russia

Hardcover. Russia, Aurora Art Publishers, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, 199 pages. Hardcover with dust jacket. Some foxing to textblock edges. Otherwise a very clean, unmarked copy with some minor dust jacket wear. Black & white and color illustrations throughout. A tight copy.

Hardcover. New York, Basic Books , 1st, 1984, Book: Good, Dust Jacket: Good, 239 pages. Red cloth. Light edgewear to dust jacket with one small closed tear to front cover. Spine slightly slanted. Clean, tight copy.

Hardcover. Moscow, Beresta, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 171 pages, 122 illustrations in color. From the Russian Decorative Metalwork series. Text is in Russian and English. Silver gray cloth covered boards with blind and silver stamping to the spine and covers, and paper dustjacket. Clean copy.

Softcover. London, Fischer Fine Art Limited, 1st, 1978, Book: Very Good, Dust Jacket: None, Small format softcover, 40 pages illustrated in b&w and color, one fold-out color plate. Clean copy.

Hardcover. Valby, Borgens Forlag, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover in a bright, unclipped dust jacket. Text in Danish and English. Illustrated in full color. Clean, tight copy.

Hardcover. New York, Viking Press, 1st, 1937, Book: Very Good, Dust Jacket: None, Hardcover. Pretty soft green covers stamped center front with an unnoticeable flower design. Gilt lettering on spine. Spine is sunned at both ends. A wonderful story of seven brothers who each use their special magic powers to win the hand of Helena of Boozan Island for their King. Beautifully and elegantly illustrated.

Hardcover. NY, Abrams, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Shadows of War presents an astonishing collection of previously unpublished, unknown photographs of life at the front lines in the German war machine during World War II, taken by a common foot soldier. The work of a gifted amateur, Willi Rose's images present a powerful vision of a largely suppressed aspect of the war. These fractured glimpses of the world at war, from quotidian tasks and moments of leisure to scenes of death and destruction, reveal one man's experience of the epic flow of history. A miller in the years before World War II, Rose was drafted into the German army in October 1939 and served as a motorbike messenger on the front, first in France and then in Russia. He was wounded twice and was later captured by the Polish army, eventually returning home in June 1946. Throughout his military service, Rose sent home photographs that he took of the action, mostly along the Eastern Front. Discovered by his widow after his death, these images form a unique photographic document of one soldier's war.

Hardcover. NY, Knopf, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 418 pages, b&w illustrations. From the author of the best-selling One Minute to Midnight, a riveting account of the pivotal six-month period spanning the end of World War II, the dawn of the nuclear age, and the beginning of the Cold War. When Roosevelt, Stalin, and Churchill met in Yalta in February 1945, Hitler's armies were on the run and victory was imminent. The Big Three wanted to draft a blueprint for a lasting peace--but instead set the stage for a forty-four-year division of Europe into Soviet and western spheres of influence. After fighting side by side for nearly four years, their political alliance was rapidly fracturing. By the time the leaders met again in Potsdam in July 1945, Russians and Americans were squabbling over the future of Germany and Churchill was warning about an "iron curtain" being drawn down over the Continent. These six months witnessed some of the most dramatic moments of the twentieth century: the cataclysmic battle for Berlin, the death of Franklin Roosevelt, the discovery of the Nazi concentration camps, Churchill's electoral defeat, and the dropping of atomic bombs on Japan. While their armies linked up in the heart of Europe, the political leaders maneuvered for leverage: Stalin using his nation's wartime sacrifices to claim spoils, Churchill doing his best to halt Britain's waning influence, FDR trying to charm Stalin, Truman determined to stand up to an increasingly assertive Soviet superpower.

Hardcover. NY, Galleon Press, 1st, 1936, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in gilt, 317 pages. Collects three longer poems from both Pushkin and Lermontov, as translated to English and with a forward by Jacob Krup. With twelve interpretive illustrations by Herbert Fouts. Previous owner's inscription on front fly leaf. Otherwise a clean, bright copy.

