Boston, Houghton Mifflin, 1st, 1964, Book: Very Good, Dust Jacket: Very Good, Hardcover. 93 pages. Black & white illustrations by Bill Sokol. Ex-library with usual markings and stamping. Library bookplate front end paper and residue from paper pasted onto rear endpaper. Residue from library label on dust jacket spine. Otherwise very good.

Hardcover. New York, Harper & Row , 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white illustrations by Mel Furukawa. Dust jacket shows minor wear and chipping. Laid-in: Slip showing this a review copy.

Hardcover. NY, Henry Holt, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover. 249 pages. Black and red striped dust jacket with light edgewear. A clean, tight copy.

Hardcover. NY, St. Martin's Press, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 330 pages, b&w illustrations. Paris in the 1920s was bursting with talent in the worlds of art, design and literature. The city was at the forefront of everything new and exciting; there was no censorship; life and love were there for the taking. At its center was the gorgeous, seductive English socialite Nancy Cunard, scion of the famous shipping line. Her lovers were legion, but this book focuses on five of the most significant and a lifelong friendship. Her affairs with acclaimed writers Ezra Pound, Aldous Huxley, Michael Arlen and Louis Aragon were passionate and tempestuous, as was her romance with black jazz pianist Henry Crowder. Her friendship with the famous Irish novelist George Moore, her mother's lover and a man falsely rumored to be Nancy's father, was the longest-lasting of her life. Cunard's early years were ones of great wealth but also emotional deprivation. Her mother Lady Cunard, the American heiress Maud Alice Burke (who later changed her name to Emerald) became a reigning London hostess; Nancy, from an early age, was given to promiscuity and heavy drinking and preferred a life in the arts to one in the social sphere into which she had been born. Highly intelligent, a gifted poet and widely read, she founded a small press that published Samuel Beckett among others. A muse to many, she was also a courageous crusader against racism and fascism. She left Paris in 1933, at the end of its most glittering years and remained unafraid to live life on the edge until her death in 1965. Remainder dot top edge otherwise clean.

Hardcover. New York, Harcourt Brace, 1st, 1927, Book: Good, Dust Jacket: None, Hardcover. 88 pages. Black silhouette illustrations by Decie Merwin. Rubbing to spine, corners. Spine faded.

Hardcover. Washington.DC, Smithsonian, 1st , 1995, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Black & white illustrations.

Hardcover. NY, Grosset & Dunlap, reprint, Book: Very Good, Dust Jacket: Good, Hardcover, light green cloth with black lettering, in a bright dust jacket with light edgewear, chipping, 297 pages. Rear dj lists to Wild Horse Mesa. Embossed stamp to half title page, otherwise clean.

Hardcover. Baltimore, MD, Butternut & Blue, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 335 pages. Hardcover. b/w illustrations throughout. Blue cover boards, black title and design on spine and covers. Dust jacket is unclipped, some scratches/rubbing to back cover, otherwise excellent.

Hardcover. NY, William Morrow, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 200 pages, lavishly illustrated with examples of Sendak's work, illustrated endpapers. Bound in black cloth with gold lettering. The bestselling author of the wildly imaginative "Wicked Years" presents a magical visual tribute to the art of the legendary Maurice Sendak. SIGNED BY MAGUIRE on title page.

Hardcover. Boston, Lee and Shepard, 1st, 1904, Book: Good, Dust Jacket: None, 332 pages. Hardcover. Previous owners name on front endpaper. Black & white illustrations by Charles Copeland. Titles on cover and spine in gilt. Fading to spine with beginning of fraying at top and bottom. Clean, unmarked text.Phillips Exeter Series.

Hardcover. Chicago, Swallow Press, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, 86 pages. Collection of 116 black-and-white & 26 color plates showing the satirical political cartoonist at his best. Introduction by Jessica Mitford. Bright, clean cop in a price-clipped dust jacket.

NY, Viking, 4th pr., 2011, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 594 pages, b&w illustrations. Of the great figure in twentieth-century American history perhaps none is more complex and controversial than Malcolm X. Constantly rewriting his own story, he became a criminal, a minister, a leader, and an icon, all before being felled by assassins' bullets at age thirty-nine. Through his tireless work and countless speeches he empowered hundreds of thousands of black Americans to create better lives and stronger communities while establishing the template for the self-actualized, independent African American man. In death he became a broad symbol of both resistance and reconciliation for millions around the world. Manning Marable's new biography of Malcolm is a stunning achievement. Filled with new information and shocking revelations that go beyond the Autobiography, Malcolm X unfolds a sweeping story of race and class in America, from the rise of Marcus Garvey and the Ku Klux Klan to the struggles of the civil rights movement in the fifties and sixties. Reaching into Malcolm's troubled youth, it traces a path from his parents' activism through his own engagement with the Nation of Islam, charting his astronomical rise in the world of Black Nationalism and culminating in the never-before-told true story of his assassination.

