music popular

Hardcover. San Diego, Thunder Bay, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, color throughout. Nevermind, Achtung Baby, Use Your Illusion 1&2 - the 90s saw some classic albums produced by artists such as Nirvana, U2, Gun n Roses and Red Hot Chili Peppers, as well as a resurgence in country music popularized by Shania Twain and Garth Brooks. Combining information from both the US and UK charts provided by the Recording Industry Association of America (RIAA) and British Phonographic Industry (BPI), 100 Best Selling Albums of the 90s features chart-topping work from Michael Jackson, Puff Daddy and Green Day. Each album entry is accompanied by the original sleeve artwork front and back - and is packed full of facts and recording information, including a complete track listing, musician and production credits, and an authoritative commentary on the record and its place in cultural history. Soundtracks featured include the 60s and 70s hits on Forrest Gump, the Elton John/Tim Rice songs in The Lion King, and the orchestral score for Titanic (and Celine Dion's Oscar-winning My Heart Will Go On). Other stand-out albums include the Eagles' reforming to make Hell Freezes Over and Eric Clapton's Unplugged, a career revival for him in the popular 90s back-to-basics semi-acoustic series.

Hardcover. San Diego, Thunder Bay Press , 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 224 pages. From singer-songwriters like Billy Joel and the Bee Gees to folk artists like John Denver and James Taylor to the rock legends Aerosmith and Led Zeppelin, you won't find a more complete list of albums that defines the '70s music scene. Each listing features the full-color, original sleeve artwork, and is packed with information about the musician lineup, track listings, and number-one singles that resulted. A celebration of this funky era. Clean, bright copy.

Hardcover. NY, Bloomsbury USA, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. More than thirty years have passed since Al Capp's death, and he may no longer be a household name. But at the height of his career, his groundbreaking comic strip, Li'l Abner, reached ninety million readers. The strip ran for forty-three years, spawned two movies and a Broadway musical, and originated such expressions as "hogwash" and "double-whammy." Capp himself was a familiar personality on TV and radio; as a satirist, he was frequently compared to Mark Twain. Though Li'l Abner brought millions joy, the man behind the strip was a complicated and often unpleasant person. A childhood accident cost him a leg-leading him to art as a means of distinguishing himself. His apprenticeship with Ham Fisher, creator of Joe Palooka, started a twenty-year feud that ended in Fisher's suicide. Capp enjoyed outsized publicity for a cartoonist, but his status abetted sexual misconduct and protected him from the severest repercussions. Late in life, his politics became extremely conservative; he counted Richard Nixon as a friend, and his gift for satire was redirected at targets like John Lennon, Joan Baez, and anti-war protesters on campuses across the country. With unprecedented access to Capp's archives and a wealth of new material, Michael Schumacher and Denis Kitchen have written a probing biography. Capp's story is one of incredible highs and lows, of popularity and villainy, of success and failure-told here with authority and heart.

Softcover. NY, Bloomsbury, reprint, 2013, Book: Very Good, Dust Jacket: None, Softcover, 454 pages. Via writings by philosophers, cultural theorists, and composers, Audio Culture explores the interconnections among such forms as minimalism, indeterminacy, musique concrete, free improvisation, experimental music, avant-rock, dub reggae, Ambient music, HipHop, and Techno. Instead of focusing on the putative "crossover" between "high art" and "popular culture," Audio Culture takes all of these musics as experimental practices on par with, and linked to, one another. While cultural studies has tended to look at music (primarily popular music) from a sociological perspective, the concern here is philosophical, musical, and historical. Audio Culture includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Glenn Gould, Umberto Eco, Ornette Coleman, Jacques Attali, Simon Reynolds, Pauline Oliveros, Paul D. Miller, David Toop, John Zorn, Karlheinz Stockhausen, and many others. The book is divided into nine thematically-organized sections, each with its own introduction. Section headings include topics such as "Modes of Listening," "Minimalisms," and "DJ Culture." In addition, each essay has its own short introduction, helping the reader to place the essay within musical, historical, and conceptual contexts. The book concludes with a glossary, a timeline, and an extensive discography. Clean, bright copy.

