mexico

Hardcover. NY, Scribner, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. SIGNED BY OTTO on the title page. This captivating novel opens in 1917 as Cymbeline Kelley surveys the charred remains of her photography studio, destroyed in a fire started by a woman hired to help take care of the house while Cymbeline pursued her photography career. This tension-- between wanting and needing to be two places at once; between domestic duty and ambition; between public and private life; between what's seen and what's hidden from view--echoes in the stories of the other seven women in the book. Among them: Amadora Allesbury, who creates a world of color and whimsy in an attempt to recapture the joy lost to WWI; Clara Argento, who finds her voice working alongside socialist revolutionaries in Mexico; Lenny Van Pelt, a gorgeous model who feels more comfortable photographing the deserted towns of the French countryside after WWII than she does at a couture fashion shoot; and Miri Marx, who has traveled the world taking pictures, but also loves her quiet life as a wife and mother in her New York apartment. Crisscrossing the world and a century, Eight Girls Taking Pictures is an affecting meditation on the conflicts women face and the choices they make. These memorable characters seek extraordinary lives through their work, yet they also find meaning and reward in the ordinary tasks of motherhood, marriage, and domesticity. Most of all, this novel is a vivid portrait of women in love--in love with men, other women, children, their careers, beauty, and freedom.

Hardcover. Chapel Hill, University of North Carolina Press , 1st, 1937, Book: Very Good, Dust Jacket: None, Hardcover, 849 pages, b&w illustrations. Tan cloth covers with dark brown decoration. Previous owner's stamp on both end papers.

Hardcover. Boston, Houghton Mifflin, 2nd pr., 1959, Book: Very Good, Dust Jacket: Very Good, hardcover in a bright, price-clipped dust jacket. 217 pages, b&w illustrations by Frank Nicholas. Clean, tight copy. Emmy Lane, a child of itinerant workers, decides to go on a Friends Service Project to a very poor Indian village in Mexico. Although she herself has come from a hard life, she is unprepared for what she finds.

Hardcover. NY, Rizzoli, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, SIGNED BY BORGES on the title page. This collection of photographs by Phil Borges of indigenous and tribal people around the world is a testament to the strength and inherent dignity of the human spirit. Reproduced here are 80 hand-toned portraits of individuals who are striving to uphold their cultural diversity and traditions in countries where basic human rights are threatened - from Ethiopia and Kenya to Tibet, and from Mexico to Indonesia. This book is published in association with Amnesty International to mark the 50th anniversary of the Universal Declaration of Human Rights, a document adopted by the United Nations in 1948 which outlines fundamental rights for all people. Clean copy.

Softcover. Mexico, 1st, 2003, Book: Very Good, Dust Jacket: None, Articles in English and Spanish. 108 pages plus advertisements. Color illustrations throughout. Black pictorial cover with wear to edges and covers. Overall, a clean, tight copy.

Hardcover. NY, Farrar, Straus and Giroux , 1st, 1994, Book: Very Good, Dust Jacket: Very Good, 467 pages. Lovely copy. Like new hardcover in a dust jacket. Employing a variety of techniques-unattributed dialogue, stories within stories, passages from term papers and a waitressing manual-Chavez's accomplished first novel weaves the interlocking histories of the Dosamantes clan and the fictional New Mexico town of Agua Oscura. But the author, a playwright, actress and story writer, seeks to be more than a compiler of earthy, colorful tales about love, marriage, death, trailer parks and pickup trucks. Here is an updated Pilgrim's Progress with a Chicana feminist twist: Chavez follows the spiritual journey of her narrator, Soveida Dosamantes, who grows from a shy fearful girl to become a vulnerable, obliging waitress and, finally, a forceful woman ready to make difficult choices. Her highly readable style effortlessly mixes Spanish and English in a way that won't jar the monolingual reader ("May [the Virgin Mary] spare you a drunken man... smelling of frijoles and beer. Dios mio el gas!"). And if there is an occasional excess of sentimentality, there is never a dull moment in this rich polyphonic novel.

