Hardcover. Philadelphia, Lydia H. Bailey, 1st, 1821, Book: Good, Dust Jacket: None, Hardcover, worn calf covers, unpaginated. Maroon leather label on spine with gilt lettering. The author (1782 -1852) was an historian and educator, born in Ireland. In 1815 he and his family emigrated to Philadelphia, and he became a noted author of many history textbooks and other works. This is a first edition of his most famous work published in Philadelphia in 1821. Grimshaw's work remains a valuable reference for scholars and students of English language and linguistics. Both covers partially detached, but still holding on. Inside text pages mildly foxed. Front endpapers with previous owner's pencilled comments. Otherwise clean, binding tight.
Hardcover. Cambridge UK, Cambridge University Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 170 pages, blue cloth covers with gilt lettering on spine. This book considers the relation between language and thought. Robert Wardy explores this huge topic by analyzing linguistic relativism with reference to a Chinese translation of Aristotle's Categories. He addresses some key questions, such as, do the basic structures of language shape the major thought patterns of its native speakers? Could philosophy be guided and constrained by the language in which it is done? And does Aristotle survive rendition into Chinese intact? Wardy's answers will fascinate philosophers, Sinologists, classicists, linguists and anthropologists, and make a major contribution to the scholarly literature.
Hardcover. New York, G. P. Putnam's Sons, Reprint, 1907, Book: Very Good, Dust Jacket: None, 161 pages. Hardcover. Maroon cloth covers with gilt titles. Gilt top edge. Light pencil markings to a few pages. Clean, tight copy.
Hardcover. NY/Paris, Pergamon Press, reprint, 1969, Book: Very Good, Dust Jacket: None, Approximately 7000 pages, 5 hardcover volumes complete, each book is 10" by 15'', bound in burgundy cloth covers with gilt lettering. Reproduced from the original 1651 17-volume edition, reduced here allowing 4 pages per sheet. French text. Clean, bright copies. No dust jackets ever issued. HUGE VOLUMES, DOMESTIC SHIPPING ONLY.
Hardcover. New York, I. Riley, 5th ed., 1814, Book: Very Good, Dust Jacket: None, Hardcover, contemporary calf, unpaginated. Several pages with creased corners. Calf covers with paste-downs with marking, notes. Corners worn. Light foxing. Binding solid, complete.
Hardcover. Ann Arbor, MI, Edwards Brothers, Inc., 1st Limited Edition, 1984, Book: Very Good, Dust Jacket: None, 631 pages. Hardcover. SIGNED BY AUTHOR ON FRONT FLYLEAF. Cajun to English/English to Cajun Dictionary. Red cover boards, gilt title on spine and front cover. No Dust jacket. Binding very good. Pages clean and bright. Spine straight.
Hardcover. Boston, MA, Isaiah Thomas and Company, 1st Edition, 1789, Book: Good, Dust Jacket: None, 416 pages. Hardcover. Full-calf leather bound with gilt rule edging on the spine (faded--see image), red leather label ruled in gilt (gold), title on spine also in gilt. No pages missing. Previous owner's dated signature on front flyleaf, title page and facing page. Front and rear hinges tender. Signature (pp. 53-66) is coming away from spine at bottom, still attached. Hinge split at gutter after front fly leaf which is slightly detached, as well. Small wear hole on page before title page. Wear to cover boards about the edges and at spine. Small bit of leather missing at bottom of spine (see image). Front cover board has a slight warp (see image). Some foxing and tanning from age throughout including edges. This old volume is a treasure written by the Father of the English Dictionary, with a dedication to Benjamin Franklin, a contributor.
Hardcover. Indianapolis, Indiana, Indianapolis Museum of Art, 1st, 2013, Book: Very Good, Dust Jacket: None, 160 pages. Hardcover no dust jacket. Color pictures throughout. Clean, unmarked copy with only minor wear to boards. Decoding Robert Indiana's work for a new generation, this revelatory book explores previously unknown autobiographical elements in the work of the Pop artist and printmaker. Famously proclaiming himself to be "an American painter of signs," Robert Indiana has created an enormous body of work, much of it boldly colored abstractions. In this incisive new examination of the artist, based on ongoing conversations with Indiana, art historian Martin Krause sifts through autobiographical clues within the artist's work and finds a wealth of affecting and affectionate references to Indiana's childhood, literary heroes, and the cultural icons of his generation. In addition, a penetrating essay by Pop art scholar John Wilmerding deconstructs Indiana's use of geometric shapes, making unexpected connections that enhance Krause's thesis. Accompanied by reproductions of more than 50 prints from the period 1960-2010--and focusing specifically on series such as Decade: Autoportraits, Vinalhaven Suite, and The Hartley Elegies as well as the "Love" and "Hope" images and studies of Marilyn Monroe, Picasso, and the Brooklyn Bridge--Krause's decryption of Indiana's visual language provides telling insight into the work of this quintessentially American artist.
