Hardcover. Toronto, Random House of Canada, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 321 pages. In the generation of singer-songwriters who came to fame in the '60s, none has had more impact--or created a more evocative, bittersweet, literate, and reflective body of work--than Joni Mitchell. Today's music owes much to her innovation and inspiration. This complete collection of her poetry and song lyrics reads like a poem cycle that finds unexpected meaning and beauty on the page. After displaying a haunting and sophisticated quality in her first albums, Joni Mitchell (1968), Clouds (1969), Ladies of the Canyon (1970), and Blue (1972), Mitchell reached her poetic apotheosis in the surreal and mythical Hejira (1976) and Don Juan's Reckless Daughter (1977). During the '80s, Mitchell used her words to explore and mirror the commercial energy of the decade. She became more reflective in the following years with Night Ride Home (1991) and Turbulent Indigo (1994). Clean copy.
Hardcover. Hatje Cantz, 1st, 2008-08-01, Book: Very Good, Dust Jacket: Very Good, Hardcover, pages. Like new in publisher's shrink-wrap. In the early 1950s, Berlin-born photographer Jurgen Schadeberg captured Nelson Mandela, (then a young attorney), singer Miriam Makeba and the nightlife in Sophiatown, a dynamic black neighborhood in Johannesburg. Revealing the poverty endemic to the majority of South Africa's black population became Schadeberg's chief focus. He arrived there in 1950, at the advent of apartheid, to work for Drum, the first magazine for black readers. In 1964, when Drum was banned, Schadeberg left South Africa for Europe and the United States, creating a body of portraits unique in their ability to cut across race, class and social standing. In 1994, Schadeberg created an iconic image of Nelson Mandela, by then the first black President of South Africa, standing at the window of his former prison cell on Robben Island, where he had been detained on charges of conspiracy from 1964-1982. Schadeberg, whose work has been highly influential to younger artists, now lives and works near Paris. This substantial volume collects 250 images from across his career.
Hardcover. NY, Harry Abrams, 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 95 pages. 77 beautiful full color illustrations. Foreword by Bernard McTigue, Introduction by Rodney Engen. Like new. After more than a century, the never-before-published complete facsimile pages of the artist's two sketchbooks, in which she designed this little masterpiece, are presented in a single volume, the work as crisp and colourful as the day it was made.
Hardcover. Honolulu HI, Kamahoi Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, color illustrated throughout. A story set in Hawaii in 1847. When he becomes lost in the forest while attending the king's luau in Honolulu, a young boy hears the singing snails for the first time. Clean copy.
Hardcover. Seattle, Fantagraphics, 1st, 2012, Book: Very Good, Dust Jacket: None, Hardcover, 9" X 12", 600 pages. B&w, color reprints throughout. The first volume of the limited-edition deluxe Krazy Kat hardcover. It collects the first batch of five Krazy & Ignatz soft cover books that Fantagraphics published, comprehensively compiling the years 1916 through 1924 under a hard cover. It's not a slipcase; it's a single hardcover book. The covers to the original five soft cover books are NOT included, but literally everything else is. No dj issued
Hardcover. Seattle, Fantagraphics, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, 9" X 12", 600 pages. Color reprints throughout. The first edition deluxe Krazy Kat hardcover (it's Volume 3, but the second to be published) collects the second batch of five Krazy & Ignatz soft cover books Fantagraphics have published, comprehensively compiling the years 1935 through 1944 under hard covers. It's not a slipcase; it's a single hardcover book. The covers to the original five soft cover books are NOT included, but literally everything else is. No dj issued
Hardcover. Boston, Houghton Mifflin, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Author's third novel, seven days in the life of a Manhattan door-to-door salesman who "embarks on a frantic odyssey through the peep shows, singles bars and porno shops of nighttime New York in seach of relief from his maddeining loneliness." Clean, bright copy.
Hardcover. Brattleboro VT, Green Place Books , 1st, 2020, Book: Very Good, Dust Jacket: None, Hardcover in paper-covered boards, 264 pages. SIGNED BY CO-AUTHOR BILL MARES on title page. Land of Milk and Honey: A History of Vermont Beekeeping follows the trials and tribulations of beekeepers in Vermont. This dramatic history begins in the early 1800's following the life and times of inspired beekeepers that are the advance guard of a line of notable beekeepers that is to stretch through the centuries into modern times. Readers will discover a beekeeping lineage born and raised within a single Vermont county, and establishes a continuity of beekeeping knowledge and skill spanning more than a century. The lineage of beekeeping concludes in the present day as apiculturists throughout the world face some of the most challenging times in over 200 years with the possibility of honey bee extinction rearing its ugly head. Is it possible that by reflecting on the history of Vermont's beekeepers we can find clues about what is needed to help the honey bee thrive today and well into the future? Land of Milk and Honey will also explore the relationship between the people of Vermont and the countryside they inhabit: a land and people that shift and change through the centuries in ways that directly impact the health and well-being of bees and its beekeepers.
