Hardcover. New Brunswick, Rutgers, 1st, 1988, Book: Very Good, Dust Jacket: None, Hardcover, 340 pages. Illustrated with black & white stills. 1 of 500 copies in Hardcover. No dust jacket. Clean, bright copy.

Hardcover. New York, Henry Holt, 1st, 1937, Book: Very Good, Dust Jacket: Good, Hardcover. 200 pages. Black & white illustrations by Helen Finger. Red top edge. Dust jacket with chipping, soiling. Price clipped. Clear plastic protective cover. Quaint story of a little Bavarian town in medieval days.

Softcover. Washington, Smithsonian Institution, 1st, 1973, Book: Very Good, Dust Jacket: None, 236 pages. Paperback with faded paper wrappers. Black and white and colored pictures throughout. Tight copy

Hardcover. NY/London, Macmillan / A&C Black, 1st, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth with yellow lettering, color illustrated paste-down, 14 color plates by J.H. Hartley. 26 songs with music, 58 pages. Endpapers with mild foxing, otherwise clean

Hardcover. Burlington, Chittenden County Historical Society, 1st, 1976, Book: Very Good, Dust Jacket: Good, 494 pages. Hardcover. Illustrated with black & white photographs. Dust jacket with light wear - jacket now protected with clear plastic cover. Clean, tight copy.

Hardcover. New York , Random House , reprint, 1964, Book: Very Good, Dust Jacket: Good, Hardcover, 114 pages, illustrated in b&w by John Burningham. Book is bound in red cloth with gilt lettering. Edition is not stated, no date on the title page, copyright page states 1964. Contains 111 numbered pages with an additional 3 unnumbered. 16 line dedication. All pages are very clean and the binding is tight. Top edge stained black, dust jacket has light edgewear. Price of $3.50 on the front flap. Would appear to be a second or third printing of the first edition.

Hardcover. New York , Random House , reprint, 1964, Book: Very Good, Dust Jacket: Good, Hardcover, 114 pages, illustrated in b&w by John Burningham. Book is bound in red cloth with gilt lettering. Edition is not stated, 1964 on the title page. Contains 111 numbered pages with an additional 3 unnumbered. 16 line dedication. All pages are very clean and the binding is tight. Top edge stained black, dust jacket has light edgewear. Price of $3.50 on the front flap. Would appear to be a second or third printing of the first edition.

Hardcover. Boston, Houghton Mifflin, 1st US, 1935, Book: Very Good, Dust Jacket: None, Hardcover, black cloth with red lettering, 292 pages. Super clean, tight copy.

Hardcover. New York, Schiffer, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, 160 pages. Hardcover with dust jacket. Color photographs throughout. Clean, tight copy.

Softcover. New York, Fleischmann & Co., 1893, Book: Very Good, Dust Jacket: None, 47 pages, printed in brown ink, black textured paper wrappers with gilt lettering. Mostly baking recipes from the famous yeast maker. String tie binding a little frayed but overall very good.

Hardcover. Cambridge MA, Wexner Center and MIT Press, 1sr, 2007, Book: Very Good, Dust Jacket: None, Hardcover, oblong pictorial boards, Any new film and any new book by French filmmaker Chris Marker is an event. Marker gave film lovers one of their most memorable experiences with La Jetee (1962)-a time-travel montage set after a nuclear war that inspired Terry Gilliam's Twelve Monkeys (1995). His still camerawork is not as well known, but Marker has been taking photographs as long as he has been making films. Staring Back presents 200 black-and-white photographs from Marker's personal archives, taken from 1952 to 2006. Some of the photographs are related to his classic films (which include Le Jetee, Sans Soleil, Cuba Si!, and The Case of the Grinning Cat), others are portraits of famous faces (Simone Signoret, Akira Kurosawa), but most are pictures of people Marker has encountered as he has traveled the world (an extra who appeared in Kurosawa's Ran, a woman seen on a street in Siberia). The central section of the book contains a series of photographs documenting political protests Marker has witnessed, including the march on the Pentagon in 1967, the events of May 1968 in Paris, and the tumultuous 2006 demonstrations protesting the French government's proposed employment policies. Still in publisher's shrinkwrap.

Hardcover. London, John Bennett, reprint, 1832, Book: Very Good, 366 pages photocopied from the 1832 Seventh Edition, xeroxed two leafs per page with the reverse side blank. Bound in oblong black cloth covers. Volume 1 only (of 2).

Hardcover. Oxford, England, Oxford University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, 328 pages. Hardcover. B/w illustrations throughout. Previous owner's name on front flyleaf. Black cover boards, gilt title on spine. Binding tight. Spine straight. Pages clean, unmarked, bright. Dust jacket unclipped, excellent, glossy. Assesses the comexity and fluidity of Christian identity from the reign of Elizabeth I and the early Stuart kings through the English Revolution, and into the Restoration, which the English Church and monarchy were restored.

