russia

Hardcover. New York, E. P. Dutton, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Hardcover, 240 pages illustrated throughout with 156 plates including 74 in full color. Remainder mark on bottom edge. Large folio. Light edgewear to dust jacket, else a clean, tight copy. Follows the artist from his birth in St. Petersburg, Russia in 1892, through the 1980's. Beautiful color plates include costume design, magazine covers (Harper's Bazar), sculpture, vases, mirrors, medallions, jewelry, labels, bottles, playing cards, watches.

Hardcover. New York , E. P. Dutton, 1st, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 199 pages, illustrated throughout in color and b&w. Text and Commentaries by Erte. Introduction by Alistar Duncan. Edited by Marshall Lee. Light shelf-wear to dust jacket with very faint tanning to upper edge of front cover. Clean, tight copy. Lavishly illustrated with full page color plates/ photographs by Lee Boltin depicting multiple views of forty-one bronze sculptures by the author. A fabulous cataloguing of Erte's evocative art deco sculpture.

Hardcover. New York, Dutton Studio, 1st, 1992, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages, illustrated throughout with 176 plates in full color. Additional text by Ray Perman and David Rogath and photographs by Daniel Kramer. Light edgewear to dust jacket, else a clean, tight copy. Romain de Tirtoff, who worked under the pseudonym Erte (the French pronunciation of his initials), was a celebrated artist and designer who produced 250 covers for "Harper's Bazaar" as well as fashion designs for some of the world's most glamorous stars, and costume & set designs for Hollywood and stage productions.

Hardcover. New York , Bollingen Foundation/Pantheon, 1st thus, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcovers, four volumes in a slipcase. Blue cloth covers with red spine labels, gilt lettering. Unclipped dust jackets. 345,547,540, and volume 4 index 109 pages and photo reproduction of the original 1837 edition in Russian. Bollingen Series LXXII. Slipcase is sound. Clean, bright set with only minoe shelf wear.

Hardcover. Los Angeles, Getty Research Institute, 1st, 2017, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 199 pages. The artists' books made in Russia between 1910 and 1915 are like no others. Unique in their fusion of the verbal, visual, and sonic, these books are meant to be read, looked at, and listened to. Painters and poets--including Natalia Goncharova, Velimir Khlebnikov, Mikhail Larionov, Kazimir Malevich, and Vladimir Mayakovsky--collaborated to fabricate hand-lithographed books, for which they invented a new language called zaum (a neologism meaning 'beyond the mind') that was distinctive in its emphasis on 'sound as such' and its rejection of definite logical meaning. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval' (Explodity). In addition, Nancy Perloff examines the profound difference between the Russian avant-garde and Western art movements, including futurism. Still sealed in publisher's shrinkwrap.

Hardcover. NY, Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 328 pages. A noted photographer offers a visual tour of Christian communities around the world--in such diverse areas as Cuba, Jerusalem, Lourdes, the United States, Mali, and Russia--that explores what it means to be a Christian at the dawn of a new millennium.

Hardcover. NY, Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 328 pages. A noted photographer offers a visual tour of Christian communities around the world--in such diverse areas as Cuba, Jerusalem, Lourdes, the United States, Mali, and Russia--that explores what it means to be a Christian at the dawn of a new millennium.

Hardcover. New York, Leypoldt & Holt, 1st US, 1867, Book: Very Good, Dust Jacket: None, 248 pages plus 4 pages of ads. Hardcover. Green cloth with title and cover decoration in gilt. 1.5" pencil point width mark at center of front cover (may be removed?), otherwise covers show very light wear. Previous owners name in pencil on inside front cover dated Sept. 7th, 1867. 1st English translation by Eugene Schuyler, Ph. D. . Bazarov--a gifted, impatient, and caustic young man--has journeyed from school to the home of his friend Arkady Kirsanov. But soon Bazarov's outspoken rejection of authority and social conventions touches off quarrels, misunderstandings, and romantic entanglements that will utterly transform the Kirsanov household and reflect the changes taking place across all of nineteenth-century Russia. Pages are bright with light to moderate foxing throughout. A clean, tight copy.

