music

Hardcover. New Haven, CT, Yale University Art Gallery, 1st, 2014, Book: Very Good, Dust Jacket: None, 207 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in shrink wrap. Images of New Orleans and the city's jazz culture, performers, bands, and clubs between 1957 and 1982. Over 200 black and white photographs taken by Friedlander. Tight copy.

Hardcover. NY, Hearst's International Library, 1st, 1914, Book: Good, Dust Jacket: None, Hardcover, dark blue cloth with a black leather spine with gilt lettering. This volume combines 3 different titles in one: "Mother Goose Rhymes and Tunes" - Arranged with easy accompaniments including fourteen new melodies * "Playtime Songs New and Old" - Arranged with easy accompaniments including fourteen new melodies * "The Dansant for Little Folks" - Old-time game songs with easy accompaniments, new simple piano pieces for children's home dancing parties and a musical recitation. Features wonderful color illustrations throughout by Paul Woodroffe. There are dozens of rhymes set to music (arranged by Raymond Perkins), including many favorites such as Humpty Dumpty, Ring Around A-Rosy, London Bridge, Hush-a-by Baby, Three Blind Mice, Yankee Doodle, Jack and Jill, Little Bo-Peep, Sing a Song of Sixpence, Baa! Baa! Black Sheep, etc. NOTE: Rear fly leaf gone and spine cloth is separating from spine. Inside front cover with pencil notes, rear inside with pasted sheet music. Interior pages clean and bright.

Hardcover. New Haven CT, Yale University Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Reaching its pinnacle during the era of Marilyn Monroe and James Bond, Haight-Ashbury and Swinging London, Pop art reflected the ideals and aspirations of a generation. By the 1960s the movement's bold imagery and style had become inseparable from the new consumer culture. This important book looks at British and American Pop art through the lens of portraiture, providing a fresh perspective on the movement and its innovative artists. Blurring the boundaries between "high" and "low" culture, Pop artists including Andy Warhol, Roy Lichtenstein, Richard Hamilton, and Peter Blake elevated portraiture to a new position. Author Paul Moorhouse explores the artists' engagement with portraits; their shared fascination with fame; their use of images from advertisements, rock music, films, and print sources; and the ways in which the British and American schools of Pop evolved and influenced one another. Bringing together key works from the peak years of Pop, this extensively illustrated book demonstrates how the conventions of portraiture were redefined as Pop artists transformed familiar images into transcendent works of art.

Hardcover. Hal Leonard Corporation, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 226 pages. Haunting the recording studios, jam sessions, concert halls, and nightclubs of New York City, William "PoPsie" Randolph chronicled the postwar transformation of American music from swing and jazz, to rhythm & blues and rock n' roll. The 100,000 negatives left behind after his death in 1978 span the giddy, glitzy heyday of swing in the 1940s, the hot and cool jazz spawned in the clubs of 52nd Street, the rumbling emergence of black R&B and doo-wop, the sudden explosion of rock n' roll in the late '50s, the rise of Brill Building pop and the British Invasion of the '60s, and the growth of rock into a multibillion-dollar industry by the '70s. PoPsie's son Michael has chosen the very best of his father's collection for inclusion in this remarkable book. Here readers will find luscious black-and-white photos of everyone from Benny Goodman and Billie Holiday to Elvis, The Beatles, Hendrix, and the Rolling Stones. Insightful text explains the time, people, and place of each captured moment.

Hardcover. New York, W. W. Norton, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 237 pages, b&w illustrations, 16 color plates. A very clean, tight copy. Thomas Eakins, a native of Philadelphia, painted two worlds: one sure of its valuesthe surgeons, inventors, musicians, and athletes of his timeand another that reflected his own struggles with depression and sexual identity. In this evenhanded account of those struggles, William S. McFeely sheds new light on Eakins's genius and on the evocative melancholy of his portraits, particularly of women, which include many of his remarkable wife, Susan McDowell Eakins. Those deeply perceptive paintings may be the greatest expressions of his art.

Hardcover. New York , W. W. Norton, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 237 pages. Numerous B&W illustrations, including portrait frontispiece, 14 color plates. Thomas Eakins, a native of Philadelphia, painted two worlds: one sure of its values - the surgeons, inventors, musicians and athletes of his time - and another that reflected his own struggles with depression and sexual identity. This book presents an account of Eakins' struggles, his genius, and the evocative melancholy of his portraits.

