tennessee

Hardcover. Princeton NJ, Princeton University Press, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Between 1908 and 1917, the American photographer and sociologist Lewis Hine (1874-1940) took some of the most memorable pictures of child workers ever made. Traveling around the United States while working for the National Child Labor Committee, he photographed children in textile mills, coal mines, and factories from Vermont and Massachusetts to Georgia, Tennessee, and Missouri. Using his camera as a tool of social activism, Hine had a major influence on the development of documentary photography. But many of his pictures transcend their original purpose. Concentrating on these photographs, Alexander Nemerov reveals the special eeriness of Hine's beautiful and disturbing work as never before. Richly illustrated, the book also includes arresting contemporary photographs by Jason Francisco of the places Hine documented. Clean copy.

Hardcover. New York , Farrar, Straus and Giroux, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Color cartoon illustrations by George Booth. The other hens in Farmer Brown's Tennessee henhouse think that Starlight LaPoule - (hush! Her real name is Ethel Fae Klucksworth) - is short a few feathers. They may be right. For Starlight is a chicken with a ridiculous dream. She wants to become a high-fashion model in Paris or Milan. And with the surprise help of her very own chicken fairy godmother, anything is possible. Or is it? With antic illustrations by renowned cartoonist George Booth, Harry Allard's funny story about a hen with outsize expectations is sure to crack up even the most hard-boiled of readers.

Hardcover. NY, Farrar, Straus and Giroux, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages illustrated in color by New Yorker cartoonist George Booth. The other hens in Farmer Brown's Tennessee henhouse think that Starlight LaPoule - (hush! Her real name is Ethel Fae Klucksworth) - is short a few feathers. They may be right. For Starlight is a chicken with a ridiculous dream. She wants to become a high-fashion model in Paris or Milan. And with the surprise help of her very own chicken fairy godmother, anything is possible. Or is it? 

Hardcover. New York , Farrar, Straus and Giroux, 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover, 32 pages illustrated in color by New Yorker cartoonist George Booth. The other hens in Farmer Brown's Tennessee henhouse think that Starlight LaPoule - (hush! Her real name is Ethel Fae Klucksworth) - is short a few feathers. They may be right. For Starlight is a chicken with a ridiculous dream. She wants to become a high-fashion model in Paris or Milan. And with the surprise help of her very own chicken fairy godmother, anything is possible. Or is it? 

Hardcover. NY, Farrar, Straus and Giroux, 1st, 2019, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 337 pages, b&w illustrations. Still Here is the first full telling of Elaine Stritch's life. Rollicking but intimate, it tracks one of Broadway's great personalities from her upbringing in Detroit during the Great Depression to her fateful move to New York City, where she studied alongside Marlon Brando, Bea Arthur, and Harry Belafonte. We accompany Elaine through her jagged rise to fame, to Hollywood and London, and across her later years, when she enjoyed a stunning renaissance, punctuated by a turn on the popular television show 30 Rock. We explore the influential-and often fraught-collaborations she developed with Noel Coward, Tennessee Williams, and above all Stephen Sondheim, as well as her courageous yet flawed attempts to control a serious drinking problem. And we see the entertainer triumphing over personal turmoil with the development of her Tony Award-winning one-woman show, Elaine Stritch at Liberty, which established her as an emblem of spiky independence and Manhattan life for an entirely new generation of admirers. Remainder dot on top edge, otherwise clean.

Hardcover. Croydon UK, Fonthill Media, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 160 pages. You might be surprised to learn that many of the consumer brands and products we enjoy today exist because of streetcar advertising. The Industrial Revolution of the early 1900's and a massive consumer audience riding over 50,000 streetcars in nearly 3,000 cities and towns in every state of the union provided a great opportunity for Barron Collier, a native of Memphis, Tennessee. He simply used streetcar advertising to bring these two forces together and created the largest streetcar advertising empire in the world. By age twenty-six, he was a millionaire and at one time had business offices in 70 cities with business interests in more than a thousand cities. Most of these advertising cards have remarkable color graphics; over 250 of them are included in this book for your viewing pleasure. While streetcar advertising is definitely not a major advertising medium today, the advertising community might be surprised to learn that the basic principles of consumer advertising have not changed that much in the last one hundred years. Investors might do well to review this book to see which companies are still producing these popular products and brands as they represent some of the most successful businesses in America today.