Hardcover. Philadelphia, Lippincott, reprint, n.d., Book: Very Good, Dust Jacket: Good, 147 pages, illustrated with 12 color and 18 b&w plates by Arthur Rackham. Original red cloth cover with black design, a few small areas where red is flaked, leaving white. Illustrated endpapers. Rear end papers have some light foxing. All plates with tissue guards with red lettering. Dust jacket spine darkened but design and lettering still readable., no price on jacket flap. A tight, clean copy of this reprint. No date but would have to be after 1926.

Hardcover. Garden City, NJ, Garden City Publishing Co., 1st Edition, 1941, Book: Very Good, Dust Jacket: Good, 63 pages. Hardcover. Color and b/w illustrations throughout by Shinn. Dust jacket unclipped, has some agewear. Decorated cover boards and endpapers. Pages clean, pages and edges have a touch of tanning from age, but otherwise unmarked. Binding good. Spine straight. In this beautiful book are collected all the outstanding "Christmas" passages from Dickens' writings, accompanied by Shinn's 12 superb full color drawings, as well a many imaginative and characteristic black and white sketches.

NY, Thomas Y. Crowell, 1st, 1948, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth covers, Black & white illustrations by Garry MacKenzie. Front fly leaf corner clipped. A Christmas story told in poetry. Clean copy.

Hardcover. Boston, Houghton Mifflin, 1st, 1922, Book: Very Good, Dust Jacket: None, Hardcover. 128 pages. Color frontis, black & white illustrations by Louise Roberts. Green cloth covers with red & black decorations, lettering. Light wear to spine bottom edge, corners.

Hardcover. New York, Charles Scribner's Sons, 1st, 1912, Book: Good, Dust Jacket: None, Hardcover, green cloth stamped with gilt and black, 119 pages. Eight color and six b&w plates by Florence Storer. Previous owner's signature on front fly leaf, otherwise clean.

Hardcover. New York, Pantheon, 1st US, 1986, Book: Very Good, Dust Jacket: Very Good, Hardcover, 88 pages, INSCRIBED BY CHRISTO on title page to "Eeva annd Elvia" dated 1986. Color and black & white photographs throughout, light dust jacket edge wear and fade, otherwise, clean and tight copy.

Hardcover. Edinburgh, Floris Books, 1st, 1992, Book: Very Good, Dust Jacket: None, Oblong glazed boards, color plates throughout by author. Christopher meets the spirit of September in the garden, and is introduced to all the harvest folk: the Gooseberry girls and boys, old man Black-Currant, the misses Plum and the proud Strawberries. First published in Sweden in 1920, this is the first English language edition. Clean, bright copy.

Hardcover. Fleischmanns, NY, Purple Mountain Press , 1st, 1999, Book: Very Good, Dust Jacket: None, 440 pages. Hardcover with no dust jacket. Light soil on front and back covers. Black and white illustrations throughout. SIGNED ON TITLE PAGE, numbered 10/60.

Hardcover. New York, Harmony Books, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 346 pages. Hardcover with dust jacket. Clean, tight copy. Black and white pictures throughout.

Paperback. New York, Prestel, Revised, 2007, Book: Very Good, Dust Jacket: Very Good, 335 pages. Oversize hardcover with dust jacket. A very clean, unmarked copy with minor wear to dust jacket edges. Now available in a revised and expanded edition, this book offers the first comprehensive critical examination of one of America's most celebrated living artists. Chuck Close reinvented portraiture almost four decades ago with a series of nine-foot-tall, black-and-white likenesses of himself and fellow artists, which astonished an art world dominated by minimalism and conceptualism. Close has since explored an array of mediums. This lavish, large-format volume is the first to deal with all aspects of Close's career and to place them in a biographical context. Christopher Finch's insight into CLose's achievement comes by way of hundreds of studio visits and thousands of hours of conversation since he met Close in 1968. Finch provides an engaging, in-depth analysis of Close's portraits on canvas, from the continuous-tone airbrushed heads of the 1960s and '70s to the painterly "prismatic grids" of the past two decades. The more than 300 illustrations features in the book survey almost all of CLose's paintings, including his most recent work, together with a selection of his prints and multiples, and examples of his photographic oeuvre. This beautifully designed volume reveals not only the variety of pictorial strategies Close has devised, but the extrordinary personality of the artist behind the work.

NY, Oxford University Press, 1st US, Book: Very Good, Dust Jacket: None, Hardcover, green cloth stamped in gilt. Color frontis. and black & white illustrations by George Morrow. Illustrated end papers. Edgewear and mild soil to covers. No markings.