Hardcover. NY, Society of Illustrators, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Fascinating insights into the lives and works of 82 top artists elected to the Society of Illustrators Hall of Fame make this an inspiring reference and art book. From illustrators such as N.C. Wyeth to Charles Dana Gibson to Dean Cornwell, Al Parker, Austin Briggs, Jon Whitcomb, Parrish, Pyle, Dunn, Peak, Whitmore, Leyendecker, Abbey, Flagg, Gruger, Raleigh, Booth, LaGatta, Frost, Kent, Sundblom, Erte, Held, Jessie Willcox Smith, Georgi, McGinnis, Harry Anderson, Barclay, Coll, Schoonover, McCay...the list of greats goes on and on. A deluxe production from 1997, in a handsome cloth slipcase with a mounted color plate of a nude, a special transparent dust wrapper, gold edging on all the pages, oversized square coffee table format. And of course, the highest quality reproduction all from original art. Profiles and major examples of each artist's work give a sweeping overview of the art of illustration for the last 130 years. 224 pages, 450 color illustrations.
Hardcover. Garden City, Doubleday Doran and Company, Inc., 1st, 1943, Book: Very Good, Dust Jacket: Good, Non-paginated. Hardcover. Illustrations by Jeanne Bendick. Dust jacket with light fading to spine, short closed tears along edges. Clean, tight copy.
Hardcover. New York, Mysterious Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket, 229 pages. SIGNED BY AUTHOR ON TITLE PAGE. Clean, bright copy.
Softcover. New York, Sotheby's, 1st, 1995, Book: Very Good, Dust Jacket: None, 75 pages. Softcover with paper warppers. Like new. Color photographs throughout.
Hardcover. Cambridge [Cambridgeshire] ; New York, Cambridge University Press, reprint, 1984, Book: Very Good, Dust Jacket: None, Hardcover, 612 pages. Slight wear to cover. Otherwise, clean and tight copy.
Hardcover. New Bedford MA, Old Dartmouth Historical Society, 1st, 1982, Book: Very Good, Dust Jacket: None, Hardcover, red cloth with gilt lettering on spine. 221 pages, b&w photographs. The photographs and descriptive captions provide a wealth of information on the whaling vessel, its gear, shipboard routine, whaleboats, and the cutting in and processing of whales. The photographs the artist Ashley took for his own reference and constitute the most complete known pictorial record of a sperm whaling voyage. ... The photographs and descriptive captions provide a wealth of information on the whaling vessel, its gear, shipboard routine, whaleboats, and the cutting of whales. No dust jacket. Clean copy.
Hardcover. Carbondale IL, Southern Illinois University, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket with mild edgewear. In a wide-ranging study of unusual interest, Paul Weiss, Sterling Professor of Philosophy at Yale University, applies the principles and methods of philosophy to athletics. Every culture, he notes, has games of some kind; few activities seem to interest both children and young men as much as sports do; and few attract so many spectators, rich and poor. Yet none of the great philosophers, claiming to take all knowledge and being as their province, have made more than a passing reference to sport, in part, Professor Weiss suggests, because they thought that what pleased the vulgar was not worth sustained study by the leisured.
Hardcover. NY, Babcock & Wilcox, 35th Ed., 1920, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers stamped in gilt. 335 pages, many b&w engravings and fascinating illustrations of their giant boilers and the customers/buildings that house them. The revised 35h Edition of the catalog which was first published in 1879. Covers with light wear.
Hardcover. NY/London, Babcock & Wilcox, 28th Ed., 1894, Book: Good, Dust Jacket: None, Hardcover, blue cloth covers with beveled edges, stamped in gilt. 182 pages, many b&w engravings and fascinating illustrations of their giant boilers and the customers/buildings that house them. The revised 28th Edition of the catalog which was first published in 1879. Covers with light wear, soil. From a private library with a bookplate on inside front cover. Interior clean.
Softcover. Washington, Library of Congress, 1st thus, 1988, Book: Very Good, Dust Jacket: None, Softcover, 139 pages, illustrations in b&w. Clean, unmarked copy with only minor wear to wrappers.
Hardcover. London, Smith, Elder and Co., Second Edition, 1858, Book: Very Good, Dust Jacket: None, Three hardcover volumes with blue leather covers featuring marbled endpapers, raised bands along brown spines with red title plates, gilt decoration. Second Edition. Black & white, and some color illustrations in all 3 volumes by John Ruskin. Volume 1 - "The Foundations". 400 pages. Top edge gilt. Light, faint pencil marginalia to a few pages. Minor abrasion to covers. Clean, tight copy. Volume 2 - "The Sea Stories". 394 pages. Top edge gilt. Faint foxing to some pages. a few moderate abrasions to rear cover. Clean, tight copy. Volume 3 - "The Fall". 362 pages. Top edge gilt. Light pencil marginalia scattered throughout. Faint foxing to some pages. Minor abrasions to covers. Clean, tight copy. A nice set.
