Softcover. Westport CT, Cartoonist Profiles, 1986, Book: Very Good, Dust Jacket: None, Softcover, pink wraps stapled. Articles on George Baker and Sad Sack, Walt (Disney) by Grim Natwick, editorial cartoonist Joseph Parrish, others. 82 pages.

Hardcover. Chicago, Rand McNally & Co., 1st, 1917, Book: Good, Dust Jacket: None, Hardcover, 104 pages + 3 plates (7 photos of the artist); 113 editorial cartoons in text. Tribute by John T. McCutcheon; biographical sketch by Henry J. Smith; appreciation by Charles H. Dennis. Posthumously published collection. Luther joined the staff of The Chicago Daily News after working as a cartoonist in Australia. Shelf wear, hinges cracked, clean internally. Previous owner's inscription, name on front endpapers. Mild soil to covers.

Hardcover. New York, Harper and Brothers, 1st, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards with a b&w cartoon featuring the Toonerville Trolley gang. Blue cloth spine. Clean and sharp. No credits, commentary or date but undoubtedly reprinted from his syndicated strip Toonerville Folks. There is an ink inscription on the front fly leaf dated 1922. In great overall condition, now protected by an acetate dust jacket.

Hardcover. Seattle, WA, Fantagraphics Books, 1st, 2015, Book: Very Good, Dust Jacket: None, 258 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor wear to edges. A tight copy. Cartoons for Victory showcases wartime work by cartoonists such as Charles Addams, Harold Gray, Harvey Kurtzman, Will Eisner, and many others. Most of the cartoons and comics in this book have not been seen since their first publication.

Hardcover. Dark Horse, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 80 pages in color. Since making his spooktacular cartoon debut in "The Friendly Ghost," Casper has become one of the most enduring and best-loved characters in the world. Now, in celebration of the sixtieth anniversary of Casper's comics debut, Dark Horse is proud to announce the publication of a special hardcover of not one, but two full-length, complete Casper comic books in sparklingly restored full color! Beginning with Archer St. John's 1949 first issue of Casper the Friendly Ghost, this sixtieth anniversary edition continues with Harvey Comics' premier edition of Casper from 1952. You'll thrill as timid Casper - defying his fellow ghosts' dictum that ghosts must scare people - makes friends with a host of cute kids and furry animals in two tales that will touch your heart and tickle your funny bone!

Softcover. Seattle, WA, Fantagraphics Books, 1st, 2013, Book: Very Good, Dust Jacket: None, 160 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Black and white illustrations throughout. At the age of 21, Gene Deitch discovered The Record Changer, a jazz fan magazine. Every jazz swinger in the '40s was called a "cat," so Gene Deitch created a cartoon feature titled "The Cat," which quickly became a fixture of the magazine. He also started drawing the covers, which graced almost every issue from 1945 to 1951. Deitch's stylistically virtuoso images exquisitely embodied the essence of the 1950s hipster, and was a visual paean to the joy of collecting records and appreciating jazz. The Cat on a Hot Thin Groove collects all of Deitch's Record Changer work in one gorgeous, coffee-table art book, with commentary and reminiscences by Deitch himself.

Softcover. Seattle, WA, Fantagraphics Books, 1st, 2013, Book: Very Good, Dust Jacket: None, 160 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Black and white illustrations throughout. At the age of 21, Gene Deitch discovered The Record Changer, a jazz fan magazine. Every jazz swinger in the '40s was called a "cat," so Gene Deitch created a cartoon feature titled "The Cat," which quickly became a fixture of the magazine. He also started drawing the covers, which graced almost every issue from 1945 to 1951. Deitch's stylistically virtuoso images exquisitely embodied the essence of the 1950s hipster, and was a visual paean to the joy of collecting records and appreciating jazz. The Cat on a Hot Thin Groove collects all of Deitch's Record Changer work in one gorgeous, coffee-table art book, with commentary and reminiscences by Deitch himself.

