magazines

Hardcover. NY, Thames & Hudson;, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The best pages from the sensational photo magazine published in France in the 1920s and 1930s. Established in Paris in 1928, VU combined stunning photography with dynamic layouts and first-rate reporting, creating a revolution in journalism and setting the stage for future photo magazines like Life, Stern, and Paris Match. For a weekly magazine that only published 665 issues (21 March 1928 -- 5 June 1940) VU left behind a remarkable legacy as revealed in these pages. There are eight main chapters: Page layouts; Faces; Photo stories; Photomontages; The rise of Hitler; Sensation and spectacle; Image innovations; Covers and each is crammed with spreads and covers from the magazine and lots of them are big enough to read the stories and captions (assuming you know French). VU was created by publisher Lucien Vogel with editor Carlo Rim and art editor Alexander Liberman (who became US Vogue's art editor and later creative director of Conde Nast) as a general interest picture weekly, some years before Life and Look in the US and Picture Post in Britain. They all took advantage of developing technologies of the day like wire transmission of photos and rotogravure printing. VU was the first though to use photos in a very creative way, especially with cover montages created by Liberman, no doubt influenced by Russian magazines of the twenties designed Rodchenko, Tellingater, Lissitzky and Stepanova.

Hardcover. NY, Thames & Hudson, 1st, 2009, Hardcover, 320 pages. The best pages from the sensational photo magazine published in France in the 1920s and 1930s.Established in Paris in 1928, VU combined stunning photography with dynamic layouts and first-rate reporting, creating a revolution in journalism and setting the stage for future photo magazines like Life, Stern, and Paris Match.VU covered a wide and eclectic range of subjects including politics, world affairs, social issues, discoveries, exploration, the arts, sports, and entertainment. It intended to be an illustrated journal of the week's events-a movie newsreel on paper-and published work by some of the most important photographers of the time: Robert Capa, Andre Kertesz, Henri Cartier-Bresson, Brassai, Man Ray, and more.This book gathers some of the best work from more than 600 issues of VU: covers, double-page spreads, and complete reports. It provides both a record of the prewar world of the twenties and thirties, and an unparalleled history of photojournalism in the early twentieth century. 200+ b&w illustrations

Hardcover. NY, Prestel , 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 320 pages. Some of Walker Evans' most iconic images of 20th-century American culture are showcased in this book celebrating his 50-year career. Walker Evans was one of the most important American photographers of the 20th century. His focus on everyday life in America, in both urban and rural settings, makes him also one of the most relatable. This retrospective volume traces Evans' career through more than 300 images--from his first photographs of the late 1920s to his Polaroids of the 1970s. Organized thematically, the book examines topics such as Evans' relationship with the impresario Lincoln Kirstein, his work in postcards and magazines, and his lifelong exploration of the American vernacular. In addition, this volume features items from the photographer's own collection, including personal writings, signage, postcards, and other ephemera. Through these ancillary objects and a thorough overview of Evans' career, readers will come away with a better understanding of a photographer whose iconic photographs remain timeless.

Hardcover. Chapel Hill & London, The University Of North Carolina Press,, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 297 pages. illustrated throughout in color and b&w. Oblong folio. Light gray cloth with gilt title to spine. Pictorial dust jacket. Minor wear to covers, else like new. The 15x11.5" format accommodates 160 color and 12 b&w illustrations, many of them decidedly horizontal, and accompanying text laid out in two wide (5.5") columns. Before photography, Washington, DC was the subject of numerous engravings, aquatints, and lithographs which were published separately as well as in newspapers and magazines, souvenir booklets, and guidebooks and brochures. A selection of these illustrations depicting buildings or districts, views from public structures, and bird's-eye views is presented along with descriptions of Washington from contemporary published works by journalists, architects, travelers, politicians, and others. Nine chapters review successive periods of growth and identify events that shaped the city's character.

Hardcover. NY, Parents Magazine Press, 1st, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Every country has its folk hero--real or legendary, and in Turkey he goes by the name of Nasreddin Hoca, pronounced Nahz-red'-din Hoe'-djah. He lived several years ago and he served as a religious teacher, Moslem priest or judge as the occasion demanded. In spite of these exalted duties he was as human as any man. Barbara Walker has put together only a sampling of the hundreds of Hoca tales that exist. She has captured in English the same directness typical of a Turkish storyteller as he relates one of the well-known, well-loved stories of the wisdom or foolishness of Nasreddin Hoca. 72 pages. Illustrated by Harold Berson. Clean copy.

Hardcover. NY, Parents Magazine Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages. Color Illustrations by William Pene DuBois. Dust jacket price clipped, else a clean, tight copy.

