Hardcover. NY, International Polygonics, 1st, 1989, Book: Very Good, Dust Jacket: Very Good, Ed. by Douglas G. Greene. Hardcover in a bright, price-clipped dust jacket.
Hardcover. NY, Knopf, 1st US, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 408 pages. SIGNED BY AUTHOR on title page. Top edge dyed. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. US, Knopf, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 408 pages. Clean, unmarked copy with only minor wear to dust jacket.
Hardcover. New York, Chelsea House, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, Hardcover, 376 pages. Illustrated with black & white comic panels selected from the years 1929 - 1949. Introduction by Ray Bradbury. Minor wear to dust jacket. Additional postage required due to size and weight of book. Clean, tight copy.
Hardcover. London, Secker & Warburg, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 215 pages, SIGNED BY AUTHOR on title page. Spotless copy.
Hardcover. New York , The Macmillan Co., 1st, 1952, Book: Very Good, Dust Jacket: Good, 200 pages. Hardcover. Illustrated in black & white by Helen Sewell. Dust jacket with small chips, tears.
Hardcover. NY, Coward-McCann, 1st, 1939, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth stamped with silver lettering, 217 pages with b&w illustrations by Hodges. Endpapers map in blue. Previous owner's bookplate and name. Otherwise a clean copy.
Hardcover. NY, Doubleday & Company, 1st, 1958, Book: Very Good, Dust Jacket: Fair, Hardcover in a worn and chipped dust jacket. Bookplate on inside front cover, otherwise clean.
Hardcover. NY, Doubleday & Company, 1st, 1977, Book: Good, Dust Jacket: Good, Hardcover, in a dust jacket with light fading to spine. The author's uncommon first book. Ex-lib with endpapers residue and light stamping. A novel about a high school's star majorette in a small delta town in the South.
Softcover. Greenwich, CT, Fawcett Gold Medal Publishing, 1st, 1951, Book: Very Good, Dust Jacket: None, 158 pages. Paperback. Gold Metal Book #150. Cover art by Bayre Phillips. Light creasing to paper wrappers.
Hardcover. NY, HarperCollins, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 177 pages. INSCRIBED BY BLOOM ON FRONT FLY LEAF. Related newspaper clippings laid in. A very nice, tight copy. A first collection of short stories features tales of psychiatrists crossing professional boundaries, a small girl in need of love, a frightened father in need of redemption, and wives who become mistresses.
Hardcover. London, Michael Joseph, 1st, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, SIGNED BY FRANCIS on half-title page. Clean copy. Peter Darwin, a young First Secretary in the Foreign Office, returns from Tokyo for some quiet leave before taking up a new post. On the way he stops briefly in Miami, and there becomes entangled in a fracas which involves his going back not just to England but to Gloucestershire, scene of the long-buried memories of his childhood.
Hardcover. New York, Mysterious Press, 1st, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 292 pages, SIGNED BY DONALD WESTLAKE(STARK) on title page.
Hardcover. London, The Bodley Head, 1st, 1966, Book: Near Fine, Dust Jacket: Near Fine, Dark green cloth covers, gilt lettering on spine, top of spine is light violet. A near fine copy in a bright dust jacket.
Hardcover. NY , Harper and Row, 1st, 1985, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Black and white illustrations by Randy Gaul. dust jacket price-clipped. Four short stories: The Shade Cutter, Enemies of the Eye, Slaves of Sham, Country Pay. The tales present the adventures of itinerant artisans and tradesmiths as they travel through a small New England town in the year 1800.
Philadelphia, Westminster Press, Reprint, 1967, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. Black & white illustrations and color dust jacket drawing by James Hough. Crease to top of page 16. Dust jacket with top & bottom of spine worn.
Hardcover. Boston, Estes & Lauriat, 1st, 1894, Book: Very Good, Dust Jacket: None, Pages: (1) 312, (2) 321. Hardcovers. 2 VOLUME SET. International Limited Edition Set: #959 out of 1000 printed sets. All volumes: B/w illustrations/plates throughout, each with tissue guard, bound in green cloth (slight fraying at top of spine), paste down title label on spine (some tanning and chipping to labels, but both are in good shape and legible). Gilt top edges. Deckled fore and bottom edges. Tanning to pages and edges due to advanced age. Beautiful collector's item over 120 years old.
Hardcover. New York , Pantheon, reprint, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 296 pages, b&w illustrations by Spiegelman. Maus is a holocaust survival story, a biography, and an autobiography. Written as a graphic novel (and winner of a Pulitzer Prize), Art Spiegelman captures the process of interviewing his father while simultaneously telling his father's story. In that sense, the text is very self-reflexive - there are parts in it showing Spiegelman working to create the very page you read, as previous parts of the his father's story are reintroduced from previous portions of the text. The story is complex. It not only details the horrors of the holocaust and the extreme lengths to which people went to survive, but it also captures the harrowing guilt survivors faced, and the lifelong aftereffects of the war. It also shows the struggle between father and son, both through the lens of a typical familial challenge, and of those unique between a survivor and child born afterwards.
Hardcover. New York , Pantheon, reprint, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 296 pages, b&w illustrations by Spiegelman. Maus is a holocaust survival story, a biography, and an autobiography. Written as a graphic novel (and winner of a Pulitzer Prize), Art Spiegelman captures the process of interviewing his father while simultaneously telling his father's story. In that sense, the text is very self-reflexive - there are parts in it showing Spiegelman working to create the very page you read, as previous parts of the his father's story are reintroduced from previous portions of the text. The story is complex. It not only details the horrors of the holocaust and the extreme lengths to which people went to survive, but it also captures the harrowing guilt survivors faced, and the lifelong aftereffects of the war. It also shows the struggle between father and son, both through the lens of a typical familial challenge, and of those unique between a survivor and child born afterwards.
Hardcover. Boston, Houghton, Osgood and Company, 1st US, 1880, Book: Fair, Dust Jacket: None, 347 pages. Green cloth hardcover. Spine cocked. Rear interior hinge cracked. Some stress to binding threads that hold page sections. Moderate fraying to cloth at bottom of spine. Rubbing to corners of front cover. Clean, unmarked text.
Boston, Little Brown and Company, 1st, 1934, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth stamped with yellow lettering. 286 pages illustrated in b&w by Gordon Grant. Follows the popular The Half Deck, which he wrote in 1933. The Monarch, under Capt. McFarlane, leaves the Firth of Clyde for Africa, the Barbadoes, New Orleans, and back. War is declared while in Africa, and the ship tries to outrun a submarine. Small name on front fly leaf otherwise a clean, tight copy.