mideast war

Hardcover. NY, Clarion, 1st, 1992, hardcover in a bright, unclipped dust jacket. Color paintings by Ted Lewin. A ten-year-old Lebanese boy balances his life in a war-torn city. Lewin's watercolor illustrations capture contemporary Beirut with stunning clarity and drama.

Softcover. NY/Oxford, Osprey Publishing, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 64 pages illustrated in color and b&w. An unrivaled illustrated reference source on fighting men and commanders of the period. The Sassanians ruled the last great imperial Empire of Persia before the Arab conquests of the 7th century. Rome's only equal in the classical world, the Sassanian Empire had an enormous impact on the development of architecture, mythology, arts, music, military tactics and technology. Within the Sassanian military, the cavalry was the most influential element, and Sassanian cavalry tactics were adopted by the Romans, Arabs, and Turks. Clean copy.

Hardcover. NY, Pantheon, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 450 pages. Map endpapers. Ever since the appearance of his groundbreaking The Question of Palestine, Edward Said has been America's most outspoken advocate for Palestinian self-determination. As these collected essays amply prove, he is also our most intelligent and bracingly heretical writer on affairs involving not only Palestinians but also the Arab and Muslim worlds and their tortuous relations with the West. In The Politics of Dispossession Said traces his people's struggle for statehood through twenty-five years of exile, from the PLO's bloody 1970 exile from Jordan through the debacle of the Gulf War and the ambiguous 1994 peace accord with Israel. As frank as he is about his personal involvement in that struggle, Said is equally unsparing in his demolition of Arab icons and American shibboleths. Stylish, impassioned, and informed by a magisterial knowledge of history and literature, The Politics of Dispossession is a masterly synthesis of scholarship and polemic that has the power to redefine the debate over the Middle East. Clean copy.

Hardcover. NY, Quadrangle Books/New York Times, 2nd pr., 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, rubbed dust jacket. Translated by Ruth Geyra Stern and Sol Stern. The events preceding the Yom Kippur War in October 1973. Name on front fly leaf, otherwise clean.

Hardcover. NY, The Dial Press, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn, price-clipped dust jacket, 360 pages with index. The author deals in detail with two periods when he feels there was a chance for peace -the six years following the Balfour Declaration of 1917 and the aftermath of the Israeli victory in the Six-Day War of 1967.

Hardcover. Boston, Houghton Mifflin Company, 1st U.S., 1991, Book: Very Good, Dust Jacket: Very Good, 250 pages. Light blue and tan cloth cover, gilt lettering, very little wear. Dust jacket has minor wear to edges. Inside is bright and clean. A nice copy.

Hardcover. Chicago, University Of Chicago Press, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 260 pages.Whiskey Tango Foxtrot gathers the best of Gilbertson's photographs, chronicling America's early battles in Iraq, the initial occupation of Baghdad, the insurgency that erupted shortly afterward, the dramatic battle to overtake Falluja, and ultimately, the country's first national elections. No Western photojournalist has done as much sustained work in occupied Iraq as Gilbertson, and this wide-ranging treatment of the war from the viewpoint of a photographer is the first of its kind. Accompanying each section of the book is a personal account of Gilbertson's experiences covering the conflict. Throughout, he conveys the exhilaration and terror of photographing war, as well as the challenges of photojournalism in our age of embedded reporting. But ultimately, and just as importantly, Whiskey Tango Foxtrot tells the story of Gilbertson's own journey from hard-drinking bravado to the grave realism of a scarred survivor. Here he struggles with guilt over the death of a marine escort, tells candidly of his own experience with post-traumatic stress, and grapples with the reality that Iraq--despite the sacrifice in Iraqi and American lives--has descended into a civil war with no end in sight.