opera

Hardcover. Philsdelphia, J. B. Lippincott, reprint, 1890, Book: Good, Dust Jacket: None, Hardcover, dark brown clot stamped with gilt lettering on front cover, 326 pages plus publisher's ads in rear. Hopton was a Yorkshire miner's son, collier manager, and crusader for mine safety. This book was a bestselling treatise advocating improved ventilation and other safety improvements in mine construction and operation, written in a conversational question and answer format. Black and white diagrams throughout including folding frontispiece. Reprinted from the 8th English edition. Front hinge cracked, 2" tear to spine at bottom rear, otherwise a sound, clean copy.

Hardcover. Boston, Little, Brown and Company, 2nd pr., 1950, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with gilt lettering on spine. Volume IV in The History of United States Naval Operations in World War II. 307 pages, illustrated with maps (one fold-out) and b&w photos. Gilt on spine with light fading, lacks dust jacket, otherwise clean, tight copy.

Softcover. NY, Charles Scribner's Sons, 1st ARC, 1992, Softcover. Advance uncorrected proof in non-pictorial tan card covers. Charles Paris, an out-of-work actor, gets a job appearing as a forklift operator in a corporate video, but when the forklift is used to murder a young secretary, Charles must find the killer. Publisher's PR release laid-in. Clean copy.

Hardcover. NY, Assouline, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages. Celebrates its centennial in 2004 with a global operation in more than 25 countries. With wit, spirit, and luminous images, Orla Healy tells the inspiring story of Coty, both the man and the company..

Hardcover. NY, Scribner, 1st, 2024, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Creation Lake is a novel about a secret agent, a thirty-four-year-old American woman of ruthless tactics and clean beauty who is sent to do dirty work in France. "Sadie Smith" is how the narrator introduces herself to the rural commune of French subversives on whom she is keeping tabs, and to her lover, Lucien, a young and well-born Parisian she has met by "cold bump"--making him believe the encounter was accidental. Like everyone she targets, Lucien is useful to her and used by her. Sadie operates by strategy and dissimulation, based on what her "contacts"--shadowy figures in business and government--instruct. First, these contacts want her to incite provocation. Then they want more. *NAMED A BEST BOOK OF 2024 BY THE NEW YORK TIMES, THE ATLANTIC, VULTURE, VOGUE, THE WASHINGTON POST, KIRKUS REVIEWS, NPR, THE ECONOMIST, THE CHICAGO PUBLIC LIBRARY, VOX, and more*. Clean copy.

Hardcover. New York, Charles Scribner's Sons, 1st, 1898, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth covers stamped in blue and red, 360 pages. 116 b&w photos throughout, color maps in rear. In 1898 America intervened in the Cuban War of Independence, leading to conflict with Spain. This is a detailed account of this campaign, together with American military sea and land operations on the island of Puerto Rico during the Spanish American War. Cloth spine darkened otherwise clean, tight copy.

Hardcover. London, Hawk Books, 1st, 1989, Book: Very Good, Dust Jacket: None, 144 pages. oversized hardcover with no dust jacket. Clean, unmarked copy with only minor wear to laminated boards. Color comics throughout.

Hardcover. NY, Random House, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. May 1941. At four in the morning, a rust-streaked tramp freighter steams up the Tagus River to dock at the port of Lisbon. She is the Santa Rosa, she flies the flag of neutral Spain and is in Lisbon to load cork oak, tinned sardines, and drums of cooking oil bound for the Baltic port of Malmo. But she is not the Santa Rosa. She is the Noordendam, a Dutch freighter. Under the command of Captain Eric DeHaan, she sails for the Intelligence Division of the British Royal Navy, and she will load detection equipment for a clandestine operation on the Swedish coast-a secret mission, a dark voyage. A desperate voyage. One more battle in the spy wars that rage through the back alleys of the ports, from elegant hotels to abandoned piers, in lonely desert outposts, and in the souks and cafes of North Africa.

