Hardcover. Indianapolis, Bobbs-Merrill, 1st, 1970, Book: Very Good, Dust Jacket: Good, Hardcover, in a lightly worn dust jacket. Non-paginated. Black & white cartoons by W. Miller, mostly from The New Yorker. Clean, tight copy.

Hardcover. NY, Nostalgia Press, 1st, 1976, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket. 128 pages, b&w art. This book presents Foster's original drawings in a new format that works well for the book, doing away with the original text in the margins for new expanded text enhanced by Max Trell. So it reads more like a illustrated book that a comic strip. To see Foster's draftsmanship in the inked form without color allows you to really appreciate the quality of his artistry. Another nice treat in the book are the special educational front endpapers, titled "Knightly Arms & Armor", drawn by Foster.

Hardcover. London, Book Palace Books, 1st, 2024, Book: Very Good, Dust Jacket: None, Hardcover in pictorial boards, 200 pages. Limited to 1000 copies. A history of the great adventure comic strip created by Hal Foster, exploring its origin, the coloring process and showcase samples from original artwork and the color proofs, many scanned at their actual size. The book features all the artists that followed Foster from John Cullen Murphy to Gary Gianni and the current artist Thomas Yeates, with samples of their work scanned from their original art boards. In addition we interview Cullen Murphy who wrote the script for many years after Foster retired, Meg Nash who colored the strip from 1991 until her father John Cullen Murphy retired in 2004, Mark Schultz the current writer and Scott Roberts the colorist since 2004.

Hardcover. Seattle, WA, Fantagraphics, 1st, 2015, Book: Very Good, Dust Jacket: None, 112 pages. Hardcover with no dust jacket. Two years of the Sunday strips in color. Clean, unmarked copy with only minor wear to covers. The eleventh volume of Fantagraphics award-winning Prince Valiant series concludes our heroes' adventures in Cornwall, and marks the first appearance of Arvak the Red Stallion. At the Council of Kings, Prince Valiant stands alone in the decision to avoid a ruinous war. Val returns to Aleta, and the two are summoned to Camelot, where Queen Guinevere becomes jealous of Aleta's popularity. Meanwhile, Val leads a bloody campaign to secure the Eastern marches and learns the tragedies of war. As the book ends, Prince Valiant begins searching for Gawain. There may just be another adventure afoot. Bonus features include a gallery of Foster's rare and never-before-reprinted advertising art from the 1920s. Hal Foster's Prince Valiant is the most illustrious heroic saga ever written and drawn for the Sunday newspapers. In full, glorious, restored color, this is the finest reproduction of this enthralling, romantic adventure serial ever published. Full color illustrations throughout

Hardcover. Seattle, Fantagraphics, 1st, 2010, Book: Very Good, Dust Jacket: None, Illustrated throughout in color. Clean, unmarked copy in excellent condition. For 35 years, Hal Foster created epic adventure and romantic fantasy in his legendary Sunday strip, Prince Valiant. Realistic in its visual execution and noble in its subject, depicting a time in which the fabled warriors of history and legends fought together for the greater good, it remains one of the great masterpieces of the medium. In this second volume, Prince Valiant helps his father reclaim his throne in kingdom of Thule; fights alongside King Arthur; is made a knight of the Round Table; battles the Huns; sets off with Sir Gawain and Tristam of Arthurian legend fame; and is thrown off-course from Sicily; adventure follows him everywhere. Fantagraphics is proud to present these strips, which, thanks to the use of original proof sheets and advances in printing technology, are even brighter and crisper than when they were originally published 70 years ago. Foster's work, painterly and sweeping, is finally treated to the grand depiction it deserves.

Hardcover. Seattle, Fantagraphics, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 112 pages. As this fourth volume begins, Prince Valiant, haunted by Aleta, seeks Merlin's wise counsel. This brief episode segues into one of Hal Foster's patented epics, "The Long Voyage to Thule," which ran for seven straight months and featured Valiant's return to his birthplace and reunion with his father. Of course, Foster's astonishingly detailed and evocative depictions of Val's homeland contribute greatly to this sprawling epic. After a series of shorter adventures including "The Seductress," "The Call of the Sea," and "The Jealous Cripple," Val finally decides he can stand it no more and sets out to find his long-lost love. Long-time fans know that his quest will eventually be successful, but Foster throws so many obstacles in the way of true love that the saga "The Winning of Aleta" would end up stretching a full year and a half, well into the next volume.

Hardcover. Seattle, Fantagraphics, 1st, 2012, Hardcover, 112 pages. Fully half of this volume of Hal Foster's epic masterpiece -- again scanned from superb syndicate proofs -- is devoted to the remaining chapters of "The Winning of Aleta," a 20-month (!) epic in which Valiant obsessively pursues his bride to be. Not surprisingly this is followed by a sequence called "Matrimony," which ends with a newly wed queen adjusting to the luxurious, exciting court life at Camelot. But Val's marriage does not signal an end to his adventures. In "War in the Forest" Val is sent out to spy on encroaching Saxons -- unknowingly aided by Aleta, who, disguised as a small knight (and dubbed "Sir Puny") helps prevent disaster. But the 1946 strips end with Val and Aleta unable to return to Camelot and the displaced couple journeying to Thule. Half the strips in this volume also include the delightful "The Medieval Castle," Foster's chronicle of two young boys growing up during the time of the First Crusade -- but by the end of the 1945 strips this series has ended and the Valiant portion resumes its full-page glory.

