Softcover. Washington DC, National Geographic, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 191 pages, illustrated with dozens of rare aeronautical posters in color. Includes foreword by Herb Kelleher, Epilogue, and Index.
Softcover. Washington DC, National Geographic, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 192 pages. The Smithsonian National Air and Space Museum draws more visitors than any other museum in the world--90,000 a day in the summertime--and the exhibit of air travel posters featured in this unique companion volume combines arresting, colorful art, rare archival material, and a unique approach to aeronautical history. The posters--most of them never before published--feature barnstormers, gliders, and flying boats, the earliest passenger flights, the first luxury-liners, mail carriers, jets, and much more. Spanning a century and a half, they combine the popular art and the commerce of their eras, with both explored in the entertaining, informative text by a longstanding National Air and Space Museum curator. From 19th-century circus impresarios offering rides in gaudy hot-air balloons to the sleek 21st-century airliners, the posters provide a fascinating illustrated history of flight as it evolved from an exotic realm inhabited only by visionaries and daredevils into our modern world of speedy jets and frequent flyers--no longer extraordinary, perhaps, but still echoing with the exhilarating thrill and glamorous excitement captured here.
Softcover. Vanguard, 1st, 2008, Book: Very Good, Softcover, 208 pages. Fantastic reference for artists; great entertainment for fans. The work of Frank Frazetta--THE greatest heroic-fantasy artist of all time--has influenced generations of artists, fans, designers, and movie directors. Now more than 400 of his unforgettable images have been collected in Frazetta, The Definitive Reference. With essays by experts and collectors, this one-of-a-kind volume traces the entire arc of Frazettas career. From his early 1950s comics; to his breathtaking book covers featuring Tarzan, Pellucidar, King Kong, and John Carter of Mars; to his 1960s monster mags, including Creepy, Eerie, and Vampirella; to his major movie posters, including After the Fox, The Night They Raided Minsky's and Whats New Pussycat?; and, of course, his revolutionary Conan paintings--its all here. Frazetta - The Definitive Reference overflows with fantastic images, an index of every published Frazetta work and insightful commentary on this fantasy-art icon. Compiled by James A. Bond (no relation to the international spy). Edited by J. David Spurlock and Andrew Steven with a foreword by Frazetta close personal friend Dr. David Winiewicz.
Softcover. Berkeley CA, Snow Lion Graphics, 1st, 1993, Book: Very Good, Dust Jacket: None, 128 pages. Softcover. Color pictures throughout. Light edgewear to wrappers. A volume of the art work of Stanley Mouse, creator of numerous posters for rock venues in the 60's and other counter culture works, as new, full color illustrations.
Hardcover. NY, Harry N. Abrams , 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 352 pages. A visual history of 100 years of filmmaking in New York City, featuring exclusive interviews with NYC filmmakers. Fun City Cinema gives readers an in-depth look at how the rise, fall, and resurrection of New York City was captured and chronicled in ten iconic Gotham films across ten decades: The Jazz Singer (1927), King Kong (1933), The Naked City (1948), Sweet Smell of Success (1957), Midnight Cowboy (1969), Taxi Driver (1976), Wall Street (1987), Kids (1995), 25th Hour (2002), and Frances Ha (2012). A visual history of a great American city in flux, Fun City Cinema reveals how these classic films and legendary filmmakers took their inspiration from New York City's grittiness and splendor, creating what we can now view as "accidental documentaries" of the city's modes and moods.In addition to the extensively researched and reported text, the book includes both historical photographs and production materials, as well as still-frames, behind-the-scenes photos, posters, and original interviews with Noah Baumbach, Larry Clark, Greta Gerwig, Walter Hill, Jerry Schatzberg, Martin Scorsese, Susan Seidelman, Oliver Stone, and Jennifer Westfeldt. Extensive "Now Playing" sidebars spotlight a handful of each decade's additional films of note.
