Hardcover. Philadelphia, University of Pennsylvania Press , 1st, 1959, Book: Very Good, Dust Jacket: Very Good, Hardcover, 142 pages, Preface by Farrell. Green cloth binding with gilt on spine. Some light pencil marks in margins, on rear end papers.
Hardcover. Cambridge, MA, Harvard Univ Press, 1st, 1946, Book: Very Good, Dust Jacket: Good, Hardcover, 351 pages including index. A list of writing relating to Charles Dickens and his works 1836-1944. A very useful bibliographic reference for Dickensiana.
Hardcover. Oxford UK, Clio Press, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, maroon boards with gilt lettering along spine. Binding and hinges tight and square. 1996 publication, in like-new condition with no wear or distress. 202 pages including extensive bibliography; has black & white illustrations. A collection of writings by and about American photographer Steichen (1879-1973) who set new standards for advertising photography, helped pioneer aerial reconnaissance during the First World War and photography as a tool of propaganda during the Second, and served as the first Director of the Department of Photography at the Museum of Modern Art in New York.
Hardcover. Washington DC, Microcard Editions, 1st, 1971, Book: Very Good, Dust Jacket: None, 122 pages. Hardcover with no dust jacket. Light edgewear to cover boards, light soil to top page block. SIGNED BY BRUCCOLI on title page.
Softcover. Bloomington IN, Indiana University Press, 1st, 2003, Book: Very Good, Dust Jacket: None, Softcover, 209 pages. This groundbreaking study explores the Harlem Renaissance as a literary phenomenon fundamentally shaped by same-sex-interested men. Christa Schwarz focuses on Countee Cullen, Langston Hughes, Claude McKay, and Richard Bruce Nugent and explores these writers' sexually dissident or gay literary voices. The portrayals of men-loving men in these writers' works vary significantly. Schwarz locates in the poetry of Cullen, Hughes, and McKay the employment of contemporary gay code words, deriving from the Greek discourse of homosexuality and from Walt Whitman. By contrast, Nugent-the only "out" gay Harlem Renaissance artist-portrayed men-loving men without reference to racial concepts or Whitmanesque codes. Schwarz argues for contemporary readings attuned to the complex relation between race, gender, and sexual orientation in Harlem Renaissance writing. Clean copy.
Hardcover. NY, Coward McCann & Geoghegan, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. SIGNED BY PRONZINI on the title page. Discussion of the really bad English and American crime novels of 20th century. Introduction by Ed McBain. Index, bibliography. Clean copy.
Softcover. Boston, The Horn Book , 1st, 1971, Book: Very Good, Softcover, 95 pages. Reference of books and reading for children and young people. Featuring: 'Newbery and Caldecott Acceptance Speeches by Betsy Byars and Gail E. Haley, 'In Literary Terms' by John Rowe Townsend, 'A Second Golden Age? In a Time of Flood?' by Virginia Haviland and more. Light marking or library stamp on cover. Black & white illustrations. Interior clean and bright.
Hardcover. NY, Oxford University Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 279 pages. John Barrow is increasingly recognized as one of our most elegant and accomplished science writers, a brilliant commentator on cosmology, mathematics, and modern physics. Barrow now tackles the heady topic of impossibility, in perhaps his strongest book yet. Writing with grace and insight, Barrow argues convincingly that there are limits to human discovery, that there are things that are ultimately unknowable, undoable, or unreachable. He first examines the limits on scientific inquiry imposed by the deficiencies of the human mind: our brain evolved to meet the demands of our immediate environment, Barrow notes, and much that lies outside this small circle may also lie outside our understanding. Barrow investigates practical impossibilities, such as those imposed by complexity, uncomputability, or the finiteness of time, space, and resources. Clean copy.