Hardcover. New York , W. W. Norton, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 237 pages. Numerous b&w illustrations, including portrait frontispiece, 14 color plates. Thomas Eakins, a native of Philadelphia, painted two worlds: one sure of its values - the surgeons, inventors, musicians and athletes of his time - and another that reflected his own struggles with depression and sexual identity. This book presents an account of Eakins' struggles, his genius, and the evocative melancholy of his portraits.

Hardcover. City Hall Records, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. (Book + CD set) Containing the best, and some of the rarest LP covers produced over the long history of the Prestige label, this deluxe coffee table book also features an insightful introduction by famed jazz documentarian Ira Gitler who wrote liner notes for many of Prestige's earliest and best known records. In addition, the book contains an exclusive 9 track bonus CD featuring music culled from several classic Prestige albums. Tracks: Miles Davis - Bemsha Swing, Stan Getz - Lee, Sonny Rollins - Paradox, Jackie McLean - Contour, Moondog - Organ Rounds, John Coltrane - Theme For Ernie, Mose Allison - The Seventh Son, Eric Dolphy - Serene, Booker Ervin - Stella By Starlight.

Hardcover. City Hall Records, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. (Book + CD set) Containing the best, and some of the rarest LP covers produced over the long history of the Prestige label, this deluxe coffee table book also features an insightful introduction by famed jazz documentarian Ira Gitler who wrote liner notes for many of Prestige's earliest and best known records. In addition, the book contains an exclusive 9 track bonus CD featuring music culled from several classic Prestige albums. Tracks: Miles Davis - Bemsha Swing, Stan Getz - Lee, Sonny Rollins - Paradox, Jackie McLean - Contour, Moondog - Organ Rounds, John Coltrane - Theme For Ernie, Mose Allison - The Seventh Son, Eric Dolphy - Serene, Booker Ervin - Stella By Starlight.

Hardcover. NY, Knopf, 1st, 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Alongside more than 172 of his drawings, cartoons, and caricatures--and in prose as spirited and wickedly pointed as his artwork--Edward Sorel gives us an unforgettable self-portrait: his poor Depression-era childhood in the Bronx (surrounded by loving Romanian immigrant grandparents and a clan of mostly left-leaning aunts and uncles); his first stabs at drawing when pneumonia kept him out of school at age eight; his time as a student at New York's famed High School of Music and Art; the scrappy early days of Push Pin Studios, founded with fellow Cooper Union alums Milton Glaser and Seymour Chwast, which became the hottest design group of the 1960s; his two marriages and four children; and his many friends in New York's art and literary circles.

Hardcover. PA, Hermes Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 192 pages. hardcover with no dust jacket. Clean, unmarked copy with only minor wear to boards. Music inspired, science fiction and fantasy combined in a way that revolutionized poster art of the Psychedelic 1960's-era. Famous for his rock posters, The Psychedelic Rock Art of Carl Lundgren, a Detroit, Michigan based artist, showcases his posters which were as important to the Detroit Music and Art history as were the music legends themselves; The Who, Jefferson Airplane and Pink Floyd to name a few. The book's forward is written by Mitch Ryder, who was lead vocalist of a Detroit 1960's rock group The Detroit Wheels. The introduction is by Russ Gibb, a former radio personality and rock promoter from Dearborn, Michigan, who played a major role in the late sixties/early seventies Motor City music scene.

Hardcover. Princeton University Press, 1st, 2025, Book: Very Good, Dust Jacket: None, Original pictorial boards (in publisher's unopened shrinkwrap). 280 pages illustrated in b&w and color. Alice Friedman tells the fascinating story of the queer avant-garde of the 1920s and '30s in New York, Paris, and Venice, as seen through the eyes of Max Ewing (1903-1934), a young musician, photographer, and man-about-town who, although virtually unknown today, moved in extraordinary circles. Among his friends and acquaintances, he listed Carl Van Vechten, Gertrude Stein, Muriel Draper, Romaine Brooks, Tallulah Bankhead. In his photographs and letters, we meet the rising stars of modern art, music, dance, and literature and enter a world of interracial friendship, "queer space," and experimentation that shone brightly before being swept away by the Depression.

