Hardcover. London, Rebellion, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 224 pages, mostly b&w, some color. Charts the stratospheric rise of romance comics in postwar Britain with a selection of the greatest romance comics ever printed in the UK. Featuring an eclectic mix of artists from Spain, Italy, and the UK, this collection unearths the sensual art and emotional writing which delighted generations of comics readers. Featuring over 50 comics stories - many of which have never been reprinted before - this lavish book is a stunning tribute to the often uncredited creators who crafted an industry of love. Clean copy.
Hardcover. New York , Morrow, 1st, 1965, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with price-clipped dust jacket. Color and two color illustrations by Simont. Clean, tight copy.
Softcover. New York, New Modern Age Book, 1st, 1939, Book: Good, Dust Jacket: None, Unpaginated. Soft cover with heavy chipping on fragile paper wrappers. Front gutter shows separating. 65 black and white drawings by Luis Quintanilla.
Hardcover. Berkeley CA, University of California Press, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 236 pages. The contradictory nature of the work of Benito Perez Galdos, Spain's greatest modern novelist, is brought to the fore in Catherine Jagoe's innovative and rigorous study. Revising commonly held views of his feminism, she explores the relation of Galdos's novels to the "woman question" in Spain, arguing that after 1892 the muted feminist discourse of his early work largely disappears. While his later novels have been interpreted as celebrations of the emancipated new woman, Jagoe contends that they actually reinforce the conservative, bourgeois model of frugal, virtuous womanhood-the angel of the house.
Hardcover. Kehrer, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages. All across the world a uniform, homogeneous model of development, inspired by Los Angeles style urban sprawl--consisting of massive freeways, parking lots, shopping malls, and large-scale master-planned communities with golf courses--is being stamped onto the earth's topography. This globalized model of architecture does not respect or adapt itself to the natural or cultural environment onto which it is implanted. German American photographer Robert Harding Pittman began working on this project in Los Angeles ten years ago. Since then he has been photographing the spread of "L.A. style development" in Las Vegas, Spain, France, Germany, Greece, Dubai, and South Korea.
Softcover. NY, Aperture Foundation, 1999, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps.
Hardcover. NY, Fraenkel Gallery/Hasselblad Foundation, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 64 1stpages. The master photographer best known for his extensive, insightful documentation of "the American social landscape"--from jazz musicians to factory hands to New York pedestrians and office workers zoning out at their keyboards--has recently been spending more time looking at the literal, natural landscape. His monumental 2005 MoMA retrospective showed, for the first time, a new series of landscapes made in the American West, while for Olives and Apples, he has looked back over the last decade's work and culled a forest, tree by tree. His docile subjects, apple trees photographed in New York State and olive trees photographed in France, Italy and Spain from 1997-2004, are presented in circumstances ranging from sunny, leafy summer health to glittering winter ice-storm glory. Some of the most striking compositions are shot from just inside the reach of a tree's furthest twigs, so that expanding branching limbs fill the frame, stretching out around the viewer.
Softcover. Berkeley CA, The Print Mint, 1st, 1975, Book: Very Good, Dust Jacket: None, Softcover, 8.25 x 10.75", 52 pages, including semi-glossy color cardstock covers, and b/w interior. An anthology comic. Cover art by Robert Crumb. Frosty the Snowman and His Friends, script and art by Robert Crumb; Frosty and friends plot to throw bombs disguised as snowballs at the "Rockerfella" mansion. Fun City In Ba'Dan, script by William Burroughs, art by S. Clay Wilson. As the Mind Reels, script and art by Art Spiegelman; a surreal soap opera. Dollboy, script and art by Bill Griffith; A ventriloquist's dummy is kidnapped. Stalin bio by Spain Rodriguez. The Adventures of Don Carlos Balmori, script and art by Kim Deitch; the story of a Mexican hoaxer. Saddle-stapled wraps.
Softcover. Berkeley, Print Mint, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover comic, 8.25 x 10.75", with 52 pages, including semi-glossy color wraps and b/w interior. An anthology comic. Cover art by Jay Lynch. Crybaby's Blues, script and art by Robert Crumb; the harshness of life. Comedia Dell' Zippy starring Zippy The Pinhead, script and art by Bill Griffith; Outlawed clowns put on a show. The Great Ajeeb, Chess Playing Automaton, script and art by Kim Deitch; fake chess playing machine. The Corpse Gobblin' Ogre of Columbite Mountain, script and art by S. Clay Wilson. A Modern Mystery starring Arnold Peck, script and art by Willy Murphy. Some Boxes for the Salvation Army, script and art by Art Spiegelman. The Calvin Coolidge Story, script by Jim Hoberman, art by Kim Deitch. Gotterdammerung, script and art by Spain Rodriguez.