Softcover. Minneapolis, MN, Zenith Press, 1st, 2004, Book: Very Good, Dust Jacket: None, 144 pages. Softcover. Very clean, unmarked copy still in publishers shrink-wrap. The Marines of Operation Iraqi Freedom highlights the human side of war, the day-in-the-life of U.S. Marines stationed in that volatile region. Dramatic, harrowing, and simply unbelievable images of the marines of Operation Iraqi Freedom, personal letters, and stories of coping with the pain of separation from their families and the horrors of war. Russ Bryant's photography chronicles every aspect of the daily lives of these marines: lazy camels amble by a cargo drop; blinding sandstorms threaten to blow away tents, supplies, and marines alike; Scud missile attack sirens send marines scuttling to their bunkers; sniper fire crisscrosses marine convoys moving into Iraq; tanks and bombs topple the portraits of Saddam that seem to loom over every Iraqi village; shelled-out tanks, armored vehicles, and even busses litter the road on the way to Baghdad; medical personnel attend to fallen marines and prisoners alike; the occasional silent interlude allows time for prayer and remembrance.

Softcover. Santa Barbara, McNally & Loftin, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover, 256 pages, b&w photos. Margaret Eaton and her husband Ira were well known to Santa Barbarans in the early part of this century as operators of the Pelican Bay Camp on Santa Cruz Island. Beginning humbly with small-scale commercial fishing, seal hunting and passenger charters, the Eatons gradually developed a unique resort that came to be popular among writers, film companies and people from all over the country. Working from her diary and her memories, Mrs. Eaton wrote this extraordinary story of her life over a period of many years, until her death in 1947. She is remembered by her daughter, Vera Eaton Amey, as a fearless and compassionate women. Mrs. Amey has done admirably well in sorting through mountains of letters, clippings and photographs to organize her mother's manuscript. She has also painstakingly consulted other sources to confirm, as much as possible, the accuracy of these recollections.

Softcover. Cambridge UK, Cambridge University Press, 1st pbk, 2016, Book: Very Good, Dust Jacket: None, Softcover, 325 pages. How do dictators stay in power? When, and how, do they use repression to do so? Dictators and their Secret Police explores the role of the coercive apparatus under authoritarian rule in Asia - how these secret organizations originated, how they operated, and how their violence affected ordinary citizens. Greitens argues that autocrats face a coercive dilemma: whether to create internal security forces designed to manage popular mobilization, or defend against potential coup. Violence against civilians, she suggests, is a byproduct of their attempt to resolve this dilemma. Drawing on a wealth of new historical evidence, this book challenges conventional wisdom on dictatorship: what autocrats are threatened by, how they respond, and how this affects the lives and security of the millions under their rule. It offers an unprecedented view into the use of surveillance, coercion, and violence, and sheds new light on the institutional and social foundations of authoritarian power. ^ pages with dog earred crease, otherwise clean.

Hardcover. London, Little, Brown UK , 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover, 352 pages, lavishly illustrated in color. This is a truly exceptional collection of drawings from one of our most revered cultural commentators. Gerald Scarfe began his career in the 60s working for PUNCH and PRIVATE EYE before taking a job as a political cartoonist for the DAILY MAIL. He then worked for TIME Magazine in New York before starting his long association with the SUNDAY TIMES that still exists today in the form of his weekly drawings. His varied career has seen him work with Pink Floyd (The Wall, Wish You Were Here), Roger Waters and Eric Clapton (The Pros and Cons of Hitchhiking), Disney (Hercules), English National Ballet (The Nutcracker), Los Angeles Opera (Fantastic Mr Fox) as well as produce such iconic images as those for the titles of Yes Minister and Yes Prime Minister. His work has featured in the New Yorker and various BBC TV films such as Scarfe on Sex and Scarfe on Class. Exhibitions of his paintings and drawings have appeared in the Tate Gallery, the National Portrait Gallery and the Smithsonian National Portrait Gallery. He is viewed by many as both a national treasure and a genius and this is the first collection of his work to appear for 20 years.

