Hardcover. New York , Harper & Row, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 pages, in a bright unclipped dust jacket. INSCRIBED BY ORR on title page. Previous owner's signature on front fly leaf. Otherwise clean, very good.
Hardcover. New York, HarperCollins Publishers, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, 242 pages. Hardcover. INSCRIBED BY THE AUTHOR. Gilt title on spine. Color illustrations throughout. From the front flap: "In Red, Sammy tells the outrageous story of his tear through rock 'n' roll, detailing the backstage antics and nonstop touring hat have made his voice instantly recognizable. Beginning with his musical coming-of-age in blue-collar towns of California, Sammy traces his rough and determined rise to fame, working harder than anyone else out there and writing songs about the things he loved--fast cars, loud parties, and lots of good times."
Hardcover. NY, Doubleday & Company, 1st, 1978, Book: Very Good, Dust Jacket: None, Hardcover, blue boards with black cloth spine. 469 pages. INSCRIBED BY NIZER on half-title page. Business card of Ben Bodne, owner of the Algonquin Hotel, stapled to title page. Otherwise a clean, tight copy. No dust jacket.
Softcover. Paris, Arthaud, 1st, 1951, Book: Very Good, Dust Jacket: Very Good, 111 pages, illustrated with b&w and color gravure photos. SIGNED BY BOTH HERZOG AND ICHAC on front fly leaf. With a double-page map laid in. Softcover very good with a color illustrated dust jacket with light edgewear.
Hardcover. Princeton, N.J., Kingston Press, Incorporated, The, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, SIGNED BY AUTHOR. 227 pages. Light foxing to top and fore-edge. Minor wear to dust jacket; spine slightly faded. Else a very clean, tight copy.
Softcover. Ft., Texas Christian University, 1st, 2018, Book: Very Good, Dust Jacket: None, Softcover, 435 pages. INSCRIBED BY BONAZZI on the title page. This authorized biography by Robert Bonazzi, is based on John Howard Griffin's Journals from 1950-1980. Griffin was blinded in the South Seas during WWII, but regained sight in 1957, after which he wrote the classic Black Like Me. Bonazzi follows Griffin year by year after 1961, when Griffin toured the globe as a lecturer on human rights.
Hardcover. New York, John Day , 1st, 1941, Book: Good, Dust Jacket: Fair, Hardcover, 339 pages, SIGNED BY AUTHOR on front preliminary page, with illustrations. Dust jacket edge wear and tear, inch chunk missing from top edge, price clipped. Previous owner's signature on front fly leaf, otherwise, clean and tight copy.
Hardcover. Orangeburg SC, Sandlapper Publishing, 2nd pr., 1987, Book: Very Good, Dust Jacket: Good, Hardcover, 120 pages, b&w illustrations. The author documents the customs and lifestyles of a proud group of Sea Island blacks. Beginning with the first freedmen and their descendents, he reveals a colorful and provocative story, told in words of island natives and illustrated with photographs taken around the turn of the century. INSCRIBED BY DAISE on the half-title page. Clean copy with color fading to dust jacket spine and part of front cover.
Hardcover. NY, Scribners, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 220 pages, INSCRIBED and SIGNED BY AUTHOR on title page. Very clean and tight.
Hardcover. New York, NY, Scribner, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 220 pages, SIGNED BY AUTHOR on title page. Very clean and tight.
Softcover. NY, Mahlon Day, 1824, Book: Fair, Dust Jacket: None, Softcover, 64 page booklet with string binding. A report proposing building a institution to house and reform juvenile delinquents. Laid in is a tattered cover note signed by C.D. Colden/President and R.F. Mott/ Secretary. Overall fair with chipped edges, paper tanned but complete.