Hardcover. NY, Thomas Y. Crowell, 1st, 1958, Book: Very Good, Dust Jacket: Good, Hardcover, red cloth covers with a lightly worn dust jacket with some chipping. 207 pages, b&w drawings by Hubert Buel.Story of journey from Mexico to what is now San Francisco in 1775 to claim land for Spain. For 10 to 14-year-olds. Previous owner's signature on front fly leaf otherwise clean.
Hardcover. Oxford UK, Basil Blackwell, 2nd pr., 1953, Book: Very Good, Dust Jacket: Good, Hardcover in a lightly worn and chipped dust jacket. Thirty-one indexed unpaginated plates, including frontispiece. Blue cloth with gold lettering on spine. "Sir Muirhead Bone, the illustrator of Came To Oxford, was Britain's first officially appointed war artist, serving in both the First and Second World Wars. He is recognized as well for his portraits of Joseph Conrad, his watercolours and drawings of Old Spain, and his works recording the damage and reconstruction in his beloved England following the wars." Previous owner's inscription on front fly leaf, otherwise clean.
Hardcover. Racine WI, Albert Whitman & Co., 1st, 1933, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with a paste-down cover illustration, 127 pages illustrated with 2-color drawings by Hazel Fraser. Inscription on front fly leaf, otherwise a clean and bright copy.
Hardcover. San Diego, Sunbelt Publications, Revised Ed., 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover, 246 pages, color photographs and illustrations throughout, illustrated end paper. The Great Murals of Mexico's Baja California are one of the five greatest sites in the world for primitive rock art. They rank with those of southern France, northern Spain, northwest Africa, and outback Australia. These Great Murals, created by an unknown people, are without doubt the most distinctive trove of rock art in the Western Hemisphere. The site was unveiled to the modern world in the 1960s by adventure/mystery writer Erle Stanley Gardner who brought in UCLA archaeologist Clement Meighan to validate the importance of his find. But it was not until the 1970s, when author/photographer Harry W. Crosby undertook a systematic search for the largely unknown works hidden in the mountains of central Baja that the scope and significance of the find became known. He documented his search and discovery of over 200 previously unreported rock art sites leading to the original publication of The Cave Paintings of Baja California by Copley Books in 1975 which first introduced this cave art to the general public. Since that time, Baja California's Great Murals have been designated a United Nations Heritage Site. This lavishly illustrated full-color account is greatly revised and expanded from the original edition and offers Crosby's unique perspective on the painted sites and painting styles found in different parts of the Great Mural area. Light edge wear to dust jacket. Else a very clean, tight copy.
Hardcover. Boston, Twayne Publishers, 1st, 1978, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in gilt, 166 pages. Virtues's place in Spanish drama is partly as one of the few to attempt tragedy, partly as one of the precursors of the national comedia, but above all as a pivotal figure in an important transitional period of Spain's political and cultural history. Clean copy.
Softcover. Seattle WA, Fantagraphics, 2012, Book: Very Good, Dust Jacket: None, 134 pages. Clean, unmarked copy in excellent condition. "They were all there, the pimps, the fags, the whores, the curious, the alcoholic, the weird of the late '50s... blues lovers, Canadian bikers, thrill seekers, junkies, insomniacs, hepcats..." So begins "Down at the Kitty Kat," one of the 20-plus never-before-collected memoirs and yarns by Spain Rodriguez, one of the original gang of Zap Comix provocateurs. Although he's best known for his two-fisted tales of the chopper-riding Trashman, Spain's blunt graphic style and uncompromising gift for caricature, rendered in eye-punishing slabs of black and white, work equally well for more subtle fare -- such as these memoirs of his misspent youth. Cruisin' with the Hound ranges from Spain's days as an innocent young churchgoer to his time as a member of the Road Vultures motorcycle gang, with stops along the way for his discoveries of science fiction and other, more adult pursuits ("The Birth of Porn") -- as well as the "The Education of an Underground Cartoonist," describing his journey from a pimply Captain Marvel-reading scribbler to his arrival as a professional artist. But the heart of this collection is a cycle of stories ) set during Spain's teenage days in the 1950s, often featuring the doomed, dot-eyed Fred Toot.
Hardcover. New York, Charles Scribner's Sons, 1st, 1898, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth covers stamped in blue and red, 360 pages. 116 b&w photos throughout, color maps in rear. In 1898 America intervened in the Cuban War of Independence, leading to conflict with Spain. This is a detailed account of this campaign, together with American military sea and land operations on the island of Puerto Rico during the Spanish American War. Cloth spine darkened otherwise clean, tight copy.
Softcover. Spain, Fundacion La Caixa, 1st, 2004, Book: Very Good, Dust Jacket: None, 284 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Beautiful color illustrations and photographs throughout.
