Softcover. Paris, Marval, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 79 pages, text by Francis Hofstein IN FRENCH. wonderful photobook devoted to the blues scene in Oakland during the 1980s. Dozens of full-page black & white photographs. Clean copy.
New York, Harper Collins , 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 28 pages. Color illustrations by author.
Softcover. NY, Archipelago Books, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover in pictorial wrappers, 272 pages. Moving from the Great Lakes to the jazz bars of Detroit and Chicago, Of Song and Water is a tale of singlehanded sailors and jazz musicians, of working-class dreams blighted by family duty, personal betrayals, and the untold violence between fathers and sons. The novel follows the life of Coleman Moore, a jazz guitarist of early fame who finds himself adrift and in the company of ghosts: his mentor, a black jazz legend trying to live peacefully on the edge of a white town; his grandfather, a Prohibition rumrunner turned ruthless entrepreneur; and his first love, a clear-headed woman who refuses to live in the dark tunnels of the past. As he abandons music and turns his mind to a damaged sailboat, Coleman begins a hazardous course, risking the love of his daughter and the trust of Brian James, his longtime collaborator and friend. Clean, bright copy.
Hardcover. Boston, Little, Brown and Company, 1st, 1947, Book: Good, Hardcover, beige boards with green and red text; light wear to corners and spine, light spotting to covers. Nash's poems set to music by Vernon Duke. Each song accompanied by playful two tone illustrations by Frank Owen. Inscription on front fly leaf, clean internally. 48 pages, no dust jacket.
Hardcover. London, Macmillan and Co, 1st, 1894, Book: Good, Dust Jacket: None, Hardcover, 163 pages, illustrated throughout in b&w by Hugh Thomson. Unfortunate foxing throughout text. Minor wear to illustrated boards with light soil to rear cover.
Hardcover. NY, Harcourt, Brace & Company, 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Illustrated in color and two-colors by Antony Groves-Raines. Clean copy.
Hardcover. Canada, Steidl, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover without dust jacket. Like new in publisher's shrink-wrap. This book considers the film stills of Ernst Haas (1921-86), one of the most accomplished photographers of the 20th century, transgressing the borders between still photography and the moving image. Haas worked with a variety of eminent directors--from Vittorio de Sica to John Huston, Gene Kelly and Michael Cimino--and depicted cinema genres from suspense (The Third Man, The Train) to the Western (The Oregon Trail, Little Big Man), and from comedy (Miracle in Milan, Love and Death) to musicals (West Side Story, Hello Dolly). Haas inscribed a temporal, filmic dimension into his stills which, when viewed in a sequence, generate movement and narrative. So accomplished was his mastery of color, light and motion that Haas was frequently asked to photograph large group actions--from the battle scenes of The Charge of the Light Brigade and the dances of West Side Story to the ski slopes of Downhill Racer. On Set elucidates a novel perspective on the sets and the stars Haas photographed, and reveals a little-known but crucial dimension of his oeuvre.
Softcover. Lafayette, LA, University of Louisiana at Lafayette, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 224 pages, color illustrations. Over its three decades, this festival, since 1977 the music component of Lafayettes Festivals Acadiens, has been a proving ground for an evolution. Older masters, such as Dennis McGee, Nathan Abshire, Clifton Chenier, Bois-Sec Ardoin, Canray Fontenot, and Dewey Balfa himself, have passed on, but not without handing off the baton to younger musicians, from Michael Doucet and Zachary Richard to Wayne Toups and Steve Riley to Chris Stafford and Wilson Savoy. These subsequent generations continue to revitalize old songs and create new ones within the traditional context. This book tells the inside story of this experiment in cultural self-preservation, taking the reader onstage, backstage, and into the crowd with schedules, commentary, and photographs from each year, exposing the cultural mission of festival organizers. Mild shelf wear. SIGNED BY ALL FOUR AUTHORS AND INSCRIBED BY TWO on the front fly leaf.
