massachusetts

Hardcover. Boston, Massachusetts, Harry N. Abrams, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, 470 pages. Brown cloth cover, color illustrated dust jacket, 113 color and 206 illustrations. Still in original shrink wrap; book in excellent condition. American artists have been inspired by Italy since the 1760s, when Benjamin West, the first American painter to travel there, was drawn to the ancient Roman ruins and magnificent Renaissance architecture, statuary, and frescoes. This intriguing, superbly illustrated book is the first to explore the fascination Italy held for the American artist from West's time to the eve of World War I.The unique sense of the past found in Italy, where tangible evidence exists of a continual civilization from antiquity to the present, lured countless American artists to its cities, towns, and countryside. Painters from West and Copley in the eighteenth century to Cole, Inness, Whistler, Sargent, and Prendergast in the nineteenth century were inspired to create many of their finest works in Italy, as were American sculptors such as Hiram Powers and Harriet Hosmer and writers from Washington Irving to Henry James.This in-depth study includes 319 illustrations, of which 113 are reproduced in full color, many of works that have not previously been published. Theodore E. Stebbins, Jr., John Moors Cabot Curator of American Paintings at the Museum of Fine Arts, Boston, and Professor of Art History at Boston University, provides a broad overview of the American perception of Italy and the unique role that Italy played in the formation of American art.

Hardcover. NY, Random House Studio , 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations throughout by Claire Keane. SIGNED BY KUNKEL on the title page. In the beginning, there was a boy named Robert McCloskey, growing up in Ohio, his hands always moving, always creating. Many years later, after attending art school in Boston, he would reflect on his days wandering through Boston Garden and write the classic picture book Make Way for Ducklings. In the beginning, there was also a girl named Nancy Sch n. She grew up in Newton, Massachusetts, working in her father's greenhouse, twisting wire and boughs into wreaths. Many years later, Nancy would look at Robert's drawings in Make Way for Ducklings and get the seed of an idea. That seed became the beloved bronze sculptures of Mrs. Mallard and her eight ducklings that stand in Boston Garden today. This stunning and clever picture book biography intertwines the lives of two phenomenal artists--who were contemporaries and friends--and reveals the extraordinary impact they've had on generations of children.

Hardcover. Cambridge MA, The MIT Press, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. An informative and beautiful exploration of the life and history of a city through its maps. The book includes both historical maps of the city and maps showing the gradual emergence of the New England region from the imaginations of explorers to a form that we would recognize today. Each map is accompanied by a full description and by a short essay offering an insight into its context. The topics of these essays by Anne Mackin include people both familiar and unknown, landmarks, and events that were significant in shaping the landscape or life of the city. Clean copy. This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Hardcover. Orleans MA, Lower Cape Publishing, 1st, 1996, Book: Very Good, Dust Jacket: None, Hardcover, dark blue cloth covered boards with bold gilt text on the spine and on the front board. A small quarto measuring 11 by 8 1/2 inches with map end sheets. 264 pages including an index. Illustrated throughout with hundreds of black and white photographs. SIGNED BY THE AUTHOR on the title page. Bright, clean copy.

Hardcover. NY, Viking Press, 1st, 1970, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. A collection of color and black and white photographs from the famed Life photographer. Clean copy.

Softcover. Bowie MD, Heritage Books, reprint, 2001, Book: Very Good, Dust Jacket: None, Two softcover volumes 391 & 392 pages. Volumes 1 and 2 complete, a facsimile reprint of the 1897 edition by Lippincott. This two-volume series takes the reader on a journey through the colonies of Virginia, Massachusetts, Connecticut, Rhode Island, New Hampshire, Pennsylvania, New Jersey, New York, Maryland, Carolina, and Georgia. The charm of the journey is in its variety, as the reader passes through communities of such striking individuality that they assume the character of different nations. Each colony has a set of opinions and laws peculiar to itself, and it is not uncommon to find the laws of one in contradiction with the laws of another. This text explores the settlement and history of each colony prior to the American Revolution. Topics include development of the colonies' government, laws, religion, schools, boundaries, industries, layout of the cities, fashions, homes, social activities, slavery, architecture, interaction with the Indians, and customs. At least one prominent person from each colony is discussed, amongst them, William Penn of Pennsylvania, John Smith of Virginia, George Calvert of Maryland, and General Oglethorpe of Georgia. Light sunning ti spines.Clean copies.

