journalism photography

Hardcover. London```, Konemann UK Ltd, Reprint, 1995, Book: Very Good, Dust Jacket: Very Good, 2 VOLUME SET. 920 pages. Oversize hardcovers. Both volumes very clean and unmarked. Only minor wear to dust jacket edges. In a unique collection of hundreds of photographs, 150 Years of Photo Journalism gives a visual record of the years 1850 - 1918, the last and greatest period of European dominance of the world in culture, science and weapons of destruction. VERY HEAVY- extra charges for overseas shippimg.

Hardcover. London, Book Palace Books, 1st, 2022, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 160 pages. In August 1914 much of Europe was pitched into a war that would eclipse all others in terms of its industrial ferocity. In an era when photography and film recording were still in their infancy, much of the news was relayed through the work of reportage artists. Pre-eminent amongst such artists was Fortunino Matania who was The Sphere's artist-on-the-spot for events ranging from coronations to colliery disasters. Sent to a variety of Fronts to cover the conflict, his illustrations created a gripping and, at times, life-affirming testimony to those traumatic times, drawn from the personal visits he made and interviews he conducted with survivors. For the first time ever, this book collects those images in large format so that they can be viewed as they were intended. OVER 150 paintings and drawings on the World War 1 conflict, depicting all its horrors and special moments. His work inspired many contemporary artists: Annigoni and Russell Flint both visited his studio, and many comic strip artists collected his work including Al Williamson, Roy Krenkel, Frank Frazetta, John Bolton, Bernie Wrightson as well as film directors such as Cecil B DeMille and Alfred Hitchcock.

Hardcover. Cambridge UK, Cambridge University Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 288 pages.This substantial and unusual volume is not an encyclopedic summary of names, dates, and images but a roughly chronological series of scholarly, sometimes provocative essays by specialists in various aspects of the medium's history. Contributors (identified only in the table of contents) are from France, Italy, Germany, Switzerland, England, and the United States. The chapters on photo-journalism, the illustrated press, and photography between the world wars are particularly informative, while high-quality illustrations from public and private collections worldwide convey photography's technical and aesthetic development and its ubiquity.

Hardcover. New York, Bulfinch Press, First Edition, 2004, Book: Very Good, Dust Jacket: Very Good, 127 pages. Hardcover. Wine cloth boards with silver titles to spine. Full page, black & white photographs throughout. Clean, unmarked copy.

Softcover. NY, Random House, 1st pbk, 1994, Book: Very Good, Dust Jacket: None, Softcover, 360 pages. profusely illustrated with b&w photos. Portraits and interviews with Nevada test site workers, veterans who trained at the site, and people living nearby who suffered health problems from the radiation. Minor shelf wear. Clean copy.

Softcover. New York , Aperture Book, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover. Fall 1897. Includes work by: Sebastiao Salgado, Susan Meiselas, David Goldblatt, Bill Burke. Also writing by Arthur Miller, William Shawcross, Frances Hodgson, Nadine Gordimer.

Hardcover. NY, powerHouse Books, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. Arms Against Fury examines the dramatic struggle of the Afghan people through the lens of Magnum photographers, dating back to co-founder George Rodger's documentation of the country's role in World War II. Ever since, Magnum's intrepid photographers have crisscrossed the country's striking landscape from the Central Asian steppes to the parched southern desert by way of the Hindu Kush mountains surrounding Kabul and the adjacent Panjshir Valley. As early as the 1950s, Eve Arnold and Marc Riboud filed unprecedented stories from a legendary Shangri-La, showing a small kingdom struggling for statehood against the forces of underdevelopment and unfortunate geographic position during the Cold War. The ultimate overthrow of the monarchy and brutal liquidation of Afghanistan's constitutional government in 1978 heralded the arrival of Soviet-style communism. Peasants in Nuristan rebelled immediately and initiated a jihad that was covered first by Raymond Depardon and then by Steve McCurry, and later by renowned photojournalist Abbas, who also focused on the progress of the mujahedin, who eventually faced a massive Red Army invasion and savage aerial bombardments.

