nature

Hardcover. NY, Loring & Mussey, 1st, 1935, Book: Very Good, Dust Jacket: None, Hardcover, red cloth covers. A collection of full-page gag cartoons of a somewhat risque nature. The first book by this author/illustrator (full name Clarence William Anderson), who later became well known for his books about horses, which he also illustrated. Clean. No dust jacket.

Hardcover. Philadelphia, H.W. Fisher & Company, 1st, 1901, Book: Very Good, Dust Jacket: None, Hardcover, olive green cloth on boards with gilt lettering and border ruling around front, gilt lettering to spine. Book is tight, square. Story about a man from Philadelphia who buys an island in Rangely Lake in western Maine and builds a summer house. Great information about Maine, it's people, the flora and fauna of the area, and history too. Seems to be a blend of fiction and memoir. Color frontis, 15 b&w plates. Small water stain to first 10 pages, in the top of outer margin, not affecting plates or text. Otherwise clean.

Hardcover. Boston, Little Brown , 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 306 pages, b&w photos. Best known for his sweet-natured character Latka on Taxi, Andy Kaufman was the most influential comic of the generation that produced David Letterman, John Belushi, and Robin Williams. A regular on the early days of Saturday Night Live (where he regularly disrupted planned skits), Kaufman quickly became known for his idiosyncratic roles and for performances that crossed the boundaries of comedy, challenging expectations and shocking audiences. Kaufmans death from lung cancer at age 35 (hed never smoked) stunned his fans and the comic community that had come to look to him as its lightning rod and standard bearer. Bob Zmuda, Kaufmans closest friend, producer, writer, and straight man, breaks his twenty-year silence about Kaufman and unmasks the man he knew better than anyone. He chronicles Kaufmans meteoric rise, the development of his extraordinary personas, the private man behind the driven actor and comedian, and answers the question most often asked: Did Andy Kaufman fake his own death?

Hardcover. NY, Harper Collins, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Colorful collage illustrations by Lois Ehlert. Clean copy.

Hardcover. NY, Harper Collins, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Colorful collage illustrations by Lois Ehlert. Clean copy.

Hardcover. Los Angeles, CA, J. Paul Getty Museum, 1st, 2015, Book: Very Good, Dust Jacket: None, 112 pages. Hardcover with no dust jacket. Very clean, unmarked copy still in publishers shrink-wrap. Over 90 full color plates. In this vivid and engaging book, Arpad Kovacs explores the social, symbolic, scientific, and aesthetic approaches to a subject that has been of continuous interest to photographers across the centuries.

Softcover. NY, Aperture Foundation, 1997, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. The work presented in Aperture's third "On Location" issues reveals that we live in a constant state of transformation, that the naming of things does not make them any more tangible, that the "decisive moment" is over before it begins, and that the "fixative" nature of photography makes it marvelously complicit in its paradoxical relationship with the world.

Hardcover. NY, Fraenkel Gallery/Hasselblad Foundation, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 1stpages. The master photographer best known for his extensive, insightful documentation of "the American social landscape"--from jazz musicians to factory hands to New York pedestrians and office workers zoning out at their keyboards--has recently been spending more time looking at the literal, natural landscape. His monumental 2005 MoMA retrospective showed, for the first time, a new series of landscapes made in the American West, while for Olives and Apples, he has looked back over the last decade's work and culled a forest, tree by tree. His docile subjects, apple trees photographed in New York State and olive trees photographed in France, Italy and Spain from 1997-2004, are presented in circumstances ranging from sunny, leafy summer health to glittering winter ice-storm glory. Some of the most striking compositions are shot from just inside the reach of a tree's furthest twigs, so that expanding branching limbs fill the frame, stretching out around the viewer.

Hardcover. New York , W. W. Norton & Company, 1st, 2006, Hardcover in a bright dust jacket. Like many who grew up during the spread of sprawl--with its predictable landscape of housing developments, shopping malls, interstate highways, and big-box construction--acclaimed photographer Jeff Brouws is drawn to places that still embody the vernacular past as well as to those that starkly portray the soulless, franchised American landscape. What began as cultural geography of Main Streets became a visual critique of the myth of upward mobility that created this car-centered, paved-over universe. Some images look outward to the edges of suburbia where sprawl is encroaching upon nature. Others turn inward, documenting the devastated inner cities. All the stunning color photographs reflect the complex beauty and desolation of visual life in our time. 100 color photographs.