Softcover. San Francisco, Pomegranate, 1st pbk, 1999, Book: Very Good, Dust Jacket: None, Softcover, 96 pages. Collects the cat paintings that Kliban did for a series of calendars from 1977 through 1986. All in full color. Like new, clean.

Hardcover. New York, Pantheon, 1st, 1983, Book: Very Good, Dust Jacket: Very Good, Hardcover. SIGNED BY KOREN on title-page. Small white-out of old ink price on front fly leaf, remainder mark to top edge.

Softcover. US, BOOM! Studios, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, graphic novel Illustrated throughout in color. Light edgewear to wrappers, else a clean, tight copy.

Softcover. US, BOOM! Studios, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, graphic novel Illustrated throughout in color. Light edgewear to wrappers, else a clean, tight copy.

Softcover. UK, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Softcover. Illustrated throughout in color. Clean, unmarked copy with only minor wear to wrappers.

Softcover. UK, PS Publishing, 1st, 2014, Book: Very Good, Dust Jacket: None, Softcover. Illustrated throughout in color. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. Seattle, Fantagraphics, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. Gilbert Hernandez's first original graphic novel from Fantagraphics follows on the heels of his acclaimed graphic novel, Sloth, from DC's Vertigo Comics in 2006. Chance in Hell tells the story about a little orphan girl who lives in the slum of slums. Nobody knows who she is or where she's from, but her fellow shantytown inhabitants collectively look over her. The three-act story follows our heroine as she is adopted by a decent man who raises her well, and she eventually marries a kind, well-to-do man, only to discover that she can't relate to the good life and the comforts it provides. This is the first in a series of standalone stories depicting the fictional filmography of Gilbert's Love and Rockets character, the B-movie actress Fritz. Hernandez wowed critics in 2003 with his epic work, Palomar, collecting more than 20 years of groundbreaking comics called "the most substantive single work that the comics medium has yet produced," by Booklist. Chance in Hell further establishes Hernandez as one of the great cartoonists of our age.

Hardcover. Seattle, Fantagraphics, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 120 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. Gilbert Hernandez's first original graphic novel from Fantagraphics follows on the heels of his acclaimed graphic novel, Sloth, from DC's Vertigo Comics in 2006. Chance in Hell tells the story about a little orphan girl who lives in the slum of slums. Nobody knows who she is or where she's from, but her fellow shantytown inhabitants collectively look over her. The three-act story follows our heroine as she is adopted by a decent man who raises her well, and she eventually marries a kind, well-to-do man, only to discover that she can't relate to the good life and the comforts it provides. This is the first in a series of standalone stories depicting the fictional filmography of Gilbert's Love and Rockets character, the B-movie actress Fritz. Hernandez wowed critics in 2003 with his epic work, Palomar, collecting more than 20 years of groundbreaking comics called "the most substantive single work that the comics medium has yet produced," by Booklist. Chance in Hell further establishes Hernandez as one of the great cartoonists of our age.

Hardcover. New York, Random House, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 382 pages, b&w illustrations. Like new in a bright dust jacket. In this first biography of the great cartoonist, written with exclusive access to Addams's intimates and his private papers, we finally meet the man behind the famed cartoons and circling rumors. Here is his surprising childhood in New Jersey, the cartoon that offended the Nazis, the friend whose early death Addams long mourned. Here are his wives, the stories behind his most famous-and some of his most private-cartoons, and the Addams whom even his closest friends didn't know. With wit, humor, poignancy, and insight-enhanced by rare family photographs, classic and previously unpublished cartoons, and private drawings-Linda H. Davis paints an engaging and endearing portrait of a marvelous American original.

Hardcover. New York, Random House, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 382 pages, b&w illustrations. Like new in a bright dust jacket.

