orchestra

Hardcover. San Diego, Thunder Bay, 1st, 2018, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, color throughout. Nevermind, Achtung Baby, Use Your Illusion 1&2 - the 90s saw some classic albums produced by artists such as Nirvana, U2, Gun n Roses and Red Hot Chili Peppers, as well as a resurgence in country music popularized by Shania Twain and Garth Brooks. Combining information from both the US and UK charts provided by the Recording Industry Association of America (RIAA) and British Phonographic Industry (BPI), 100 Best Selling Albums of the 90s features chart-topping work from Michael Jackson, Puff Daddy and Green Day. Each album entry is accompanied by the original sleeve artwork front and back - and is packed full of facts and recording information, including a complete track listing, musician and production credits, and an authoritative commentary on the record and its place in cultural history. Soundtracks featured include the 60s and 70s hits on Forrest Gump, the Elton John/Tim Rice songs in The Lion King, and the orchestral score for Titanic (and Celine Dion's Oscar-winning My Heart Will Go On). Other stand-out albums include the Eagles' reforming to make Hell Freezes Over and Eric Clapton's Unplugged, a career revival for him in the popular 90s back-to-basics semi-acoustic series.

Hardcover. Boston, Davis Godine, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 188 pages. Hardcover with dust jacket with only light wear. Clean tight copy. Color pictures throughout. Fine art and fine bookmaking meet in this full color selection of 77 books from Europe and the Americas. The authors select, and comment upon, the "best of both worlds": books whose pages reveal the best graphic work of the past century; artwork from the hands of masters as diverse as Braque, Calder, Dine, Hockney, Mapplethorpe, Matisse, Maillol, Picasso, Oldenburg and Rivers-coupled with memorable texts orchestrated by the best designers, printers, and binders.

Hardcover. GR, Steidl, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 272 pages. Bill Wood's business was photography, and he produced tens of thousands of images over the course of his career. A tall, slender, hardworking family man with a penchant for bow ties, Wood (1913-1979) was born, lived and died in the Fort Worth, Texas area, and his photography played a central role in how his clients chose to see and to portray themselves and their city. Bill Wood's Business features approximately 300 of Wood's photographs, alongside essays by Diane Keaton and Marvin Heiferman that pay homage to the skills Wood (and professional photographers like him) brought to the business of photography. What drew Keaton and Heiferman to this project was the extraordinary range of Wood's images, as well as a shared appreciation of archives and the construction of photographic realities. In an earlier collaboration, Still Life (1982), Keaton and Heiferman explored the Surrealism, the fantasies and the economic motivations percolating beneath the surface of the glamourous color publicity photographs that Hollywood studios orchestrated and distributed in the mid-twentieth century. Since then, Keaton (in her film and book projects) and Heiferman (in his curatorial, writing and publishing work) have continued to survey the quirks of American iconography. Keaton purchased the archive of Wood's negatives 20 years ago, and in Bill Wood's Business, she and Heiferman team up again to look at and through photographs, to show what they are intended to depict and what they actually reveal.

Hardcover. NY, Dutton, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 516 pages. SIGNED BY AUTHOR on front fly leaf. The enduring appeal of the music of George and Ira Gershwin has spawned several biographies of the talented brothers who created more than 700 popular songs before George's untimely death at age 39 in 1937--Ira died in 1983 at age 87. But never before has the collaboration itself been the subject of such intelligent and fruitful scrutiny as in this intriguing study. Rosenberg, chair of the musical theater program of the Tisch School of the Arts at New York University, has a gift for making scholarly points in accessible, albeit mundane language. Readers require no particular musical background in order to enjoy and respond to her original theories about the connections between George's music and Ira's lyrics. Points of comparison are frequently illustrated with side-by-side measures of music, and the striking thematic relationships between such songs as Embraceable You and The Man I Love are also compared dramatically to George's orchestral composition, including the well-known Rhapsody in Blue. This is a rich feast for music historians, musicians and connoisseurs of musical theater as well as inveterate hummers who like a Gershwin tune. Clean copy.

Hardcover. NY, Alfred A. Knopf, 1st, 1965, Book: Very Good, Dust Jacket: Good, Hardcover in a worn, tape-repaired dust jacket. 343 pages plus index, b&w photos. An intimate no-holds-barred light and dark portrait of the Norwegian soprano Kirsten Flagstad from her first Metropolitan operas house performance through her career and retirement and more. Written by her accompanist- and often her orchestral conductor. Front fly leaf clipped, otherwise clean, tight copy.

Softcover. Cincinnati OH, Contemporary Art Center, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 102 pages, b&w and color illustrations. Very light edge wear, else a clean, tight copy. Publication documenting renowned post-modern architect Michael Graves and the summer pavilion for the Cincinnati Symphony Orchestra. Written by architecture historian and critic Jayne Merkel, the book begins with a history of other outdoor music structures and the decision to build on the river site. Merkel discusses Graves' development as a leader of the post-modern movement and draws upon his sources in ancient amphitheaters, as well as his other structures in Portland, Louisville, and San Juan Capistrano. The book also includes an in-depth interview with Graves and a chapter on the "state of the art" acoustics and the collaboration between architect Graves and artist Ted Schmidt which resulted in the unique cut-out sculptures adorning the roof line of Riverbend.

