Hardcover. NY, Harry N. Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, Hardcover, 300 pages. This book accompanies a major traveling exhibition that showcases works by some of the most visionary designers and architects, from chairs and tables to jewelry and entire buildings.
Hardcover. New York, Museum of Art New York, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 320 pages. Hardcover. Dust jacket unclipped. Color and b/w illustrations throughout. In excellent condition, clean inside and out.
Hardcover. Woodstock, New York, The Overlook Press, 1st, 1981, Book: Near Fine, Dust Jacket: Near Fine, Encyclopedic volume featuring the historical evolution of American homes. Hardcover, 320 pages. Over 1000 black/white illustrations, including architectural plans for each variety of home discussed. Cloth bound book is in near fine condition, only flaw on the dust jacket is a small blue ink stain on the front.
Hardcover. New York, Hastings House, 1st, 1963, Book: Good, Dust Jacket: Good, Hardcover, 574 pages. Nearly 400 photographs pictures 345 still standing houses of worship ranging from English medieval Gothic to classical Georgian, most of them pinpointed on 15 maps. Blue cloth, gilt lettering to spine and front cover. Dust jacket with minor edge wear. Original blue slip case, edge wear at bottom and opening edge. previous owner's inscription in front. Otherwise a clean, tight and crisp copy.
Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 580 pages profusely illustrated in color and b&w. Text in English and Italian.
Hardcover. Taschen, 1st, 2006, Book: N, Hardcover in a bright dust jacket. 792 pages. This volume covers the second half of the 1970s, an era marked by the oil crisis and the related global economic crisis. For the first time, architecture and design dealt with alternative resources, ecological building methods, and recyclable materials. Nevertheless synthetics remained present in many fields, especially in interior design. Examples of projects featured are the postmodern and lightflooded buildings by Richard Meier, the modernistic buildings by Foster Associates, the Centre Georges Pompidou by Renzo Piano and Richard Rogers, and the buildings of the Japanese architects Arata Isozaki and Kisho Kurakawa. The industrial design of modern transport systems, office machines, and electrical appliances is also highlighted.
Hardcover. Taschen, 1st, 2006, Book: N, Hardcover in a bright dust jacket. This volume revisits the early 1980s, a time of Postmodernism. Italian design groups Alchimia and Memphis, led by Alessandro Mendini, Andrea Branzi, Michele de Lucchi, and Ettore Sottsass, questioned radically and provocatively the ostensible functionality of design objects. Everyday items were reinterpreted, full of relish and fantasy. Ironic redesigns of historic design classics put their role and contemporary use into question. Within the field of architecture, these new ideas found a counterpart in buildings by Hans Hollein, Michael Graves, Studio Nizzoli, and the offices of Venturi, Rauch & Scott Brown. At the same time, the first deconstructivist tendencies were recognizable in the designs of Zaha Hadid. In publisher's shrink wrap.//// Postmodernism in the early 1980s. Everyday items were reinterpreted while questioning the functionality of design objects. In publisher's shrink wrap.
Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 580 pages. The International style of the late 1920's and 1930's is the focal point of this volume. Along with groundbreaking buildings, interior decoration, and furniture by international architects and designers such as Le Corbusier, Ludwig Mies van der Rohe, Marcel Breuer, Robert Mallett-Stevens, Alvar Alto, and Richard Neutra, is above all the work of the Italian avant-garde, including names like Giuseppe Terragne, Carlo Mollino, Gio Ponti, Melchiorre Bega, Franco Albini or Studio BBPR, that provides precise insight into the formative decade of Modernism. Text in English and Italian. Clean copy.
Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 580 pages. The International style of the late 1920's and 1930's is the focal point of this volume. Along with groundbreaking buildings, interior decoration, and furniture by international architects and designers such as Le Corbusier, Ludwig Mies van der Rohe, Marcel Breuer, Robert Mallett-Stevens, Alvar Alto, and Richard Neutra, is above all the work of the Italian avant-garde, including names like Giuseppe Terragne, Carlo Mollino, Gio Ponti, Melchiorre Bega, Franco Albini or Studio BBPR, that provides precise insight into the formative decade of Modernism. Text in English and Italian. Clean copy.
Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 580 pages, profusely illustrated. This title covers the years 1985-1989 - the eighties in full force. The many styles of architecture and design that became prominent in the second half of the 1980s are the focus of this volume. Along with Postmodernism - represented by buildings, interior decoration, and designs by Peter Shire, Richard Meier, Gustav Peichl, Ricardo Bofill, Ettore Sottsass, Arata Isozaki, and the Arquitectonica firm - it was the buildings of the High-Tech Style which dominated. The most prominent examples are the Head Office of the Hong Kong & Shanghai Banking Corporation in Hong Kong, designed by the architectural firm Foster Associates, and the Lloyds Building by Richard Rogers in London. In publisher's shrink wrap.
Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, Taschen's Domus collection is a major publishing achievement and a must-have item for all design and architecture teaching institutions, practicing architects, designers, collectors, students, and anyone who loves design. /// The first half of the 1990s represented a generational change in architecture and design.//// This title covers the years 1990-1994 - the next generation. The first half of the 1990s, this volume's focus, marked a shifting of the generations in architecture and design. "domus" - up to date as always - documented the work of this new generation with elaborate articles and reports. The architects Tadao Ando, Jean Nouvel, David Chipperfield, Philippe Starck, Rem Koolhaas, Peter Eisenman, Jacques Herzog, and Pierre de Meuron made their debuts in domus during this period. In addition, established architectural greats like Frank O. Gehry, Mario Bellini, Richard Meier, Renzo Piano, Norman Foster, Santiago Calatrava, and Zaha Hadid were also featured. In product design, Marc Newson, Rodney Kinsman, Jasper Morrison as well as the brothers Fernando and Humberto Campana appeared in the spotlight.
Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. This volume features the newest buildings of the late 1990s by Mario Botta, Arata Isozaki, Josef Paul Kleihues, Richard Meier, Gunther Domenig, Herzog & Meuron, Frank O. Gehry, Peter Zumthor, Daniel Libeskind and many others. Design is represented by names like Philippe Starck, Ross Lovegrove, Jonathan Ive, Alberto Meda, Paolo Rizzatto, Perry A. King, and Santiago Miranda. In publisher's shrink wrap.
Softcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages. 1940-1949: Destruction and Reconstruction. This volume covers the 1940s, when fascism came to a climax and World War II led to the extensive destruction of Europe. But the second half of this decade was also a time of reconstruction, democratization, and the related search for new social values. Unlike in Nazi Germany, in fascist Italy Modernism was able to advance in architecture and design - as proved impressively by the buildings and designs by Carlo Mollino, Gian Luigi Banfi, Franco Albini, and Giuseppe Terragni that are documented herein. After the war, Organic Design emerged alongside the International style. This edition reflects upon the economic, social, and cultural problems of the time, but also shows how the force of the avant-garde continued to thrive in Italy, Switzerland, Scandinavia and the USA. Reports and features on modern industrial design and furniture, as well as domestic and business interiors stand side by side with articles about novel prefabricated houses. In publisher's shrink wrap.
Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages. 1950-1954: Architecture of the Avant-Garde. This volume covers the first half of the 1950s, a time characterized by great optimism. The consequences of World War II had largely been overcome, the most urgent needs of the population were satisfied, and economic prospects looked bright. Architecture and design looked for new forms of expression, for new materials and their applications - and the possibilities seemed limitless. Volume III shows contemporary trends of the time through detailed reports on the ninth Triennial in Milan and about designers like Tapio Wirkkala, Finn Juhl, Carlo de Carli, Carlo Mollino, Piero Fornasetti, Marco Zanuso, Harry Bertoia and George Nelson. Via features on Le Corbusier's famous Unite d'Habitation in Marseille, the groundbreaking Case Study Houses by Charles and Ray Eames, the efforts of Richard Neutra in California, the work of Oscar Niemeyer in Brazil, and the futuristic Olivetti Showroom by Studio BBPR in New York. In publisher's shrink wrap.
Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages. 1960-1954: Design Goes Pop. This volume concentrates on the architecture and design of the first half of the 1960s, characterized by the coexistence of a number of different styles. The aftermath of the International style and Good Design were still noticeable whereas Organic Design, which had developed in parallel since the late 1940s, gradually lost its influence. From the early 1960s onwards, a new force took its place, geared toward Pop Art and popular culture, leading to Pop Design. This trend is particularly recognizable in interior design, where a variety of new synthetics and foam plastics replaced traditional materials such as metal, glass or wood, pointing the way to completely new designs. Volume V documents this with examples of designs by Ray and Charles Eames, Verner Panton, Achille and Pier Giacomo Castiglioni, and Joe Colombo. On the architectural side, the impressive buildings of Gio Ponti, Carlo Scarpa, Angelo Mangiarotti, James Stirling, and others./// Hardcover, 580 pages. 1960-1954: Design Goes Pop. This volume focuses on the architecture and design of the first half of the 1960s. A new force lead to Pop Design. This trend is particularly recognizable in interior design, where a variety of new synthetics and foam plastics replaced traditional materials such as metal, glass or wood.
Hardcover. Taschen, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover, 580 pages. 1965-1969: A Break from the Past, a Nod to the Future. The late 1960s, when a radical change took place in the fields of architecture and design, are the focus of this volume. Old values such as functionality, elegance, and faithfulness to materials, which had been relevant for nearly half a century, lost their importance and made space for the ideas of pop culture and the sociocritical experiments of a new generation of architects and designers who no longer wanted to live within the styles of their fathers and grandfathers. Groups of architects and designers like Archizoom and Archigram questioned long-established status symbols, fashion, and consumption and created provocative alternative designs, which were reflected in Anti and Radical Design. Volume VI in the domus series features designs by Joe Colombo, Ettore Sottsass, Gae Aulenti, Olivier Mourgue, Achille and Pier Giacomo Castiglioni, Verner Panton, Kenzo Tange, Luigi Moretti, Oscar Niemeyer, and Gio Ponti.
Softcover. London/NY, Routledge , 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 288 pages, illustrated in b&w. Empire Building is a study of how and why Western architecture was exported to the Middle East and how Islamic and Byzantine architectural ideas and styles impacted on the West.The book explores how far racial theory and political and religious agendas guided British architects (and how such ideas were resisted when applied), and how Eastern ideas came to influence the West, through writers such as Ruskin and buildings such as the Crystal Palace.Beautifully written and lavishly illustrated, Empire Building takes the reader on an extraordinary postcolonial journey, backwards and forwards, into the heart and to the edge of empire.
Softcover. Massachusetts, MIT Press, 1st, 1982, Book: Good, Dust Jacket: None, 135 pages. Softcover. B/w and color illustrations throughout. Wrapper has some age wear. Clean inside, binding tight. In good condition.
Hardcover. Chicago, IL, University of Chicago Press, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 171 pages. Hardcover with dust jacket. Minor foxing to front flyleaf. An otherwise clean, unmarked copy. Black and white photographs throughout. SIGNED BY AUTHOR ON FRONT FLYLEAF.
Softcover. Santa Monica CA, Arts & Architecture Press, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, 172 pages. Building in the hills is an enterprise full of unpleasant surprises and traps just waiting to snare the inexperienced. Arthur Levin, a structural engineer and architect who has been involved in more than 2,000 hillside projects, offers a distillation of his 35 years of experience that will help the uninitiated to avoid the otherwise inevitable pitfalls and traps. The book has many real life examples of the unexpected encounters with unstable land, surface drainage problems, subterranean water, demanding owners, uncooperative building inspectors, inexperienced contractors, and other examples of the author's triumphs and occasional enlightening failures. All of these brief histories are instructive and guaranteed to be of invaluable help to the first or second time hillside designer and builder. More than 110 line drawings illuminate the text.
Hardcover. New York, Doubleday, Page, and Company, 1st, 1925, Book: Fair, Dust Jacket: None, Volume to accompany the American Wing of the Metropolitan Museum of Art in New York. 302 pp. Features 20 color plates in addition to 217 other black/white illustrations (mostly photographs). Covers beginnings of New England through the Early Days of the Republic. Development of Interior Architecture and House Decoration from craftsmen influenced by old world style and the evolution.Shows significant wear due to age and water damage. Discoloration throughout, though text still entirely legible and color still vivid in the plates. Edges show significant wear as well. Prior owner's name and date (1929) written in ink twice inside the cover.