Softcover. London, Stationery Office, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, unpaginated, 80 color pates of posters advertising theatre productions, circuses and sideshows, carnivals and vaudeville shows.
Hardcover. Jackson MS, University Press of Mississippi, 1st, 2025, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 520 pages. New Orleans artist George Valentine Dureau (1930-2014) has always been an enigma. His status as an important artist gained momentum beginning with his first exhibition at the New Orleans Museum of Art, then the Isaac Delgado Museum of Art, in the mid-1960s. Not only did his career undergo a meteoric rise, but his work proved at once controversial and provocative, nuanced and groundbreaking. Critics and collectors embraced his bold images, describing them as sexual, sensual, exploitative, erotic, iconoclastic, and innovative. Beneath the surface, Dureau was even more complex as a person and persona, as he crafted a sensational character out of his artistic acumen. His reputation dimmed after his death, but in recent years his importance, and that of the New Orleans art scene he occupied, has once again been recognized. This lush publication features 100 large-format photographic plates, most of which have never been seen or published and surprisingly some in color. There are more than 200 illustrations and two essays to accompany the plates, along with a special section devoted to the artists and artwork of 1980s New Orleans, featuring hundreds of additional photographs, and several appendices of supplementary materials, such as interview transcripts, a timeline of Dureau's life and career, a map of important locations, and a section on relevant art publications, invitations, and posters. Clean copy. This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.
Hardcover. NY, Golden Press, 2nd pr., 1974, Book: Very Good, Dust Jacket: None, Color illustrations by Greg and Tim Hildebrandt, known as the Brothers Hildebrandt. They were American twin brothers who worked collaboratively as fantasy and science fiction artists for many years, produced illustrations for comic books, movie posters, children's books, posters, novels, calendars, advertisements, and trading cards. Light edgewear.
Hardcover. US, Picture Book Studio, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover, Illustrated throughout with 114 posters in color. Light shelf-wear and scratching to dust jacket. Faint foxing to top edge and end papers, else a clean, tight copy.
Hardcover. NY, Rizzoli, 1st US, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 220 pages, illustrated throughout in color and b&w. Light edgewear and tanning to dust jacket, else a clean, tight copy. Covers the rise of travel thanks to the development of roadways, railways, luxury ocean liners and trains, and eventually the airliner. Wonderfully illustrated with photos, travel posters, luggage tags, and more.
Hardcover. Atglen, PA, Schiffer Publishing, Ltd., 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Color illustrations throughout. Herman Miller, the leader in modern twentieth-century furniture manufacture, was a totally design-oriented company. Known best for Eames and Nelson furniture designs, showrooms, and interiors, they also produced outstanding graphic design. Mid-century and later advertisements, drawings, brochures, catalogs, posters, and wall panels are shown in this visually exciting new book. Photos of award-winning and other graphic designs are all from the Herman Miller Archives. This beautiful book is a must for anyone with an interest in modern furniture, graphics, or twentieth century design in general.
Softcover. England, UK, FAB Press, 1st, 2015, Book: Very Good, Dust Jacket: None, 144 pages. Softcover. Very clean, unmarked copy with only minor edgwear to wrappers. Graphic Thrills Volume Two proudly assembles another stunning selection of debauched and innuendo-packed theatrical film posters, with glorious unabashed sexuality dripping from every page. These joyous and colourful odes to sultry sin were designed to hang in the lobbies and front windows of the porno theaters and grindhouses of yesteryear.
Hardcover. Graphis Press, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 256 pages, 250 color plates featuring the best poster art of the year from all over the world. Like new in publisher's shrinkwrap. Outstanding creative works by world-renowned designers, selected from thousands of entries and reproduced in full-color, large format reproductions. As a contemporary reference and source of inspiration for successful promotional graphic design, Poster Annual 2002 is conveniently organized into a range of client categories ? from sports, film, architecture, and fashion, to festivals, museums, retail, public service, competitions, and corporate communications. This edition features extensive captions, detailed indexes, and informative credits, making it a valuable resource for designers, art directors, and clients.