Hardcover. London, England, Adam and Charls Black, 1st Edition, 1969, Book: Good, Dust Jacket: Very Good, 328 pages. Hardcover. Color and b/w illustrations by Victor Ambrus throughout. Decorated cover boards, cover boards slightly warped, but no moisture damage present. Back endpaper has an horizontal air-bubble. pages clean and unmarked with exception of half title page with has a small brown smudge. Dust jacket unclipped, slightly tanned from age. Light tanning to edges. Binding tight. Spine straight. Here is the story of the British people, written by an author renowned as 'the young reader's historian' and illustrated by an artist who is amongst the most talented book illustrators of our time.
Hardcover. NY, Holt, Rinehart and Winston, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 265 pages, b&w illustrations. This first broad study of the relation between Vincent van Gogh's psychological development and his art stresses the creative rather than the pathological. chronology, section of black & white photographs, notes, selected references, index. Clean copy.
Hardcover. NY, The Grolier Club, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, cream colored boards with a red cloth spine, 195 pages. Limited to 500 copies. This excellent catalogue includes introductory essays by Martino Marazzi, Francesco Durante, and Robert Viscusi. It contains a bibliography of over 800 primary and secondary Italian-language works printed in America. Signed & inscribed by James Periconi to the previous owner on title page. Light fade to boards at top edge, Clean copy.
Hardcover. Netherlands, Springer, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket, 289 pages. This collection of new essays on John Locke by a constellation of leading Locke scholars focuses on his philosophy, biography, sources and influence. The topics discussed here include his theory of ideas, his debt to Stoicism, his relations the Dry Club and with his translator, Pierre Coste, and the hitherto overlooked critique by Thomas Beconsall. A major emphasis of the collection is the relationship between Locke and seventeenth-century philosophers, Descartes, Hobbes, Cudworth, Bayle, Malebranche and Leibniz. The coverage of Locke's legacy extends to into the eighteenth-century legacy as far as Rousseau and Kant. Ink name on front fly leaf, otherwise clean.
Hardcover. Hong Kong, Chinese University Press, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 598 pages, errata slip laid in. Spine slightly cocked, light shelfwear.
Hardcover. New York , Mark Batty Publisher, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 286 pages, a comprehensive and inspirational guide to editorial design packed with contemporary examples of sophisticated and effective solutions for virtually any design challenge. Moser's thorough understanding of the process, combined with intriguing juxtapositions of layouts, no-nonsense comments and original insight make for an entertaining and useful book. Chapters range from Grid Systems and Formats to Covers, Logos and Inside Pages, Types of Page and Themes, even a section on the design of magazine spines-illustrated with over 1500 examples from publications around the world, and drawn from the author's personal collection of over one million magazines! A great reference book for all graphic designers, art directors and editorial writers.
Hardcover. New York, Weidenfeld & Nicolson, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 239 pages, illustrated throughout in color and b&w. Light shelf-wear to dust jacket. Clean, tight copy. A comprehensive guide to nearly 4000 years of sword making from all over the world. Written by a distinguished team of experts and scholars, it provides an expert appraisal of the weapons themselves and is rich in historical and background detail. Fully illustrated throughout with photographs and art reproductions, this is a unique survey of a vast body of superb craftsmanship. It is an essential reference work for weapons enthusiasts, collectors and lovers of military history and fine art.
Hardcover. New York, Monacelli Press, Inc., 1st US, 2003, Book: Very Good, Dust Jacket: Good, 276 pages. Hardcover. Illustrated with full color photographs. Dust jacket with fading along spine and edges. Light wear. Clean, tight copy.
Hardcover. Chicago, University of Chicago Press;, 1st, 2002, Book: Very Good, Dust Jacket: None, Hardcover, 272 pages. One of Chicago's great cultural achievements, the Institute of Design was among the most important schools of photography in twentieth-century America. It began as an outpost of experimental Bauhaus education and was home to an astonishing group of influential teachers and students, including Lazlo Moholy-Nagy, Harry Callahan, and Aaron Siskind. To date, however, the ID's enormous contributions to the art and practice of photography have gone largely unexplored. Taken by Design is the first publication to examine thoroughly this remarkable institution and its lasting impact. With nearly 300 illustrations, including many never-before published photographs, Taken by Design examines the changing nature of photography over this critical period in America's midcentury. It starts by documenting the experimental nature of Moholy's Bauhaus approach and photography's new and enhanced role in training the "complete designer." Next it traces the formal and abstract camera experiments under Harry Callahan and Aaron Siskind, which aimed at achieving a new kind of photographic subjectivity. Finally, it highlights the ID's focus on conscious references to the processes of the photographic medium itself. In addition to photographs by Moholy, Callahan, and Siskind, the book showcases works by Barbara Crane, Yasuhiro Ishimoto, Joseph Jachna, Kenneth Josephson, Gyorgy Kepes, Nathan Lerner, Ray K. Metzker, Richard Nickel, Arthur Siegel, Art Sinsabaugh, and many others. Major essays from experts in the field, biographies, a chronology, and reprints of critical essays are also included, making Taken by Design an essential work for anyone interested in the history of American photography.