Hardcover. NY, W. W. Norton & Company, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly rubbed dust jacket, 560 pages, b&w illustrations. In this first major biography since Fitzgerald's death, music historian Judith Tick draws on deep archival research, family interviews and newly available recordings and concert footage to show how Fitzgerald fused a Black vocal aesthetic with mainstream popular repertoire to revolutionise American music. From Fitzgerald's first audition at the Apollo Theatre to swing-era success at the Savoy, Tick shows how this 'girl singer' broke new ground: as a female bandleader, as a ground-breaking bebop improviser and as the arbiter of the American canon with her Song Book recordings. Yet even as she electrified concert halls and sold millions of records, jazz critics belittled her as 'naive'. Tick reveals instead an ambitious risk-taker with a stunningly diverse repertoire, whose exceptional musical spontaneity (often radically different on stage than in the studio) made her a transformational artist. Remainder dot to top edge otherwise a clean copy.

Softcover. NY, Skyhorse, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover, 361 pages, b&w illustrations. Burlesque was one of America's most popular forms of live entertainment in the first half of the 20th century. Gaudy, bawdy, and spectacular, the shows entertained thousands of paying customers every night of the week. And yet the legacy of burlesque is often vilified and misunderstood, left out of the history books.By telling the intimate and surprising stories from its golden age through the women (and men!) who lived it, Behind the Burly Q reveals the true story of burlesque, even as it experiences a new renaissance. Lovingly interviewed by burlesque enthusiast Leslie Zemeckis who produced the hit documentary of the same name, are former musicians, strippers, novelty acts, club owners, authors, and historians--assembled here for the first time ever to tell you just what really happened in a burlesque show. From Jack Ruby and Robert Kennedy to Abbott and Costello--burlesque touched every corner of American life. The sexy shows often poked fun at the upper classes, at sex, and at what people were willing to do in the pursuit of sex. Sadly, many of the performers have since passed away, making this their last, and often only interview. Behind the Burly Q is the definitive history of burlesque during its heyday and an invaluable oral history of an American art form. Funny, shocking, unbelievable, and heartbreaking, their stories will touch your hearts. We invite you to peek behind the curtain at the burly show.

Hardcover. NY, Farrar, Straus & Giroux, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 375 pages. B&W photographs and illustrations. Pictorial dust jacket. Green cloth with gilt title to spine. Erratum laid-in. Overall, a clean, tight copy. ohn Betjeman was by far the most popular poet of the twentieth century; his collected poems sold more than two million copies. As poet laureate of England, he became a national icon, but behind the public man were doubts and demons. The poet best known for writing hymns of praise to athletic middle-class girls on the tennis courts led a tempestuous emotional life. For much of his fifty-year marriage to Penelope Chetwode, the daughter of a field marshal, Betjeman had a relationship with Elizabeth Cavendish, the daughter of the Duke of Devonshire and lady-in-waiting to Princess Margaret. Betjeman, a devout Anglican, was tormented by guilt about the storms this emotional triangle caused. Betjeman, published to coincide with the hundredth anniversary of the poet's birth, is the first to use fully the vast archive of personal material relating to his private life, including literally hundreds of letters written by his wife about their life together and apart. Here too are chronicled his many friendships, ranging from "Bosie" Douglas to the young satirists of Private Eye, from the Mitford sisters to the Crazy Gang. This is a celebration of a much-loved poet, a brave campaigner for architecture at risk, and a highly popular public performer. Betjeman was the classic example of the melancholy clown, whose sadness found its perfect mood music in the hymns of a poignant Anglicanism. Clean copy.

Hardcover. NY, Simon & Schuster, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 479 pages, b&w illustrations. A comprehensive biography of one of the century's premier musicians focuses on his accomplishments as a composer rather than his popularity as a bandleader.