Hardcover. NY, William Morrow, 1st, 1972, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with light chipping, 180 pages. Ortiz Montaigne Walton was the first African-American member of the Buffalo Philharmonic Orchestra and a prominent figure in African-American studies. He performed in Buffalo for three seasons, before moving on to become the first African-American member of the Boston Symphony Orchestra. Mr. Walton later was principal contrabassist with the Cairo Symphony Orchestra in Egypt and performed a number of acclaimed solo recitals. Dust jacket art is a photo-montage by Romare Bearden.

Philadelphia PA, Continental Distilling Corp., 1937, Book: Very Good, Dust Jacket: None, Art "Keyed to concert pitch", photographic color art of conductor and orchestra. 10"X 13", Esquire Magazine, July 1937, very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THIS PAGE ONLY- not the entire magazine. Your order will be placed carefully between stiff paper and an acetate overlay, then packed in a rigid cardboard sleeve to prevent bending.

1972, Book: Very Good, Color art by Martin of conductor and orchestra in shades of blue. 8 3/4 X 12", very good. PLEASE NOTE: The image shown is a scan of the actual product you are purchasing. What you see is what you get. The sheet may have some imperfections beyond the cropped area shown. You are buying THE COVER ONLY- not the entire magazine. Your order will be placed carefully between stiff paper in clear plastic envelope, then packed in a rigid cardboard sleeve to prevent bending.

Hardcover. NY, Atheneum, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, color illustrations by Raschka. Sergei Prokofiev composed his Peter and the Wolf in 1936 with the hope of introducing children to the instruments of the orchestra. It happens that he also devised a wonderfully dramatic story. The characters - boy, bird, duck, cat, grandfather, wolf, hunters - and their doings have been beloved by young and old for decades. Writer, artist, musician, and Caldecott Medalist Chris Raschka has given the original story a new setting: a stage performance. Here you will relish language inspired music; enjoy mischief, suspense, and triumph in the theater; and delight in a surprise (and an additional character) Prokofiev's merry tale didn't provide. Please do not turn immediately to the last page. SIGNED BY RASCHKA.

Hardcover. NY, G.P. Putnam's Sons, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. After eight years in professional exile, thirty-year-old Cooper Barrow returns to the orchestral world, bringing his untested talents to a German on the verge of unification. He is to study with master teacher Karlheinz Ziegler, a conductor haunted by his days at a Nazi concentration camp, his prewar brilliance long since recast as cruelty. When Peter falls for the beautiful and seductive Petra Vogel and his lessons with Ziegler take one jarring turn after another, and as the mysteries of the past inevitably catch up with the present, Barrow must wrestle with shame and redemption in a country marked for all time. Clean copy.

Hardcover. NY, powerHouse, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. Time Frames, Michael Spano's long-awaited first monograph, catalogues the artist's exploration of spatial and temporal dimensions in photography. The book is divided into five chapters: Panoramas, Grids, Portraits, Multi-Exposures, and Diptychs; each employs a distinctive technical process to provide a new way of looking at life in New York City. Panoramas (1977-1983) show interacting urbanites moving through elongated frames as the lens of an extremely wide field camera pans during exposure. Grids (1980-1990) captures eight moments on a single negative as Spano moves through a sequence of events, pre-determinedly exposing a portion of the grid every four seconds. Portraits (1984-1990) focus on individual inhabitants transformed and etched out from their settings through the solarization and blurring forms into an atmospheric world. Multi-Exposures (1985-1998) combine solarizations with multiple perspectives. These single-negative layered compositions orchestrate and compress selected intervals of time and space into one image. Diptychs (1998-1999) fuse two distinct moments on one negative where scale, focal planes, and perspectives shift and comprise a dual image of urban spaces.

Softcover. NY, Da Capo Press, reprint, 1978, Book: Very Good, Dust Jacket: None, Softcover, 245 pages, b&w photos. Sidney Bechet (1897-1959) was one of the most brilliant exponents of New Orleans jazz. A prodigy on the clarinet, he soloed with Bunk Johnson's orchestra at age eleven, was improvising cornet-clarinet duos with Buddy Petit at age fifteen. Leaving New Orleans in the 1920s, Bechet took his Creole sound and spirit to New York, where he adopted the soprano saxophone and soon developed the unique style that marked his special artistry.

Hardcover. London, Titan Books , 1st, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 240 pages, illustrated in color. The concept: the world's greatest music, presented according to the highest acoustic standard, and illustrated by the brilliance of the Disney studio at the height of its powers. The journey of how Fantasia came to be, beset with almost insurmountable challenges, is one of the most breathtaking in movie history. In 1940, Walt Disney released his third feature film: Fantasia, consisting of eight animated segments set to music by Leopold Stokowski and the Philadelphia Orchestra. The film was groundbreaking: it was the first to record using multiple audio channels in a process called Fantasound, the precursor to surround sound. Apart from its technical achievements, Fantasia is remembered as being the first Disney movie meant not only for children. With emotional depth and innovative techniques that pushed the boundaries of animated storytelling, Fantasia was the first to appeal to an audience of every age. To celebrate The Walt Disney Company's 100th Anniversary, author J.B. Kaufman presents the definitive history of the making of Fantasia, from source material to hundreds of photographs documenting the film's production. In Worlds to Conquer, become a part of the wild ride that was the making of a Disney classic. Still in publisher's shrinkwrap. DOMESTIC SHIPPING ONLY.