Hardcover. NY, Knopf, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 192 pages. By "the most original, tactile, luminous voice in Russian prose today" (Joseph Brodsky), Sleepwalker in a Fog is a collection of seven stories and a novella set in contemporary Russia. Here is Denisov, who fears his greatest accomplishment in life will be the treatise he wrote and tore up. He is betrothed to Lora, an incessant talker who dreams of having a fluffy tail. We also read of Natasha, who searches Leningrad and her memory for her lost love; of Dmitry Ilich's elaborate seduction of Olga Mikhailovna; and more. In the tradition of such writers as Gogol and Chekhov, Tatyana Tolstaya transforms ordinary lives into something magical and strange. Like new.

Hardcover. NY, Farrar Straus Giroux, 1st thus, 1972, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Color illustrations by Uri Shulevitz. Honor Book sticker on dust jacket. Tight copy.

Hardcover. Vancouver, CN, University of British Columbia Press, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Like New. Black & white illustrations. Harcover in a bright dust jacket, 302 Pages.

Hardcover. Cambridge UK, Cambridge University Press, 1st, 1972, Book: Very Good, Dust Jacket: Good, Hardcover in a dust jacket with light fading to edge, 218 pages with index. An account of the mainly Menshevik economists of the USSR early years, who were heavily prosecuted in the Stalinist 1930s for economic failures. The Soviet emigre academic author explains and attempts to exonerate those discredited experts.

Hardcover. Cambridge [Cambridgeshire] ; New York, Cambridge University Press, reprint, 1984, Book: Very Good, Dust Jacket: None, Hardcover, 612 pages. Slight wear to cover. Otherwise, clean and tight copy.

Hardcover. US, The Monacelli Press, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, 128 pages. Lynn Davis, known for surveys of natural and man-made wonders, has long been fascinated with the objects and venues of space exploration. Her photographs of the architectural icons, cornerstones, and abandoned sites of the space race reflect the many facets of a historically complex industry: the beginnings of space exploration; the changing nature of technology; and a fascination with otherworldly ruins. She emphasizes the bold modernism of these sites while evoking the presence of obsolete technologies. Davis traveled to historic sites in Kazakhstan, Russia, Germany, French Guiana, and the United States. She received special permission to visit Baikonur in Kazakhstan, a leading launch site shrouded in secrecy since the 1950s, and her photographs offer one of the first inside glimpses of launches, transmission towers, fuel lines, and satellites.

Hardcover. US, The Monacelli Press, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, 128 pages. Lynn Davis, known for surveys of natural and man-made wonders, has long been fascinated with the objects and venues of space exploration. Her photographs of the architectural icons, cornerstones, and abandoned sites of the space race reflect the many facets of a historically complex industry: the beginnings of space exploration; the changing nature of technology; and a fascination with otherworldly ruins. She emphasizes the bold modernism of these sites while evoking the presence of obsolete technologies. Davis traveled to historic sites in Kazakhstan, Russia, Germany, French Guiana, and the United States. She received special permission to visit Baikonur in Kazakhstan, a leading launch site shrouded in secrecy since the 1950s, and her photographs offer one of the first inside glimpses of launches, transmission towers, fuel lines, and satellites.

Hardcover. New York, The Monacelli Press, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover, 127 pages, color plates. Like new in publishers shrink-wrap. Lynn Davis, known for surveys of natural and man-made wonders, has long been fascinated with the objects and venues of space exploration. Her photographs of the architectural icons, cornerstones, and abandoned sites of the space race reflect the many facets of a historically complex industry: the beginnings of space exploration; the changing nature of technology; and a fascination with otherworldly ruins. She emphasizes the bold modernism of these sites while evoking the presence of obsolete technologies. Davis traveled to historic sites in Kazakhstan, Russia, Germany, French Guiana, and the United States. She received special permission to visit Baikonur in Kazakhstan, a leading launch site shrouded in secrecy since the 1950s, and her photographs offer one of the first inside glimpses of launches, transmission towers, fuel lines, and satellites.