Softcover. Zurich, Graphis Press, 1st, 1976, Book: Very Good, Dust Jacket: None, English, German and French text. B&w and color illustrations. Very good. Swiss Posters 1976. Kodak Colour Calender Contest, 1977. Fred Otnes. 1.international Animated Film Festival in Ottawa. Trends in Jewellery Design in Europe.
Softcover. Zurich, Graphis Press, 1st, 1988, Book: Very Good, Dust Jacket: None, English, German and French text. B&w and color illustrations. Very good. Subjects include Igarishi, Nygaard, and early tourism posters.
Hardcover. New York , Grove Press, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, introduction by Stephen King and personal reminiscences by Forrest J. Ackerman, Clive Barker, Robert Bloch, Ray Bradbury, Harlan Ellison and Peter Straub. This volume contains over 500 of the finest vintage film posters of the genres covering a span of nearly 75 years. In a bright dust jacket.
Hardcover. Naperville IL, Sourcebooks MediaFusion, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 502 pages, b&w illustrations. For three decades after World War I, Harlem was the site of burgeoning racial and cultural awareness and ambitions among African Americans. In the opening section of this book, Wintz provides the historical context for what became known as the Harlem Renaissance. In separate sections devoted to poetry, music, politics, art, and the phenomenon of the New Negro, contributors profile many of the era's major figures, including Langston Hughes, Zora Neale Hurston, Bessie Smith, Ethel Waters, Josephine Baker, W. E. B. DuBois, Paul Robeson, A. Phillip Randolph, and Marcus Garvey. The essays place the Harlem Renaissance in the broader context of an awakening of black culture throughout the U.S. The book contains references to the accompanying CD, which offers 60 minutes of music, poetry, interviews, performances, and speeches, giving voice to the vibrant life of Harlem. Photographs, drawings, book covers, and posters add to the richness of this collection. A fabulous resource on the Harlem Renaissance.
Hardcover. NY, STEWART TABORI CHANG, 1ST, Book: Very Good, Dust Jacket: Very Good, Hardcover, 378 pages. Here is a musical history told in legends, facts, and rumors every bit as colorful as the images that illustrate the book. The story is filled with characters such as O.V. Wright, a singer deemed "too ugly to tour"; Frnakie Lymon, who received a hot dog as full payment for some of the greatest R&B songs of all time; LaVern Baker, a.k.a. "Little Miss Sharecropper"; Bille Holiday shooting dice with the boys on the bus; Solomon Burke, R&B immortal and Doctor of Mortuary Sciences; soul ghoul Screamin' Jay Hawkins locked in his coffin by the Drifters; and many otehr talented and unique entertainers. Illustrated with more than 400 original photographs, publicity shots, posters, programs, advertisements, program covers, magazine covers, album covers and sleeves, sheet music, and record labels in full color, this is a story of hot music and high style, of people who made history by being themselves and made the world a richer, wilder and definitely cooler place for the rest of us.
Softcover. NY, Abrams, 1st, 2001, Book: Very Good, Dust Jacket: None, Softcover, illusrated wrappers, 96 pages. Al Hirschfeld's line drawings are synonymous with the American theater, but his dynamic work for Hollywood films is only now gaining the attention it deserves. This fun, affordable paperback-which accompanies an exhibition at the Academy of Motion Picture Arts and Sciences-showcases his marvelous artwork for movie posters, billboards, murals, and theater displays with images of film stars from Laurel and Hardy to the Marx Brothers, Fred Astaire, and Julia Roberts; and for classic movies such as The Wizard of Oz, Singin' in the Rain, and The Manchurian Candidate. The entire world of cinema, as only Hirschfeld could portray it, unfolds in this radiant companion volume to Hirschfeld's New York. 115 illustrations, 45 in full color.