Hardcover. NY, Grove Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. Light shelf-wear to dust jacket, else a clean, tight copy. This classic work of world literature by the 1994 Japanese Nobel laureate is a devastating and moving blend of memoir and fiction. An uncanny blend of the real with the imagined, of memoir with fiction, A Quiet Life is narrated by Ma-chan, a twenty-year-old woman. Her father is a famous and fascinating novelist; her older brother, though severely brain-damaged, possesses an almost magical gift for musical composition; and her mother's life is devoted to the care of them both. Ma-chan and her younger brother find themselves emotionally on the outside of this oddly constructed nuclear family. But when her father accepts a visiting professorship from an American university, Ma-chan finds herself suddenly the head of the household and at the center of family relationships that "are movingly illuminated" (The New York Times) through Oe's unique and unpredictable genius.

Hardcover. Berkeley, University of California Press, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 390 pages, b&w illustrations. From the stony desolation of Jordan's desert, it is but a step through a doorway into the bath house of the Qusayr 'Amra hunting lodge. Inside, multicolored frescoes depict scenes from courtly life and the hunt, along with musicians, dancing girls, and naked bathing women. The traveler is transported to the luxurious and erotic world of a mid-eighth-century Muslim Arab prince. For scholars, though, Qusayr 'Amra, probably painted in the 730s or 740s, has proved a mirage, its concreteness dissolved by doubts about date, patron, and meaning. This is the first book-length contextualization of the mysterious monument through a compelling analysis of its iconography and of the literary sources for the Umayyad period. It illuminates not only the way of life of the early Muslim elite but also the long afterglow of late antique Syria. Clean copy.

Hardcover. NY, Abrams, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Introduction by Terry Zwigoff. Includes Bonus Music CD Selected and Compiled by R. Crumb. Bright, clean & tight copy, 240 pages. "Anyone who knows R. Crumb's work as an illustrator knows of his passion for music. And all those who collect his work prize the 'Heroes of the Blues, Early Jazz Greats, and Pioneers of Country Music' trading card sets he created in the early to- mid-1980s. Now they are packaged together for the first time in book form, along with an exclusive 21-track CD of music selected and compiled by Crumb himself (featuring original recordings by Charley Patton, Dock Boggs, Jelly Roll Morton, and others). A brief biography of each musician is provided, along with a full-color original illustration by Crumb.

Hardcover. NY, Norton, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages, in slim decorated slipcase. Robert Crumb first began drawing record covers in 1968 when Janis Joplin, a fellow Haight Ashbury denizen, asked him to provide a cover for her album Cheap Thrills. It was an invitation the budding artist couldn't resist, especially since he had been fascinated with record covers-particularly for the legendary jazz, country, and old-time blues music of the 1920s and 1930s-since he was a teen. This early collaboration proved so successful that Crumb went on to draw hundreds of record covers for both new artists and largely forgotten masters. So remarkable were Crumb's artistic interpretations of these old 78 rpm singles that the art itself proved influential in their rediscovery in the 1960s and 1970s. Including such classics as Truckin' My Blues Away, Harmonica Blues, and Please Warm My Weiner, Crumb's opus also features more recent covers done for CDs. R. Crumb: The Complete Record Cover Collection is a must-have for any lover of graphics and old-time music. 450 four-color illustrations.

Hardcover. New York, W. W. Norton & Company, 1st, 2011, Book: Very Good, Dust Jacket: None, Hard cover in slipcase. Like new in publishers shrink-wrap. A landmark work that pays splendid homage to a forgotten era of seminal American music. Robert Crumb first began drawing record covers in 1968 when Janis Joplin, a fellow Haight Ashbury denizen, asked him to provide a cover for her album Cheap Thrills. It was an invitation the budding artist couldn't resist, especially since he had been fascinated with record covers-particularly for the legendary jazz, country, and old-time blues music of the 1920s and 1930s-since he was a teen. This early collaboration proved so successful that Crumb went on to draw hundreds of record covers for both new artists and largely forgotten masters. So remarkable were Crumb's artistic interpretations of these old 78 rpm singles that the art itself proved influential in their rediscovery in the 1960s and 1970s. Including such classics as Truckin' My Blues Away, Harmonica Blues, and Please Warm My Weiner, Crumb's opus also features more recent covers done for CDs. R. Crumb: The Complete Record Cover Collection is a must-have for any lover of graphics and old-time music. 450 four-color illustrations