Softcover. New York, Harry N. Abrams, Inc., 1st, 1997, Book: Very Good, Dust Jacket: None, 336 pages. Softcover. Color and b/w illustrations throughout. Covers in excellent condition. Touch of foxing to top edge. Pages clean and bright. The ever-rapacious Nazis looted staggering quantities of great art and antiques from the nations they occupied. Much of it found its way back to Germany, and following the Allied victory, many thousands of rare (and some priceless) pieces were identified, and returned to the countries from which they had been taken. But not all of the paintings, statues, and archaeological treasures were recovered: Some were taken by Soviet troops and disappeared into Russia. Still others slipped into the black market in western Europe, and were snapped up by wealthy (if unprincipled) collectors. A 1995 symposium at the Bard Graduate Center for Studies in the Decorative Arts brought together European and American investigators and historians to discuss both the the Nazi thefts and the current state of knowledge of the whereabouts of the many still missing treasures. Those papers are reprinted here. While the pieces are detailed, dry, and likely to be of most interest to specialists, there are some extraordinary stories, most prominently the description of the recent rediscovery of ``Priam's treasure,'' excavated by Schliemann at Troy and hidden since WW II in a Russian museum. (123 illustrations, 25 in color).

Softcover. New Lebanon NY, Omega Publications, 1st, 2007, Book: Very Good, Dust Jacket: None, Softcover, 234 pages, b&w photos. Everything about Noor Inayat Khan was extraordinary. A great-great-great granddaughter of Tipu Sultan, the Tiger of Mysore, she was born in Moscow to an American mother and an Indian Sufi Muslim father. Due to the unrest in Russia the family moved to London and from there to France where she spent the happiest years of her life studying music, child psychology and writing children's books. In 1940, her father having deserted the family and died in India years before, the family moved once again to England where Noor was trained as a wireless operator with the aim of sending her to German-occupied France to join up with the resistance. Noor was small and delicate, emotional, imaginative, shy, easily flustered and distracted. On the other hand there was her steely determination to serve her country, the desperate need for wireless operators and her perfect French. She was sent on her mission in June 1943. Her biography contains all the elements of an exciting spy novel but it was horrific and deadly reality. Clean copy.

Hardcover. Yorkshire UK, Pen and Sword Military, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 320 pages. So much has been written about the Battle of Stalingrad - the Soviet victory that turned the tide of the Second World War - that we should know everything about it. But the history of the war, and the battle, is evolving and is being written anew, and Alexey Isaev's engrossing account is a striking example of this fresh approach. B&w photos, color maps. Clean copy.

Hardcover. NY, Harper & Row, Revised Edition, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover. Adapted from the Russian by Babette Deutsch and Abrahm Yarmolinsky. Black & brown & white illustrations by Janina Domanska. Dust jacket shows minor wear and chipping.

Softcover. New York , Museum of Modern Art , 1st, 1997, Book: Very Good, Dust Jacket: None, 96 pages, illustrated in color and b&w. Softcover exhibition catalog. The Stenberg brothers, like their contemporaries Aleksandr Rodchenko and El Lissitzky, were artists of immensely varied interests and eclectic skills. They were sculptors, architects, and stage and costume designers, and were enamored of the film and montage theories developed in the suddenly burgeoning Soviet film industry. As seen in this book's superb color plates, they brought to film poster design an extraordinary compositional dynamism, originality, and contrast of scale, employing many of the artistic conventions of the Constructivist movement to great effect.

Hardcover. NY, Holt Rinehart & Winston, 1st US, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, original gold Holt Library Edition sticker to spine, 290 pages. After being jilted by her fiance, a young girl persuades her father to let her enter the business world rather than a convent. A young Renaissance woman defies tradition and wins independence in the world of commerce. Edith Martha Almedingen (1898-1971), was an Anglo Russian novelist, biographer, children's author and member of the Royal Society of Literature. Published originally in England in 1956. Bookplate on front fly leaf, otherwise clean.

Hardcover. New York, The Museum of Modern Art, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 375 pages, illustrated throughout in color and b&w. Clean, unmarked copy in excellent condition. 507 illustrations (108 in color, 399 in duotone). Founded in 1935, The Museum of Modern Art's Department of Film and Media is home to one of the most important moving-image archives in the world. Still Moving: The Film and Media Collections of The Museum of Modern Art marks the first time that MoMA has published a volume dedicated exclusively to these holdings. Drawn primarily from the Museum's vast library of film stills, the nearly 500 images in this book represent just a fraction of the department's renowned archive, including one of the world's most important collections of international silent cinema; classic early sound films from the United States, Great Britain, France, Germany, Italy, Russia, and Japan; extensive holdings of documentary and animation shorts and feature films; significant examples of Hollywood filmmaking from studios such as Warner Brothers, RKO, MGM, Twentieth Century-Fox, and Paramount; and more recent works by leading independent and avant-garde film and media artists.