Hardcover. Milano, Skira, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover. Profusely illustrated in full color. Clean, tight copy. This catalog of over three hundred artworks related to the Saisons Russes between 1909 and 1929 is the official companion to an exhibition in Monte Carlo. The legendary productions are brought to life through stage designs, costumes, paintings, sculptures, photographs, and programs. The artwork comes from a wide variety of public and private collections, including the Fokine collection in the St. Petersburg Theatre Museum.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover, 353 pages, illustrated throughout in color and b&w. Light edgewear and two tiny closed tears to pictorial dust jacket and faint foxing to edges of textblock. Otherwise, a clean, tight copy.

Hardcover. New York, Viking Press, reprint, 1978, Book: Very Good, Dust Jacket: Very Good, 78 pages. Hardcover with dust jacket. Clean, tight copy. Illustrated by Zvorykin. Light rubbing and small tears to dust jacket. Clean, tight copy.

Hardcover. New York, Aurora, 1st, Aurora, Book: Good, Dust Jacket: Good, Hardcover, 459 pages, 1430 illustrations, including 705 plates in full color. Light edgewear and rubbing to dust jacket with small scratch to front cover. Excellent reference copy.

Hardcover. NY, Van Nostrand Reinhold, 1st, 1981, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 128 pages, b&w illustrations, some color. Clean copy.

Hardcover. NY, Dial, 2nd pr., 1990, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Color illustrations by Gennady Spirin. Like new.

Hardcover. Zurich, Scalo, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 205 pages, color photos throughout by Mayer. Edited by Gunther Doeker-Mach. Like new in a bright, unclipped dust jacket. Color photographs of native peoples of Russian Far East hunting, fishing, reindeer herding and their environment. Includes three essays describing problems of these peoples arising from tension between Russian colonisation and their struggle to preserve their identity.

Hardcover. NY, Simon & Schuster, 1st, 2022, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, When Bill Browder's young Russian lawyer, Sergei Magnitsky, was beaten to death in a Moscow jail, Browder made it his life's mission to go after his killers and make sure they faced justice. The first step of that mission was to uncover who was behind the $230 million tax refund scheme that Magnitsky was killed over. As Browder and his team tracked the money as it flowed out of Russia through the Baltics and Cyprus and on to Western Europe and the Americas, they were shocked to discover that Vladimir Putin himself was a beneficiary of the crime. As law enforcement agencies began freezing the money, Putin retaliated. He and his cronies set up honey traps, hired process servers to chase Browder through cities, murdered more of his Russian allies, and enlisted some of the top lawyers and politicians in America to bring him down. Putin will stop at nothing to protect his money. As Freezing Order reveals, it was Browder's campaign to expose Putin's corruption that prompted Russia's intervention in the 2016 US presidential election. Clean copy.

Hardcover. NY, Houghton Mifflin Harcourt, 1st, 2018, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. In 2008, when Michael McFaul was asked to leave his perch at Stanford and join an unlikely presidential campaign, he had no idea that he would find himself at the beating heart of one of today's most contentious and consequential international relationships As President Barack Obama's adviser on Russian affairs, McFaul helped craft the United States' policy known as "reset" that fostered new and unprecedented collaboration between the two countries And then, as US ambassador to Russia from 2012 to 2014, he had a front-row seat when this fleeting, hopeful moment crumbled with Vladimir Putin's return to the presidency This riveting inside account combines history and memoir to tell the full story of US-Russia relations from the fall of the Soviet Union to the new rise of the hostile, paranoid Russian president From the first days of McFaul's ambassadorship, the Kremlin actively sought to discredit and undermine him, hassling him with tactics that included dispatching protesters to his front gates, slandering him on state media, and tightly surveilling him, his staff, and his family. 506 pages, illustrations, clean copy.

