Art Abstract

Softcover. New York, Charles Scribner's Sons, 1st, 1976, Book: Very Good, Dust Jacket: None, Softcover. White glossy covers with b&w photographic plate of Louise Nevelson, perfect binding, introduction by John Canaday, profusely illustrated throughout with large b&w plates. Light rubbing to covers; otherwise a very clean, tight copy in great condition.

Hardcover. New York , Praeger Publishers, 1st, 1972, Book: Very Good, Dust Jacket: Very Good, Hardcover, 172 pages, profusely illustrated with nearly 200 color and b&w plates of Nevelson's work. Dark blue cloth, pictorial dust jacket. Slight edgewear and rubbing to jacket, else a very nice, tight, clean copy.

Hardcover. London, Flame Tree Publishing, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 192 pages. Hardcover with dust jacket. Color photographs throughout. Only light edgewear. Matching laminated boards.

Hardcover. NY, Skira Rizzoli, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 176 pages. The first publication dedicated exclusively to Mark Rothko's art during the critical formative period of the 1940s. Examining the development and artistic exploration of one of the greatest artists of the twentieth century, this unprecedented volume presents the works of American artist Mark Rothko from the 1940s, a time when his most essential development as a painter occurred, dramatically and in a very compact space of time. During this period, Rothko moved from expressive figurative and surrealist canvases to more abstract multiform subjects and finally to his signature abstractions--luminous rectangles of color suspended in space. Richly illustrated with works by Rothko and his contemporaries, introduction by Todd Herman and essays by prominent Rothko scholars, this important new book deepens our understanding of Rothko's art during this vital period, and that of the mature works that emerged from it.

Softcover. Frankfurt, Michael Laub, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. Illustrated with black & white photographs. Minor wear to covers. Clean, tight copy.

Softcover. New York, George Braziller, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Softcover, 174 pages. This catalog, featuring 130 b&w illustrations and 40 color plates cover almost all of Graves major paintings. This is a very nice and clean copy.

Softcover. Rockland, Maine, William A. Farnsworth Library, 1st, 1979, Book: Very Good, Dust Jacket: None, Softcover, 88 pages. Exhibition catalog. Perfect binding, covers completely illustrated in full-color, foreword by Marius B. Peladeau. introduction by Dorothy C. Miller, profuse full-page color and b&w plates, biographical summary. Very mild rubbing to covers, else a clean, tight copy.

Softcover. NY, Bill Hodges Gallery, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. Profusely illustrated with color plates and figures. Accompanied a 2009 gallery exhibition; Includes an artist chronology and list of exhibitions; One of 2000 copies in this edition. Clean copy.

Hardcover. London, Thames & Hudson, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. 106 illustrations 97 in color. Still in shrinkwrap. The first exploration of the art that Georgia O'Keeffe retained for her personal collection, including works that have never been publicly exhibited. Georgia O'Keeffe was one of America's preeminent artists and one of the first to experiment with abstract form, though she never abandoned her deep response to and observation of nature. An enormously popular artist, she became identified and respected as an independent American spirit through both her art and her life. At the time of her death in 1986, Georgia O'Keeffe owned more than half of the approximately 2,000 works she had produced during the eighty years she was active as an artist: some 400 works in oil, charcoal, pastel, pencil, and watercolor, as well as more than 700 sketches. For various reasons, she had always kept a portion of her art out of the public eye and these works were not published, exhibited, or available for purchase during her lifetime. Among the works that had been exhibited and sold over the years, some were repurchased by O'Keeffe as they became available. This book explores for the first time the significance of O'Keeffe's collection of her own work. Approximately 75 seminal works, dating from about 1910 through the 1960s and reproduced in full color, document the range and quality of the art that O'Keeffe either chose to retain in her estate or consciously distributed to institutions in her lifetime and as bequests.

Hardcover. New York, Pace Wildenstein, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 188 pages. Illustrated in full color and black & white. Clean, bright copy.

Hardcover. New York, PaceWildenstein, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, 187 pages. Hardcover with dust jacket. Sun fading to dust jacket spine and front cover. An otherwise very clean, unmarked copy with only minor wear to dust jacket edges. Color works throughout as well as black & white and color film stills. A tight copy.

