Hardcover. New York , W. W. Norton & Company, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 159 pages. Hardcover with dust jacket. Indentations on back cover otherwise, clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout.

hardcover. NY, Coward, McCann & Gegoghegan, 1st, 1977, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Black & white illustrations by Tom Allen

Hardcover. Boston, Houghton Mifflin, 1st, 1952, Book: Very Good, Dust Jacket: None, Hardcover, red cloth stamped in black, 241 pages. Young adult adventure about the days of sail and a young girl's determination to find her parents, lost on a trip around the horn on the bark 'Pandora.' Set in a small town on the Maine coast, where the coming of the trading schooners was a celebrated event. Illustrated by Joshua Tolford with sepia toned illustrations. Light fade to spine, otherwise very good, clean.

Hardcover. London, George Allen & Unwin , 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover. Very good copy in the original title-blocked black cloth with red lettering. 178 pages including index. The Russian revolutionary's thesis on the economic and political decline of England. Clean copy.

Hardcover. NY, Methuen Publishing , 1st, 1988, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 235 pages. Covers such subjects as black literature; the reconstruction of culture, changing arts, letters and sciences to include the topics of women and gender; and, the nature of family and the changing roles of women within society. As such, Catharine Stimpson employs a transdisciplinary approach, to encourage greater understanding of the differences among women, and thus socially-constructed differences in general. Where the Meanings Are tells of some of the arguments within feminism during the re-designing and designing of cultural spaces, as post-modernism began to change the boundaries of race, class, and gender. Clean copy.

Hardcover. Newtown CT, The Taunton Press, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 266 pages. The past has left behind only scattered clues that, on their own, provide little insight into how the people of early America lived and the details of their daily lives. The photographs in this book, the deeply informed narrative that accompanies them, and the eyewitness accounts of daily life that the author weaves throughout, provide a fresh perspective on our early American ancestors and the places they called home. This book is about how their houses and their life in them, from the wealthy to the impoverished, from New York City to the small farms and plantations of the South, from coastal fishing towns to the Western frontier of Indiana and Kentucky. The stories focus on the remarkably vivid differences from one part of the country to the next, class and culture, and the realities of everyday life for American families. These stories twine around a wide selection of HABS photographs of early houses, covering the variety and evolutions of house styles -- not by labeling the style but by explaining the style in the context of everyday life. Richly illustrated with handsome black-and-white photography of old houses from the Library of Congress Historic American Building Survey (HABS) collection and supplemented with period woodcuts, engravings, drawings, paintings, artifacts, and maps, the book is printed on a 4-color press for a depth of tone. Sidebar excerpts from diaries, journals, and letters inject graphic eyewitness descriptions, adding an additional layer of insight. The book also includes sidebars called Still Standing that traces the history of specific houses, from their origins to the present and includes information on the original family, how the house has evolved over the centuries, and how it's used today.

Hardcover. NY, Beach Lane Books, 1st, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 32 pages illustrated in color by Wolff. When night falls, the sweet and curious black bear cub and his mother go looking for food. Mama hunts and Baby Bear explores. "'Where, oh where, is Baby Bear?' calls Mama." Readers won't worry, because Wolff has hidden Baby Bear in the spread for them to find. "Here I am, Mama," he replies each time. The sky subtly darkens as they make their way through their world, each page featuring creatures that share the habitat with the bear family: the placid owl, a faun, raccoons, and otters. Here too are the mushrooms, ferns, and cattails of a woodland life, providing young viewers with a window into nature. The scope of their adventure is recalled at the end of the story, as Wolff shows the pair making their way back through the meadow, around the pond, across the river, between the birch trees, down the cliff, and into their den. Clean copy.

Hardcover. NY, Holiday House, Reprint, 1959, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Illustrated in black & white by author. Light rubbing to dust jacket. Light soil on covers.

Hardcover. NY, Random House, 1st, 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Finding seeds of inspiration in the stories of the Brothers Grimm, seventeenth-century French lore, and Scottish ballads, Kelly Link spins classic fairy tales into utterly original stories of seekers--characters on the hunt for love, connection, revenge, or their own sense of purpose. Clean copy.

New York, Viking Press, 1st, 1937, Book: Good, Dust Jacket: None, Hardcover, red cloth cover, leaping stag embossed on front. 94 pages. Black & white illustrations by Seredy. Previous owner's signatures on front end paper. Slight discoloration to edges of pages. Water stain to covers. Faded spine.

Hardcover. NY, Viking/Jr. Literary Guild, 1st , 1937, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers, red lettering on spine. Leaping stag embossed on front. No dust jacket. Black & white illustrations by Seredy. Light residue to rear end paper suggests ex-lib otherwise clean with light wear. Cloth corners with minor fraying.