Hardcover. Germany, Hatje Cantz, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages, photos in color. Minor shelf-wear to boards, else a clean, tight copy. This book documents the two most recent works by the critically acclaimed British artist and filmmaker, Isaac Julien, both of which continue his investigation of issues of race and global politics. True North, shot in the spectacular landscapes of Iceland and Northern Sweden, is conceived around the expedition writings of the African-American explorer Matthew Henson, one of the key members of Robert E. Peary's 1909 Arctic expedition, and arguably the first person to reach the North Pole. True North's diametric counterpart, Fantome Afrique, weaves cinematic and architectural references through the rich imagery of urban Ouagadougou, Africa's cinematic center, and the arid spaces of rural Burkina Faso. The film is punctuated by archival footage from early colonial expeditions and landmark moments in African history.
Hardcover. Germany, Hatje Cantz, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 80 pages, photos in color. Minor shelf-wear to boards, else a clean, tight copy. This book documents the two most recent works by the critically acclaimed British artist and filmmaker, Isaac Julien, both of which continue his investigation of issues of race and global politics. True North, shot in the spectacular landscapes of Iceland and Northern Sweden, is conceived around the expedition writings of the African-American explorer Matthew Henson, one of the key members of Robert E. Peary's 1909 Arctic expedition, and arguably the first person to reach the North Pole. True North's diametric counterpart, Fantome Afrique, weaves cinematic and architectural references through the rich imagery of urban Ouagadougou, Africa's cinematic center, and the arid spaces of rural Burkina Faso. The film is punctuated by archival footage from early colonial expeditions and landmark moments in African history.
Hardcover. Seattle, Fantagraphics, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 304 pages. In 1976, the critic Paul Nelson spent several weeks interviewing his literary hero, legendary detective writer Ross Macdonald. Beginning in the late 1940s with his shadowy creation, ruminating private eye Lew Archer, Macdonald had followed in the footsteps of Dashiell Hammett and Raymond Chandler, but ultimately elevated the form to a new level. "We talked about everything imaginable," Nelson wrote-including Macdonald's often meager beginnings; his dual citizenship; writers, painters, music, books, and movies he admired; how he used symbolism to change detective writing; his own novels and why Archer was not the most important character-"my God, everything." It's All One Case provides an open door to Macdonald at his most unguarded. The book is far more than a collection of never-before-published interviews, though. Published in a handsome, oversized format, it is a visual history of Macdonald's professional career, illustrated with rare and select items from one of the world's largest private archives of Macdonald collectibles. Featuring in full color the covers of the various editions of Macdonald's more than two dozen books, facsimile reproductions of pages from his manuscripts, magazine spreads, and many never before seen photos of Macdonald and his friends (such as Kurt Vonnegut), including those by celebrated photojournalist Jill Krementz. It's All One Case is an intellectual delight and a visual feast, a fitting tribute to Macdonald's distinguished career. Full-color illustrations throughout
Softcover. Stanford CA, Stanford University Press, 1988, Book: Very Good, Dust Jacket: None, Softcover, 230 pages. Jean Baudrillard is one of the most topical and controversial theorists in France today. He has played a major role in the development of critical social theory and cultural sociology, and his writings are currently at the center of the 'post-modernism' debate. This volume makes his most important work widely available in English for the first time. It includes selections from the entire range of his writings, from his early work on advertising and commodity culture to his most recent writings on simulation and desire. Throughout the selections Baudrillard stresses the ways in which our lives are embedded in a world if images which have no clear reference and which are reproduced by the new mechanisms of cultural production in contemporary societies. Clean copy.
Hardcover. London, Oxford University Press, reprint, 2011, Book: Very Good, Dust Jacket: None, Two volume set complete, glossy boards, 977 pages in total. Professor Toomer's two-volume set is not only an indispensable reference work but also provides the first thorough treatment of the scholarship of John Selden, acknowledged as the most learned man of 17th-century England. All of his numerous published works, especially in the fields of history, law, and Hebraica, are critically examined and described in detail. The narrative also relates his writings to contemporary events, in the Civil War and the parliaments (including the Long Parliament) in which he played a prominent part, and to the work of other scholars in Europe (notably Scaliger and Grotius) and in Britain (including Camden and Ussher). Selden's involvement with the Universities, the support of libraries, and the promotion of scholarship is discussed. The work will be an essential resource, not only for the life of a major figure of his time, but also for the intellectual history of 17th-century England in general. No djs as issued, like new.
