Hardcover. New York, Da Capo Press, 1st, 1973, Book: Very Good, Dust Jacket: Very Good, Hardcover, unpaginated, approx. 250 pages. Profusely illustrated in b&w. Features 488 photographs taken in Georgia, South Carolina, New Orleans, Mississippi, West Virginia, and other environs. Light wear to dust jacket, some mild scaring to inside covers where dust jacket was once taped to cover.
Hardcover. Seattle WA , Fantagraphics, 1st, 2015, Book: Very Good, Dust Jacket: None, 191 pages. Hardcover. Extensive color illustrations by Don Rosa throughout. Includes appendix of color comic book covers by Don Rosa. Clean, tight copy in excellent condition. Uncle Scrooge, the world's richest duck, knows exactly where he got every coin he ever earned. And in this fourth book of Duck epics by Don Rosa, that story begins to unfold at last! Relive Scrooge's Scottish boyhood as Last of the Clan McDuck,then his teenage years as Master of the Mississippi on Uncle Pothole's steamboat! Witness Scrooge's first fights with the Beagle Boys and Flintheart Glomgold and in a bonus chapter, his earliest meeting with Magica De Spell! Presented with brilliant color and a treasure trove of Rosa's cover art and behind-the-scenes factoids, these Duckburg epics are back in a definitive, comprehensive edition.
Hardcover. Jackson MS, University Press of Mississippi, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages. Like new in publisher's shrink-wrap. Cartoonist Winsor McCay (1869-1934) is rightfully celebrated for the skillful draftmanship and inventive design sense he displayed in the comic strips Little Nemo in Slumberland and Dream of the Rarebit Fiend. McCay crafted narratives of anticipation, abundance, and unfulfilled longing. This book explores McCay's interest in dream imagery in relation to the larger preoccupation with fantasy that dominated the popular culture of early twentieth-century urban America.McCay's role as a pioneer of early comics has been documented; yet, no existing study approaches him and his work from an art historical perspective, giving close readings of individual artworks while situating his output within the larger visual culture and the rise of modernism. From circus posters and vaudeville skits to department store window displays and amusement park rides, McCay found fantastical inspiration in New York City's burgeoning entertainment and retail districts. Wide Awake in Slumberland connects McCay's work to relevant children's literature, advertising, architecture, and motion pictures in order to demonstrate the artist's sophisticated blending and remixing of multiple forms from mass culture. Studying this interconnection in McCay's work and, by extension, the work of other early twentieth-century cartoonists, Roeder traces the web of relationships connecting fantasy, leisure, and consumption. Readings of McCay's drawings and the eighty-one black and white and color illustrations reveal a man who was both a ready participant and an incisive critic of the rising culture of fantasy and consumerism.
Hardcover. NY, Julian Messner, Inc., 1st, 1946, Book: Very Good, Dust Jacket: Good, Hardcover in a price-clipped dust jacket, 185 pages. Black & white ilustrations by Raymond Lufkin. Dust jacket with closed tears, chips to top & bottom edges, price clipped. A boy's adventures on the Mississippi River.
Hardcover. Goteborg SW, Scalo/Hasselblad Center, 1st, 1999, Book: Very Good, Dust Jacket: None, 126 pages with 112 color plates by Eggleston. Includes an interview with the photographer. Black cloth with a color plate pasted on cover, gilt lettering. No dust jacket issued. Even before he was thrust into the spotlight in 1976 when he garnered a one-person show at New York's Museum of Modern Art, Eggelston was hailed as one of the pioneers of color art photography. This survey, published on the occasion of his winning the prestigious Hasselblad Award, will confirm his reputation among admirers and win new converts to his deceptively straightforward photographs of the everyday. The book brings together 112 pictures made between 1967 and 1996 with an interview, a couple of short essays, and biographical and bibliographical appendixes. The subject matter here is almost exclusively his trademark images of the people, townscapes, and found still lifes of Memphis, TN, and northern Mississippi. The book's modest size (9.5" x 9.5"), simple presentation (small-format images are centered amid plenty of white space), and beautiful printing on matt paper appropriately evoke equal parts family album and gallery wall.
Hardcover. Berkeley, California University Press, 1st, 1996, Book: Very Good, Dust Jacket: Good, 164 pages. Hardcover. Illustrated with full color and black & white photographs. Dust jacket with light wear. Clean tight copy.
Softcover. Mississippi, University of Mississippi, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover. Non-Paginated. Black & white illustrations by William Faulkner. Cover shows some sunfading with a light crescent shaped stain near center. Clean, tight copy.
Hardcover. Boston, Little, Brown Books for Young Readers , 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover, 48 pages. An exuberant introduction to the wonders of our country shows Izzy and her little sister Jo rowing down the Mississippi, eating pies at the Kentucky State Fair, marveling at Niagara Falls and the California sequoias, and much more.