Hardcover. New York, Random House, 1st, 2006, Book: Very Good, Dust Jacket: Very Good, 382 pages, b&w illustrations. Like new in a bright dust jacket. In this first biography of the great cartoonist, written with exclusive access to Addams's intimates and his private papers, we finally meet the man behind the famed cartoons and circling rumors. Here is his surprising childhood in New Jersey, the cartoon that offended the Nazis, the friend whose early death Addams long mourned. Here are his wives, the stories behind his most famous-and some of his most private-cartoons, and the Addams whom even his closest friends didn't know. With wit, humor, poignancy, and insight-enhanced by rare family photographs, classic and previously unpublished cartoons, and private drawings-Linda H. Davis paints an engaging and endearing portrait of a marvelous American original.

Softcover. University of Washington Press, 1st, 1999, Softcover, 176 pages. Traces the development of the comic strip since its birth at the turn of the century. The reproductions of vintage strips are strikingly pristine, due to the use of original artwork rather than published versions in the production of the volume. The author, a seasoned writer and scholar of the subject is good at historical and aesthetic discussion, less so at discussing the sociological context of various strips. Two other experts in the field, Brian Walker and Richard V. West, contribute a foreword and afterword. An attractive and enjoyable volume. 9x12

Singapore, Asiapac Books, reprint, 1994, Book: Very Good, Dust Jacket: None, Softcover 121 pages. The infamous and powerful eunuchs of the Ming and Qing Dynasties come to life in this graphic novel. Illustrated in b&w line.

Hardcover. New York, Workman Publishing, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover, illustrated throughout with Boynton's color cartoons. INSCRIBED BY AUTHOR WITH DRAWING ON HALF TITLE PAGE. Stated first printing October 1987 with number line starting with "2". Clean, tight copy.

Hardcover. New York, Workman Publishing, 1st, 1987, Book: Very Good, Dust Jacket: Very Good, 112 pages. Hardcover, illustrated throughout with Boynton's color cartoons. Stated first printing October 1987 with number line starting with "2". Clean, tight copy. CHRISTMASTIME is Sandra Boynton's humorous and compassionate carol to the season of warmth and giving, celebration and tradition. And tradition, to Boynton, is anything that happens every Christmas without fail: like trimming the tree, a fruitcake from the Rossiters, the crunch underfoot of your most precious ornament, and the customary search for scissors at four A.M. Christmas morning. With guest appearances by Santa and his reindeer, Boynton's familiar menagerie reveals the many joys and satisfactions that make Chrismastime such a universally special season: the thrill of finding the right gift for someone you love, and affording it; the personal gratification of wrapping all the gifts early; and the wonder of Christmas morning, when you realize you forgot to label them.And, in the spirit of giving, Boynton includes her own Christmas recipes: Santa's favorite chocolate chip cookies (with suggested note urging him to "please stack dishes neatly in the sink and wrap uneaten cookies in tin foil"); plum pudding (well worth someone else's time and money); and Wassail, which seems like a great treat if you happen to have 2,640 blanched almonds lying around the house.

Softcover. London, Marvel Comics, 1st, 1990, Book: Very Good, Dust Jacket: None, Softcover, 49 pages illustrated in color by Ian Gibson. Clean, bright copy.

Softcover. Boom! Studios, 1st thus, 2011-2012, Book: Very Good, Dust Jacket: None, 20 softcover volumes, like new, all pristine condition. Various artists, authors.

Softcover. San Francisco, Rip Off Press, 1st, 1980, Book: Very Good, Dust Jacket: None, Softcover in pictorial color wraps, $1.50 cover price, 48 pages in b&w by Shelton. Clean, bright copy.

Hardcover. New York, W. Colston Leigh, 1st, 1931, Book: Very Good, Dust Jacket: None, Hardcover, blue cloth covers with gilt titles on front and spine, unpaginated, b&w cartoons throughout, drawings from Judge, The Bystander, Life, New Yorker and College Humor. SIGNED BY BAIRNSFATHER on the front fly leaf. Mild crease to first four pages, tight and clean copy.