Hardcover. NY, powerHouse Books, 1st, 2002, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket. 240 pages. Arms Against Fury examines the dramatic struggle of the Afghan people through the lens of Magnum photographers, dating back to co-founder George Rodger's documentation of the country's role in World War II. Ever since, Magnum's intrepid photographers have crisscrossed the country's striking landscape from the Central Asian steppes to the parched southern desert by way of the Hindu Kush mountains surrounding Kabul and the adjacent Panjshir Valley. As early as the 1950s, Eve Arnold and Marc Riboud filed unprecedented stories from a legendary Shangri-La, showing a small kingdom struggling for statehood against the forces of underdevelopment and unfortunate geographic position during the Cold War. The ultimate overthrow of the monarchy and brutal liquidation of Afghanistan's constitutional government in 1978 heralded the arrival of Soviet-style communism. Peasants in Nuristan rebelled immediately and initiated a jihad that was covered first by Raymond Depardon and then by Steve McCurry, and later by renowned photojournalist Abbas, who also focused on the progress of the mujahedin, who eventually faced a massive Red Army invasion and savage aerial bombardments. Clean copy.

Softcover. NY, Dover, reprint, 1984, Book: Very Good, Dust Jacket: None, 89 pages, paperback. Ninety b&w evocative photos documenting American social history. Unmarked. A bright and tight copy.

Softcover. New York, PictureBox, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, Like new in publishers shrink-wrap. Ever wonder what indie rockers on tour do for the other 23 hours of their day? Real Fun answers that question with over 100 photographs of musicians lounging in the giant green room that is the world--sleeping, eating, fishing and just goofing off. Photographer Ashod Simonian has traveled with scores of bands, and his dreamy, lush Polaroids capture Death Cab for Cutie, Spoon, Sleater Kinney, Pavement, Jenny Lewis, the Shins, Wilco and Broken Social Scene, among many others, in colorful images conveying not just stories but the feelings behind them: boredom, exultation, frustration and bliss. Many of the performers have also contributed essays and memoirs, making this an essential compendium of wisdom and memories from the road. Others have recorded songs for the accompanying CD. The tracks were all selected by Simonian and most are original, recorded especially for this project. All of this is well and good, but what makes Real Fun more than a scrapbook is Simonian's acute photographic instincts, his eye for detail and sense of scene: compelling pictures regardless of the subject.

Softcover. New York, PictureBox, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, Like new in publishers shrink-wrap. Ever wonder what indie rockers on tour do for the other 23 hours of their day? Real Fun answers that question with over 100 photographs of musicians lounging in the giant green room that is the world--sleeping, eating, fishing and just goofing off. Photographer Ashod Simonian has traveled with scores of bands, and his dreamy, lush Polaroids capture Death Cab for Cutie, Spoon, Sleater Kinney, Pavement, Jenny Lewis, the Shins, Wilco and Broken Social Scene, among many others, in colorful images conveying not just stories but the feelings behind them: boredom, exultation, frustration and bliss. Many of the performers have also contributed essays and memoirs, making this an essential compendium of wisdom and memories from the road. Others have recorded songs for the accompanying CD. The tracks were all selected by Simonian and most are original, recorded especially for this project. All of this is well and good, but what makes Real Fun more than a scrapbook is Simonian's acute photographic instincts, his eye for detail and sense of scene: compelling pictures regardless of the subject.

