Hardcover. London, Travel Book Club, reprint, 1953, Book: Good, Dust Jacket: Poor, Hardcover, 288 pages. Reprint of the Gollancz first edition published the same year. Author's first published work. Dust wrapper is fair to poor with major wear and chipping. Yellow cloth covers with minor wear.
Hardcover. Albuquerque NM, University of New Mexico Press, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 217 pages. Includes essays on William Everson, Robert Duncan, Gary Snyder, Kenneth Rexroth, Michael McClure, Nathaniel Tarn, Thom Gunn and more. Notes, bibliography. Clean copy.
Softcover. London, Virago, reprint, 2019, Book: Very Good, Dust Jacket: None, Softcover, 321 pasges, color illustrations. During childhood, Joanna Moorhead heard about a wild cousin called Prin who had fled their suffocatingly respectable family. When Joanna travelled to Mexico to find her, it was the start of a life-changing friendship, for her relative was none other than Leonora Carrington, the last surviving Surrealist. This book tells how, over tea and tequila, Leonora recalled her extraordinary life, her relationship with Max Ernst, her incarceration in an asylum, and her friendships with Picasso, Dali and Frida Kahlo.
Hardcover. NY, Bloomsbury Publishing, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 336 pages, b&w illustration. INSCRIBED BY STRATTON on the title page. For the fiftieth anniversary of the film, W.K. Stratton's definitive history of the making of The Wild Bunch, named one of the greatest Westerns of all time by the American Film Institute. Sam Peckinpah's film The Wild Bunch is the story of a gang of outlaws who are one big steal from retirement. When their attempted train robbery goes awry, the gang flees to Mexico and falls in with a brutal general of the Mexican Revolution, who offers them the job of a lifetime. Conceived by a stuntman, directed by a blacklisted director, and shot in the sand and heat of the Mexican desert, the movie seemed doomed. Instead, it became an instant classic with a dark, violent take on the Western movie tradition. In The Wild Bunch, W.K. Stratton tells the fascinating history of the making of the movie and documents for the first time the extraordinary contribution of Mexican and Mexican-American actors and crew members to the movie's success. Clean copy.
Hardcover. New York, Macmillan, reprint , 1947, Book: Very Good, Dust Jacket: Very Good, Hardcover. 344 pages plus black & white photos at rear of book. SIGNED BY AUTHOR on back of front end paper. Foreword by Owen Wister. Small tears, chipping to dust jacket.
Hardcover. New Mexico, Museum of New Mexico Press, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 276 pages. Combining images from early masters and well-known fine art photographers with text and observations from noted writers, this is one of a kind book. It provides stimulating perspectives on Santa Fe's transformation over the last 160 years, presenting a historical and contextual perspective on the important role photography has played in documenting and shaping Santa Fe's image. Includes selected images from more than one hundred noted photographers.
Softcover. NY, HarperCollins, 1st pbk, 1995, Book: Very Good, Dust Jacket: None, Softcover, 296 pages, b&w illustrations. The apt subtitle of this award-winning biography, Photographer & Revolutionary, sums up the creative tensions that characterized Tina Modotti's life and brief photographic career. Active as a photographer for only nine years, Modotti was pulled between formal and social concerns. Producing striking modernist compositions of everyday objects, photojournalism of poverty and conflict, and portraits of celebrities and common people alike, Modotti balanced political concerns with formal rigor.First published in 1993 and long out of print, Tina Modotti: Photographer & Revolutionary is the definitive portrayal of Modotti's life and work. Few photographers are more deserving of a biographical treatment than Modotti, whose work as an actress and artist's model introduced her to Edward Weston, who was to become her lover. Soon after she arrived in Mexico City with Weston, Modotti became increasingly politicized, working for the communist newspaper El Machete and establishing herself as the go-to photographer for the Mexican Muralist movement. The book includes extensive archival material, interviews with Modotti's contemporaries and many rare photographs. Clean copy.
Softcover. St. Louis MO, Missouri Pacific Lines, Book: Good, Softcover, 20-page brochure promoting the Missouri Pacific routes through Mexico. Two-color cover wraps, b&w illustrations and a map. Light wear, spine separating at bottom, clean. No date, appears to be late 1940s. 6 3/4 X 9 1/2".
Softcover. Santa Fe NM, New Mexico State Tourist Bureau, Book: Very Good, Dust Jacket: None, Softcover, 32-page brochure promoting New Mexico. Illustrated with color and b&w photos. 8 X 9". No date but features message from Gov. Thomas Mabry who served 1947-51. Mild wear.