Hardcover. Paris, Editions Albert Morance, 1st, 1953, Book: Very Good, Dust Jacket: Fair, 320 pages. Hardcover. Text in French. Illustrated with black & white photographs and drawings of decorative cast iron. Previous owners name and date written on front interior hinge flap. Dust jacket worn with tape repair, chipping along edges - jacket now protected with clear plastic cover. Clean, tight copy.
Softcover. Washington and Lee University, 1st, 2005, Book: Very Good, Dust Jacket: None, Softcover, 100 pages. The 2005 issue, Volume 12, of Perspectives in Vernacular Architecture: The Journal of the Vernacular Architecture Forum contains the articles: "Selling Domestic Space: The Boarding House in the Southern Mountains" by Michael Ann Williams; "La Casa Alamense: The Mexican Hacienda as Urban Dwelling" by John Messina; "Unraveling the Benjamin Deyerle Legend: An Analysis of Mid-Nineteenth-Century Brickwork in the Roanoke Valley of Virginia" by Michael J. Pulice; "Orson S. Fowler and a Home for All: The Octagon House in the Midwest" by Rebecca Lawin McCarley; and "Roadside Shrines and Granite Sketches: Diversifying the Vernacular Landscape of Memory" by David Charles Sloane.
Hardcover. Montreal, Canada, Canadian Centre for Architecture, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, 282 pages. Hardcover. B/w illustrations throughout. Dust jacket front flap price clipped. Tan colored fabric covered. Clean copy, Dust jacket shows some light age wear. From the front flap: "...presents works that show aspects of the history of architecture seen through photography and the history of photography through architecture."
Hardcover. New York, William T. Comstock, 5th, 1889, Book: Very Good, Dust Jacket: None, 44 pages. Hardcover. Green cloth with gilt titles on spine and cover. Fifth edition. Light rubbing to cover edges, corners. Clean, unmarked.
Hardcover. London, Smith, Elder and Co., Second Edition, 1858, Book: Very Good, Dust Jacket: None, Three hardcover volumes with blue leather covers featuring marbled endpapers, raised bands along brown spines with red title plates, gilt decoration. Second Edition. Black & white, and some color illustrations in all 3 volumes by John Ruskin. Volume 1 - "The Foundations". 400 pages. Top edge gilt. Light, faint pencil marginalia to a few pages. Minor abrasion to covers. Clean, tight copy. Volume 2 - "The Sea Stories". 394 pages. Top edge gilt. Faint foxing to some pages. a few moderate abrasions to rear cover. Clean, tight copy. Volume 3 - "The Fall". 362 pages. Top edge gilt. Light pencil marginalia scattered throughout. Faint foxing to some pages. Minor abrasions to covers. Clean, tight copy. A nice set.
Hardcover. New York, Monacelli Press, Inc., 1st US, 2003, Book: Very Good, Dust Jacket: Good, 276 pages. Hardcover. Illustrated with full color photographs. Dust jacket with fading along spine and edges. Light wear. Clean, tight copy.
Hardcover. Structure/Links International, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, color plates throughout. The best projects in the design of country houses around the world are profiled in this architectural and design book. Each project has been selected on the basis of its innovation in the field, making this a highly useful sourcebook for architects, designers, and students of architecture who are looking for creative directions in the design of contemporary country homes. All steps of the design process, from conception to construction, are exhaustively documented and include technical information and commentary contributed by the architects themselves.
Hardcover. New York, Frederick A. Praeger, 1st, 1967, Book: Very Good, Dust Jacket: None, 167 pages. Hardcover with canvas covers. No dust jacket. Pages darkened in edges. Light soil. Includes numerous black and white photographs and architectural drawings.
Hardcover. Berkeley, California University Press, 1st, 1996, Book: Very Good, Dust Jacket: Good, 164 pages. Hardcover. Illustrated with full color and black & white photographs. Dust jacket with light wear. Clean tight copy.