Softcover. Santa Fe, Museum of New Mexico Press, 1st, 1994, Book: Very Good, Dust Jacket: None, 86 pages, illustrated throughout in b&w. Light shelf-wear to wrappers, else a clean, tight copy. 9 1/8 X 12 inches. Three essays 1) "The Art of the Human Document: Russell Lee in New Mexico" by J.B. Colson, 2) "John Collier, Jr.: Cultural Diversity and the Camera" by Malcolm Collier, 3) "Jack Delano and the Railroad Photography Project in New Mexico" by Jay Rabinowitz. Photographs follow by Russell Lee, John Collier, Jr., and Jack Delano. All photographs B&W and beautifully reproduced.

Softcover. Createspace Independent Publishing, 1st, 2018, Book: Very Good, Dust Jacket: None, Sodtcover, 254 pages. Actor, director, writer Evans connect his dots and long dashes through a life both creative and chaotic. Family, career, and cancer bump heads in a runaway boxcar full of colorful entanglements with the famous and the foolish. Tracing his family history through the years from the Dust Bowl and the Great Depression to the tragedy of the Hindenburg, and his early childhood in Japan before WW2, Evans cleverly sets the stage for what follows. His career as an actor ultimately clashed with an early marriage and fatherhood, providing many temptations that carried Evans to Mexico, Arizona, Ohio, Delaware, Kauai, Hawaii, and points beyond. Working in films with stars Jack Nicholson, George C. Scott, David Hemmings, and Michael J. Pollard were high points in his 50-year career that led to a love affair with France and La Nouvelle Vague and the writing, production and direction of his own films and plays. After a season as series regular Paul Hanley opposite Mia Farrow in tv's Peyton Place, Evans moved from early shows like Mr. Novak, Gunsmoke, and Bonanza to an episode of Star Trek with Shatner and Nimoy. Countless other roles sent him on his way to features including major roles in Islands in the Stream, The Nickel Ride, Dirty Little Billy and Synanon, productions that brought him together with many of Hollywood's top directors including Richard Rush, Robert Mulligan, Stan Dragoti and Richard Quine. As his wife, Jo, frequently reminds us, "Dick has made many things, but never without the help of others." Clean copy.

Hardcover. Albuquerque, University of New Mexico, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, chipped dust jacket. 253 pages, INSCRIBED BY TAYLOR on the title page. Previous owner's inscription on half-title page, otherwise clean. First Mail West recounts the colorful history of stagecoach lines on the Santa Fe Trail during the height of overland traffic from 1850 to 1879. Desert, rain, snow, wind, outlaws, Indians, buffalo stampedes, and business competitors challenged, and sometimes scuttled, the operation of stage lines between Missouri and New Mexico. The author describes the topography, roads, rolling stock, stations, accommodations, and natural and human dangers along the trail, and analyzes the fierce competition between independent lines for passenger traffic and federal mail contracts.

Hardcover. NY, powerHouse Books, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages, introduction "Spirit & Flesh: Mexico's Sexual Revolution by Ruben Martinez, afterword by Pedro Meyer, essay by Trisha Ziff, illustrated with photos and art work documenting local sex workers. No dust jacket issued.

Hardcover. NY, powerHouse Books, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages, introduction "Spirit & Flesh: Mexico's Sexual Revolution by Ruben Martinez, afterword by Pedro Meyer, essay by Trisha Ziff, illustrated with photos and art work documenting local sex workers. No dust jacket issued.

Hardcover. Boston, Bulfinch, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. In his beautifully illustrated survey of Frida Kahlo's work, Lozano (art history, Iberoamerican Univ., Mexico City) explores her life and paintings in a series of essays that range from a poetic study by noted Mexican cultural critic Carlos Monsiv is to a short, prosaic piece written in 1943 by her husband, Diego Rivera, to an academic essay by Lozano himself. The common thread is how Kahlo's pre-Columbian background helped her find her own identity in the world and in the artist circles she frequented. To create a portrait of a woman so talented yet so tortured, Lozano uses Kahlo's own stunning images, offering high-quality reproductions of some of Kahlo's most famous works as well as some of her lesser-known pieces. Previously unseen photos of Kahlo at work in her studio are also included. The detail and clarity of the images is incredible, allowing the reader to explore each painting thoroughly.