Hardcover. Boston, MA, Richardson & Lord, 1st edition, 1826, Book: Fair, Dust Jacket: None, 125 pages plus publisher ads. Hardcover. Small: 4.5" W x 5.5" L. Previous owners' names on front endpapers. Brown, marbled cover boards, brown quarter cloth, rubbing and chipping to cover boards (see image). Tanning and some foxing to pages from age (see image), doesn't affect text. Binding tight. Spine straight. Charming old, tiny textbook.
Hardcover. Kunsthalle Bremen & Verlag Fred Jahn, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Black cloth with dust jacket. Text in German by numerous contributors. illustrated checklist to the exhibition. 170 pages with 69 four-color plates and numerous b/w reference illustrations. GERMAN LANGUAGE.
Hardcover. Hartfort CT, privately printed, 1st, 1881, Book: Very Good, Dust Jacket: None, Hardcover, 11 page introduction plus 93 pages, green cloth with black rules, lettering. One of only 250 copies. Previous owner's bookplate on inside front cover, otherwise very good.
Hardcover. Boston, W. Andrews, Second American Edition, 1806, Book: Very Good, Dust Jacket: None, 276 pages. Brown leather covers. Title in gilt on spine. 1/2" abrasion has removed same amount of leather near top left of spine. Previous owners notes in fine pen on front endpaper. Clean, unmarked copy.
Hardcover. New York, Oxford University Press, 1st US, 1997, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover. Light wear. Clean, tight copy.
Softcover. Amherst MA, White River Press , 1st, 2022, Book: Very Good, Dust Jacket: None, Softcover, 462 pages, b&w illustrations. A study of the impact and consequences caused by the use of inflammatory racially-related language during a police investigation conducted by the Vermont State Police. Beginning in 1968 with the Irasburg Affair when a White man fired shotgun blasts into a home occupied by a Black family, the story describes in detail the course of the investigation. Adverse publicity about the Vermont State Police's work alleging racism within its ranks ensued resulting in its managers withdrawing from public view and refusing to work with the legislature in the next years causing significant internal problems.They finally came to the forefront in 1979 when a despondent trooper committed suicide at the state house in Montpelier in an event called the Router Bit Affair that led to significant reforms beginning in1980. Includes bibliographical references and an index. Clean copy.
Hardcover. Berlin, Guido Hackebeil, 1st, 1926, Book: Very Good, Dust Jacket: None, 344 pages plus tables, ads in rear. Red cloth spine, cream colored boards with light soil. A book on amateur film making, b&w illustrations, German text. AGFA has an ad in the back with actual film stills. Previous owner's bookplate, signature on front fly leaf, otherwise clean.
Hardcover. NY, Scholastic Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY BOTH AUTHOR & ILLUSTRATOR with a tiny sketch. Another graphically minimalist yet utterly effective picture book for the very young. "Snug inside her warm den, a polar bear cub wakes. Something in the moonlit stillness quietly beckons. What is it?" The tug of this gentle mystery will draw children into Thompson's simple bedtime story, and the hypnotic ebb and flow of her alliterative lines (on a night that's "keen and cold," little cub "sets out for the snow and sky and sea and ice") will keep children immersed as the young explorer encounters floating, dreaming sea creatures, and witnesses a meteor shower that further transforms the already exotic nighttime surroundings. As arresting as Thompson's language are Savage's powerful linocuts, which beautifully reference the textures and forms of Inuit stone carvings and evoke the arctic landscape in a few elemental colors per spread: glacial blues, grays, and sea greens; the pinks and lavenders of the aurora borealis.