Hardcover. New York, W. W. Norton & Company, 1st, 2011, Book: Very Good, Dust Jacket: None, Hard cover in slipcasse. Like new in publishers shrink-wrap. A landmark work that pays splendid homage to a forgotten era of seminal American music. Robert Crumb first began drawing record covers in 1968 when Janis Joplin, a fellow Haight Ashbury denizen, asked him to provide a cover for her album Cheap Thrills. It was an invitation the budding artist couldn't resist, especially since he had been fascinated with record covers-particularly for the legendary jazz, country, and old-time blues music of the 1920s and 1930s-since he was a teen. This early collaboration proved so successful that Crumb went on to draw hundreds of record covers for both new artists and largely forgotten masters. So remarkable were Crumb's artistic interpretations of these old 78 rpm singles that the art itself proved influential in their rediscovery in the 1960s and 1970s. Including such classics as Truckin' My Blues Away, Harmonica Blues, and Please Warm My Weiner, Crumb's opus also features more recent covers done for CDs. R. Crumb: The Complete Record Cover Collection is a must-have for any lover of graphics and old-time music. 450 four-color illustrations

Hardcover. London, Vision On/Omnibus Press, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 159 pages illustrated in b&w. Few photographers had greater access to Bob Dylan than Barry Feinstein. Having taken the iconic photograph that appeared on Bob Dylan's 'The Times They Are A-Changin' album in 1963, Feinstein was invited as the exclusive photographer on Dylan's European tour of 1966 and US tour of 1974. This title includes these photographs from these sessions and concerts.

Softcover. New York, Universe, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 143 pages, illustrated throughout in color. Clean, unmarked copy in excellent condition. The chapters cover: jeans & pants; T-shirts & hoodies; shirts & blouses; jackets; formal wear; dresses & skirts; footwear; accessories; hair, makeup & body art; David Bowie.

Hardcover. NY, Everyman's Library, reprint, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 168 pages. Joseph Roth's 1924 tale of a one-legged street musician defying his fate in postwar Vienna. Andreas Pum, having lost his leg in World War I, is rewarded with a medal and a permit to support himself by playing a barrel organ in the streets of Vienna. At first the simpleminded veteran is entirely satisfied with his lot, and he even finds a voluptuous widow to marry. But then a public quarrel with a respectable citizen on a tram propels Andreas's life into a rapid downward trajectory. As he loses his beggar's permit, his new wife, and even his freedom, he is provoked into finally rejecting his blind faith in the benevolence of the powers that govern his life. Joseph Roth's remarkable novel deploys the haunting atmosphere and propulsive power of a dream to convey the bewilderment of an ordinary man as his world falls apart around him. Clean copy.

Softcover. London, Omnibus Press, Revised Ed., 1979, Book: Very Good, Dust Jacket: None, Softcover, 270 pages. Compiled by Solomon, Howard Pizzey and Martin Watson. Gives you instant answers to thousands of questions. Listed alphabetically by artists, is every top 50 entry, date of entry, number of weeks in chart, highest position reached, original label and catalogue number, plus details of any corresponding success in the U.S.charts. Clean.

Softcover. South Hadley MA, Mount Holyoke College, 1st, 1984, Book: Very Good, Softcover, 56 pages. Many black and white photos, exhibition checklist, glossary, index, notes, bibliography. Published in conjunction with an exhibition of copper jewelry, sculptures, vessels, musical instruments, stools and other African decorative arts. Mild rubbing to wrappers, clean copy.

Hardcover. New York, HarperCollins Publishers, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 242 pages. Hardcover. INSCRIBED BY THE AUTHOR. Gilt title on spine. Color illustrations throughout. From the front flap: "In Red, Sammy tells the outrageous story of his tear through rock 'n' roll, detailing the backstage antics and nonstop touring hat have made his voice instantly recognizable. Beginning with his musical coming-of-age in blue-collar towns of California, Sammy traces his rough and determined rise to fame, working harder than anyone else out there and writing songs about the things he loved--fast cars, loud parties, and lots of good times."