Hardcover. NY, W. W. Norton & Company, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Like many who grew up during the spread of sprawl--with its predictable landscape of housing developments, shopping malls, interstate highways, and big-box construction--acclaimed photographer Jeff Brouws is drawn to places that still embody the vernacular past as well as to those that starkly portray the soulless, franchised American landscape. What began as cultural geography of Main Streets became a visual critique of the myth of upward mobility that created this car-centered, paved-over universe. Some images look outward to the edges of suburbia where sprawl is encroaching upon nature. Others turn inward, documenting the devastated inner cities. All the stunning color photographs reflect the complex beauty and desolation of visual life in our time. 100 color photographs.

Hardcover. Boston, William White & Co, 3rd, 1862, Book: Very Good, Dust Jacket: None, 344 pages. Black boards with embossed pictorial border, gilt titles to spine. Previous owner's signature to front endpaper, light rubbing to covers, top third of outside of front hinge cracked, mild edgewear, pages crisp and unmarked; overall, a very neat, tight copy.

Hardcover. Newport VT, J. M. Currier, 1st, 1870, Book: Very Good, Dust Jacket: None, Hardcover, 256 pages, a collection of scientific papers dated Oct. 1870 through July 1874. Bound in black cloth with black leather spine and corners, gilt lettering and rules on spine. Subjects include geology, Pawnee Indians, flora and fauna, birds of Vermont, etc. Small water stain to top edge margin of center pages, otherwise very good. Pencil inscription inside front cover reads: "Compliments of Dr. Currier, 1892". Previous owner's bookplate.

Softcover. NY, Penguin Books, reprint, Book: Very Good, Dust Jacket: None, Softcover. Thomas Wentworth Higginson, a Unitarian minister, was a fervent member of new England's abolitionist movement, an active participant in the Underground Railroad, and part of a group that supplied material aid to John Brown before his ill-fated raid on Harpers Ferry. When the Civil War broke out, Higginson was commissioned as a colonel of the black troops training in the Sea Islands off the coast of the Carolinas. Shaped by American Romanticism and imbued with Higginson's interest in both man and nature, Army Life in a Black Regiment ranges from detailed reports on daily life to a vivid description of the author's near escape from cannon fire, to sketches that conjure up the beauty and mystery of the Sea Islands. This edition also features a selection of Higginson's essays, including "Nat Turner's Insurrection" and "Emily Dickinson's Letters." Clean copy.

Charlottesville VA, University of Virginia, 1st, 1999, Book: Very Good, Dust Jacket: None, Softcover, exhibition catalog illustrated in color, 266 pages. The Kluge-Ruhe Collections, now held by the University of Virginia in Charlottesville, is one of the largest and best-documented collections of Australian Aboriginal art outside Australia. Art from the Land focuses on the desert region and Arnhem Land, drawing on the many fine works in the collection and on the authors' detailed knowledge of the artists and their communities to illustrate the unique and complex nature of Australian Aboriginal artistic expression. Previous owner's inscription on front fly leaf, otherwise clean.

Hardcover. Canada, Voyageur Press, reprint , Book: Very Good, Dust Jacket: Very Good, 224 pages. Hardcover without dust jacket. Extensive color illustrations throughout. Light edge wear, otherwise clean, tight copy. Since the late 1960s, the imagery of the heavy metal genre has been closely connected with the music itself. Classic albums evoke memories of famous cover artwork; metal bands have become forever synonymous with their iconic logos; and landmark live shows have led to instantly recognizable gig posters that embody the time, place, and passion of the events. It's even possible to trace the genre's evolution by examining a continuum of its art. In The Art of Metal, renowned music journalist Malcolm Dome offers a beautifully presented chronological collection of the colorful, outlandish, and sophisticated album covers, posters, T-shirts, and more that span decades of heavy metal music. More than 400 gorgeously reproduced works of art are complemented by in-depth features, including quotes from the graphic artists and musicians responsible for them. Dome also spotlights the metal genre's most influential artists and photographers and delves into other topics that include metal merch, magazines, fashion, and tattoos. In the process, The Art of Metal illustrates and explores the close-knit relationship between those timeless riffs that thunder from Marshall stacks and the images that have come to represent the songs, anthems, and sheer nature of headbanger culture--a must for any true thrasher's bookshelf.

