American Illustrated

Hardcover. NY, Harper and Brothers, 1963, Book: Very Good, Dust Jacket: None, Hardcover, bound volume of every issue for 1863. Profusely illustrated, Exceptional condition. Clean. Extra shipping charges may apply. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, STEWART TABORI CHANG, 1ST, Book: Very Good, Dust Jacket: Very Good, Hardcover, 378 pages. Here is a musical history told in legends, facts, and rumors every bit as colorful as the images that illustrate the book. The story is filled with characters such as O.V. Wright, a singer deemed "too ugly to tour"; Frnakie Lymon, who received a hot dog as full payment for some of the greatest R&B songs of all time; LaVern Baker, a.k.a. "Little Miss Sharecropper"; Bille Holiday shooting dice with the boys on the bus; Solomon Burke, R&B immortal and Doctor of Mortuary Sciences; soul ghoul Screamin' Jay Hawkins locked in his coffin by the Drifters; and many otehr talented and unique entertainers. Illustrated with more than 400 original photographs, publicity shots, posters, programs, advertisements, program covers, magazine covers, album covers and sleeves, sheet music, and record labels in full color, this is a story of hot music and high style, of people who made history by being themselves and made the world a richer, wilder and definitely cooler place for the rest of us.

Hardcover. New York, Watson-Guptill Publications, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. Quarto Format. 208 pages, 150 black-and-white and 48 colored illustrations. Notes; Bibliography; Index. Collection of paintings of the American West, primarily Native Americans. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. Boston, Houghton Mifflin , 1st, 1929, Book: Very Good, Dust Jacket: None, Hardcover, illustrations by F.C. Yohn. Color frontispiece. illustrated end papers. Book store stamp on rear paste-down. light edgewear, otherwise clean.

Hardcover. New York, Allston & Depew, 1st, 1939, Book: Good, Dust Jacket: None, 184 pages, hardcover. SIGNED BY AUTHOR on front flyleaf. Illustrated blue boards. Illustrations by George R. Depew throughout. Moderate age toning to all edges. Spotting and soiling to panels, much less so to front panel. Fore and bottom edges rough-cut. Scarce. A tight copy.

Hardcover. New Haven CT, Yale University Press, 1st, 2008, Hardcover, 384 pages. When George Washington embarked on his presidential tours of 1789-91, the rudimentary inns and taverns of the day suddenly seemed dismally inadequate. But within a decade, Americans had built the first hotels--large and elegant structures that boasted private bedchambers and grand public ballrooms. This book recounts the enthralling history of the hotel in America--a saga in which politicians and prostitutes, tourists and tramps, conventioneers and confidence men, celebrities and salesmen all rub elbows. Hotel explores why the hotel was invented, how its architecture developed, and the many ways it influenced the course of United States history. The volume also presents a beautiful collection of more than 120 illustrations, many in full color, of hotel life in every era.

Hardcover. NY, William Morrow and Co., 1st, 1939, Book: Good, Hardcover, oblong salmon cloth-covered boards, illustrated paper label on front cover, wear to corners. Prose and poetry on eleven aspects of Pueblo Indian life, each passage accompanied by a beautiful color illustration after watercolors by Native American artists, including Allan Houser, an Apache who was the great-grandson of Geronimo and Gerald Nailor, a Navajo; both of whom studied at the Santa Fe School. Mild soil, shelfwear. No markings.

Softcover. Seattle WA, University of Washington Press, 1st, 2000-06-01, Book: Very Good, Dust Jacket: None, Softcover, 122 pages. Like new in publishers shrink-wrap.