Hardcover. NY, Thames & Hudson , 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 184 pages. Traces the rise and fall of the Toltec civilization, and describes what has been learned about their culture from the excavation of Tula, their principal city. 130 illustrations, 15 in color.
Hardcover. Norman OK, University of Oklahoma Press, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 183 pages. The Western Frontier Library, Vol. 12. B&w illustrations. The timeframe extends from the Mexican War to the 1880's. Much on the Comanches in Texas, cattle raids and killings on both sides of the Rio Grande by both Mexican and American cowboys, the murder of a Pinkerton detective, the Lincoln County cattle war, and the pursuit of Billy the Kid. Clean copy.
Hardcover. Brooklyn, NY, PowerHouse Books, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, 176 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color photographs throughout.
Hardcover. Guadalajara, Jalisco, Centro Metropolitano, 1st, 1988, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers stamped in gilt with a photographic label on front. A study of the Mexican artist's sculpture. Illustrated in b&w and color, 194 pages plus index. Clean copy.
Softcover. Albuquerque, University of New Mexico Press, Reprint, 1990, Book: Very Good, Dust Jacket: None, 170 pages. Minor wear to covers, else a very neat copy.
Softcover. Los Angeles, Society for Visual Anthropology, 1st, 1992, Book: Very Good, Dust Jacket: None, Softcover, magazine format, 120 pages. illustrated collection of provocative essays, occasional pieces, and dialogues with contributions from anthropologists, from cultural, literary and film critics and from image makers themselves. Includes: Reading Trash, Artaud, Rouch, & the Cinema of Cruelty; Remembering the Revolution, Forgetting the Empire; 'Thirty Centuries, the Splendors of Mexico'; What Is Real About Virtual Reality?; Marketing Alterity, other essays and reviews. Clean.
Hardcover. New York , D. Appleton and Company, 1st, 1908, Book: Very Good, Dust Jacket: None, 294 pages. Hardcover with blue cloth with silver titles and gilt top stain. Previous owner's signature on title page, slight rubbing to boards and light fade to spine, else a clean, tight copy.
Softcover. Mexico , Flor Ruiz, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 80 pages, introduction by Jay Parini. Softcover with dust jacket, uncut pages. Limited to 1000 copies.
Hardcover. NY, Henry Z. Walck, 1st, 1961, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth with black lettering, 125 pages, b&w illustrations by Harper Johnson. Children's story of a boy and his horse, living on a New Mexico ranch. When the Spanish cavalry needs horses for fighting the Indians, the horse is comandeered, and later captured by a Comanche warrior. Covers with light soil, clean internally, no markings.
Softcover. Albuquerque NM, University of New Mexico Press, reprint, 1993, Book: Very Good, Dust Jacket: None, Softcover, 365 pages, b&w illustrations. Professor Myres gives frontier women a voice they never had. She uses extensive source material by and about women ( letters, journals, and reminiscences from over 400 collections ) to study the impact of the frontier on women's lives and the role of women in the West. She offers a major reinterpretation of the experience of pioneer women, including that of Indian, Mexican, French, black, and Anglo-American women. The account recreates in detail the frontier experience of all these women, beginning with their physical and intellectual responses to the trek West, and concluding with their struggle for political suffrage and economic opportunity. Clean copy.
Hardcover. Long Beach CA, Safari Press, 2nd Ed., 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 289 pages. Thirty-five enchanting tales by distinguished experts from 1888-1913--bring back the flavor of incredible shooting from British Columbia, Montana, and Oregon down to Arizona and Mexico.
Hardcover. University Press of Colorado, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 198 pages, b&w illustrations. Women of the New Mexico Frontier, 1846-1912 is a collection of essays that include biographical sketches and writings from women of all walks of life who helped bring about the Americanization of the New Mexico Territory, from the Mexican War until statehood in 1912. These women were wives of missionaries, soldiers and military officers, and government officials who came from the eastern part of the United States. INSCRIBED BY AUTHOR on title page. Clean copy.
Hardcover. London, Heinemann, 1st UK, 1991, Book: Very Good, Dust Jacket: Very Good, 251 pages. Hardcover. Clean, tight copy. The Previously Unpublished Introduction, Commentary and Script for the Film VIVA ZAPATA! Clean copy.
Hardcover. University of Texas Press, 1st, 1974, Book: Very Good, Dust Jacket: Good, Hardcover, with a foreword by Howard S. Becker, red cloth; gilt titles; 166 pages.; b/w illustrations; some edgewear and spine sunning to price-clipped dust jacket, INSCRIBED BY SELBY on front fly leaf. clean copy.