Hardcover. New Haven, Yale University Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Clean, bright copy with similar dust jacket. 243 plates, mainly in color, charts. Contains many little-known works of art from the First Fleet landing in New South Wales in 1788, and from the early years of settlement. Chronology, Bibliography. Size: 13 3/4" x 10".

Hardcover. North Clarendon, VT, Tuttle Publishing, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, 176 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. A tight copy. Color photographs throughout.

Hardcover. NY, Lippincott , 1st US, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover. Color illustrated by Reinhard Michl. Describes the animal life at a secluded pond during spring and summer days.

Hardcover. Cambridge MA, Harvard University Press , 1st, 2008, Book: Very Good, Dust Jacket: None, 250 pages, 116 color pates. burgundy cloth covers in a slipcase.

Hardcover. London, National Portrait Gallery, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 269 pages, hardcover with dust jacket. Photographs throughout, spotless and tight copy. Following his maxim, 'Look, Observe and Think', the German photographer, August Sander, was a craftsman of unerring precision. Despising 'tricks, poses and effects', Sander found inspiration in his determination to create images which were absolutely 'true to nature'. His resulting body of work is a diverse catalogue of portraits which capture people of all ages, from every social setting and calling, which provide, in turn, a rich overview of the personalities who shaped Germany's Weimar Republic.A master of camera portraiture, August Sander began photographing people as a boy around the iron-ore mines of his German hometown. As he grew older, he began to foster strong ideas about the function of photography. These opinions culminated in his 'Confession of Faith in Photography', written in 1927, where he talked of showing the 'truth about our age and its people'. This vision is reflected in the universal quality his images share: the innate ability of the photographer to present more than a portrait to show the characters of his sitters. Published to coincide with the National Portrait Gallery's major exhibition of Sander's photographs, this fascinating book offers a comprehensive overview of Sander's rich body of work. Opening with an introductory essay which gives a thorough analysis of Sander's techniques, the book's range of black and white photographs (over 190 in total) are interspersed with contemporary observations regarding Sander's work (these include the photographer's own words). Spanning more than fifty years, the images shown in August Sander offer a pictorial overview of an era and its people. Dominated by the portraits which make up his huge portfolio, 'People of the 20th Century', this catalogue also includes family photographs and a selection of Sander's haunting landscapes.

Hardcover. The Pennsylvania Academy of Science, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Brings together in one volume a comprehensive overview of Pennsylvania's avian communities, current and emerging conservation issues, and the specific contributions Pennsylvania biologists, avian ecologists, and conservationists have made to the science of ornithology. Clean.

Hardcover. London, Thames and Hudson, 1st UK, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 92 pages, 50 color photos by Boyd Norton. Forward by Yevgeny Yevtushenko. The 1990 journey of Matthiessen, Paul Winter and a group of Russian environmentalists who traveled around Siberia's Lake Baikal, the world's oldest and deepest lake, containing one-fifth of the planet's fresh water, is chronicled in diary form. Norton's 50 color photos enhance the text. Map.

Softcover. Columbia SC, University of South Carolina Press, reprint, 2010, Book: Very Good, Dust Jacket: None, Foftcover in pictorial wraps, 212 pages with index. Belle W. Baruch (1899-1964) could outride, outshoot, outhunt, and outsail most of the young men of her elite social circle-abilities that distanced her from other debutantes of 1917. Unapologetic for her athleticism and interests in traditionally masculine pursuits, Baruch towered above male and female counterparts in height and daring. While she is known today for the wildlife conservation and biological research center on the South Carolina coast that bears her family name, Belle's story is a rich narrative about one nonconformist's ties to the land. In Baroness of Hobcaw, Mary E. Miller provides a provocative portrait of this unorthodox woman who gave a gift of monumental importance to the scientific community. Clean copy.

Hardcover. New York, Longmans, Green and Co., Reprint, 1912, Book: Very Good, Dust Jacket: None, Hardcover, 299 pages, illustrated throughout with photos in b&w. This is an abridged translation by Hugh S.R. Elliot and A.G. Thacker.Introduction by P. Chalmers Mitchell. Red cloth, gilt decorations to front and spine. Slight wear along edges and spine, light soiling to covers, faint foxing to top edge, front hinge cracked, else a very neat copy.