Hardcover. Brewster MA, Paraclete Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover, 112 pages. This volume marks the first translation of these prayer-poems into English. Originally written in 1899, Rilke wrote them upon returning to Germany from his first trip to Russia. His experience of the East shaped him profoundly. He found himself entranced by Orthodox churches and monasteries, above all by the icons that seemed to him like flames glowing in dark spaces. He intended these poems as icons of sorts, gestures that could illumine a way for seekers in the darkness. As Rilke here writes, "I love the dark hours of my being, for they deepen my senses." Translated by Mark S. Burrows.
Hardcover. Bloomington IN, Indiana University Press, 1st, 1955, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket, 90 pages. Previous owner's signature and date on front fly leaf, internally clean.
Softcover. Minneapolis, Coffee House Press, 1st, 1991, Book: Very Good, Dust Jacket: None, Unpaginated, number 100 of 300 copies SIGNED BY AUTHOR AND ARTIST, Susan Nees in the rear. Sewn into handmade heavy paper wrappers. Also inscribed on the half title page.
Softcover. University of Pittsburgh Press, reprint, 1999, Book: Very Good, Dust Jacket: None, Softcover, 91 pages. SIGNED BY COLLINS on title page. Collins's fourth book of poems, remarkable for their wry, inquisitive voice and their sheer imaginative range, these poems are probing explorations, journeys into the unexpected. Questions About Angels reinforces Collins's place among the most talented poets of this generation. Clean copy.
Hardcover. Princeton University Press, 1st, 1956, Book: Very Good, Dust Jacket: None, Hardcover, green cloth covers with gilt and black title on spine, 353 pages. WITH THE AUTHOR'S INSCRIPTION pasted to front fly leaf. Clean copy.
Hardcover. NY, St. Martin's Press, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a violet dust jacket with light fading to spine, 232 pages. A collection of essays exploring all aspects on a controversial English poet, the 17th century libertine, The Earl of Rochester. Different sections focus on sexual politics, on the poetry of intellect, and on Rochester and his contemporaries. Name, date and light pencil notations on front fly leaf, otherwise clean.
Softcover. New Haven CT, Dia Art Foundation/Yale, 1st, 2017, Book: Very Good, Dust Jacket: None, Softcover, illustrated gatefold wraps. 298 pages. Edited and annotated by the poet and editor with color photographs throughout at the gala readins. A wide representation from Bruce Andrews and Rae Armantrout to Lewis Warsh and John Yau. For over three decades, Dia Art Foundation has gathered renowned and visionary poets to present their work in conversation with one another in monthly events through its Readings in Contemporary Poetry series. This collection anthologizes ninety-four poets who gave readings between 2010--when the program resumed under the direction of Vincent Katz after a short break--and 2016. Clean copy.
Hardcover. NY, St. Martin's Press , 1st, 1975, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 81 pages. Clean copy. Poet's second collection; he was a professor at The University of Bridgeport.
Softcover. London, Anvil Press, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 300 pages. Bright, clean copy. "Stanley Moss is American poetry's best-kept secret, better known as the innovative publisher of other poets than for his own highly charged, stingingly beautiful lyrics. That should change with the publication of his long-awaited and gorgeous new poems. " --John Ashbery.
Hardcover. Madison WI, University of Wisconsin Press, 1st, 1989, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn dust jacket with fading to the spine. "Cary Nelson performs an invaluable service to the reader by recovering the work of dozens of forgotten poets, especially women, blacks, and writers on the left, while making it clear that the texts we recover inevitably gain new meaning from their positioning within contemporary culture." Nicely illustrated in b&w and some color, mostly book jackets and title pages of books discussed. Some light pencil marking in margins.
Hardcover. New York, New Directions, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, 179 pages. Hardcover with dust jacket that is lightly chipped and price-clipped. Clean, tight copy.
Hardcover. Alexandria VA, Orchises Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 80 pages. SIGNED BY AUTHOR on title page. Light shelf-wear to dust jacket, else a clean, tight copy.
Hardcover. NY, Farrar, Straus and Giroux, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Heavy, 1186 pages. Introduction, afterword, notes, glossary, chronology, bibliography, index of titles. Comprehensive edition of America's pre-eminent post-war poet's works, from the early triumph of Lord Weary's Castle, winner of the Pulitzer Prize to the late spontaneity of his History, winner of another Pulitzer, and of his last book of poems, Day by Day. Includes several poems never previously collected, as well as a selection of Lowell's drafts. Clean copy. DOMESTIC SHIPPING ONLY.
Hardcover. New York, Random House, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, 585 pages. Hardcover with dust jacket. A very clean, unmarked copy with minor wear to dust jacket edges. Black & white photographs throughout.
Hardcover. Northridge, CA, Lord John Press, 1st, 1991, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black. Ltd to 275 copies (#269) SIGNED BY BOTH ERDRICH & DORRIS. No dust-jacket issued. Clean, bright copy.
Hardcover. NY, Century Company, 1st, 1897, Book: Very Good, Dust Jacket: None, Original green cloth, gilt. Top edge gilt. Printed by The DeVinne Press on white coated paper. The front cover features a silhouette of the doctor in his horse and buggy, stamped in colors, within a gilt box. Profusely illustrated with frontispiece, 26 full-page plates, and numerous drawings in the text, by C. M. Relyea. Previous owner's inscription on front fly leaf otherwise clean.
Hardcover. Petersham MA, Tatlock Publications, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Poetry by the New England author. 93 pages including notes plus the author's biographic sketch. Clean copy.
Hardcover. London, Macmillan and Co. Limited, 1st, 1926, Book: Good, Dust Jacket: Good, 95 pages. Hardcover. "This is one of five hundred large paper copies printed in 1926". SIGNED BY RUDYARD KIPLING. Full color tipped-in illustrations by Donald Maxwell. Moderate foxing to endpapers, light foxing to some pages and a few illustrations. Dust jacket with foxing, some light chipping along edges - jacket now protected with clear plastic cover.
Softcover. Pittsburgh PA, Carnegie-Mellon University Press, 1st, 1985, Book: Very Good, Dust Jacket: None, Softcover, 72 pages, INSCRIBED BY GALVIN on the title page. A collection of poems about various subjects & life experiences, including Mayflies, Marchen, Listening to September & Sea Huns. Clean copy.
Hardcover. NY, Farrar Straus and Giroux, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 249 pages. The last book of poems published during Williams lifetime. Williams won a Pulitzer Prize and two National Book Awards for previous collections. A clean near fine copy in a near fine dust jacket.
Hardcover. NY, Farrar Straus and Giroux, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 249 pages. The last book of poems published during Williams lifetime. Williams won a Pulitzer Prize and two National Book Awards for previous collections. A clean near fine copy in a near fine dust jacket.