Hardcover. Preinceton NJ, Princeton University Press, 2nd pr., 2006, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. "What is abstract art good for? What's the use-for us as individuals, or for any society-of pictures of nothing, of paintings and sculptures or prints or drawings that do not seem to show anything except themselves?" In this invigorating account of abstract art since Jackson Pollock, eminent art historian Kirk Varnedoe, the former chief curator of painting and sculpture at the Museum of Modern Art, asks these and other questions as he frankly confronts the uncertainties we may have about the nonrepresentational art produced in the past five decades. He makes a compelling argument for its history and value, much as E. H. Gombrich tackled representation fifty years ago in Art and Illusion, another landmark A. W. Mellon Lectures volume. Realizing that these lectures might be his final work, Varnedoe conceived of them as a statement of his faith in modern art and as the culminating example of his lucidly pragmatic and philosophical approach to art history. He delivered the lectures, edited and reproduced here with their illustrations, to overflowing crowds at the National Gallery of Art in Washington in the spring of 2003, just months before his death. 297 pages; approx. 250 color and bw figures. Remains a nice, sharp and bright copy.

Hardcover. London, Phaidon, 1st, 1996, Book: Very Good, Dust Jacket: Very Good, 240 pages. Hardcover. Profusely illustrated in full color. Clean, tight copy.

Softcover. New York, New York, Gimpel & Weitzenhoffer Ltd., 1st, 1985, Book: Very Good, Dust Jacket: None, Exhibition catalog. Stiff covers with full-color illustration to front, perfect binding, gray textured endpapers, 29 full-page, full-color illustrations, essay by artist entitled "Why Hitchcock?", chronology, list of museum collections and solo-exhibitions. Mild rubbing to covers, right edge of catalog slightly bent; overall a very clean, tight copy.

Hardcover. New York , Harry N. Abrams, 1st, 1969, Book: Very Good, Dust Jacket: Very Good, 229 pages, illustrated in b&w and color. Autobiography, bibliography. Book designed by Rauschenberg. Acetate dust jacket with chip to top of spine, small tear to rear panel at bottom. Otherwise crisp, clean copy.

Softcover. Gottingen, Steidl, 1st, 2002, Book: Very Good, Dust Jacket: Very Good, Non paginated. Hardcover. Extensive color photographs by Sam Taylor-Wood throughout. Clean, unmarked copy with only minor wear to dust jacket. Published on the occasion of the exhibition Sam Taylor-Wood, Hayward Gallery, London 25 April - 21 June 2002.

Hardcover. Mexico, Fundacion Olga y Rufino Tamayo, Reprint, 2002, Book: Very Good, Dust Jacket: Very Good, 150 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Book text in Spanish. Former price tag residue on back of dust jacket. Color illustrations throughout.

Softcover. London, Tate Publishing, 2008, 2008, Book: Very Good, Dust Jacket: None, 123 pages. Softcover. Extensive color photographs throughout. Clean, unmarked copy with only minor wear to wrappers.

Softcover. London, Tate Publishing, 1st, 2008, Book: Very Good, Dust Jacket: None, 123 pages. Softcover. Extensive color photographs throughout. Clean, unmarked copy with only minor wear to wrappers.

Softcover. Houston, TX, Museum of Fine Arts Houston, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover. Exhibition catalog. 93 pages, illustrated throughout in color and b&w. White stiff wrappers, black/red titles. Light wear to edges and spine, front cover slightly sunned, small tear to spine, else a very nice, clean, tight copy.

Hardcover. Madison WI, Borderland Books, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. The title comes from the cover image, a building named as such. "Created as a poetic and visual journey, spans twenty-five years and four continents. These striking photographs capture 'found text': The sometimes mysterious, occasionally humorous, often cryptic presence of words in the everyday landscape. In Koch's lyrical sequencing, the images reveal obscure and eccentric voices in their various and distinctive roles on the daily stage of the world around us.

Hardcover. Madison WI, Borderland Books, 1st, 2009, Book: Very Good, Dust Jacket: None, Hardcover. Like new in publisher's shrink-wrap. The title comes from the cover image, a building named as such. "Created as a poetic and visual journey, spans twenty-five years and four continents. These striking photographs capture 'found text': The sometimes mysterious, occasionally humorous, often cryptic presence of words in the everyday landscape. In Koch's lyrical sequencing, the images reveal obscure and eccentric voices in their various and distinctive roles on the daily stage of the world around us.

Hardcover. New York, Abrams, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 137 pages. Hardcover. SIGNED BY AUTHOR ON TITLE PAGE. Illustrated with full color photographs. Light wear. Clean, tight copy.

Hardcover. Washington DC, National Gallery /Yale University, 1st, 1994, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 231 pages, numerous color and bw plates. Catalogue of a de Kooning exhibition, organized by the National Gallery in association with the Tate Gallery and the Metropolitan Museum of Art. This illustrated survey of de Kooning's paintings covers the period from 1938 through 1986. The catalogue, by curator Prather, is preceded by two critical essays: Sylvester's "Flesh Was the Reason" and Shiff's "Water and Lipstick: De Kooning in Transition." 12'' x 9.75''. Clean copy. DOMESTIC SHIPPING ONLY.