz to inhabit a disturbing underworld and reveal the dark side of fame and the American Dream. Clean copy.

Hardcover. NY, William Morrow, 1st, 1972, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with light chipping, 180 pages. Ortiz Montaigne Walton was the first African-American member of the Buffalo Philharmonic Orchestra and a prominent figure in African-American studies. He performed in Buffalo for three seasons, before moving on to become the first African-American member of the Boston Symphony Orchestra. Mr. Walton later was principal contrabassist with the Cairo Symphony Orchestra in Egypt and performed a number of acclaimed solo recitals. Dust jacket art is a photo-montage by Romare Bearden.

Hardcover. London , Jazz Book Club/ Andre Deutsch, reprint, 1963, Book: Very Good, Dust Jacket: Very Good, Hardcover, 242 pages, in a very good dust jacket.

Softcover. NY, Farrar, Straus and Giroux, pbk proof, 1999, Book: Very Good, Dust Jacket: None, Softcover, 420 pages. Publishers uncorrected proof with flyer promoting the title laid in. The first major biography of the great jazz pianist and singer, written with the full cooperation of his family. When he died in 1965, at age forty-five, Nat King Cole was already a musical legend. As famous as Frank Sinatra, he had sold more records than anyone but Bing Crosby. Written with the narrative pacing of a novel, this absorbing biography traces Cole's rise to fame, from boy-wonder jazz genius to megastar in a racist society. Daniel Mark Epstein brings Cole and his times to vivid life: his precocious entrance onto the vibrant jazz scene of his hometown, Chicago; the creation of his trio and their rise to fame; the crossover success of such songs as "Straighten Up and Fly Right"; and his years as a pop singer and television star, the first African American to have his own show.Epstein examines Cole's insistence on changing society through his art rather than political activism, the romantic love story of Cole and Maria Ellington, and Cole's famous and influential image of calm, poise, and elegance, which concealed the personal turmoil and anxiety that undermined his health.

Hardcover. NY, Dominic Books, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover in pictorial glossy boards. When a jazz-loving kitten named Nicky meets a legendary trumpet player, he learns how to play jazz and word travels fast--soon all the top musicians hear about this jazz cat and want to play with him. This charming story is illustrated with photographs of Nicky with jazz greats Roy Eldridge, Lionel Hampton, Lena Horne, Quincy Jones, Abbey Lincoln, and Gerry Mulligan as they meet and make friends. The colorful graphics and rhyming text--call and response conversation between Nicky and his new musician friends--reflect the humor, rhythm, and spirit of jazz itself. Nicky the Jazz Cat teaches children about the magic of jazz, the value of friends and mentors, and the power of imagination and originality. Children and adults alike will delight in his journey from curious jazz kitten to acclaimed jazz cat. This is the true first edition published 2 years before the poerHouse edition.

Softcover. Paris, Marval, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 79 pages, text by Francis Hofstein IN FRENCH. wonderful photobook devoted to the blues scene in Oakland during the 1980s. Dozens of full-page black & white photographs. Clean copy.

Softcover. NY, Archipelago Books, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 272 pages. Moving from the Great Lakes to the jazz bars of Detroit and Chicago, Of Song and Water is a tale of singlehanded sailors and jazz musicians, of working-class dreams blighted by family duty, personal betrayals, and the untold violence between fathers and sons. The novel follows the life of Coleman Moore, a jazz guitarist of early fame who finds himself adrift and in the company of ghosts: his mentor, a black jazz legend trying to live peacefully on the edge of a white town; his grandfather, a Prohibition rumrunner turned ruthless entrepreneur; and his first love, a clear-headed woman who refuses to live in the dark tunnels of the past. As he abandons music and turns his mind to a damaged sailboat, Coleman begins a hazardous course, risking the love of his daughter and the trust of Brian James, his longtime collaborator and friend. Clean, bright copy.

1966, Book: Very Good, Color art by Birnbaums of jazz musicians done in broad brush strokes. 8 3/4 X 12", very good. Small chip to top corner. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

1978, Book: Very Good, Color art by Birnbaums of jazz musicians done in broad brush strokes. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. London, Reaktion Books, 1st, 2020, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, b&w photos. Ornette Coleman's career encompassed the glory years of jazz and the American avant-garde. Born in segregated Fort Worth, Texas, during the Great Depression, the African-American composer and musician was zeitgeist incarnate. Steeped in the Texas blues tradition, he and jazz grew up together, as the brassy blare of big band swing gave way to bebop--a faster music for a faster, postwar world. At the luminous dawn of the Space Age and New York's 1960s counterculture, Coleman gave voice to the moment. Lauded by some, maligned by many, he forged a breakaway art sometimes called "the new thing" or "free jazz." Featuring previously unpublished photographs of Coleman and his contemporaries, this book tells the compelling story of one of America's most adventurous musicians and the sound of a changing world. Clean copy.

Hardcover. San Francisco, Pomegranate, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 164 pages. Hardcover. Black & white photographs by Jazz musician Milt Hinton. Dust jacket with light wear. Clean, tight copy.

Softcover. Fine Arts Museums of San Francisco, 1996, Book: Very Good, Dust Jacket: None, Softcover, 167 pages. Along with cutting-edge art, literature, and jazz music of 1920s Paris, there was also experimental new dance, exemplified by the Ballets Suedois, the "Swedish Ballet." Choreographed almost entirely by Jean Bsrlin but visualized by 32 painters from 11 nationalities, it boasted costumes and backdrops from the likes of Fernand LZger, Gssta Adrian-Nilsson (GAN), Nils Dardel, and Gerald Murphy, with music by Erik Satie and even Cole Porter, in 23 ballets produced during the company's brief, brilliant existence. Illustrated with 78 archival photos and sketches and 67 color reproductions of posters and production paintings, this catalog is as much an art book as it is a dance history, with works seldom seen in over 80 years.

Softcover. Durham NC, Duke University Press , 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 312 pages, b&w illustrations. In People Get Ready, musicians, scholars, and journalists write about jazz since 1965, the year that Curtis Mayfield composed the famous civil rights anthem that gives this collection its title. The contributors emphasize how the political consciousness that infused jazz in the 1960s and early 1970s has informed jazz in the years since then. They bring nuance to historical accounts of the avant-garde, the New Thing, Free Jazz, "non-idiomatic" improvisation, fusion, and other forms of jazz that have flourished since the 1960s, and they reveal the contemporary relevance of those musical practices. Many of the participants in the jazz scenes discussed are still active performers. A photographic essay captures some of them in candid moments before performances. Clean copy. like new.

Softcover. Durham NC, Duke University Press , 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover, 312 pages, b&w illustrations. In People Get Ready, musicians, scholars, and journalists write about jazz since 1965, the year that Curtis Mayfield composed the famous civil rights anthem that gives this collection its title. The contributors emphasize how the political consciousness that infused jazz in the 1960s and early 1970s has informed jazz in the years since then. They bring nuance to historical accounts of the avant-garde, the New Thing, Free Jazz, "non-idiomatic" improvisation, fusion, and other forms of jazz that have flourished since the 1960s, and they reveal the contemporary relevance of those musical practices. Many of the participants in the jazz scenes discussed are still active performers. A photographic essay captures some of them in candid moments before performances. Clean copy. like new.