Hardcover. NY, Scholastic Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY BOTH AUTHOR & ILLUSTRATOR with a tiny sketch. Another graphically minimalist yet utterly effective picture book for the very young. "Snug inside her warm den, a polar bear cub wakes. Something in the moonlit stillness quietly beckons. What is it?" The tug of this gentle mystery will draw children into Thompson's simple bedtime story, and the hypnotic ebb and flow of her alliterative lines (on a night that's "keen and cold," little cub "sets out for the snow and sky and sea and ice") will keep children immersed as the young explorer encounters floating, dreaming sea creatures, and witnesses a meteor shower that further transforms the already exotic nighttime surroundings. As arresting as Thompson's language are Savage's powerful linocuts, which beautifully reference the textures and forms of Inuit stone carvings and evoke the arctic landscape in a few elemental colors per spread: glacial blues, grays, and sea greens; the pinks and lavenders of the aurora borealis.
Hardcover. NY, The Grolier Club, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, cream colored boards with a red cloth spine, 195 pages. Limited to 500 copies. This excellent catalogue includes introductory essays by Martino Marazzi, Francesco Durante, and Robert Viscusi. It contains a bibliography of over 800 primary and secondary Italian-language works printed in America. Signed & inscribed by James Periconi to the previous owner on title page. Light fade to boards at top edge, Clean copy.
Hardcover. Cleveland OH, privately printed, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Illustrated. 734 pages. #104 of a limited edition of 900 numbered copies signed by the authors. In the original blue cloth slipcase with complete color label, Monumental work on the early history of the game. A most important and thorough record of all references to golf in the English language for the four hundred year following the first reference to golf in The Scottish Acts of Parliament of 1457. Scholarly, investigative, and comprehensive examination of the history and foundations of golf. An instant classic upon its issue. It went immediately out-of-print just as the demand was gaining momentum. Like new condition. NOTE: DOMESTIC SHIPPING ONLY.
Softcover. NY, New York Review Books, reprint, 2025, Book: Very Good, Dust Jacket: None, Softcover, 128 pages, b&w illustrations. A new edition of Beetle Bailey creator Mort Walker's riotous and immensely influential handbook for drawing and reading cartoons-a book that's both a parody of humorless how-to guides and a genuine (and genuinely instructive) ode to the art of making comics. Both a send-up of lofty how-to-draw books and a sincere and hilarious love letter to the art of drawing cartoons, the Lexicon is a joyously exhaustive cheat sheet to key comics visuals that has been referenced and treasured by generations of cartoonists. This new edition includes a foreword by Chris Ware and a meticulous appendix by Mort's son Brian Walker, who delves deep into the visual language of comics. Clean copy.
Hardcover. Canada, Bond Street Books, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 378 pages. Published to mark the 150th anniversary of his birth, The Several Lives of Joseph Conrad is a brilliant and highly readable biography of a literary figure of world-wide reputation. Conrad's impact has been so profound and far-reaching that, eighty years after his death, he remains an essential cultural reference point. Such phrases as "heart of darkness" and "The horror! The horror!" have entered the language, often cited without an awareness of their original contexts. His popular legacy extends to Latin American fiction, to the spy novel, to the terrorist and anarchist character, and to film. The writers he has influenced range from T. S. Eliot to William Faulkner to V. S. Naipaul and John Le Carre. For a writer of "difficult" fiction he has enjoyed a remarkably wide impact, yet as Marlow proclaims in Lord Jim of the figure whose story he tells,"he was one of us," and so Conrad remains in fascinating ways.
Softcover. NY, Oxford University Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 1,025 pages. From English, French, Spanish and Russian to Pashto, Tagalog, and Swahili, this is the first comprehensive reference work to provide detailed information about the world's forty major languages. Written by acknowledged specialists in the field, the volume begins with a general introduction to language and language families, followed by language-family sections that provide an informative essay about that language, and individual chapters that discuss the history, distribution, syntax, grammar and punctuation, writing and spelling systems, standards of usage, and other important aspects of each language. Clean copy.
Hardcover. NY, Dial Books, reprint, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 686 pages. The Uncle Remus tales, originally written down by Joel Chandler Harris, were first published over a hundred years ago, and serve as the largest collection of African-American folklore. In this four-book series, Julius Lester masterfully retains the flavor of the tales, while dropping the heavy dialect of the Harris originals and adding contemporary language and references-- ensuring that the stories will be understood and enjoyed by new generations of readers. The stories are beautifully illuminated by the slyly humorous full-color and black-and-white art of Jerry Pinkney.