Softcover. NY, Janos Gat Gallery, 1st, 2002, Book: Very Good, Dust Jacket: None, Softcover, stapled wraps, 30 pages, b&w illustrations. For an exhibition held Feb. 12 - March 23, 2002. The photographs in this catalog were taken from 1944-1945 by Barney Rosset, then a young American Army photographer. Rosset documented the Chinese Army in their pursuit of Japanese troops following the Battle of Henan-Hunan-Guangxi. The Japanese Army was pulling back from the Ichi-Go operation, the largest Japanese land campaign of the war, and Rosset joined Chinese troops at the deepest point of Japanese penetration (Kweiyang). After the war, Rosset became the proprietor of Grove Press, publishing authors often refused due to their controversial subject matter. Laid in are 2 identical postcards featuring the image on the cover of the catalog, Clean, bright copy, scarce.

Softcover. NY, Stewart, Tabori & Chang, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 176 pages. Photographs show the students' occupation of Beijing's Tiananmen Square. For fifty days, the world watched as a generation of China's young people stood up and spoke out about democracy and freedom.

Softcover. Mount Vernon NY, Consumers Union, 1st wraps, 1987, Book: Very Good, Dust Jacket: None, Softcover, 218 pages, numerous b&w photo-illustrations. Pictorial stiff wrappers. A very good copy with a corner crease to the rear cover.. The author/photographer recorded his visits to the poor in: South Dakota, Pennsylvania, New Jersey, Tennessee, Illinois, Wyoming, New York City, Arkansas, Boston, California. Includes interviews and commentary by Richards; edited by Christine Bird; story researcher by Janine Altongy. Winner of the 1987 International Center of Photography Journalism Award. Richards is often overlooked as one of America's best photojouralists.

New York, Simon & Schuster, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 351 pages. Black & white photography.

Softcover. NY, Grossman Publishers, 1st, 1967, Book: Very Good, Dust Jacket: None, Softcover, 208 pages. A powerful photographic meditation on life for African-Americans in the U.S. in the 1960s. Includes numerous black and white images. A clean near fine copy in wrappers. with some very minor wear. Small tape repair to bottom of spine, otherwise bright and clean.

Softcover. Los Angeles, J. Paul Getty Museum, 1st, 2010, Book: Good, Dust Jacket: None, 208 pages. Softcover. Black and white photographs. Light edgewear to wrappers, spine shows chips and creases. Reprint of the B&W photo essay first published in 1967-68 examines daily lives of African-Americans during the Civil Rights era. Text adapts Freed's diary entries and interviews. 208 pages.

Hardcover. NY, United Technologies Corp., 1st , 1988, Book: Very Good, Dust Jacket: None, Hardcover, 120 pages. A catalogue for the exhibition Bourke-White: A Retrospective, organized and circulated by the International Center of Photography, New York, which toured various US museums in 1988-90. Black cloth with photo portrait of the legendary photojournalist with large-format camera perched on side of skyscraper affixed to front cover. Titles stamped in white on front boards and spine. Beautiful reproductions.

Hardcover. NY, Thames & Hudson, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. Few photographers have spanned the genres from photojournalism to true artistic endeavor as completely as Bill Brandt. Yet Brandt's journalism was never strictly reportage; all his work reflected a clear artistic purpose. His qualities as an artist were never better expressed than in his series of nudes, photographed in the studio and on location over a period of thirty-five years. He published that work in two justly famous books: Perspective of Nudes (1961) and Bill Brandt Nudes (1980). Now the oeuvre has been brought together in a single volume in Brandt Nudes.This book reflects Brandt's original selection and organization of the images. Each of the sections is introduced with a succinct and revealing essay on the work by Mark Haworth-Booth. 142 duotone illustrations

Hardcover. Gottingen, Steidl, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover with dust jacket. Like new in publisher's shrink-wrap. This volume presents Bruce Davidson's personal selections from his lesser-known color archive, from a period of nearly 60 years. Assignments from various magazines including Vogue, National Geographic and Life, as well as commercial projects led Davidson to photograph subjects as diverse as fashion (in the early 1960s), the Shah of Iran with his family (1964), keepers of French monuments (1988), the supermodel Kylie Bax (1997) and college cheerleaders (1989). He photographed in India and China, but also at home in New York, in Chicago and along the Pacific Coast Highway. In 1968, Michelangelo Antonioni invited Davidson to document the making of his film Zabriskie Point. Davidson also continued to pursue personal projects, such as photographing the Yiddish writer and Nobel Prize laureate Isaac Bashevis Singer (1972-75), the New York City subway (1980) and Katz's Delicatessen (2004). Often staying on in a country after an official assignment, Davidson documented Welsh coalfields, family holidays in Martha's Vineyard and travelled through Patagonia and Mexico.