Softcover. London, Hard Case Crime, 1st, 2021, Book: Very Good, Dust Jacket: None, Softcover, 264 pages. The son of a struggling single mother, Jamie Conklin just wants an ordinary childhood. But Jamie is no ordinary child. Born with an unnatural ability his mom urges him to keep secret, Jamie can see what no one else can see and learn what no one else can learn. But the cost of using this ability is higher than Jamie can imagine - as he discovers when an NYPD detective draws him into the pursuit of a killer who has threatened to strike from beyond the grave. LATER is Stephen King at his finest, a terrifying and touching story of innocence lost and the trials that test our sense of right and wrong. With echoes of King's classic novel It, LATER is a powerful, haunting, unforgettable exploration of what it takes to stand up to evil in all the faces it wears. Remaider line on bottom edge.
Hardcover. Gloucester, Rockport Publishers, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, 132 pages. Scarce hardcover. Features full color photography and illustrations. Fold-out pages. Clean, bright copy.
Softcover. Authors Choice Press, reprint, 2006, Book: Very Good, Dust Jacket: None, Softcover, b&w illustrations, 216 pages. Originally published in 1973 and covers the early and essential years of her life and career. The story of a shy girl from Mississippi who became a world opra star told in a sympathetic light.
Hardcover. Boston, The Taylor Press, 1st, 1915, Book: Very Good, Dust Jacket: None, Hardcover, 285 pages. Brown cloth covers, b&w frontispiece. Previous owner's bookplate to blank endpaper, light wear to covers, edges and spine; overall a very clean, tight copy.
Hardcover. Philadelphia, Franklin Printing Co., 1st, 1951, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards. Limited Edition with the text taken from the author's Bred in the Bone, illustrated here by Edward C. Smith. A Christmas keepsake for the publisher's customers.
Hardcover. NY, Grand Central Publishing, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 388 pages. Drawing on contributions from remaining members, contemporaneous musicians, critics, filmmakers, and the generation of artists who emerged in their wake, this "monumental origin story" celebrates the legacy of the Velvet Underground, which burns brighter than ever in the 21st century. Rebellion always starts somewhere, and in the music world of the transgressive teen--whether it be the 1960s or the 2020s--the Velvet Underground represents ground zero. Crystallizing the idea of the bohemian, urban, narcissistic art school gang around a psychedelic rock and roll band--a stylistic idea that evolved in the rarefied environs of Andy Warhol's Factory--the Velvets were the first major American rock group with a mixed gender line-up. They never smiled in photographs, wore sunglasses indoors, and invented the archetype that would be copied by everyone from Sid Vicious to Bobby Gillespie. They were avant-garde nihilists, writing about drug abuse, prostitution, paranoia, and sado-masochistic sex at a time when the rest of the world was singing about peace and love.
Hardcover. NY, Basic Books, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, unclipped. INSCRIBED BY AUTHOR on the title page. Throughout the nineteenth century, swarms of locusts regularly swept across the continent, turning noon into dusk, demolishing farm communities, and bringing trains to a halt as the crushed bodies of insects greased the rails. In 1876, the U.S. Congress declared the locust "the single greatest impediment to the settlement of the country." From the Dakotas to Texas, from California to Iowa, the swarms pushed thousands of settlers to the brink of starvation, prompting the federal government to enlist some of the greatest scientific minds of the day and thereby jumpstarting the fledgling science of entomology. Over the next few decades, the Rocky Mountain locust suddenly--and mysteriously--vanished.A century later, Jeffrey Lockwood set out to discover why. Unconvinced by the reigning theories, he searched for new evidence in musty books, crumbling maps, and crevassed glaciers, eventually piecing together the elusive answer: A group of early settlers unwittingly destroyed the locust's sanctuaries just as the insect was experiencing a natural population crash. Drawing on historical accounts and modern science, Locust brings to life the cultural, economic, and political forces at work in America in the late-nineteenth century, even as it solves one of the greatest ecological mysteries of our time. 294 pages, clean copy.
Hardcover. Garden City, N.Y., Doubleday, 2nd printing, 1981, Book: Very Good, Dust Jacket: Very Good, 259 pages. Biography by Issac Bashevis Singer, winner of the Nobel Prize for Literature. Paintings and drawings by Raphael Soyer. Slight yellowing to pictorial dust jacket, else a lovely copy in clear mylar cover.