Hardcover. NY, Random House, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. May 1941. At four in the morning, a rust-streaked tramp freighter steams up the Tagus River to dock at the port of Lisbon. She is the Santa Rosa, she flies the flag of neutral Spain and is in Lisbon to load cork oak, tinned sardines, and drums of cooking oil bound for the Baltic port of Malmo. But she is not the Santa Rosa. She is the Noordendam, a Dutch freighter. Under the command of Captain Eric DeHaan, she sails for the Intelligence Division of the British Royal Navy, and she will load detection equipment for a clandestine operation on the Swedish coast-a secret mission, a dark voyage. A desperate voyage. One more battle in the spy wars that rage through the back alleys of the ports, from elegant hotels to abandoned piers, in lonely desert outposts, and in the souks and cafes of North Africa.
Hardcover. NY, Abrams Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 439 pages. In the 1950s, comics meant POW!BAM! superheroes, family-friendly gags, and Sunday funnies, but in the 1960s, inspired by these strips and the satire of MAD magazine, a new generation of creators set out to subvert the medium, and with it, American culture. Their "comix"--spelled that way to distinguish the work from their dime-store contemporaries--presented tales of taboo sex, casual drug use, and a transgressive view of society. Embraced by hippies and legions of future creatives, this subgenre of comic books and strips often ran afoul of the law, but that would not stop them from casting cultural ripples for decades to come, eventually moving the entire comics form beyond the gutter and into fine-art galleries.Brian Doherty weaves together the stories of R. Crumb, Art Spiegelman, Trina Robbins, Spain Rodriguez, Harvey Pekar, and Howard Cruse, among many others, detailing the complete narrative history of this movement. Through dozens of new interviews and archival research, he chronicles the scenes that sprang up around the country in the 1960s and '70s, beginning with the artists' origin stories and following them through success and strife, and concluding with an examination of these creators' legacies. Dirty Pictures is the essential exploration of a truly American art form that recontextualized the way people thought about war, race, sex, gender, and expression.
Hardcover. NY, Abrams Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 439 pages. In the 1950s, comics meant POW!BAM! superheroes, family-friendly gags, and Sunday funnies, but in the 1960s, inspired by these strips and the satire of MAD magazine, a new generation of creators set out to subvert the medium, and with it, American culture. Their "comix"--spelled that way to distinguish the work from their dime-store contemporaries--presented tales of taboo sex, casual drug use, and a transgressive view of society. Embraced by hippies and legions of future creatives, this subgenre of comic books and strips often ran afoul of the law, but that would not stop them from casting cultural ripples for decades to come, eventually moving the entire comics form beyond the gutter and into fine-art galleries.Brian Doherty weaves together the stories of R. Crumb, Art Spiegelman, Trina Robbins, Spain Rodriguez, Harvey Pekar, and Howard Cruse, among many others, detailing the complete narrative history of this movement. Through dozens of new interviews and archival research, he chronicles the scenes that sprang up around the country in the 1960s and '70s, beginning with the artists' origin stories and following them through success and strife, and concluding with an examination of these creators' legacies. Dirty Pictures is the essential exploration of a truly American art form that recontextualized the way people thought about war, race, sex, gender, and expression.
Hardcover. Barcelona Spain, Galaxia Gutenberg, 1st thus, 2004, Book: Very Good, Dust Jacket: Very Good, Two hardcover volumes in bright dust jackets, housed in a cardboard slipcase. ALL TEXT IN SPANISH. 1.368 and 1.454 pages. Clean set. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.
Hardcover. Gottingen GR, Steidl Publishers, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket with light edgewear. Large format, 191 pages. Essay by Michael Mitchell. A striking collection of 80 color photographs taken by Burtynsky over the course of seventeen years at various quarry sites around the world. Including Canada, Italy, China, Spain, Portugal, India and America these thought provoking studies of sites that are created as we dig into the earth for material in order to build our cities, urge us to consider how we as viewers are simultaneously attracted yet repulsed by these landscapes somewhere a building is created while a landscape is destroyed. DOMESTIC SHIPPING ONLY.
Hardcover. NY, Henry Holt , 1st, 1998, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 740 pages. Historian Musicant offers a detailed examination of the American war that catapulted the nation to imperial status. Musicant offers a portrait of a nation increasingly torn between the desire for isolation and the yearning for a place on the international stage. That conflict was at first fought out in the nation's newspapers, which managed to gradually sway public opinion toward involvements abroad. The sinking of the American warship Maine in the harbor of Havana pushed America over the edge, and McKinley was compelled to declare war on Spain. The war itself lasted less than a year and featured only a few large-scale battles, but Musicant is able to wring considerable drama from this thorough narrative of events. Clean copy.