Hardcover. NY, Random House, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 228 pages. At the beginning of World War II Cecil Beaton was commissioned by the British government to photograph the home front. He set to work recording both the destruction of the city, and the heroism of Londoners under attack. He conducted a survey of Bomber and Fighter Commands for the RAF, which was published with his own astute commentary. Beaton was an effective propagandist, but his voice, like his photographs, was touchingly elegant. Beaton's wartime work amounted to 7,000 photographs. He traveled through the Western Desert and on to Iraq, Palestine, Transjordan, Syria, and India, where he photographed the final days of the Raj in New Delhi and Calcutta before joining the Burma campaign. He ended the war deep in Chinese territory where he witnessed the Nationalist resistance to the Japanese. This collection of Beaton's masterful WWII photography captures the home front, the Middle East, arms and vehicle manufacturing in Britain, India, the Burma Campaign, and the war in China. It also includes a chronology placing events in Beaton's life alongside developments in photography, journalism, and the arts; war photography; and world events. His original photographs are reproduced large on the page, alongside his diary extracts, allowing for deep scrutiny and appreciation of the images and their artist.

Hardcover. Chicago IL, University of Chicago Press, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 263 pages. When the Chicago Daily News closed its doors in March 1978 after over a century of publication, the city mourned the loss of an American original. The Daily News boasted the inventive, aggressive writing of such luminaries as Carl Sandburg and Ben Hecht. It was also one of the first newspapers in the country to feature black-and-white photography. In 1900, staffers from the paper's art department began lugging bulky cameras, heavy glass plates, and explosive flash powder throughout the city. A labor strike, a boxing match, or a crime scene--it was all in a day's work for the Daily News photographer. These cameramen helped sell papers, but, as Mark Jacob and Richard Cahan reveal, they also made art. Chicago under Glass: Early Photographs from the Chicago Daily News is the first collection of images from the photo staff's early years, 1901 to 1930. Jacob and Cahan, seasoned journalists themselves, have selected more than 250 images--many of which have never before been published--from the nearly 57,000 glass negatives housed at the Chicago History Museum. They include rare photographs of a young Buster Keaton with his wife and child, waiting to board a train and the notorious Al Capone outside a courtroom, smoking a cigar and consulting with his lawyer. Each thematic section begins with a fascinating introduction by the authors, and each image is accompanied by insightful historical commentary.

Hardcover. University of Missouri, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. A "shooter" for the Associated Press for thirty-three years, Burroughs was assigned to the Washington bureau, and his photos appeared frequently in newspapers around the world, as well as on the covers of Life and other magazines. Close-ups of History is both an eyewitness account of history and a stirring professional memoir--a book that brings special moments into the viewfinder as Burroughs turns his trained photographer's eye to reflect his highly cultivated sense of news. These dramatic photographs testify to an incredible career launched at the end of World War II, and Burroughs's work in postwar Germany is especially poignant. He documented the remains of Hitler's office, ruined cities and displaced persons, and the Nuremberg trials. He also captured the beginning of the Cold War as the Soviets tried to take over Berlin and the German people struggled to hold the city for the West.

Hardcover. Brooklyn NY, Melville House, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This is the original 30,000 word article Agee wrote for Fortune magazine in 1936 that was never published. Accompanied by 30 Walker Evans photos. Clean copy.