Softcover. Albuquerque NM, University of New Mexico, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 58 pages, black and white photographs throughout. Foreword by Cornell Capa. Clean copy.

Hardcover. Houston, Rice University, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 142 pages. Illustrated with black & white photographs by George Krause. Clean, bright copy. For the past 45 years, George Krause has worked on four distinct series of photographs, each represented in this volume. "The Street" is an oblique journal of places, including Mexico, Spain, Italy, and Philadelphia, where the artist has lived and worked. The objects photographed in "Qui Riposa" are tombstones and cemetery monuments; in "Saints and Martyrs," religious statuary; and in "I Nudi," naked human models. From these common objects arise pictures of great beauty and mystery.

Hardcover. Princeton NJ, Princeton University Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages, illustrated in color. Bright, clean copy in similar dust jacket.

Softcover. Ketchum, Idaho, Computer Lab, 1st, Book: Very Good, Dust Jacket: None, Softcover, 32 pages illustrated in b&w.

Softcover. Albuquerque, NM, Museum of New Mexico Press, 1st, 1985, Book: Near Fine, Dust Jacket: None, Exhibition catalog. x, 102 pages illustrated throughout in color and b&w. Pictorial stiff wrappers with light wear to edges, else like new.

Softcover. Albuquerque NM, University of New Mexico Press, 1st, 2002, Book: Near Fine, Dust Jacket: None, 178 pages, 70 color plates by Fitch of deserted buildings and locations in the Great Plains. Soft cover edition, published simultaneously iwith the hardcover. In publisher's shrinkwrap.

Softcover. Albuquerque NM, University of New Mexico Press, 1st, 2002, Book: Near Fine, Dust Jacket: None, 178 pages, 70 color plates by Fitch of deserted buildings and locations in the Great Plains. Soft cover edition, published simultaneously with the hardcover. In publisher's shrink wrap.

Softcover. US, National Park Service , 1st, 1979, Book: Very Good, Dust Jacket: None, 168 pages. Softcover. A very clean, unmarked copy with only minor wear to wrappers. Black & white illustrations throughout.

Hardcover. Coral Gables FL, University of Miami, 1st, 1960, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth stamped in gilt, 487 pages including index. INSCRIBED BY THE AUTHOR on the half-title page. Illustrated with 17 b & w photographic plates, map end-papers. Thord-Gray was a career military man (the list of conflicts engaged in is impressive), he here concentrates on the 2 years he lent his considerable expertise to the various rebel armies of the revolution, including Pancho Villa, Venustiano Carranza and Alvaro Obregon. He mostly led native Indians and farmers through tortuous country on various scouting expeditions, engaging smaller groups of federal troops. You learn an incredible amount about the culture and history of these peoples he worked with. A clean, bright copy

Hardcover. Chicago, Illinois, Albert Whitman & Company, 1st US, 1954, Book: Very Good, Dust Jacket: Very Good, Hardcover. Ex-library copy, minor stamping. Book shows some wear. Color illustrations by Bannon. Hardbound, bright, clean dust jacket.

Hardcover. New York , powerHouse Books, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, 120 pages, hardcover. Some of the photographer's finest unpublished work, in one volume. Most of the photographs were taken in New York City, Levitt's primary subject in the course of a seven-decade photographic journey (she spent some time in Mexico City, and the pictures she took there are collected in a book named after the city). Here are 110 photographs, 90 of them never before published, including portraits of her close friends James Agee and Walker Evans.

Hardcover. New York, Doubleday Doran, 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, orange cloth with black design, 297 pages, decorations and endpapers illustration by Frank Dobias. Fading to cloth spine otherwise clean, tight copy.