Softcover. Seattle, University of Washington Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover. Like new in publishers shrink-wrap. Chief Joseph's exhausted words of surrender, 'Hear me, my chiefs, I am tired; my heart is sick and sad. From where the sun now stands, I will fight no more forever', are the accepted end of the Nez Perce War of 1877, in which several bands of Nez Perce attempting to find a new home outside their diminished Idaho reservation clashed with the U.S. military (and occasionally other Indians) along the Clearwater and Big Hole Rivers, and finally at the foot of the Bear Paw Mountains. However, a number of Nez Perce escaped transportation to Indian Territory with Joseph and continued their flight to Canada, with perhaps a hundred eventually joining Sitting Bull's Lakota."I Will Tell of My War Story" reproduces, describes, and discusses a remarkable series of drawings by an anonymous Indian artist who fought with Chief Joseph and later reached Canada. The drawings, in red, blue, and black pencil, include portraits of principal participants in the war, battle scenes, and views of Nez Perce camp life and celebrations during the war and after. The drawings are preserved in a small pocket ledger labeled 'Cash Book' on the front, which was acquired by Indian Agent Charles D. Warner in the 1880s. It was willed by him to a family living in northern Idaho, and is now in the collection of the Idaho State Historical Society. Scott Thompson worked closely both with the owners and with members of the Nez Perce community in preparing his manuscript. Thompson's detective work and research methods to identify Nez Perce and other parties pictured in the Cash Book make fascinating reading. He is careful to point out what is speculation and what has been documented or attested to by experts on dress, weapons, ceremony, and other aspects of Native culture. The Cash Book drawings are unique in several ways. They are one of very few firsthand pictorial records of the Nez Perce War, representing an even scarcer record of this war as seen from the Indian viewpoint. They contain invaluable historical and ethnographic information not only explicit in the form of military and Native dress, regalia, and quite graphic battle scenes, but also implicit. The drawings reveal an important stage of cultural adaptation as shown by the mixture of white and Native goods combined in Nez Perce material culture during the 1870s and 1880s, and by the artist's assimilation of white/European drawing techniques such as texture and perspective. The artist combined these drawing techniques with Native art traditions to make exceptionally effective pictorial communications. Scott M. Thompson is an art teacher at Chase Middle School in Spokane, Washington.

Hardcover. NY, The Society of Illustrators, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 452 pages, illustrated throughout in color and b&w. Light edgewear to dust jacket, else a clean, tight copy. A fascinating history of modern American illustrations traces 140 years of endeavor and the work of more than 450 artistis--including such masters as Maxfield Parrish, Rockwell Kent, and Theodore Geisel--and discusses the different schools of illustration, styles, artistic innovations and trends, and more. DUE TO WEIGHT, This is a heavy and oversized book and will require extra shipping. International customers please ask for a shipping quote before purchasing.

Hardcover. New York, The Free Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, 263 pages. Hardcover. Dust jacket unclipped. Color illustrations throughout. Gilt title on spine. A touch of foxing on spine, otherwise clean inside. Binding tight, in great shape.

Hardcover. San Francisco CA, California Academy of Sciences, 1st, 1981, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages, an exhibition catalog with 43 color plates. Essays by Donald Hagerty, Dan Dixon, Ansel Adams, others. INSCRIBED BY DAN DIXON (the artist's son) on front fly leaf. Embossed white cloth covers in a matching slipcase. 8 page exhibition brochure listing 118 works is laid in.

Hardcover. NY, The Viking Press, 5th pr., 1950, Book: Very Good, Dust Jacket: None, Hardcover, gray cloth covers stamped in blue, 56 pages illustrated in color and b&w by Herrera. Covers with some discoloration, interior clean, no markings.

Hardcover. New York, Platt & Munk, 1st, 1963, Book: Very Good, Dust Jacket: None, 60 pages. Color-illustrated boards, lovely color illustrations in margins, decorated endpapers. Edgewear to covers; a very neat, tight copy.

Hardcover. Hartford CT, Hurlbut, Scranton & Co., 1st, 1864, Book: Very Good, Dust Jacket: None, Hardcover, 763 pages, illustrated with many full-page plates, most hand-colored (including second title page). Leather bound with some splitting along spine edges. Black spine label with gilt lettering. Internally very good, minor foxing.