Hardcover. NY, Harcourt, Brace & Company, 1st, 1955, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket, 248 pages. This short story collection contains: A Time of Learning; The Mysteries of Life in an Orderly Manner; Love, Death, and the Ladies' Drill Team; Home Coming; The Battle of the Suits; Tom Wolfe's My Name; Learn to Say Good-by; A Little Collar for the Monkey; Public Address System; Foot-Shaped Shoes; Horace Chooney, M.D.; The Linden Trees; Breach of Promise; and The Singing Lesson. Stated first edition. Clean copy.
Hardcover. Saint Paul MN, Graywolf Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. INSCRIBED BY AUTHOR on the title page. Winner of the S. Miriella Gable Prize. Amy Hempel has said "Victoria Redel's contribution to the literature of obsession is rendered with unusual delicacy and daring." In this exquisite debut novel, Victoria Redel takes us deep into the mind of a very singular mother, and yet through her we see the dangerously whisper-thin line between selfless and selfish motivation that exists in all devotion. After all, "Who has ever wanted to share a love?" Clean, bight copy.
Hardcover. NY, Biblioasis, 1st, 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 290 pages. Bruce Jay Friedman has done it all, charming the glitziest industries of American golden-age culture for more than half a century. Lucky Bruce is his long-awaited memoir, and it's everything we'd expect and more: here is Friedman at his best, waltzing from Madison Avenue to Hollywood and back again, and reilluminating with brilliant clarity the dazzle of post-war American life. Cameos by Joseph Heller, Philip Roth, Mario Puzo, Lillian Hellman, Warren Beatty, Marlene Dietrich, Brian Grazer, Candida Donadio, Crazy Joe Gallo, Joyce Carol Oates, Jack Richardson, Isaac Bashevis Singer, Kurt Vonnegut, and the irreplaceable Elaine. Clean copy.
Hardcover. UK, Oxford University Press, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 326 pages. Lucretius' didactic masterpiece De Rerum Natura (On the Nature of Things) is one of the most brilliant and powerful poems in the Latin language, a passionate attempt at dispelling humanity's fear of death and its enslavement by false beliefs about the gods, and a detailed exposition of Epicurean atomist physics. For centuries, it has raised the question of whether it is primarily a poem or primarily a philosophical treatise, which also presents scientific doctrine. The current volume seeks to unite the three disciplinary aspects -- poetry, philosophy, and science -- in order to offer a holistic response to an important monument in cultural history. With ten original essays and an analytical introduction, the volume aims not only to combine different approaches within single covers, but to offer responses to the poem by experts from all three scholarly backgrounds. Philosophers and scholars of ancient science look closely at the artistic placement of individual words, while literary critics explore ethical matters and the contribution of Lucretius' poetry to the argument of the poem. Topics covered include death and grief, evolution and the cosmos, ethics and politics, perception, and epistemology.Name and date on front fly leaf, light pencil marking to about 25 pages.
Hardcover. NY, Doubleday, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 553 pages. The compulsively readable and sometimes jaw-dropping story of the life of a notorious madam who played hostess to every gangster, politician, writer, sports star and Cafe Society swell worth knowing, and who as much as any single figure helped make the twenties roar--from the Pulitzer Prize-winning author of The Most Famous Man in America. Simply put: Everybody came to Polly's. Pearl "Polly" Adler (1900-1962) was a diminutive dynamo whose Manhattan brothels in the Roaring Twenties became places not just for men to have the company of women but were key gathering places where the culturati and celebrity elite mingled with high society and with violent figures of the underworld--and had a good time doing it. B&w illustrations, clean copy.
Hardcover. Jersey CI, Singram Co. Ltd, 1st, 1984, Book: Very Good, Dust Jacket: None, 10 pages. Hardcover. Color, life-like pop-up illustrations throughout. A touch of foxing throughout. Binding tight. Completely intact, all pop-ups are complete and in working order. Last pop-up is a removable flying kestrel that really flies.
Hardcover. Durham NC, Duke University Press, 1st, 2008, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with magenta gilt lettering on spine, 269 pages, b&w illustrations. Masculine Singular is an original interpretation of French New Wave cinema by one of Frances leading feminist film scholars. While most criticism of the New Wave has concentrated on the filmmakers and their films, Genevive Sellier focuses on the social and cultural turbulence of the cinemas formative years, from 1957 to 1962. The New Wave filmmakers were members of a young generation emerging on the French cultural scene, eager to acquire sexual and economic freedom. Almost all of them were men, and they wrote in the masculine first-person singular, often using male protagonists as stand-ins for themselves. In their films, they explored relations between men and women, and they expressed ambivalence about the new liberated woman. Sellier argues that gender relations and the construction of sexual identities were the primary subject of New Wave cinema.Sellier draws on sociological surveys, box office data, and popular magazines of the period, as well as analyses of specific New Wave films. No dust jacket, Clean copy.