Hardcover. NY, Thomas Y. Crowell, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Color illustrations by Wendy Watson. SIGNED BY BOTH CLYDE AND WENDY WATSON on title-page. Dust jacket with rubbing, price-clipped. Minor wear on dust jacket.
Hardcover. Prague, Twisted Spoon Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly soiled dust jacket, 150 pages. B&w frontis. The works of the Czech Symbolist Otokar Brezina (1868-1929), a writer twice nominated for the Nobel Prize in Literature, influenced an entire generation of artists in Bohemia and Moravia. Hidden History (published posthumously in 1935) is one of the most important works of 20th century Czech prose and represents the apotheosis of Brezina's endeavors in the essay form. In this finely crafted collection, he discusses the role of art as a vanguard of developments in science and as a force for social change. These essays also contribute to an understanding of Brezina's poetry, for which he is better known. They comprise the most systematic exposition of his aesthetic creed, which served to inspire the Czech writers and literary critics who followed in his footsteps. This edition is the first complete English translation of any complete volume of Brezina's work. Afterword by Petr Holman. Light foxing, no markings.
Hardcover. New York, Scribner, Armstrong, and Company, 1st US, 1872, Book: Very Good, Dust Jacket: None, 282 pages, hardcover. A Hidden Life and Other Poems. Cloth boards with gilt lettering and design. Beveled boards. Slight tears to head of spine. Edgewear and bumping to boards. Rubbing to boards as well, but gilt is still relatively bright. Mild cocking to spine, binding still tight. Slight staining from bleed half title page to prelim page. Previous owner's inscription to prelim page. With tipped-in old timey bookmark. A bright copy.
Hardcover. New York, George Braziller/ Rhode Island School of Design, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages, 91 large format color plates. Introduction by Cynthea J. Bogel, poetry translated by Alfred H. Marks.
Softcover. Evanston, IL, Northwestern University Press, reprint, 2001, Book: Very Good, Dust Jacket: None, 355 pages. Softcover with light edgewear to paper wrappers. In this groundbreaking volume, Krzysztof Ziarek rethinks modern experience by bringing together philosophical critiques of modernity and avant-garde poetry. Ziarek explores, through selective readings of avant-garde poetry, the key aspects of the radical critique of experience: technology, everydayness, event, and sexual difference. To that extent, The Historicity of Experience is less a book about the avant-garde than a critique of experience through the avant-garde. Ziarek reads the avant-garde in dialogue with the work of some of the major critics of modernity (Martin Heidegger, Walter Benjamin, Jean-Francois Lyotard, and Luce Irigaray) to show how avant-garde experiments bear critically on the issue of modern experience and its technological organization. The four poets Ziarek considers--Gertrude Stein, Velimir Khlebnikov, Miron Biaoszewski, and Susan Howe--demonstrate the broad reach of and variety of forms taken by the avant-garde revision of experience and aesthetics.
Hardcover. New York, George Braziller, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, 222 pages. Hardcover with dust jacket. Light edgewear to dust jacket and heavy fading on rear. Internally clean. Color illustrations by Hokusai.
Hardcover. New York, Farrar Straus & Cudahy, 1st, 1956, Book: Very Good, Dust Jacket: Good, Hardcover, 64 pages, b&w iilustrations by Ben Shahn. Dust jacket with closed tear on front panel, light chipping.
Softcover. NY, The Noonday Press, 1st, 1968, Book: Very Good, Dust Jacket: None, Softcover, 111 pages. Former owner's name on the first page, the rest unmarked. Pages lightly tanned.
Hardcover. NY, Farrar, Straus & Cudahy, 1st , 1956, Book: Very Good, Dust Jacket: Very Good, Clean, tight copy. Dust jacket is worn with chipping along spine, and a blue stamp on back side of each fold. Dust jacker does have plastic wrap around it.
Hardcover. New York, Century Co., 1st, 1910, Book: Very Good, Dust Jacket: None, Hardcover, 87 pages, illustrated in color and line by John Wolcott Adams. Lavender cloth with 4-color decoration. Decorated endpapers. A clean, tight copy.
Hardcover. London, Macmillan and Co., 1st, 1882, Book: Fair, Dust Jacket: None, 48 pages. Hardcover with lightly rubbed boards. Previous owner's inscription. Boards have wear and chips to the top and sides. Corners lightly bumped. Partially detached front board and nearly detached back board. A fragile copy. Gutter cracked in several places. Unmarked, bright illustrations throughout by noted illustrator George Cruikshank.