Hardcover. NY, Parents Magazine Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages. Color Illustrations by William Pene DuBois. Dust jacket price clipped, mild soil, else a clean, tight copy. Charming color illustrations and numbers in 12 different languages, including Urdu, Welsh and Gaelic-Irish.

Softcover. Berkeley CA, Last Gasp, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover unpaginated, [44 pages including covers], glossy color wraps, $2.25 cover price, b/w interior. Contributors include D. Worden, Dori Seda, Robert Armstrong, Drew Friedman, Elinore Nofflus, Terry Boyce, Kaz, Tom Bertino, B.N. Duncan, Jay Kinney reporting on the First Annula World SubGenius Convention, R. Crumb's "I Remember the Sixties." Photo-illustrated stories featuring Crumb in "Beauty and the Pest" and with wife Aline Kominsky-Crumb in "The Unfaithful Husband and La Malisma Tentadora!." Saddle stapled, magazine sized comic book.

Hardcover. Indianapolis IN, Eiteljorg Museum of American Indian and Western Art, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 212 pages with 129 color plates. Foreword by James K. Ballinger. Wonderful work by the Arizona artist who started his career as an illustrator in New York for magazines like the Saturday Evening Post. The subject is primarily the American Indian. Clean copy.

Softcover. NY, Quadrant Press, Revised Ed., 1972, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 136 pages. Fascinating history of the 'short-lived short line' illustrated with B&W photographs and reproductions of train plans and diagrams, timetables and tickets. Includes text from original 1962 edition, as well as "When the Westchester Was New, " a collection of articles reprinted from railway trade magazines of 1910-1912, describing and illustrating the line in its early days. 8.5 x 11". Clean copy.

Hardcover. NY, Parent's Magazine Press, 1st, 1968, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth. Tells what a whisper is, and what a secret is -- so a whispery secret is a very special thing. A gentle, cuddly read-aloud story for bed-time reading memories. Each page has illustrations by Martha Alexander that are in soft and soothing blues, grays, and greens with cute little faces on all the characters focusing on nature. Pages not numbered. Clean copy.

Hardcover. New York, Parent's Magazine Press, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, 43 pages. Hardcover with dust jacket. Color illustrations by Emanuel Schongut. Clean, tight copy with minor wear to cover edges. Dust jacket is covered in plastic sleeve, light fraying to paper corners and light soil on rear.

Hardcover. New York, E.P. Dutton, 1st, 1954, Book: Very Good, Dust Jacket: Fair, Hardcover, yellow boards stamped in black. Light edgewear, o/w very good. The wonderful world of 1950s cartoons! A "carnival" of cartoons compiled by This Week magazine editors, including work by Bil Keane, Chon Day, Ronald Searle, Ton Smits, Charles Pearson. Gives brief bios of some of the cartoonists with photos. Dust jacket worn, tape repairs.

Hardcover. New York , Parent's Magazine Press, 1st, 1968, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Illustrated in color by Wendy Watson. Cover with some edgewear, otherwise very good.

Hardcover. New York , Parent's Magazine Press, 1st, 1968, Book: Very Good, Dust Jacket: None, Hardcover with dust jacket. Illustrated in color by Wendy Watson. Cover with some markings, edgewear, otherwise very good.

Hardcover. NY, Parents' Magazine Press, 1st , 1973, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth covers. Delightful color illustrations by Mercer Mayer. The stewpot Sherman carried on the stage proved a nuisance until the wickedest robber, outlaw, and highwayman in all of England came along. Clean copy

Hardcover. NY, Grosset & Dunlap, 1944, Book: Very Good, Dust Jacket: Very Good, Pictorial boards in a bright, edgeworn dust jacket. 28 pages illustrated in color and b&w by Rounds. Later printing, from the Story Parade Picture Book series, "selected from the most popular stories that have appeared in Story Parade Magazine." Whitey sets out to get a job as a cat skinner at a lumber camp, Clean copy.

Hardcover. NY, Grosset & Dunlap, reprint, 1942, Book: Good, Dust Jacket: None, Pictorial boards, 28 pages illustrated in color and b&w by Rounds. Later printing, from the Story Parade Picture Book series, "selected from the most popular stories that have appeared in Story Parade Magazine." How Whitey became a full edgewear. Corner and edgewear to boards, top of spine with spit to paper. Clean internally.

Hardcover. NY, Grosset & Dunlap, reprint, 1943, Book: Very Good, Dust Jacket: Very Good, Pictorial boards with red cloth spine, 28 pages illustrated in color and b&w by Rounds. Later printing, from the Story Parade Picture Book series, "selected from the most popular stories that have appeared in Story Parade Magazine." How Whitey found a wild colt, how it survived wolves and a blizzard, and how Whitey trained it for his Sunday horse. Clean copy. Boards show mild edgewear.