Hardcover. New Haven, Yale University Press, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. INSCRIBED BY AUTHOR on the title page. What motivates us to reread literary works? How is our pleasure, interpretation, involvement, and evaluation different when we read a literary work and when we reread it? This fascinating book by Matei Calinescu is the first to focus on the implications of rereading for critical understanding. Drawing on literary theory, cultural anthropology, psychology, philosophy, and previous theories of reading, Calinescu describes the dynamics of rereading and explores the sometimes complementary, sometimes sharply conflicting relationships between reading and rereading. Calinescu analyzes fictional works by Borges, Nabokov, Proust, Robbe-Grillet, and Henry James, among others, explaining how reading texts is related both to symbolic play or make-believe and to games with rules. He reviews the history of reading in modern times, discussing, for example, how the Reformation led to rereadings of Scripture and how the proliferation of books during the Enlightenment led to a shift from "intensive reading" to "extensive reading." Calinescu looks at the distinctions between reading and rereading from the perspectives of the age, situation, and gender of the individual reader. He discusses the problems raised by secret or oblique languages and codes - devised to evade censors, communicate with a select audience of "secret sharers," or play games of hide-and-seek with the reader - and shows that they naturally lead to rereading a text. Calinescu argues persuasively that an understanding of rereading is useful in formulating both analytic strategies of practical criticism and a poetics of reading. Clean, bright copy.
Softcover. Chicago, University Of Chicago Press, 1st pbk, 2005, Book: Very Good, Dust Jacket: None, Softcover, 123 pages, SIGNED BY AUTHOR on title page. Very clean and tight copy.
Hardcover. London, Bantam, 1st UK, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a dust jacket. Wraparound band with blurb by Ian Rankin present, 367 pages. SIGNED BY AUTHOR ON TITLE PAGE. Clean, bright copy.
Newport Beach CA, The Newporter Resort, 1986, Book: Very Good, Boating view #2. McMullan's painting gives one the sense of experiencing boating and sailing on the bay. A bayside, modern adobe-style resort in the background. Image size: 6" X 7", watercolor on texture white paper, signed. Unpublished.
Newport Beach CA, The Newporter Resort, 1986, This painting shows the resort from the bay with sailboats and a catamaran in the foreground. The artist did several variations on this picture. Image size: 6" X 7", watercolor on texture white paper, signed. Unpublished.
Newport Beach CA, The Newporter Resort, 1986, Book: Very Good, Dust Jacket: None, This painting features a couple dining at a table on the patio with sailing boats on the bay behind them. Executed in b&w tones by the artist for newspaper ad. Image size: 5 1/2* X 5", watercolor on texture white paper, signed. Published.
Newport Beach CA, The Newporter Resort, 1986, This painting shows the dockside facilities on the property. Image size: 7* X 7", watercolor on texture white paper, signed. Unpublished.
Newport Beach CA, The Newporter Resort, 1986, Book: Very Good, This painting shows the entrance to the resort as a couple pass on their way to the tennis courts. Image size: 5 1/2* X 7", watercolor on texture white paper, signed. Unpublished.
Newport Beach CA, The Newporter Resort, 1986, Book: Very Good, Dust Jacket: None, This painting shows guests enjoying the amenities of the lobby by the huge picture window with the bay as a backdrop. Image size: 9* X 9", watercolor on texture white paper, signed. Unpublished.
Newport Beach CA, The Newporter Resort, 1986, Book: Very Good, This painting features guests sitting by the stone fireplace, enjoying drinks while the sun sets on the bay beyond the big picture window. Image size: 8* X 8", watercolor on texture white paper, signed. Unpublished.
Hardcover. New York, Burns Archive Press, 1st Edition, 2003, Book: Very Good, Dust Jacket: None, 4 Volumes: (SIGNED) In slipcase. DOMESTIC SHIPPING ONLY. Slipcase still has original mylar wrap (See image).1845-1870 The Pioneer Era1871-1895 The Antiseptic Era1896-1920 The X-Ray Era1921-1945 The Serology EraLimited to 2,150 copies including a special cased edition of 1000 copies. Color, b/w and sepia illustrations throughout. Black, decorated cover boards in like new condition. Pages clean, binding tight, spines straight. Slipcase fine.
Hardcover. New Haven, Yale University Press, 1st, 1958, Book: Very Good, Dust Jacket: Fair, 232 pages. Hardcover. INSCRIBED BY AUTHOR on front flyleaf. Illustrated plates of old advertising. Yellow cloth covers w/ red decoration. Worn, chipped, price-clipped dust jacket - now protected by clear plastic cover. Light foxing, soiling to edges; else a clean, tight copy.