Hardcover. Detroit, Gale Research Co., 1st, 1971, Book: Very Good, Dust Jacket: None, Hardcover, 86 pages. A bibliography of the publications of mystery writer Kenneth Millar who later wrote as Ross MacDonald. Illustrated with photographs that reproduce title pages of Macdonald's books. An excellent and informative introduction by Kenneth Millar. SIGNED BY BRUCCOLI on title page. Issued without a dust jacket. No names, writing, or marks in book.
Hardcover. Nantucket MA, Tetaukimmo Press, 1st, 1946, Book: Very Good, Dust Jacket: None, Hardcover, gray boards stamped in black with black cloth spine that has gilt title. 225 pages, 2 fold-out maps. A detailed study of writings. maps and other material concerning Nantucket Island. Still the essential resource for books about Nantucket and its history. It reprints selections of rare texts and provides a bibliography of printed materials.Clean copy, no dust jacket.
Hardcover. New York, Oxford University Press, 1st US, 1997, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover. Light wear. Clean, tight copy.
Hardcover. Ithaca, Cornell University Press, 1st, 1990, Book: Very Good, Dust Jacket: None, Hardcover, 260 pages. No dust jacket. John Locke's untitled manuscript "Questions concerning the Law of Nature" (1664) was his only work focused on the subject of natural law, a circumstance that is especially surprising since his published writings touch on the subject frequently, if inconclusively. Containing a substantial critical apparatus, this new edition of Locke's manuscript is faithful to Locke's original intentions and to the format he chose for his discourse on the law of nature-a late-Scholastic quaestio disputata, the form through which in 1664 the young Locke debated questions with his students as moral censor of Christ Church.For this volume, Robert Horwitz provides an introduction summarizing the history of the manuscript and analyzing Locke's role in the development of thinking on natural law. Jenny Strauss Clay offers a superb critical edition of the Latin text, for which she has supplemented the Latin text of Manuscript B, written by an amanuensis, with Manuscript A, a first draft in Locke's own hand. Diskin Clay's precise English translation-with the Latin presented on facing pages-is accompanied by annotations identifying Locke's references and allusions and explaining difficulties of translation.In the view of Horwitz, Clay, and Clay, Questions concerning the Law of Nature shows a tension between several opposing conceptions of natural law. In developing this view, the editors break with W. von Leyden, who prepared the first edition of the text and who interpreted Locke's understanding of natural law squarely within a Christian framework. The editors here present a fresh interpretation of Locke as a thinker who posed a series of subtle challenges to traditional natural law doctrine. That Locke was aware of the political danger of this challenge is evident from his refusal to publish the work during his lifetime and from the care he took to conceal these manuscripts among his possessions. Clean, tight copy.
Hardcover. Princeton, NJ, Princeton University Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 468 pages, b&w illustrations, some color. Illustrated from photographs, paintings, and other works of art, portraits, and plans. Eastlake (1793-1865), an artist, scholar, collector, and public administrator, served as president of the Royal Academy and the first Director of the National Gallery. Robertson covers the artists, writers, scholars, and statesmen of Eastlake's Victorian art world, as well as exhibitions and sales, critical controversies and art-historical writing. With appendices which include checklists of Eastlake's own paintings and private collection, a record of the National Gallery's acquisitions of 1824-1865, and much more. Includes bibliographical references and index. Rubbing, edge wear to dust jacket; closed tears to bottom of spine and rear top right corner. Else a clean, tight copy.
