Hardcover. London, Macmillan, reprint, 1891 , Book: Good, Dust Jacket: None, Hardcover, dark blue cloth with gilt lettering on spine. 318 pages, b&w frontispiece. Previous owner's signature on front fly leaf, handwritten poem on front end paper. Foxing, soiling to end papers and first few pages. Else pages clean and crisp. Mrs. Ward has inserted many new passages taken from the last French edition. Amiel was a Swiss poet & philosopher, professor of aesthetics and moral philosophy at Geneva Academy, author of this introspective diary.
Hardcover. Boston, James R. Osgood, 1st, 1876, Book: Very Good, Dust Jacket: None, Hardcover, green cloth on boards with bright gilt titling and gilt publisher's device to spine. Beveled edges and blind stamped border ruling, the book is tight, square, sharp-cornered and free of major flaws or markings inside and out. A collection of prose pieces on Dante, Spenser, Wordsworth, Milton and Keats. Clean copy.
Hardcover. NY, Alfred A. Knopf , 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket, 408 pages. In this illuminating study of the "crucial century" (1830-1930), Alfred Kazin views the major figures in American writing, beginning when Ralph Waldo Emerson left the church and inspired a national literature on the basis of a religious revolution, and ending with the triumph of modernism - Eliot, Pound, Hemingway, Fitzgerald - and with the revelation after World War I of the "postponed power" of those who had been modern before their time: Henry Adams, Melville, Whitman, Dickinson.
Softcover. NY, New Directions, reprint, 1969, Book: Very Good, Dust Jacket: None, Softcover, 367 pages. (previously published in hardcover by Doubleday in 1966). Clean copy.
Hardcover. Philadelphia, Lydia H. Bailey, 1st, 1821, Book: Good, Dust Jacket: None, Hardcover, worn calf covers, unpaginated. Maroon leather label on spine with gilt lettering. The author (1782 -1852) was an historian and educator, born in Ireland. In 1815 he and his family emigrated to Philadelphia, and he became a noted author of many history textbooks and other works. This is a first edition of his most famous work published in Philadelphia in 1821. Grimshaw's work remains a valuable reference for scholars and students of English language and linguistics. Both covers partially detached, but still holding on. Inside text pages mildly foxed. Front endpapers with previous owner's pencilled comments. Otherwise clean, binding tight.
Hardcover. NY, Alfred A. Knopf, 1st US, 1946, Book: Very Good, Dust Jacket: Very Good, Hardcover in a very good, price-clipped dust jacket. Illustrations in 2-colors by Frederick T. Chapman. This stirring tale of Iceland fishermen; of their expeditions to the cold and dangerous regions where the summers no longer have nights, and of their return to their firesides in Paimpol--is one of the great masterpieces of French literature. It is a gripping tale of adventure and romance, a colorful and exciting story of fearless men, and of their patient, courageous wives.
Hardcover. NY, Dutton, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 164 pages. An autobiographical memoir, set for the most part in London in the 1940s and 50s, by the author of "At the Jerusalem", "Trespasses" and "An English Madam: The Life and Work of Cynthia Payne". It is composed of fifty scenes or fragments of memory which describe Bailey's parents, relatives, friends and acquaintances as he was growing up fatherless in working class Batterseas. Remainder line bottom edge.
Hardcover. Edinburgh, Edinburgh University Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 345 pages. Thomas Reid (1710-96) is increasingly being seen as a highly significant philosopher and a central figure in the Scottish Enlightenment. This edition of Reid's classic philosophical text in the philosophy of mind at long last gives scholars a complete critically edited text of the Inquiry. The critical text is based on the fourth life-time edition (1785). A selection of related documents showing the development of Reid's thought, textual notes, bibliographical details of previous editions, and a full introduction by the editor makes this an important contribution to the study of this increasingly respected philosopher.Key Features:*Complete, critically edited text of the Inquiry accompanied by a judicious selection of manuscript evidence relating to its composition.*Comprehensive Introduction providing an historical and philosophical account of the formation of the Inquiry.*Detailed textual notes which include bibliographical details and allusions, translations, references to secondary literature and selected passages from Reid's MSS. Clean copy.
Hardcover. NY, Columbia University Press, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, lightly worn dust jacket, 194 pages. Index, map, biliographies, appendices. Clean copy.
Hardcover. Ohio, Kent State University Press , 1st, 1973, Book: Very Good, Dust Jacket: None, Hardcover,115 pages, cream cloth with black lettering on spine.
Hardcover. NY, W.W. Norton, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Illustrated by Al Hirschfeld. Clean copy.
Hardcover. Leicester UK, Edmund Ward, 1st, 1946, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket, 263 pages. The first attempt to view Andrew Lang's work as a whole, and to attempt some account of the man himself. In specialized fields of scholarship Lang has always held his own; but as a literary figure he has been sadly neglected. Yet the late Sir A. T. Quiller-Couch ranked his style above that of Pater and Stevenson and Kenneth Grahame, and George Saintsbury considered him as among the chief minor poets of his period. As poet and essayist, and also as writer of tales and fairy stories, Andrew Lang at last gets his due in this study. Color frontis. portrait. Name on front fly leaf, otherwise clean.