Hardcover. NY, Grove Press, 1st, 1954, Book: Very Good, Dust Jacket: Good, Hardcover in a chipped, lightly worn dust jacket, 262 pages. A collection of short stories by a Tennessee humorist. His creation of Sut Lovingood, a Southern mountaineer who opines on various subjects. Popular in the pre-Civil War era. Introduction by Brom Weber has 2 lines with underlining, otherwise clean copy.

Hardcover. New York, Baker & Taylor, 1st, 1911, Book: Very Good, Dust Jacket: None, 307 pages. Hardcover with no dust jacket. Stamped lettering in front cover with illustration of two characters. Gutter crack on page 62. 8 plates of b&w illustrations by F.C. Gruger.

Hardcover. Utah, Gibbs Smith Publisher, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 150 pages. Hardcover. SIGNED BY AUTHOR. Gilt title on spine and front cover board. Clean inside. From the dust jacket front flap: "In his latest book,..., Cheuse once again presents a vividly rendered gallery of characters traversing a shifting moral landscape, this time the 'new' South and West of the eighties."

Hardcover. NY, Arbor House, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 352 pages with photographs. Biography co-written by the author's brother. The definitive biography of one of America's most celebrated playwrights. Drawing on previously unseen diaries, letters, and interviews, the authors explore the life and work of Williams, from his early years in Mississippi to his landmark plays of the 1950s and 1960s. Clean copy.

Hardcover. NY, W. W. Norton, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 765 pages, b&w illustrations. John Lahr has produced a theater biography like no other. Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate. With vivid cameos of the formative influences in Williams's life-his fierce, belittling father Cornelius; his puritanical, domineering mother Edwina; his demented sister Rose, who was lobotomized at the age of thirty-three; his beloved grandfather, the Reverend Walter Dakin-Tennessee Williams: Mad Pilgrimage of the Flesh is as much a biography of the man who created A Streetcar Named Desire, The Glass Menagerie, and Cat on a Hot Tin Roof as it is a trenchant exploration of Williams's plays and the tortured process of bringing them to stage and screen. The portrait of Williams himself is unforgettable: a virgin until he was twenty-six, he had serial homosexual affairs thereafter as well as long-time, bruising relationships with Pancho Gonzalez and Frank Merlo. With compassion and verve, Lahr explores how Williams's relationships informed his work and how the resulting success brought turmoil to his personal life. Lahr captures not just Williams's tempestuous public persona but also his backstage life, where his agent Audrey Wood and the director Elia Kazan play major roles, and Marlon Brando, Anna Magnani, Bette Davis, Maureen Stapleton, Diana Barrymore, and Tallulah Bankhead have scintillating walk-on parts. This is a biography of the highest order: a book about the major American playwright of his time written by the major American drama critic of his time.

Hardcover. NY, W. W. Norton , 1st, 2014-09-22, Book: Very Good, Dust Jacket: Very Good, Hardcover, 765 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket.

Hardcover. Knoxville, University Of Tennessee Press, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 432 pages. Shields shows how both the myth of Adam and the myth of Aeneas, in crossing over to America from Europe, dynamically intermingled in the thought of the earliest American writers. This rearticulation of the myths of Adam and Aeneas became peculiarly adapted to the demands of the American adventure in freedom. Shields argues that uncovering and acknowledging the classical roots of our culture can allay the American fear of "pastlessness" that the long-standing emphasis on the Adamic myth has generated. The authors probing analysis sheds new light on the works of such seminal figures as Edward Taylor, Cotton Mather, Phillis Wheatley, George Washington, Nathaniel Hawthorne, and Herman Melville.