Hardcover. Boston, James Munroe, 1st, 1849, Book: Good, Dust Jacket: None, Hardcover, brown cloth with embossed design on covers, gilt title on spine. 252 pages. 2 volumes in one. A fictional account of Thomas Morton's "Merry Mount" community, arguably America's first notable contrarian movement: anti-Puritan, devoted to public sinning, and credited with erecting the first Maypole in North America. Previous owner's inscription on front end paper. Corners bumped. Rubbing to extremities. Chipping to spine cover. Light foxing to a few pages.

Softcover. NY, Harper Torchbooks, reprint, 1969, Book: Good, Dust Jacket: None, Softcover, 458 pages. This book argues that there was a middle-class democracy in Massachusetts even before the Revolution, which only removed British power from the area. Bump to top corner of volume causing a crease, remainder lines to bottom edge. No markings.

Hardcover. NY, Macmillan, 2nd Ed., 1957, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, unclipped dust jacket, 241 pages. Clean copy.

Hardcover. Philadelphia, Lippincott Company, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, 312 pages, hardcover with dust jacket. SIGNED BY AUTHOR on front flyleaf. A Cape Cod cook book. Light foxing to fore edge copy. Very small tear to dust jacket lower spine. Faint yellowing to rear dust jacket top edge. Decorative staining to top edge copy block. Bright and clean; a tight copy.

Hardcover. Nantucket MA, Tetaukimmo Press, 1st, 1946, Book: Very Good, Dust Jacket: None, Hardcover, gray boards stamped in black with black cloth spine that has gilt title. 225 pages, 2 fold-out maps. A detailed study of writings. maps and other material concerning Nantucket Island. Still the essential resource for books about Nantucket and its history. It reprints selections of rare texts and provides a bibliography of printed materials.Clean copy, no dust jacket.

Softcover. Nantucket MA, The Inquirer and Mirror, 1st, 1970, Book: Very Good, Dust Jacket: None, Softcover, approx. 60 pages, b&w illustrations. Some text, but Largely a collection of black and white historical photos of Nantucket Island shipwrecks and trains with captions. Clean copy.

Hardcover. NY, G.P. Putnam"s Sons, 1st, 1904, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt stamping, pictorial label, top edge gilt, 377 pages. Tissued frontis, b&w plates plus text illustrations. Folding map. Sound and square. All very good, clean copy.

Globe Pequot Press , 1ST, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket. INSCRIBED BY AUTHOR on the front fly leaf. In a series of colorful vignettes, a veteran newspaperman recreates a madcap era during which more than a dozen newspapers lived and died in 'the Row' on Boston's Washington Street. This is a story of fierce circulation competition and the often-outrageous journalism it inspired. Clean copy.

Softcover. Amherst MA, University Of Massachusetts , 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, 205 pages. This study challenges the common view that Nietzsche passed through several discrete periods of thought, each based on a different set of values, and that his work can best be understood as a collection of isolated insights. Through close textual analysis, Robert John Ackermann exposes the underlying unity and consistency in Nietzsche's thought that has long been overlooked. Ackermann is to be highly commended for this clearly written introduction to Nietzsche. Light pencil underlining to several pages.

Hardcover. NY, Delacorte Books, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Great b/w illustrations by Deborah Kogan Ray. Tale of a young girl in Massachusetts during WW II, who moves to a French-Canadian neighborhood where she meets Kathleen O'Hara & learns about Catholicism. Clean copy.