Hardcover. NY, Watson Guptill, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover. Beautiful copy of this detailed study of the American illustrator. Color, black & white plates. 206 pages. In a bight, unclipped dust jacket.

Hardcover. New York , Watson Guptill, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages illustrated throughout with 175 b&w illustrations and 70 plates in full color. Clean, unmarked copy with only minor edgewear to dust jacket.

Hardcover. New York , Watson Guptill, 1st, 1974, Book: Very Good, Dust Jacket: Good, Hardcover, 208 pages illustrated throughout with 175 b&w illustrations and 70 plates in full color. Clean, unmarked copy with minor closed tears to dust jacket.

Hardcover. New York , Watson Guptill, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 208 pages illustrated throughout with 175 b&w illustrations and 70 plates in full color. Clean, unmarked copy with only minor edgewear to dust jacket.

Hardcover. New Haven CT, Yale University Press, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with a red cloth spine, 174 pages. A gorgeous look at popular illustrators of the Jazz Age and their influential role in the dynamic culture of the 1920s and '30s The 1920s in the United States was characterized by economic prosperity and dramatic social change. Known as the Jazz Age, it was a time when Black music, art, and literature became a powerful cultural force. Shifting roles for women and trends in youth culture coalesced in the figure of the flapper, causing a moral panic chronicled in the expanding popular press. Exploring how the art of popular illustration helped shape this new consciousness and impacted publishing, politics, and daily life, this volume features works by artists such as Aaron Douglas, Nell Brinkley, John Held Jr., and Lois Mailou Jones. Their striking images illustrated the New Yorker, Vanity Fair, The Crisis, Liberty, and the Saturday Evening Post, as well as newspapers, novels, and books for children. Essays foreground the contributions of women and Black artists; draw parallels between music, fashion, and the aesthetics of popular illustration; discuss the impact of the Harlem Renaissance and the national growth of the Black press; highlight the legacy of illustrator Howard Pyle and his students; and consider the appropriation of the subversive jazz culture by a white audience. Clean copy.

Hardcover. NY, Coward, McCann & Geoghegan, 4th pr., 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover in an unclipped dust jacket, 48 pages illustrated in colors and b&w by Margot Tomes. A lead statue of King George III relates the events leading to the American Rovolution through indignant ratings about what he observes. Clean copy.

Hardcover. New York, G. P. Putnam's Sons, reprint, 1894, Book: Very Good, Dust Jacket: None, Two hardcover volumes. Van Twiller Edition, with b&w illustrations by Edward W. Kemble throughout both volumes. In 1809, New Yorkers were buzzing about a series of classified ads concerning the whereabouts of Dutch historian Diedrich Knickerbocker. They were unaware that Washington Irving had invented the man entirely and placed the ads himself. Knickerbocker's purported manuscript, A History of New York, was Irving's own. Told from Knickerbocker's point of view, A History of New York is a chronicle of New York's fifty years under Dutch rule in the 1600s that plays fast and loose with the facts, to uproarious effect. A History of New York propelled Irving to the heights of literary stardom. Gilt and blue design on beveled covers, spine. Top edge gilt, decorated pages, frontispiece with tissue guard. Slight corner bump, edge wear, age darkening to spine, otherwise,very clean and tight copies.

Hardcover. Kansas City, MO, Tell-Well Press, 1st, 1948, Book: Very Good, Dust Jacket: Good, Nonpaginated. Hardcover. Decorated endpapers. Vivid color illustrations throughout. Dust jacket unclipped, has some age wear, still intact and wrapped in protective brodart. Cover boards decorated with same image as dust jacket. Covers have a little soil a top and age wear. Clean inside and in great shape for its age.

Hardcover. NY, Harcourt Brace & Co., 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 226 pages. Bringing Lincoln's own words to young readers, a collection of the sixteenth president's speeches, letters, and writings reveals the man behind the politician and is highlighted by linocut illustrations depicting Lincoln and his times by Stephen Alcorn. Clean copy.