NY, Henry Holt, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Illustrated with color watercolor pictures by Ted Rand. This slim volume includes 19 poems about nature, including 8 about birds, all of which are illustrated with bold, realistic watercolor paintings. The poems describe animal appearance and behavior in natural, clear images that any nature-watcher can understand. The cardinal, for example, ``Tries not to look conspicuous/ In red, but doesn't quite know how,'' and the spaniels have ``Periscope tails and hairy feet.'' Several poems such as ``The Beaver, Alas'' are wry commentaries on human attitudes toward nature. The few poems which try for an arch tone (``Slothful the sloth is certainly noth'') are less successful. Rand's detailed close-up paintings of individual birds and animals and his more humorous montages of animals for poems such as ``At the Zoo'' balance beautifully with the text.
Port Townsend WA, Copper Canyon Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 513 pages. Poetry is vital to language and living. This anthology celebrates 50 years of Copper Canyon Press publications, one extraordinary poem at a time. Since its founding, Copper Canyon has been entirely dedicated to publishing poetry books; here Editor in Chief Michael Wiegers invites press staff and board--past and present--to help curate a retrospective. The result is a collection of beloved poems from books spanning half a century: representing Pulitzer Prize-winning books, debut collections, works in translation, and rare books from Copper Canyon's early days. This book is a tribute to Copper Canyon poets and readers everywhere, because, as Gregory Orr writes, "Certain poems / In an uncertain world-- / The ones we cling to: // They bring us back." Clean copy.
Hardcover. NY, Farrar Straus and Giroux, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 530 pages. A captivating exploration of A. E. Housman and the influence of his particular brand of Englishness. A. E. Housman's A Shropshire Lad made little impression when it was first published in 1896 but has since become one of the best-loved volumes of poetry in the English language. Its evocation of the English countryside, thwarted love, and a yearning for things lost is as potent today as it was more than a century ago, and the book has never been out of print. In Housman Country, Peter Parker explores the lives of A. E. Housman and his most famous book, and in doing so shows how A Shropshire Lad has permeated English life and culture since its publication. Clean copy.
Hardcover. NY, Alfred A Knopf, 1st, 1964, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, 40 pages illustrated in color by Nola Langer. Humorous tale told in rhyme by the noted poet. Library binding, NOT ex-library. Ownership stamp inside front cover, otherwise clean.
Hardcover. Princeton NJ, Princeton University Press, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 67 pages, INSCRIBED BY GRAHAM on half title page. The award winning poet's first book, scarce in hardcover. Very good in a similar dust jacket. There is a small ink notation on the last (copyright) page by the previous owner.
Hardcover. NY, William Morrow and Co., 1st, 1939, Book: Good, Hardcover, oblong salmon cloth-covered boards, illustrated paper label on front cover, wear to corners. Prose and poetry on eleven aspects of Pueblo Indian life, each passage accompanied by a beautiful color illustration after watercolors by Native American artists, including Allan Houser, an Apache who was the great-grandson of Geronimo and Gerald Nailor, a Navajo; both of whom studied at the Santa Fe School. Mild soil, shelfwear. No markings.
Hardcover. London, Harvill Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a translucent dust jacket, 165 pages. Illustrated with Steve Pyke's b&w photographs. SIGNED BY BOTH O'GRADY AND PYKE on the title page. Stranded in a dismal flat in England, the protagonist remembers his happy childhood in Ireland, the rough living and working conditions in England, and his only love. The language is quite simple and often Hiberno Irish, but deeply imaginative and so lyrical, that the line between prose and poetry gets blurred. The beautiful black/white pictures added to this book, and the author's ability to portray Irish music help to give an insight into Irish culture. Clean copy.
Hardcover. New York, D. Appleton-Century, 1st, 1938, Book: Very Good, Dust Jacket: Good, Hardbound, 132 pages. Black & white illustrations by Reginald Birch. Light soiling to covers, endpapers. Soiling & chipping to dust jacket. Brodart cover.
 "Hesiod and the Language of Poetryby: Pietro Pucci")
 "Homage to Mistress Bradshaw: A Poem with pictures by Ben Shahnby: Berryman, John")
 "Homage to Mistress Bradstreetby: Berryman, John")
 "Home on the Range: Cowboy Poetryby: Janeczko, Paul B./Bernie Fuchs (Illust.)")
 "Horae Lyricae. Poems Chiefly of the Lyric Kind in Three Books Sacred to the Devotation and Piety, to Virtue, Honour and Friendship to the Memory of the Deadby: Watts")
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 "How To Catch a Crocodileby: Robert Pack/ Illustrator: Nola Langner")
 "Hybrids of Plants and of Ghosts (SIGNED COPY)by: Graham, Jorie")
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