Hardcover. Cambridge MA, The MIT Press , reprint, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. An interesting look at the first hamburger chain of restaurants White Towers. Includes numerous black and white images. The pioneering hamburger chain founded in 1926, never felt the need for advertising; it depended on its instantly recognizable building to say it all 189 pages, clean copy.

Hardcover. NY, Windmill/Simon & Schuster, 1st, 1968, Book: Very Good, Dust Jacket: None, Non-Paginated. Hardcover, blue cloth covers with black lettering. Full color illustrations by Whitney Darrow, Jr. Light wear. Clean, tight copy. No dust jacket.

Hardcover. NY, Rinehart & Company, 1st, 1946, Book: Good, Dust Jacket: Poor, Hardcover, 391 pages, poor dust jacket tattered with a chunk gone from spine and rear panel. An anthology edited by Derleth, collecting previously published stories by Ray Bradbury, H. P. Lovecraft, Theodore Sturgeon, Algernon Blackwood, and others. Grey cloth with green titling and decoration, with b&w illustrations by Lee Brown Coye. Spine square. Binding sound. Clean copy.

Hardcover. New York, Harcourt Brace and Co., reprint, 1946, Book: Very Good, Dust Jacket: None, Hardcover, 281 pages, illustrated in b&w by James MacDonald. Black cloth with yellow lettering and design. A tale of stagecoachs and highwaymen in New Hampshire. Clean copy.

Hardcover. New York, Harcourt Brace and Co., 1st, 1937, Book: Very Good, Dust Jacket: None, Hardcover, 281 pages, illustrated in b&w by James MacDonald. Black cloth with yellow lettering and design.

Hardcover. Boston, Little, Brown and Company, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, Non-paginated. Hardcover with dust jacket. Black silhouetted illustrations by Ed Young. Clean, tight copy with light wear to dust jacket and covers.

hardcover. NY, Harper & Row, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover. Black & white photos by Ylla. Light edgewear to dust jacket and rubbing. Shelf wear to covers.

Hardcover. New York, Coward, McCann & Geoghegan, 5th pr, 1974, Book: Good, Dust Jacket: None, Hardcover. 47 pages. Black & white and two-color illustrations by Trina Schart Hyman. INSCRIBED BY HYMAN on front end paper. Soiling, fading to covers.

Hardcover. Glasgow, Blackie & Son Limited, 1st, 1974, Book: Good, Dust Jacket: Good, 32 pages. Hardcover. Full color illustrations by Joanna Troughton. Slight darkening to page edges. Dust jacket with degree of darkening, light wear along edges. Clean, unmarked pages.

Hardcover. Roslyn NY, Walter J. Black, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. Three complete unabridged mysteries in one volume. Detective Book Club Edition. Clean, bright copy.

Hardcover. Boston, Houghton Mifflin, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 68 pages. Black & white woodcuts by David Frampton. Dust jacket is protected by a mylar cover.

Hardcover. Jackson MS, University Press of Mississippi, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover, 240 pages. Like new in publisher's shrink-wrap. Cartoonist Winsor McCay (1869-1934) is rightfully celebrated for the skillful draftmanship and inventive design sense he displayed in the comic strips Little Nemo in Slumberland and Dream of the Rarebit Fiend. McCay crafted narratives of anticipation, abundance, and unfulfilled longing. This book explores McCay's interest in dream imagery in relation to the larger preoccupation with fantasy that dominated the popular culture of early twentieth-century urban America.McCay's role as a pioneer of early comics has been documented; yet, no existing study approaches him and his work from an art historical perspective, giving close readings of individual artworks while situating his output within the larger visual culture and the rise of modernism. From circus posters and vaudeville skits to department store window displays and amusement park rides, McCay found fantastical inspiration in New York City's burgeoning entertainment and retail districts. Wide Awake in Slumberland connects McCay's work to relevant children's literature, advertising, architecture, and motion pictures in order to demonstrate the artist's sophisticated blending and remixing of multiple forms from mass culture. Studying this interconnection in McCay's work and, by extension, the work of other early twentieth-century cartoonists, Roeder traces the web of relationships connecting fantasy, leisure, and consumption. Readings of McCay's drawings and the eighty-one black and white and color illustrations reveal a man who was both a ready participant and an incisive critic of the rising culture of fantasy and consumerism.

Hardcover. New York, Alfred A. Knopf, 1st, 1949, Book: Good, Dust Jacket: Good, Non-paginated. Hardcover. Black & white illustrations by Henry C. Pitz. Water stain to front cover. Light rubbing to spine, corners. Dust jacket with edgewear, soiling.