Hardcover. NY, Farrar & Rinehart, 1st, 1943, Book: Very Good, Dust Jacket: Fair, Hardcover, unpaginated. Foreword by Wolcott Gibbs. Dust jacket faded. George Price (1901-1995) was an American cartoonist. Price started doing cartoons for The New Yorker magazine in 1929. He continued contributing to the New Yorker well into his eighties, displaying a talent for both graphic innovation (many of his cartoons consisted of a single, unending line) and for a wit that somehow combined the small issues of domestic life with a topical sensibility.

Hardcover. Oak Knoll Press, 1st, Book: Very Good, Dust Jacket: None, Hardcover, 216 pages, no dj issued. Will H. Bradley (1868-1962) is widely regarded as one of the masters of book, magazine, and graphic design during the Art Nouveau period. This extensive work also contains a biography of Bradley, a bibliography, and author, title, and publisher indices.

Hardcover. NY, Abbeville Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 279 pages. William Glackens was one of the most influential American painters in the first decades of the twentieth century. From his beginnings as a witty magazine artist-illustrator in Philadelphia and New York to his participation in the forward-thinking group of artists dubbed The Eight, Glackens was a perceptive interpreter of his surroundings. Glackens, one of the most versatile and popular artists of his time, assimilated the lighthearted modern French themes of spirited cafes and bustling parks and resorts in such canvases as Chez Mouquin (1905) and Sledding, Central Park (1912). An admirer of the more traditional figure painting of the Impressionist Renoir, his name also became closely linked to the modern artists who exhibited their works at the famous Armory Show of 1913, which Glackens helped organize. This important study, the first major monograph on Glackens, includes an insightful essay by Dr. William Gerdts and a complete catalog, introduced by curator Jorge Santis, describing the incomparable holdings of the Glackens Collection of the Museum of Art, Fort Lauderdale, Florida. With a chronology, bibliography, and index, this profusely illustrated volume is sure to become the standard reference on Glackens for historians and collectors of twentieth-century art. Clean,bright copy.

Hardcover. New York, NY, Thames & Hudson, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 223 pages, hardcover. Extensive color photography throughout. Illustrated frontispiece. Slight rubbing to corners, reminder dot to bottom edge. Bump to bottom corner.Otherwise clean, tight copy. William Helburn was the go-to photographer for many of the top advertising agencies in New York in the 1950s and 1960s. Shock value and an unrelenting hunger for success helped Helburn to a pioneer's share in the revolutionary era of advertising and his work would also appear on the editorial pages and covers of major magazines. As well as cars and cosmetics, Helburn shot Coca-Cola, Canada Dry, whiskeys, clothing lines, airlines, jewelry, cigars and cigarettes, and any number of other products. He worked with the top models of the day, from Dovima and Dorian Leigh to Jean Patchett and Barbara Mullen to Jean Shrimpton and Lauren Hutton. William Helburn: Seventh and Madison is the first book to survey the photographic work of William Helburn and gives viewers a delicious taste of the vivid reality that the television series Mad Men seeks to evoke. Most of these images have not been seen since they were first published decades ago. In addition to the photographs, Robert Lilly contributes a biographical account of Helburn's life and work, and former colleagues Jerry Schatzberg, George Lois, Sunny Griffin, and Ali McGraw offer insights into the lusty, creative spirit of William Helburn. 200 illustrations, 80 in color

Hardcover. New York, NY, Thames & Hudson, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 223 pages, hardcover in a bright dust jacket. Extensive color photography throughout. Illustrated frontispiece. Slight rubbing to corners, reminder dot to text edge. Otherwise clean, tight copy. William Helburn was the go-to photographer for many of the top advertising agencies in New York in the 1950s and 1960s. Shock value and an unrelenting hunger for success helped Helburn to a pioneer's share in the revolutionary era of advertising and his work would also appear on the editorial pages and covers of major magazines. As well as cars and cosmetics, Helburn shot Coca-Cola, Canada Dry, whiskeys, clothing lines, airlines, jewelry, cigars and cigarettes, and any number of other products. He worked with the top models of the day, from Dovima and Dorian Leigh to Jean Patchett and Barbara Mullen to Jean Shrimpton and Lauren Hutton. William Helburn: Seventh and Madison is the first book to survey the photographic work of William Helburn and gives viewers a delicious taste of the vivid reality that the television series Mad Men seeks to evoke. Most of these images have not been seen since they were first published decades ago. In addition to the photographs, Robert Lilly contributes a biographical account of Helburn's life and work, and former colleagues Jerry Schatzberg, George Lois, Sunny Griffin, and Ali McGraw offer insights into the lusty, creative spirit of William Helburn. 200 illustrations, 80 in color.