Softcover. Duke University Press, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 424 pages, 29 illustrations. Elvis Presley's television debut in January 1956 is often cited as the moment when popular music and television came together. Murray Forman challenges that contention, revealing popular music as crucial to television years before Presley's sensational small-screen performances. Drawing on trade and popular journalism, internal television and music industry documents, and records of audience feedback, Forman provides a detailed history of the incorporation of musical performances into TV programming during the medium's formative years, from 1948 to 1955. He examines how executives in the music and television industries understood and responded to the convergence of the two media; how celebrity musicians such as Vaughn Monroe, Frank Sinatra, and Fred Waring struggled to adjust to television; and how relative unknowns with an intuitive feel for the medium were sometimes catapulted to stardom. Forman argues that early television production influenced the aesthetics of musical performance in the 1940s and 1950s, particularly those of emerging musical styles such as rock and roll. At the same time, popular music helped to shape the nascent medium of television--its technologies, program formats, and industry structures. Popular music performances were essential to the allure and success of TV in its early years. Like new in publisher's shrinkwrap.
Hardcover. NY, Viking , 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Max Stravinsky, the poet dog hero of Max Makes a Million , realizes his dream of going to Paris in Kalman's latest high-spirited high jinks. In the City of Light he goes to museums and clubs, meets like-minded suffering artists and falls in love with Crepes Suzette, "that divine dalmatian." Visual and literary jokes abound--a Parisienne wears strategically placed bananas a la Josephine Baker; a hunchback crouches atop Notre Dame; a man's hat is marked "this is not a hat"--while lighthearted digressions offer amusing first lessons in art appreciation. The exuberant text imports French words and other vocabulary that rely heavily on context but convey a rousing musicality ("I am Fritz from the Ritz / which I quit in a snit / when the chef in a fit / threw escargot on my chapeau / and hit my head / with a stale French bread")--sophisticated fare indeed, but children and the uninitiated alike will find plenty of amusement nonetheless. Painstaking design integrates text and pictures, turns type upside-down or sideways, shrinks or expands type size--whimsical touches in perfect keeping with this fluid work. Clean copy.
Softcover. Philadelphia, Temple University Press, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, 271 pages. Confronting the cultural stereotypes that have been attached to Asian-Americans over the last 150 years, this title seizes the label Oriental and asks where it came from. It shows how the bewildering array of racialized images first proffered by music hall songsters and social commentators have evolved and become generalized to Asian-Americans. Clean copy.
Philadelphia PA, Continental Distilling Corp., 1937, Book: Very Good, Dust Jacket: None, Art "Keyed to concert pitch", photographic color art of conductor and orchestra. 10"X 13", Esquire Magazine, July 1937, very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
NY, Columbia Graphophone Company, 1913, Book: Very Good, Dust Jacket: None, Color portrait of musician Ysaye playing the violin. Product art features it's "Deluxe" model. Art not credited. 10 X 13". PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
NY, Harper & Brothers, 1911, Book: Very Good, Dust Jacket: None, Painting of a older backwoods-type seated in front of a music stand, playing his flute by Anton Otto Fischer. 10 X 13". PLEASE NOTE The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1931, Book: Very Good, Dust Jacket: None, College man playing accordion, art by John Sheridan. 8 X 11", light wear, mailing label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
Family listening to daughter's piano recital, art by John Falter. 10.5 x 13.5", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
NY, Harper and Brothers, 1913, Book: Very Good, Dust Jacket: None, Color vignette of a court jester serenading a parrot on his mandolin. Art by C.F. Nash. Approx. 10 X 13". PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1965, Book: Very Good, Color art of musicians with instruments entering concert setting by Arthur Getz, 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1933, Book: Very Good, Color art of woman in profile wearing headscarf playing the accordian by Herbert Paus. 9 X 12", small label. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.
1966, Book: Very Good, Color art by Birnbaums of jazz musicians done in broad brush strokes. 8 3/4 X 12", very good. Small chip to top corner. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1978, Book: Very Good, Color art by Birnbaums of jazz musicians done in broad brush strokes. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
1978, Book: Very Good, Color cartoon by Steig of witchy woman dancing as cat plays fiddle. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.
 "Obadiah Coffee and the Music Contestby: Poole, Valerie")
 "ORIGINAL VINTAGE MAGAZINE COVER: New Yorker April 9 1966 - Stained glassby: Robert Kraus (Illust.)")
 "ORIGINAL VINTAGE MAGAZINE COVER: New Yorker Jan. 16 1978 - Abacusby: Eugene Mihaesco (Illust.)")