Softcover. Iowa City, University of Iowa, 1st, 1999, Book: Near Fine, Dust Jacket: None, Softcover, 115 pages, b&w illustrations. Paper wraps. Table of contents with black and white copies of Malevich's sketches and art work. Partial quote from the forward by Stephen Prokopoff "As the work of the principal theoretician of the extraordinary modernist development that occurred in Russia during the first quarter of the twentieth century, Malevich's writings provide an important entry to the understanding of its artistic production and to the thought that animated it."

Softcover. Iowa City, University of Iowa, 1st, 1999, Book: Near Fine, Dust Jacket: None, Softcover, 115 pages, b&w illustrations. Paper wraps. Table of contents with black and white copies of Malevich's sketches and art work. Partial quote from the forward by Stephen Prokopoff "As the work of the principal theoretician of the extraordinary modernist development that occurred in Russia during the first quarter of the twentieth century, Malevich's writings provide an important entry to the understanding of its artistic production and to the thought that animated it."

Hardcover. London, Hutchinson, 1st UK, 1994, Book: Very Good, Dust Jacket: Very Good, Black cloth covers with silver titles, silver metallic dust jacket with black graphic illustration and black titles, acetate protective covering to dust jacket. Slight rubbing to dust jacket, covers and pages clean, crisp and unmarked; a very clean, tight copy. Adopted off the streets as a child by a policeman's family, NYC policewoman Kathleen Mallory had never shaken the wild nature of her youth, and when her adoptive father is murdered during a series of stabbings, she is driven to find the truth. A first novel.

Hardcover. Lexington KY, University Press of Kentucky, 1st, 2013, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. An Armenian national raised in Russia, Rouben Mamoulian (1897--1987) studied in the influential Stanislavski studio, renowned as the source of the "method" acting technique. Shortly after immigrating to New York in 1926, he created a sensation with an all-black production of Porgy (1927). He then went on to direct the debut Broadway productions of three of the most popular shows in the history of American musical theater: Porgy and Bess (1935), Oklahoma! (1943), and Carousel (1945). Mamoulian began working in film just as the sound revolution was dramatically changing the technical capabilities of the medium, and he quickly established himself as an innovator. Not only did many of his unusual camera techniques become standard, but he also invented a device that eliminated the background noises created by cameras and dollies. Seen as a rebel earlier in his career, Mamoulian gradually gained respect in Hollywood, and the Directors Guild of America awarded him the prestigious D. W. Griffith Award for Lifetime Achievement in 1983. In this meticulously researched biography, David Luhrssen paints the influential director as a socially conscious artist who sought to successfully combine art and commercial entertainment. Luhrssen not only reveals the fascinating personal story of an important yet neglected figure, but he also offers a tantalizing glimpse into the extraordinarily vibrant American film and theater industries during the twenties, thirties, and forties.

Hardcover. NY, Studio / Viking Press, 1st US, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover in an edgeworn, unclipped dust jacket. Oblong format. A collection of 90 black and white photographs commissioned by IBM "on man's continuing dialogue with machines." DOMESTIC SHIPPING ONLY.

Hardcover. NY, The Viking Press, 1st, 1971, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn, chipped dust jacket. 116 pages with b&w images by Bresson. Oblong format. A collection of 90 black and white photographs commissioned by IBM "on man's continuing dialogue with machines." Clean copy.

Hardcover. New York, Random House, First Edition, 2008, Book: Very Good, Dust Jacket: Very Good, 354 pages. Hardcover. Black cloth boards with gilt titles to spine. Black & white illustrations throughout. Dust jacket with only light marginal wear. Clean & unmarked.

Softcover. New York, Delano Greenidge Editions, 1st, 2000, Book: Very Good, Dust Jacket: None, 104 pages. Softcover. Black and white photographs. Light edgewear to wrappers. May Ray's iconic black and white photographs, originally published in Paris and New York in 1934. Introduction in English with French, German, Spanish, and Italian translations. Includes bibliography.

Softcover. Boston MA, Little, Brown and Company, reprint, 1999, Book: Very Good, Dust Jacket: None, 319 pages, paperback. Man Ray's extraordinary autobiography, which reveals the entertaining life and times of the remarkable artist. Color and black-and-white illustrations throughout. Mild rubbing and edgewear to wraps. Lower fore edge corner slightly creased. Light pen mark to front flyleaf. A bright and tight copy.

Hardcover. Boston, Godine, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white illustrations by Mary Azarian. Light edgewear to price-clipped dust jacket. SIGNED BY AZARIAN. A man who had been unhappy as a child finds after he has grown up that he is happy living alone in his cabin in the New England woods.

Hardcover. Boston, Godine, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white illustrations by Mary Azarian. Light edgewear to price-clipped dust jacket. SIGNED BY AZARIAN. A man who had been unhappy as a child finds after he has grown up that he is happy living alone in his cabin in the New England woods.

Hardcover. N Y, Random House, 1st, 1940, Book: Good, Dust Jacket: None, Hardcover. Previous owner's sticker, name blacked-out on front end papers. Spine with light fade. Internally very good.