Softcover. Libreria Musicale Italiana, 1st, 2011, Book: Very Good, Dust Jacket: None, Softcover, 215 pages, b&w illustrations. A history of the diaspora of Neapolitan musicians in New York. This book reviews the period from the unification of Italy to the fascist era through significant Neapolitan performers such as Gilda Mignonette and Enrico Caruso. It traces the transformation of a popular tradition written in dialect into a popular tradition, written in Italian, that contributed to the production of 'American' identity. PLEASE NOTE: ITALIAN TEXT. Simona Frasca is a lecturer on early sound reproduction and Italian migration, and a freelance music journalist. She hold a doctorate in History and Analysis of Musical Culture from La Sapienza University in Rome. Mild sunning to wraps, clean copy.

Hardcover. New York , Norton, 1st US, 2009, Book: Very Good, Dust Jacket: None, Hardcover, glossy boards, 98 pages. 13 graphic interpretations of Dylan's lyrics illustrated in color by various artists. No dust jacket issued. Clean, bright copy.

Hardcover. NY, Pantheon, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, price-clipped dust jacket, 495 pages. Boogaloo--the synonym of choice among the cognoscenti for rhythm and blues--is a stylish and profound meditation on the art, influence, and commerce of black American popular music. At once deeply knowing and keenly observant, Arthur Kempton reveals the tensions between the sacred and the profane at the heart of "soul music," and the complex centrality of "Aframericans" in the evolution of our mass musical culture. What that culture is all about, who owns it, and who gets paid--these are issues of moment in his epic narrative. Kempton brilliantly traces the interconnections among a century's worth of signal personalities, events, and achievements: from Thomas A. Dorsey, the so-called Father of Gospel Music, whose career ("Got to Know How to Work Your Show") sheds light on Mahalia Jackson, Aretha Franklin, and James Brown, among others, to the rise of that "handsome Negro lad," Sam Cooke (perhaps the greatest of soul singers) and his definitive crossover dreams; from Berry Gordy Jr.'s infatuation with Doris Day and his sharp business plan to capture and exploit the sounds of young America through Motown ("It's What's in the Grooves That Counts") to the founding of Stax Records and Memphis Soul by a white farm kid who grew up dreaming of being a country fiddler; from the visionary funk of George Clinton to the ascendancy of hip hop ("Sharecropping in Wonderland"), the murders of Tupac Shakur and Biggie Smalls, and the story of Death Row Records. Clean copy.

Softcover. Lanham MD, Scarecrow Press, reprint, 2006, Book: Very Good, Dust Jacket: None, Softcover, 203 pages. Using over 90 original interviews, as well as his extensive research in a variety of New Orleans' archives, Dr. Kennedy deftly explores the role public school teachers had in the formative years of jazz, as well as the influence they continue to have on the musical life of one of America's foremost musical cities. As jazz and music mentors, these teachers employed creativity, innovation, and dedication in propelling some of the world's finest musicians forward into brilliant careers. Chord Changes on the Chalkboard includes a foreword by jazz legend Ellis Marsalis, Jr. and is a must for jazz fans and historians, music libraries, and for collections supporting the study of popular culture and African-American history. Bright, clean copy.

Softcover. US, Laurence King, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 318 pages, illustrated throughout in color and b&w. Clean, unmarked copy with only minor wear to wrappers. The album cover is a subject of perennial interest among graphic designers. Sleeve design remains a popular subject for college projects, and many young working designers aspire to design for the music industry. Revealing state-of-the-art contemporary music graphics, Cover Art By: is packed with more than 400 examples of sleeve art. As well as CD and album covers, the insides of CD booklets and the backs of vinyl sleeves are shown. The book opens with an in-depth essay reviewing the current scene, then focuses on the work of 30 international designers/labels who are the most influential in the field, making this a must-have for designers and students, as well as music industry professionals and fans.