Hardcover. NY, Random House, reprint, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. The Civil War: A Narrative. In the third -- and last -- volume of this vivid history, Foote brings to a close the story of four years of turmoil and strife which altered American life forever. Here, told in vivid narrative and as seen from both sides, are those climactic struggles, great and small, on and off the field of battle, which finally decided the fate of this nation. "Red River to Appomattox" opens with the beginning of the two final, major confrontations of the war: Grant against Lee in Virginia, and Sherman pressing Johnston in North Georgia. While the Virginia-Georgia fighting is in progress, Kearsarge sinks the Alabama and Forrest gains new laurels at Brice's Crossroads.With Grant and Lee deadlocked at Petersburg, Sherman takes Atlanta -- assuring Lincoln's reelection, together with the certainty that the war will be fought (not negotiated) to a finish. These events are followed by Hood's bold northward strike through middle Tennessee while Sherman sets out on his march to the sea, to be opposed at its end by the ghost of the Army of Tennessee. Endpaper maps. First published in 1974, this appears to be a reprint (no price on dust jacket). Newspaper obituary of Foote laid in. Clean copy.

Hardcover. NY, Jr. Literary Guild/Doubleday Doran , BC Ed., 1938, Book: Very Good, Dust Jacket: None, Hardcover, tan cloth stamped with blue design and lettering. Two-color frontis, b&w drawings by Erick Berry. This story, written for young adults, is about three children who have lost their parents, living in the Tennessee mountains and trying to keep life and limb together. Clean, bright copy, no dust jacket.

Hardcover. NY, HarperCollins, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Color illustrations by Ron Parker. A look at the bears of Tennessee's Smoky Mountains depicts them foraging for nuts and berries, readying a den for hibernation, and waking and sleeping with the rising and falling temperature during the long winter.

Hardcover. NY, New Directions, 1st, 1050, Book: Very Good, Dust Jacket: None, Hardcover, black cloth stamped in yellow. No dust jacket. Clean copy. Published in 1950, his first novel was acclaimed by Gore Vidal as "splendidly written, precise, short, complete, and fine." It is the story of a wealthy, fiftyish American widow recently a famous stage beauty, but now "drifting." With poignant wit and his own particular brand of relish, Williams charts her drift into an affair with a cruel young gigolo.

Hardcover. Birmingham AL, Legal Classics Library, reprint, 1984, Book: Very Good, Dust Jacket: None, Hardcover, full green leather, spine in five compartments separated by raised bands, gilt lettering in one compartment, gilt tooling in remainder, gilt border and decoration on covers, a.e.g, marbled endpapers, silk ribbon marker bound in. A word-for-word report of the famous court test of the Tennessee Anti-Evolution Act, at Dayton, July 10 to 21, 1925, including the speeches and arguments of attorneys, testimony of noted scientists, and Bryan's last speech. Former owner's bookplate to front endpaper, otherwise very clean, with a tight binding.

Softcover. The New Press, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 364 pages. Collects the Pulitzer Prize-winning oral historian's remarkable conversations with some of the greatest luminaries of film and theater. Originally published under the title The Spectator, this "knowledgeable and perceptive" (Library Journal) look at show business presents the actors directors, playwrights, dancers, lyricists, and others who created the dramatic works of the twentieth century. Among the many highlights in these pages, Buster Keaton explains the wonders of unscripted silent comedy, Federico Fellini reflects on honesty in art, Carol Channing reveals that she is far more serious than she lets on, and Marlon Brando turns the tables and wants to interview Terkel. We learn about crucial artistic decisions in the lives of Arthur Miller, Tennessee Williams, and Edward Albee and hear from a range of film directors, from Vittorio De Sica and King Vidor to Satyajit Ray. We even get to witness Terkel playing straight man to a wildly inventive Zero Mostel. Clean copy.