Hardcover. NY, Columbia University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 222 pages. Name on front fly leaf otherwise clean. Applying feminist theory to some lesser-known works by well known authors and painters, Munich (English, SUNY, Stony Brook) explores the psychological and cultural implications of the Victorian (male) treatment of the Perseus and Andromeda myth and its medieval analog, the legend of St. George and the dragon. With 31 photographs of the works discussed. A mild musty odor.
Hardcover. London, Thames and Hudson/Anthony d'Offay Gallery , 1st, 1993, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in blue. This book documents Warhol's 'archive' of living and dead celebrities from the worlds of film, show biz, art, literature & politics. 20 b&w, 90 color plates. Among the best-known images shown here are those of Truman Capote, David Hockney, John Lennon, Judy Garland, Rudolph Nureyev, Prince Charles and Princess Diana. Characteristic of Warhol's unique style of portraiture is the use of silkscreens made from Polaroid photographs - some of which were taken by the artist during encounters with his `sitters' at the notorious Factory. Great condition but MINUS the dust jacket. Clean, bright copy, DOMESTIC SHIPPING ONLY.
Hardcover. New York, Random House Books for Young Readers, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. The classic work by Dr. Seuss analyzed and dissected. Red cloth, beige spine. 10 1/2" X 10 1/4" in size. IIllustrated, color drawings, black & white photos. Notes galore.
Hardcover. MA, University of Massachusetts Press , 1st, 1967, Book: Very Good, Dust Jacket: Good, 268 pages. Previous owner's signature on front fly leaf. Dust jacket with light edgewear and sunning and a small sticker-stain to front cover.
Hardcover. US, Unbridled Books, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 418 pages. INSCRIBED BY EDITOR. Clean, unmarked copy with only minor wear to dust jacket.
Softcover. NY, Spuyten Duyvil, 1st, 1999, Book: Good, Dust Jacket: None, Softcover, 187 pages, Essays on contemporary American literature. Small bump to edge causing a slight wave to top edge, Clean copy.
Hardcover. NY, Knopf, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 551 pages, illustrated, notes and sources, Anthony Trollope's works, index. Name on front fly leaf, otherwise clean.
Hardcover. NY, Oxford University Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. This book examines the far-reaching legacy of one of the great myths of classical antiquity. According to Greek legend, Antigone, daughter of Oedipus, secretly buried her brother in defiance of the orders of Creon, king of Thebes. Creon sentenced Antigone to death, but, before the order could be executed, she committed suicide. The theme of the conflict between Antigone and Creon - between the state and the individual, between young and old, between men and women - has captured the Western imagination for more than 2,000 years. Antigone and Creon are as alive in the politics and poetics of our own day as they were in ancient Athens. Here, Steiner examines the treatment of the Antigone theme in Western art, literature and thought, leading us to look again at the unique influence Greek myths exercise on twentieth-century culture.
Hardcover. Cambridge MA, MIT Press, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 256 pages. Philosophical and biographical accounts of Antonin Artaud's late visual work, all reproduced in color. Antonin Artaud (1896-1948)-stage and film actor, director, writer, and visual artist-was a man of rage and genius. Expelled from the Surrealist movement for his refusal to renounce the theater, he founded the Theater of Cruelty and wrote The Theater and Its Double, one of the key twentieth-century texts on the topic. Artaud spent nine years at the end of his life in asylums, undergoing electroshock treatments. Released to the care of his friends in 1946, he began to draw again. This book presents drawings and portraits from this late resurgence, all in color. Accompanying the images are texts by by Artaud's longtime friend and editor Paule Thevenin and the philosopher Jacques Derrida. Still in publisher's shrinkwrap.
Hardcover. London, Hodder & Stoughton, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 351 pages. Green cloth with embossed gilt lettering on spine. With an Introduction by Peter Green and chapters including: The Meaning of Influence / Mr Eliot and the French Symbolist Poets / The Perspective of History / The Perspective of Language / The Perspective of Myth / etc. Short inscription on front fly leaf, darkening to dj, otherwise clean.
Hardcover. Princeton NJ, Princeton University Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 327 pages, clean copy. Few diseases have exercised the Western imagination as chronically as hysteria--from the wandering womb of ancient Greek medicine, to the demonically possessed witch of the Renaissance; from the "vaporous" salon women of Enlightenment Paris, through to the celebrated patients of Sigmund Freud, with their extravagant, erotically charged symptoms. In this fascinating and authoritative book, Mark Micale surveys the range of past and present readings of hysteria by intellectual historians; historians of science and medicine; scholars in gender studies, art history, and literature; and psychoanalysts, psychiatrists, clinical psychologists, and neurologists. In so doing, he explores numerous questions raised by this ever-growing body of literature: Why, in recent years, has the history of hysterical disorders carried such resonance for commentators in the sciences and humanities? What can we learn from the textual traditions of hysteria about writing the history of disease in general? What is the broader cultural meaning of the new hysteria studies? In the second half of the book, Micale discusses the many historical "cultures of hysteria." He reconstructs in detail the past usages of the hysteria concept as a powerful, descriptive trope in various nonmedical domains, including poetry, fiction, theater, social thought, political criticism, and the arts. His book is a pioneering attempt to write the historical phenomenology of disease in an age preoccupied with health, and a prescriptive remedy for writing histories of disease in the future.
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