Softcover. NY, Abrams, 1st, 2025, Book: Very Good, Dust Jacket: None, This handsome volume presents 25 favorite Al Hirschfeld portraits drawn from Stephen Sondheim's musicals. The art prints in this oversize poster book can be easily removed and framed, making it an ideal gift for Sondheim fans. This first volume in a series of deluxe Hirschfeld poster books contains art drawn from life before the opening night of each of Sondheim's productions. On the reverse side are rare, ancillary images from the archives, as well as an introduction by Bernadette Peters, an essay by Ben Brantley, and text by David Leopold, Hirschfeld's archivist and creative director of the Al Hirschfeld Foundation. Hirschfeld's images capture the essence of the performances even better than the photographs of the shows. All of Sondheim's best-known plays are included--West Side Story, Follies, A Funny Thing Happened on the Way to the Forum, Sweeney Todd, Merrily We Roll Along, and Sunday in the Park with George. Clean copy.
Hardcover. NY, Skyhorse, 2nd pr., 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 442 pages, color illustrations. The first portrait of the renowned artist's life-as spirited and unique as his pen-and-ink drawings. Beginning in the 1920s, he caricatured Hollywood actors, Washington politicians, and-his favorite-celebrities of the stage. Broadway belonged to Hirschfeld. His work appeared in the New York Times and other publications, as well as on book jackets, album covers, posters, and postage stamps, for more than seventy-five years. He lived in Paris, Moscow, and Bali, and in a pink New York townhouse on a star-studded block where his closest friends-Carol Channing, S. J. Perelman, Gloria Vanderbilt, Brooks Atkinson, Elia Kazan, Marlene Dietrich, and William Saroyan-flocked in and out.
Hardcover. NY, Skyhorse, 2nd pr., 2021, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 442 pages, color illustrations. The first portrait of the renowned artist's life-as spirited and unique as his pen-and-ink drawings. Beginning in the 1920s, he caricatured Hollywood actors, Washington politicians, and-his favorite-celebrities of the stage. Broadway belonged to Hirschfeld. His work appeared in the New York Times and other publications, as well as on book jackets, album covers, posters, and postage stamps, for more than seventy-five years. He lived in Paris, Moscow, and Bali, and in a pink New York townhouse on a star-studded block where his closest friends-Carol Channing, S. J. Perelman, Gloria Vanderbilt, Brooks Atkinson, Elia Kazan, Marlene Dietrich, and William Saroyan-flocked in and out.
Softcover. New York, Dover, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover, large format. 45 color posters by the German artist. Excellent condition.
Hardcover. Boston, MFA Publications, Museum of Fine Arts, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 256 pages, profusely illustrated. From the 1890s through the turn of the century, there was a flourishing of new, imaginative art and craft throughout Europe that we now know as Art Nouveau. The Netherlands experienced an inventive variant of this art and design phenomenon, but until now it has been largely overshadowed by its counterparts in other countries, especially France. This richly illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of more than 100 works on paper--posters, decorative calendars and illustrated books, as well as prints and drawings. These innovative works of graphic design reveal the progressive Dutch artists' conscious reaction against the past, their inspiration in natural forms and exotic cultures, and their embrace of the principle that art should transform everyday life. They also show how the New Art--Nieuwe Kunst in Dutch--coexisted and sometimes intertwined in the Netherlands with other artistic strands, including persistent realist trends, Symbolism and the emergence of modernism. Included here are early drawings by well-known artists Vincent van Gogh and Bart van der Leck, as well as new discoveries from Jan Toorop, Theo Nieuwenhuis, Samuel Jessurun de Mesquita, Theo Hoytema, G. W. Dijsselhof and C. A. Lion Cachet. This beautifully illustrated book is the first in English to celebrate the Dutch contribution to Art Nouveau through a tour of over one hundred posters, decorative calendars, and illustrated books, as well as prints and drawings. With text by Clifford S. Ackley, one of the leading specialists on Dutch prints and drawings, Holland on Paper in the Age of Art Nouveau provides a fascinating and visually rewarding introduction to a rich and creative artistic era.