Hardcover. US, Damiani, 1st, 2013, Book: Very Good, Dust Jacket: None, Like new in publisher's shrink-wrap. Hardcover, 160 pages. Since its inception in the 1970s, hip hop music and the culture surrounding it has become a hugely influential and popular musical form in America and around the world. Its popularity extends beyond the urban centers where it was born, and pervades and influences youth culture around the globe. However, few artists have created serious and powerful photographs that explore the breadth of the phenomenon. With this volume, David Scheinbaum has done just that. His portraits of Erykah Badu, Chuck D., George Clinton, Common, Mos Def, Del-Tha Funkee Homosapien, Sage Francis, Professor Griff, KRS One, Mike Relm, Tajai, Wu-Tang Clan and Yelawolf (among others) approach hip hop as a positive cultural influence akin to the youth movement of the 1960s. Scheinbaum's photographs are accompanied by essays by Gaye Theresa Johnson and Michael Eric Dyson, an artist conversation with Frank H. Goodyear III and an introduction by Brian Hardgroove of Public Enemy.

Hardcover. NY, G. P. Putnam's Sons, 1st, 1956, Book: Very Good, Dust Jacket: None, Hardcover, light gray cloth stamped in black. 301 pages, b&w photos. SIGNED BY PASTERNAK on the front fly leaf. Pasternak's career as a producer spanned 40 years and he produced more than ninety feature-length films earning him both Oscar and Golden Globe Award nominations. He produced a number of popular films, including Destry Rides Again (1939), The Great Caruso (1951) and musicals with Elvis Presley, Doris Day and Connie Francis. Clean, square copy, no dust jacket.

Hardcover. NY, Oxford University Press;, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 288 pages. As an essayist and Village Voice columnist, Gary Giddins is widely known as a preeminent jazz writer. Walter Clemons, writing in Newsweek, hailed him as "the best jazz critic now at work," praising his "elegant prose" and "encyclopedic knowledge." Yet he has won a devoted audience for his reflections on popular culture, books, and movies as well--including a marvelous essay on Jack Benny that Gay Talese selected for Best American Essays of 1987. In Faces in the Crowd, Giddins once again demonstrates his graceful style and sharp wit in a brilliant collection of critiques,assessments, and profiles of major figures in the culture of our century.

Hardcover. NY, Dutton, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 516 pages. SIGNED BY AUTHOR on front fly leaf. The enduring appeal of the music of George and Ira Gershwin has spawned several biographies of the talented brothers who created more than 700 popular songs before George's untimely death at age 39 in 1937--Ira died in 1983 at age 87. But never before has the collaboration itself been the subject of such intelligent and fruitful scrutiny as in this intriguing study. Rosenberg, chair of the musical theater program of the Tisch School of the Arts at New York University, has a gift for making scholarly points in accessible, albeit mundane language. Readers require no particular musical background in order to enjoy and respond to her original theories about the connections between George's music and Ira's lyrics. Points of comparison are frequently illustrated with side-by-side measures of music, and the striking thematic relationships between such songs as Embraceable You and The Man I Love are also compared dramatically to George's orchestral composition, including the well-known Rhapsody in Blue. This is a rich feast for music historians, musicians and connoisseurs of musical theater as well as inveterate hummers who like a Gershwin tune. Clean copy.

Softcover. Oakland CA, PM Press;, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, 336 pages. The first comprehensive account of how the rise of postwar youth culture was depicted in mass-market pulp fiction. As the young created new styles in music, fashion, and culture, pulp fiction shadowed their every move, hyping and exploiting their behavior, dress, and language for mass consumption and cheap thrills. With their lurid covers and wild, action-packed plots, these books reveal as much about society's deepest desires and fears as they do about the subcultures themselves. Featuring approximately 400 full-color covers, many of them never before reprinted, along with 70 in-depth author interviews, illustrated biographies, and previously unpublished articles, the book goes behind the scenes to look at the authors and publishers, how they worked, where they drew their inspiration and--often overlooked--the actual words they wrote. It is a must read for anyone interested in pulp fiction, lost literary history, retro and subcultural style, and the history of postwar youth culture.