Softcover. UK, Arundel Books, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 202 pages, b&w illustrations. Geoffrey Pidgeon (1926-2021) worked at Bletchley Park during the Second World War on wireless transmission and output. An account of the wartime activities of Edgar Harrison who was a senior colleague of Geoffrey Pidgeon in M16 (Section VIII) and had the most extraordinary adventures during the Second World War. Clean copy.

Hardcover. NY, Norton, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 288 pages. Edward Steichen was already a famous painter and photographer in America and abroad when, in early 1923, he was offered the most prestigious position in photography's commercial domain: that of chief photographer for Vogue and Vanity Fair. Over the next fifteen years, Steichen would produce a body of work of unequaled brilliance, dramatizing and glamorizing contemporary culture and its achievers in politics, literature, film, sport, dance, theater, opera, and the world of high fashion. Here are iconic images of Gloria Swanson, Gary Cooper, Greta Garbo, and Charlie Chaplin as well as numerous other celebrities drawn from an archive of more than two thousand original prints. Until now, no more than a handful have been exhibited or published in book form. The photographs of the 1920s and 1930s represent the high point in Steichen's career and are among the most striking creations of twentieth-century photography. 242 illustrations.

Hardcover. New York, Clarkson Potter, Reprint, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages. Illustrated in full color and black & white. Beautiful examples of costume and set design by Erte. A bright, clean copy.

Hardcover. NY, Penguin Press, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 256 pages, b&w photos. For Bill Cunningham, New York City was the land of freedom, glamour, and, above all, style. Growing up in a lace-curtain Irish suburb of Boston, secretly trying on his sister's dresses and spending his evenings after school in the city's chicest boutiques, Bill dreamed of a life dedicated to fashion. But his desires were a source of shame for his family, and after dropping out of Harvard, he had to fight them tooth-and-nail to pursue his love. When he arrived in New York, he reveled in people-watching. He spent his nights at opera openings and gate-crashing extravagant balls, where he would take note of the styles, new and old, watching how the gowns moved, how the jewels hung, how the hair laid on each head. This was his education, and the birth of the democratic and exuberant taste that he came to be famous for as a photographer for The New York Times. After two style mavens took Bill under their wing, his creativity thrived and he made a name for himself as a designer. Taking on the alias William J.--because designing under his family's name would have been a disgrace to his parents--Bill became one of the era's most outlandish and celebrated hat designers, catering to movie stars, heiresses, and artists alike. Bill's mission was to bring happiness to the world by making women an inspiration to themselves and everyone who saw them. These were halcyon days when fashion was all he ate and drank. When he was broke and hungry he'd stroll past the store windows on Fifth Avenue and feed himself on beautiful things. Fashion Climbing is the story of a young man striving to be the person he was born to be: a true original. But although he was one of the city's most recognized and treasured figures, Bill was also one of its most guarded. Written with his infectious joy and one-of-a-kind voice, this memoir was polished, neatly typewritten, and safely stored away in his lifetime. He held off on sharing it--and himself--until his passing. Between these covers, is an education in style, an effervescent tale of a bohemian world as it once was, and a final gift to the readers of one of New York's great characters.