Softcover. Baltimore MD, Johns Hopkins University Press, 1st, 2007, Book: Very Good, Dust Jacket: None, 326 pages, b/w illustrations, softcover. These 4 cartoonists worked at the New Yorker between 1925 and 1975, mocking the status quo without alienating that magazine's readers. For many aficionados of the New Yorker magazine, the drawings of Peter Arno, William Steig, Charles Addams, and Saul Steinberg epitomize its sophisticated wit and disarming humor. In The Comic Worlds of Peter Arno, William Steig, Charles Addams, and Saul Steinberg, the first full-scale scholarly study of the subject, Iain Topliss considers the work of each artist, traces the development of his art, and recalls the cultural and social context in which it was created.

Hardcover. NY/London, Tate Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, 144 pages, illustrated throughout in color and b&w. Clean, tight copy. In this richly illustrated and accessible survey, acclaimed author Paul Gravett considers the vast output of comics culture from the late 19th century to today, including syndicated comics, graphic novels, and contemporary art and illustration. From foundational masterpieces such as Rodolphe Topffer's and Wilhelm Busch's albums, George McManus's Art Deco "Bringing Up Father," and Alex Raymond's "Flash Gordon" to the later retro stylings of Robert Crumb, Gravett considers lines of influence from around the world and examines how comics have shifted from supporting the status quo to becoming the voice of alternative subcultures. Gravett traces the major themes taking place in contemporary comics, noting the rise of publications that function as questioning, transgressive outlets for outsider stories and ideas, and includes the ways that folk art traditions are reinvigorating the form.

Hardcover. NY/London, Tate Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, 144 pages, illustrated throughout in color and b&w. Clean, tight copy. In this richly illustrated and accessible survey, acclaimed author Paul Gravett considers the vast output of comics culture from the late 19th century to today, including syndicated comics, graphic novels, and contemporary art and illustration. From foundational masterpieces such as Rodolphe Topffer's and Wilhelm Busch's albums, George McManus's Art Deco "Bringing Up Father," and Alex Raymond's "Flash Gordon" to the later retro stylings of Robert Crumb, Gravett considers lines of influence from around the world and examines how comics have shifted from supporting the status quo to becoming the voice of alternative subcultures. Gravett traces the major themes taking place in contemporary comics, noting the rise of publications that function as questioning, transgressive outlets for outsider stories and ideas, and includes the ways that folk art traditions are reinvigorating the form.

Hardcover. London, Tate Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, 144 pages. Hardcover with no dust jacket. A very clean, unmarked copy with only minor edgewear. Richly illustrated with many images taken from original artwork and rare artefacts, Comics Art gives a fascinating, accessible guide to some of the special properties of sequential art, such as panels, page layouts, speech balloons and wordless or 'silent' narration. It addresses concerns about how comics perpetuate stereotypes and support the status quo, while assessing their growing significance, notably through autobiography and reportage, as vehicles for provocative voices often silenced in other media. Comics Art also explores the diversity of styles, media and approaches now possible in the medium and exciting developments in digital comics and in comics conceived for galleries and installations.

Hardcover. Seattle, Fantagraphics Books, 1st, 2016, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 696 pages illustrated in color, b&w. Tells of Fantagraphics Books' key role in helping build and shape an art movement around a discredited, ignored and fading expression of Americana the way insiders share the saga with one another other: in anecdotal form, in the words of the people who lived it and saw it happen. Comics historian and critic Tom Spurgeon and longtime Comics Journal editor Michael Dean assemble an all-star cast of industry figures, critics, cartoonists, art objects, curios, and groundbreaking publications to bring you a detailed account of Fantagraphics' first 40 years.

NY, Harry Abrams, 1st, 2004, Book: Very Good, Dust Jacket: Very Good, Hardcover, 336 pages, 575 illustrations, more than 100 plates in color. Like new condition.