Softcover. NY, Kelly O'Quinn, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover magazine, 68 pages. Very light wear. A periodical devoted to scientific speculation about the future. This issue contains: Man on Mars by '88, Bradbury's Martian Chronicles on TV, Frank Herbert on filming Dune, Farming Beneath the Sea, Russian Space Art, much more.

Softcover. London, Phoenix Press, reprint, 2001, Book: Very Good, Dust Jacket: None, Softcover, 718 pages. One of history's greatest reformers, Garibaldi won his first battle against Aegean Pirates, his last battle against German Dragoons. He went to jail in Russia and led Brazilian rebels in the field. He was twice an admiral and seven times a general, a high government official in at least five countries, became Commander in Chief of the Uruguayan Army, Dictator of Sicily and Freeman of the City of London.

Hardcover. Greenwich CT, New York Graphic Society, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket with short, closed tears, 516 pages. 623 black and white illustrations, 42 color plates. "By 'German Art' we mean here 'Art in Germany,' the art that developed on German soil, even if it was created by a Swiss (Obrist), an Austrian (Kokoschka), a Russian (Kandinsky) or a Hungarian (Moholy). This definition should not be interpreted as nationalistic presumption, for cultural environment is more significant than the birth certificate." DOMESTIC SHIPPING ONLY.

Hardcover. NY, Doubleday, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 270 pages. In the early eighties, Jennie Erdal was hired by a flamboyant British publisher she calls Tiger to be his specialist editor for Russian books. By degrees he co-opted her time and loyalty, to the point where she ended up becoming his ghostwriter for a huge nonfiction book on women, two glossy novels, and hundreds of newspaper columns, all published under his own name. She also wrote any number of his love letters. With often ironic directness and quiet comedy, Erdal relates how she became seduced into this peculiar job. On the way she makes fascinating excursions into her own private history, from vivid evocations of her Scottish Presbyterian childhood to moving observations on being an abandoned wife and lone parent to piercing insights into the very nature of literary creation. One of the smartest books about writing in years, Ghosting is a tour de force in which the author renders both Tiger and herself as compelling characters, connected to each other by a strange symbiosis. Their interaction is bizarre and also quite spooky; in the end this is a book about the very nature of identity, literary and otherwise. Clean copy.

Hardcover. Dunlop Art Gallery, 1st, 2003, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, 169 pages. Illustrated in color and b&w. Text in English and French. Clean, bright copy.

Hardcover. NY, Oxford University Press, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 229 pages, b&w illustrations. The searing accounts of Aleksandr Solzhenitsyn, Evgeniia Ginsberg and Varlam Shalamov opened the world's eyes to the terrors of the Soviet Gulag. But not until now has there been a memoir of life inside the camps written from the perspective of an actual employee of the Secret police. In this riveting memoir, superbly translated by Deborah Kaple, Fyodor Mochulsky describes being sent to work as a boss at the forced labor camp of Pechorlag in the frozen tundra north of the Arctic Circle. Only twenty-two years old, he had but a vague idea of the true nature of the Gulag. What he discovered was a world of unimaginable suffering and death, a world where men were starved, beaten, worked to death, or simply executed. Mochulsky details the horrific conditions in the camps and the challenges facing all those involved, from prisoners to guards. He depicts the power struggles within the camps between the secret police and the communist party, between the political prisoners (most of whom had been arrested for the generic crime of "counterrevolutionary activities") and the criminal convicts. And because Mochulsky writes of what he witnessed with the detachment of the engineer that he was, readers can easily understand how a system that destroyed millions of lives could be run by ordinary Soviet citizens who believed they were advancing the cause of socialism. Clean copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2017, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 294 pages. Emily Johnson has translated and edited a fascinating collection of letters written by Arsenii Formakov, a Latvian Russian poet, novelist, and journalist, during two terms in Soviet labor camps, 1940 to 1947 in Kraslag and 1949 to 1955 in Kamyshlag and Ozerlag. This correspondence, which Formakov mailed home to his family in Riga, provides readers with a firsthand account of the workings of the Soviet penal system and testifies to the hardships of daily life for Latvian prisoners in the Gulag. Clean copy.