Softcover. Southern Domestic, 1st, 2019, Book: Very Good, Dust Jacket: None, Softcover, 328 pages, b&w illustrations. SIGNED BY RIGBY on the title page. follows one young woman's progression from Elton John fan in the Pittsburgh suburbs to Manhattan art student; from punk show habitue to fledgling musician to cult singer-songwriter who caused a sensation with 1996 debut solo album Diary Of A Mod Housewife. Set in a ramshackle twentieth century New York world of homemade clubs and bands, through love affairs, temp jobs and motherhood, GIRL TO CITY describes the screw-ups and charmed moments it took for a girl in the crowd at CBGB to pick up a guitar and sing her truth on stage, creating an identity as an artist back when female musician role models were still rare. Clean copy.

Hardcover. NY, Quadrangle, 1st, 1970, Book: Very Good, Dust Jacket: Good, Spiral bound hardcover. 82 songs arranged for voice, piano & guitar. Dj chipped, worn. 328 pages. Introduction by Tom Wicker.

Hardcover. Boston, Northeastern University Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 426 pages, b&w photographs. Bright, clean copy. This engaging biography of Harold Arlen charts the course of his brilliant career, from band leader in his native Buffalo, New York, to songwriter and vocalist in vaudeville, to composer of Broadway musicals and revues at Harlem's Cotton Club, to writer of the everlasting music in The Wizard of Oz and other films. Drawing on a treasure trove of family documents and memorabilia, Edward Jablonski vividly describes Arlen's life, including his loving but troubled marriage to Anya, the strained relationship with his father and brother, his alcoholism and illnesses, and his friendship with Marlene Dietrich. Populated with such greats as Johnny Mercer, George and Ira Gershwin, E. Y. Harburg, Bert Lahr, and Judy Garland, the book also captures the spirit of Arlen's times and conveys a sense of the inner workings of the music business.

Hardcover. New York, Thames and Hudson, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 288 pages. Hardcover with dust jacket. Minor soiling to front dust jacket cover. A very clean, unmarked copy with only minor edgewear to dust jacket. Hipgnosis created some of the most innovative and surreal cover art of the 1960s, 70s, and early 80s for the biggest names of the era-Pink Floyd, Led Zeppelin, Wings, Yes, Genesis, 10cc, Peter Gabriel, Bad Company, Syd Barrett, and Black Sabbath, to name just a few. The sublime prism cover for Pink Floyd's The Dark Side of the Moon continues to be one of the most pervasive images in all popular culture. Hipgnosis's highly conceptual approach and graphic appeal earned them five Grammy nominations for cover design, and they profoundly influenced not only the history of music, but also all other creative fields from advertising to fashion.

Hardcover. Guilford CT, Applause, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 200 pages, b&w illustrations. Richard Rodgers, Oscar Hammerstein, Jerome Kern, Irving Berlin, and . . . Dorothy Fields. These are the giants of the golden age of musical theater. Although she may not be as well known as her male counterparts, Dorothy Fields was America's most brilliant and successful female lyricist, who for five decades kept up with the greats. As the only woman among the boys' club of popular song, Fields was welcomed by her fellow male artists, who considered her as both an equal and a beloved colleague. Working with thirteen different composers, Fields wrote the lyrics and/or librettos for unforgettable masterpieces, such as Annie Get Your Gun, Redhead, and Sweet Charity. Her more than four hundred songs include the standards "On the Sunny Side of the Street," "Pick Yourself Up," and "The Way You Look Tonight," among other classic tunes.

Hardcover. New York, Ktav Pub Inc, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 226 pages, INSCRIBED BY AUTHOR on title page, with photographs throughout. Minor dust jacket edge wear, otherwise, very clean and tight.