Hardcover. NY, Harry Abrams, 1st, 2004, Book: Very Good, Dust Jacket: None, Hardcover, 336 pages, 575 illustrations, more than 100 plates in color. A comprehensive survey of fifty years of comics explores how such characters as Buster Brown, Krazy Kat, and Li'l Abner reflected societal attitudes and changes in the first half of the twentieth century, providing in-depth biographies of twenty-one influential comic creators and featuring rare original depictions of those creator's work. Lacks dust jacket but a clean, bright copy.

Softcover. New York, Fantagraphics Books, 1st, 2005, Book: Very Good, Dust Jacket: None, 199 pages. Softcover with minor wear to paper wrappers. Spine cracked on sencond page. Library embossed stamp on front cover, otherwise clean, tight copy. Minor wear on edges.

Hardcover. NY, Harry Abrams, 1st, 2002, Book: Very Good, Dust Jacket: None, Hardcover, 336 pages, 776 illustrations, more than 100 plates in color. Contents include comic strips from the post war years followed by each decade to the nineties concluding with the twenty-first century. Lacks dust jacket but a clean, bright copy.

Softcover. New York, Thames and Hudson, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 350 pages, color illustrations. Eighty-two comic artists are featured, varying greatly in age, experience, and style. Each artist is introduced with a few paragraphs including some biographical material and quotations regarding their style, influences, and approach to their work, followed by approximately four large pages per artist of previously unpublished doodle or draft drawings from their sketchbooks, totaling 700 individual illustrations.

Softcover. New York, Thames and Hudson, 1st, 2012, Book: Very Good, Dust Jacket: None, Softcover, 350 pages, color illustrations. Eighty-two comic artists are featured, varying greatly in age, experience, and style. Each artist is introduced with a few paragraphs including some biographical material and quotations regarding their style, influences, and approach to their work, followed by approximately four large pages per artist of previously unpublished doodle or draft drawings from their sketchbooks, totaling 700 individual illustrations.

Softcover. New York, Thames and Hudson, 2012, 2012, Book: Very Good, Dust Jacket: None, 352 pages. Softcover. Very clean, unmarked copy with only minor wear to wrapper edges. 700 illustrations in black & white and color throughout.

Hardcover. Milwaukie, OR, Dark Horse Comics, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 498 pages. Hardcover with dust jacket. A very clean, unmarked copy with only minor wear to dust jacket edges. Features 670 illustrations and photos -- including dynamic and bizarre cover art compiled under such curious headings as Atomic Bombs, Death with Indignity, Gorillas, Headlights, Hooded Menaces, and Skulls. Containing countless stories gleaned from over 150 interviews of comics industry veterans, Comics Between the Panels is loaded with more than half a century of insider information on the talented and eccentric creators who forged the comics industry and art form.

Hardcover. Jackson MS, University Press of Mississippi, reprint, 1991, Book: Very Good, Dust Jacket: Very Good, Hardcover, 364 pages, b&w illustrations. A reprint of the classic survey published in 1947. In a bright dust jacket, clean.

Hardcover. Milwaukie, OR, Dark Horse Books, 1st, 1998, Book: Very Good, Dust Jacket: Very Good, 500 pages. Hardcover with dust jacket. Very clean, unmarked copy with only minor edgewear. Features 670 illustrations and photos. This lavish volume takes an in-depth look at the history of comics in a manner decidedly unlike the dry timelines and profiles of most reference-style titles.Containing countless stories gleaned from over 150 interviews of comics industry veterans, Comics Between the Panels is loaded with more than half a century of insider information on the talented and eccentric creators who forged the comics industry and art form.

Hardcover. Cincinnati, Ohio, North Light Books, 1st, March 1991, Book: Very Good, Dust Jacket: None, Hardcover, 134 pages, b&w illustrations. A very clean, tight copy. Explains the role of caricature, tells how to develop a personal style, and includes profiles and work by top caricaturists. No dj issued.