Hardcover. Oak Knoll Press, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 559 pages. First comprehensive bio-bibliography of one of the most loved children's book authors and illustrators in America and around the world. Not only does this book describe Tudor's sixty-year career, but also readers will enjoy the poignant stories about Tudor written by her two daughters, Bethany and Efner, and her editors, Patricia Gauch and Dorothy Haas. The daughter of naval architect, W. Starling Burgess, and portrait painter, Rosamond Tudor, Tasha Tudor, as a child, was greatly influenced by her father's engineering background and her mother's artistic life. She became particularly fascinated by life in the 1830's, which inspires her art, writing, and her own life. From 1938 onward, Tudor's children's books captivated a wide audience. Her fans are still intrigued by her magical stories and her romantic illustration of New England's countryside, drawn from her own experiences of family life. Her work is published in more than 90 books, which have been reprinted and republished many times. Through her eighties, Tudor remained active in publishing, meeting her fans, and autographing her books. In loving tribute, this work is illustrated with many drawings by Tudor's daughter, Bethany, as well as rare early photos of Tudor as a young woman, by Nell Dorr, and 16 pages of color photos of Tudor's book covers. The bibliography includes every known book illustrated and/or written by Tudor, including those published in the first half of 1998.
Hardcover. Winchester UK, St. Paul's Bibliographies, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover, 142 pages. Mary Elliott (then Mary Belson) began writing for children in 1809, at a time when increasing literacy and wealth and more progressive understanding of the reading needs of children were creating a growing demand for more and more books for young people. Beginning with two books in verse - one a lively tale about town and country mice, the other, an anthology including many of her own poems - she went on to produce a stream of books on a variety of subjects. Her stories, some eventful and exciting, were mostly about real children learning to tackle the everyday circumstances and difficulties which they encountered in the world around them. These books were made all the more attractive by her publisher, William Darton, who provided them with entertaining illustrations, many of them interesting today for their depiction of contemporary scenes and fashions. Mary Elliott's books soon spread across the Atlantic, and American publishers reissued many of them, sometimes adapting the text to local circumstances. Although her books are now forgotten, they cannot be disregarded by researchers into the history of childhood and of children's literature. This bibliography contains about 470 entries. Clean.
Softcover. Washington DC, Smithsonian Books, reprint, 2004, Book: Very Good, Dust Jacket: None, Softcover, 368 pages. The editors bring together for the first time nearly seventy of Wilbur and Orville Wright's published writings into a single, annotated reference. Spanning the decades from the brothers' turn-of-the-century experiments with gliders until Orville's death in 1948, the articles describe the design of their aircraft, early test flights, and camp life at Kitty Hawk. As the airplane evolved, the brothers frequently commented on such subjects as the future of commercial aviation and air travel, sport flying, air safety, and military aviation. Because Wilber's sudden death in 1912 ended any hope that the Wrights would produce a book of their own, the articles collected in this volume are their only published words. Clean copy.
Softcover. NY, Oxford University Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 1,025 pages. From English, French, Spanish and Russian to Pashto, Tagalog, and Swahili, this is the first comprehensive reference work to provide detailed information about the world's forty major languages. Written by acknowledged specialists in the field, the volume begins with a general introduction to language and language families, followed by language-family sections that provide an informative essay about that language, and individual chapters that discuss the history, distribution, syntax, grammar and punctuation, writing and spelling systems, standards of usage, and other important aspects of each language. Clean copy.
self published, circa 1970, Book: Good, Dust Jacket: None, A typed/xeroxed manuscript in a 3-ring orange binder with metal clasps. A scholarly history of boys series books complete with an introduction, biographies, criticism, and lists of titles/authors. A valuable research tool by someone with a passionate interest in the field of children's writing. No date anywhere but around mid 1970s. About 250 one-sided pages, with some hand-written notations. Probably an early version of a manuscript later published in 1982 by McFarland in North Carolina. "Tom Swift & Company: Boys Books by Stratemeyer and Others".
Softcover. NY, Penguin Books, reprint, 1982, Book: Very Good, Dust Jacket: None, Softcover, 334 pages. A fascinating collection of news clippings from various papers (mostly from New York) detailing the 1908 National League pennant race. the author adds clarifications of references made by the scribes that may be unknown to today's reader and occasional footnotes but otherwise lets the articles speak for themselves. The 1908 baseball season culminated in a virtual three team tie until a tie breaker was played on October 8th. if you're a nostaglia buff, avid baseball fan or interested in popular styles of writing from long ago you will enjoy this book. Clean copy.