Hardcover. New York, Thames and Hudson, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Very clean, unmarked copy still in dust jacket. 195 full color and 7 black & white illustrations throughout. Tight copy. In this sumptuous new book, leading figures in the world of fashion- Giorgio Armani, Marc Bohan, Christian Lacroix, Karl Lagerfeld, Ottavio and Rosita Missoni, Miuccia Prada, Zandra Rhodes, Emanuel Ungaro, Gianni Versace, and Viktor & Rolf-are profiled, together with illustrations of their costume designs. Helena Matheopoulos's interviews with many of the designers illuminate the journey that led each to the opera and the challenges of working in a demanding new medium.Costume designs for many well-loved operas-including Don Giovanni, Lucia di Lammermoor, Carmen, Aida, Thai?s, Agrippina, Cosi` fan tutte, Attila, and The Magic Flute-are featured. The opera houses commissioning the costume designs include La Scala, the Metropolitan Opera, the The'a^tre Royal de la Monnaie, the Are`nes de Ni^mes, the Royal Opera House in Covent Garden, and the San Diego Opera, among many others. Hundreds of color illustrations include original designers' sketches, photographs of the finished costumes, and images of the actual productions, many of which feature breathtaking stage sets as well. 195 full-color and 7 black-and-white illustrations

Softcover. Manchester University Press, reprint, 1993, Book: Very Good, Dust Jacket: None, Softcover, 322 pages, b&w illustrations. This work examines the reasons why anthropologists have not used the camera as a research instrument or film as a means of communicating ethnographic knowledge. It suggests that images and words in this discipline operate on different logical levels. Subjects: Motion pictures in ethnology. Ethnology Fieldwork. Motion pictures Social aspects. Motion pictures in ethnography. Documentary television programs. Mild fading to covers. No marking.

Hardcover. Albuquerque, University of New Mexico, 1st, 1971, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn, chipped dust jacket. 253 pages, INSCRIBED BY TAYLOR on the title page. Previous owner's inscription on half-title page, otherwise clean. First Mail West recounts the colorful history of stagecoach lines on the Santa Fe Trail during the height of overland traffic from 1850 to 1879. Desert, rain, snow, wind, outlaws, Indians, buffalo stampedes, and business competitors challenged, and sometimes scuttled, the operation of stage lines between Missouri and New Mexico. The author describes the topography, roads, rolling stock, stations, accommodations, and natural and human dangers along the trail, and analyzes the fierce competition between independent lines for passenger traffic and federal mail contracts.

Hardcover. NY, Alfred A. Knopf, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, tape-repaired dust jacket. 343 pages plus index, b&w photos. An intimate no-holds-barred light and dark portrait of the Norwegian soprano Kirsten Flagstad from her first Metropolitan operas house performance through her career and retirement and more. Written by her accompanist- and often her orchestral conductor. Front fly leaf clipped, otherwise clean, tight copy.

Hardcover. NorthSouth Books, 3rd pr., 2022, Hardcover in a bright dust jacket, 32 pages illustrated in color by Hopman. All the famous ladies want a Givenchy dress--actresses, opera singers, princesses and the wife of a president. When Audrey Hepburn has to figure what to wear for her next movie, she approaches Givenchy, but he's too busy to design something just for her. When encourages her to try on clothing from within his collection, they're both stunned by what they discover. Philip Hopman brings us a stylish and compelling picture book about fashion and friendship that fits like a glove! Clean copy.

Hardcover. New York, Abrams, 1st, 2010, Book: Very Good, Dust Jacket: None, 511 pages. Hardcover, slipcase, ribbon marker. Like new in publisher's shrink-wrap. Candid accounts of the people, hit movies, and adventures that have shaped his career enliven these memoirs from the director of Romeo and Juliet, Endless Love, and Jesus of Nazareth. 24 black-and-white, 16 color illustrations.

Hardcover. NY, Oxford University Press, 2nd pr., 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 657 pages. Robert Dallek vigorously and convincingly defends Roosevelt's foreign policy. He emphasizes how Roosevelt operated as a master politician in maintaining a national consensus for his foreign policy throughout his presidency and how he brilliantly achieved his policy and military goals. Name on half-title page otherwise a clean copy.

Hardcover. NY, McGraw-Hill Book Co., 1st, 1970, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, no dust jacket. Decorated endpapers. Adapted from the original opera libretto by Leigh Dean. Clean copy.