Softcover. NY, Theatre Arts, 1956, Book: Very Good, Dust Jacket: None, Softcover, 94 pages, b&w illustrations. In stapled wrappers.Good used condition with cover lightly worn. *Waiting for Godot* by Samuel Beckett. "Why She Would Not": A Little Comedy by George Bernard Shaw. Florida Premiere for New Tennessee Williams Play: *Sweet Bird of Youth*. McKenna in "Saint Joan". Zolotow on The Actors Studio. "Carmen Jones". Clean copy.

Hardcover. Franklin Center PA, The Franklin Library, 1st, 1987, Book: Very Good, Dust Jacket: None, Hardcover in decorated red leather. This limited first edition has been signed by Arthur Miller exclusively for members of the The Signed First Edition Society. All edges gilt, marbled endpapers, sewn-in silk bookmarker. Clean, fresh and bright. His aurobiography. Pulitzer Prize-winning playwright Arthur Miller tells his life story with humor, passion, and candor. Beginning with his childhood and continuing through his life and career telling of both successes and failures. Miller gives colorful portraits of those people who touched his life, such as Marilyn Monroe, Orson Wells, Lucky Luciano, Clark Gable, Tennessee Williams, John F. Kennedy, Mikhail Gorbachev, and many more. Clean, bright copy.

Hardcover. NY, Crown, 1st, 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 644 pages, b&w illustrations. After a protracted squabble over private papers with the playwright's estate, Leverich delivers this hefty first volume of a projected two-volume life of Tennessee Williams (1911-1983). In it, Leverich, who produced several of Williams's plays and calls himself Williams's "chosen biographer", covers the years through 1945, when The Glass Menagerie opened on Broadway. Treated are Williams's youth in Mississippi and St. Louis; the college years at the universities of Missouri and Iowa; bumming around (but always writing) in New Orleans and Greenwich Village; the disaster of his first Broadway play (it closed in Boston); script writing, or avoiding it, at MGM's Hollywood mill; and, finally, the evolution of Menagerie, a wonderfully detailed and dramatic case history in itself. Leverich's overworked conceit, which he restates at intervals, is that this is the life of Tom Williams, a "repressed puritan" poet, who in time created a more flamboyant public persona called Tennessee. A few matters are set straight. Leverich maintains his subject's active homosexual life started in his late 20s, later than Williams stated in his memoirs, and that his sister's infamous lobotomy came later than his mother claimed. Although the accumulation of information is impressive, the lower Leverich keeps his own profile and editorial commentary the better his book is, which means it is at its best when it simply reproduces Williams's sporadically kept journal. If you believe that all the details of a life are but preparation for a single event, in this case, the opening of a remarkable play, this is an impressively argued biography.

Hardcover. NY, Abbeville Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 408 pages, b&w illustrations. This remarkable collection of stories, hand-picked from the archive of legendary New York Post columnist Leonard Lyons by his son, film critic Jeffrey Lyons, will transport readers back to the sparkling peak of New York City nightlife. This was the time when notables of every sort--film producers and stars, writers, politicians, comedians, athletes, and artists--gathered nightly at such famed restaurants and nightclubs as Sardi's, the Stork Club, and the Copacabana. From 1934 to 1974, Leonard Lyons was a fixture at these clubs, befriending celebrities of all stripes and gathering exclusive tidbits for his syndicated newspaper column, The Lyons Den. What a Time It Was! offers candid portraits of stars and statesmen at work and at play--especially at play--but still, effortlessly, larger than life. Illustrated with snapshots and glamour shots, it offers a unique window onto the lives of iconic figures from Ethel Barrymore and Muhammad Ali to Tennessee Williams and Jackie Kennedy, as well as their favorite haunts. Here are four decades of popular culture seen from the front row, by a man who said, "Give me lights and sound and people, and music into the night. Late into the night!"

Hardcover. New York, Glitterati, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. The book is the first to document the American punk scene to the public at large and now represents the epitome of the scene at the timeFeatures photographs of artistic and performance luminaries such as Man Ray, Tennessee Williams, Mick Jagger, Patti Smith, Richard Hell, Alice Cooper, Iggy Pop, David Bowie, Zandra Rhodes, Divine, Lance Loud, and Marilyn Chambers, among others.