Hardcover. NY, Clarkson N. Potter, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, price-clipped dust jacket, 300 pages, b&w illustrations by Earl Thollander. Willard Espy's memoir is delightful, filled with memorable characters, with no celebrities, from his family trove of people over the centuries, from witches in Salem, Massachusetts, to pioneer oystermen on the Pacific coast of Washington state. Drawing on conversations with aged relations and friends, on historic letters and documents, Willard Espy reconstructs his own personal past to provide an account of his family that was born, grew up, and died, as the United States was being born, shaped, formed, explored, expanded.

Hardcover. Cambridge MA, Belknap Press/Harvard, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 417 pages. As the American colonies grew more restive, and a break with the mother country ceased to be unthinkable, John Adams was forced to spend less and less time with his beloved family. Although burdened by ever-expanding responsibilities in the Second Continental Congress, he found time for an amazing amount of correspondence. The majority of his letters were written to secure the facts that would enable this duty-ridden man to decide and act effectively on the issues being debated. Military affairs, a source of never-ending concern, provide some of the most fascinating subjects, including several accounts of the Battle of Bunker Hill, assessments of various high-ranking officers, and complaints about the behavior of the riflemen sent from three states southward to aid the Massachusetts troops. Clean, tight copy.

Hardcover. Amherst MA, University of Massachusetts Press, 1st, 1969, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and tanned dust jacket, 215 pages. Clean copy.

Softcover. West Islip, ULAE Inc., 1st, 1981, Book: Very Good, Dust Jacket: None, 48 pages. Black & white photographs by Robert Rauschenberg. Softcover slipcase edition. Clean, bright copy.

Hardcover. US, The MIT Press, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Remainder mark on top page block. Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important American artists as Berenice Abbott, Harry Callahan, Paul Caponigro, Marie Cosindas, Harold Edgerton, Nan Goldin, Jerome Liebling, Nicholas Nixon, Barbara Norfleet, Olivia Parker, Rosamond Purcell, Aaron Siskind, and Minor White.The period from 1955 to 1985 reflects photography's acceptance as an art form, the influence of modernism, and the coalescence of a unique constellation of educational institutions, museums, and technological development in the Boston area that directly influenced artistic options for photography. Minor White's arrival at the Massachusetts Institute of Technology in 1965 to run the Center for Creative Photography and the Polaroid Corporation's innovative support of photographic art suggest how developments built upon one another to create a regional critical mass in photography.The book contains twenty-five color plates, sixty duotones, and essays by A. D. Coleman, Rachel Rosenfield Lafo, Arno Rafael Minkkinen, and Kim Sichel.

Hardcover. US, The MIT Press, Book: Very Good, Dust Jacket: Very Good, Like new in publisher's shrink-wrap. Remainder mark on top page block. Boston played a crucial role in the development of American photography, including criticism, collecting, and curating, in the second half of the twentieth century. This book accompanies a landmark exhibition at the DeCordova Museum that includes such important American artists as Berenice Abbott, Harry Callahan, Paul Caponigro, Marie Cosindas, Harold Edgerton, Nan Goldin, Jerome Liebling, Nicholas Nixon, Barbara Norfleet, Olivia Parker, Rosamond Purcell, Aaron Siskind, and Minor White.The period from 1955 to 1985 reflects photography's acceptance as an art form, the influence of modernism, and the coalescence of a unique constellation of educational institutions, museums, and technological development in the Boston area that directly influenced artistic options for photography. Minor White's arrival at the Massachusetts Institute of Technology in 1965 to run the Center for Creative Photography and the Polaroid Corporation's innovative support of photographic art suggest how developments built upon one another to create a regional critical mass in photography.The book contains twenty-five color plates, sixty duotones, and essays by A. D. Coleman, Rachel Rosenfield Lafo, Arno Rafael Minkkinen, and Kim Sichel.

Hardcover. Amherst, University of Massachusetts Press, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 157 pages. Color illustrated dust jacket, 9 color plates, numerous b&w illustrations. Book still sealed in original plastic, never opened; in excellent condition.