Hardcover. San Diego, IDW Publishing, 3rd pr., 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, Presenting a deluxe hardcover collection of Chester Gould's timeless comic strip, Dick Tracy. The second volume of this multi-year project includes nearly 500 comic strips from May 1933 to January 1935. This special second volume also features an exclusive essay from Consulting Editor and longtime Tracy writer Max Allan Collins.

Softcover. Seattle WA, Fantagraphics Books, reprint, 2009, Book: Very Good, Dust Jacket: None, 126 pages. Softcover. Extensive color and b&w illustrations by R. Crumb throughout. Clean, unmarked copy with only minor wear to wrappers.

Hardcover. Seattle, Fantagraphic Books, 1st, 1990, Book: Very Good, Dust Jacket: Very Good, 96 pages. Hardcover with dust jacket. Orange cloth boards. Comic strips by McCay reproduced in color. Nice, crisp copy in a dust jacket.

Hardcover. San Diego CA, Idea & Design Works , 1st, 2008, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 383 pages. Volume One of The Complete Little Orphan Annie contains more than 1,000 daily comics in nine complete stories, from the very first strip in August 1924 through October 1927. In the pages of "Will Tomorrow Ever Come?" readers will discover how Annie escapes the orphanage and is ultimately adopted by "Daddy;" how she finds that loveable mutt Sandy and rescues him from being tortured; how she meets the Silos, who become recurring characters throughout the series; how she joins the circus and first encounters Pee Wee the elephant; and how, broke and alone, she hits the road on a succession of dangerous yet spiritually uplifting adventures. This volume also includes an index, and a biographical essay by Jeet Heer.

Hardcover. San Diego CA, Idea & Design Works/ IDW, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 319 pages. Color and b&w strips from the newspapers between 1927 and 1929. Little Orphan Annie -- the original female comics hero -- takes on chiseling business men and a gang of thieves, armed only with her sharp wit and a good left hook. Then she helps her surrogate parents by nursing "Daddy" Warbucks to health and helping save the Silos' family farm. And only that little chatter-box could become a cross between Robinson Crusoe and Dr. Doolittle when she and Sandy are shipwrecked on a deserted island.

Hardcover. New York , Pantheon, reprint, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 296 pages, b&w illustrations by Spiegelman. Maus is a holocaust survival story, a biography, and an autobiography. Written as a graphic novel (and winner of a Pulitzer Prize), Art Spiegelman captures the process of interviewing his father while simultaneously telling his father's story. In that sense, the text is very self-reflexive - there are parts in it showing Spiegelman working to create the very page you read, as previous parts of the his father's story are reintroduced from previous portions of the text. The story is complex. It not only details the horrors of the holocaust and the extreme lengths to which people went to survive, but it also captures the harrowing guilt survivors faced, and the lifelong aftereffects of the war. It also shows the struggle between father and son, both through the lens of a typical familial challenge, and of those unique between a survivor and child born afterwards.

Hardcover. New York , Pantheon, reprint, 1997, Book: Very Good, Dust Jacket: Very Good, Hardcover, 296 pages, b&w illustrations by Spiegelman. Maus is a holocaust survival story, a biography, and an autobiography. Written as a graphic novel (and winner of a Pulitzer Prize), Art Spiegelman captures the process of interviewing his father while simultaneously telling his father's story. In that sense, the text is very self-reflexive - there are parts in it showing Spiegelman working to create the very page you read, as previous parts of the his father's story are reintroduced from previous portions of the text. The story is complex. It not only details the horrors of the holocaust and the extreme lengths to which people went to survive, but it also captures the harrowing guilt survivors faced, and the lifelong aftereffects of the war. It also shows the struggle between father and son, both through the lens of a typical familial challenge, and of those unique between a survivor and child born afterwards.