Hardcover. Seattle, Fantagraphics, 1st, 2013, Book: Very Good, Dust Jacket: None, Hardcover, 112 pages. Hal Foster's masterpiece of adventure enters its second decade as Valiant and Aleta journey to "The New World" a 16-month epic that allows Foster to draw some of his spectacular native Canadian backgrounds, and during which Aleta gives birth to Arn and acquires her Indian nurse, Tillicum. Most of the rest of the book is taken up with the action-packed five-month sequence "The Mad King" during which Val, back at Camelot, confronts the evil, fat little King Tourien of Cornwall.This volume will be rounded off with an essay by Foster scholar Brian M. Kane (The Prince Valiant Companion) discussing Foster's depiction of "Indians" as it relates to other interpretations of the times, accompanied by various graphic goodies such as a previously unpublished camping cartoon by Foster from circa 1915, some of Foster's Mountie paintings, Foster's own map of Val's voyage to/from the New World, and more rare photos and art. As always, this volume is shot directly from Foster's personal collection of syndicate proofs, their glorious colors restored to create an unprecedentedly sumptuous reading experience.

Hardcover. NY, Nostalgia Press/King Features, 1st, 1974, Book: Very Good, Dust Jacket: Very Good, Hardcover, 128 pages. Reproduces the Prince Valiant cimic strips beginning with "The Prophesy" of 1937, "The Ogra" (1937-38), "The Fairy Morgana" (1938), "Prince Arn" (1938), "In The Service Of King Arthur" (1938-39), "Knight Errant" (1939), "The Grand Victory' (1939-40).

Hardcover. NY, Nostalgia Press/King Features, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover.. Color panels throughout.

Hardcover. NY, Nostalgia Press/King Features, 1st, 1978, Book: Very Good, Dust Jacket: Very Good, Hardcover, 145 pages. Contains reprints of material that originally appeared in the Sunday newspapers from May 5, 1946 to January 16, 1949. Color throughout.

Hardcover. San Rafael, CA, Neff-Kane, 1st Edition, 1979, Book: Very Good, Dust Jacket: Very Good, 196 pages. Hardcover. B/w illustrations and color photographs throughout. Binding tight. Spine straight. Dust jacket unclipped, has some agewear at top and bottom of spine and small tear at top of back cover (see image). Pages and edges clean and unmarked. Black endpapers. Cover boards bound in silver cloth, red gilt title on spine. Conrad's special genius--his ability to convey a powerful message in the black and white of line and mass--has delighted readers for years. Also included are pictures of some his most famous bronze sculptures.

Hardcover. San Diego, CA, Idea & Design Works, LLC, 1st, 2014, Book: Very Good, Dust Jacket: Very Good, 328 pages. hardcover with dust jacket. Color Illustrations throughout. Clean, unmarked copy with only minor wear to dust jacket. A lavish book devoted to the most important political satire and cartoon magazine in American history. Published from 1877 to 1918, Puck was regularly a major political battleground and is credited with single-handedly thwarting the third-term ambitions of Ulysses Grant in 1880 and electing Grover Cleveland to the presidency in 1884. Puck did it with art-lavish, color, full-page and two-page center-spread cartoons. It was the first American magazine to publish color lithographs on a weekly basis and, for nearly forty years, was a training ground and showcase for some of the country's most talented cartoonists, led by its co-founder, Joseph Keppler. This retrospective contains nearly 300 full-color plates.

Hardcover. New York, Sterling Publishing, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, 183 pages. Hardcover. Full color illustrations. Light wear. Clean, tight copy. The term pulp fiction has always had a certain resonance; but it is the artwork--bold, energized, dramatic, garishly colorful, and frequently grotesque--that has made pulp magazines memorable to so many people. Pulp Art is the groundbreaking--and ultimate--book on one of America's most important and spectacular forms of illustration art. At last, preserved in this volume are most of the still-existing originals created for the pulp covers, never before seen in all their sharply focused, vibrantly colored brilliance. Robert Lesser, a pioneering collector of this work and an expert on American popular culture, has assembled a gallery of these now-priceless originals. The dynamically pulp-flavored text is a complete historical survey of the pulps and their most important cover artists--Virgil Finlay, J. Allen St. John, Rafael de Soto, Hannes Bok, George and Jerome Rozen, Frank R. Paul, and many others. Also offered are critical discussions of individual paintings, as well as the major themes of the pulp magazines.

Hardcover. London, Jonathan Cape, 1st, 1987, Book: Very Good, Dust Jacket: None, Hardcover in a bright, pictorial boards. Approximately 100 pages of cartoon strips in black and white. Paper tanning slightly, clean copy.

Hardcover. Seattle, Fantagraphics, 1st, 2021, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 128 pages. Having created one of the most expansive and remarkable casts of characters of any cartoonist who ever lived (under the umbrella of the ongoing Love and Rockets comic book series), acclaimed graphic novelist Jaime Hernandez -- Will Eisner Hall of Famer; Eisner, Harvey, Ignatz, and PEN Award winner; L.A. Times Book Prize winner; and on a very short list of contenders for the title of America's Greatest Living Cartoonist -- has been privately amassing a body of work that no one else has ever seen for over 40 years. Until now. Creating a Love and Rockets-adjacent world, set in the heyday of 1960s and '70s women's wrestling and lucha libre, Queen of the Ring is a best-of book spotlighting the women who are often ignored in pro wrestling in 125 full color illustrations: pin-ups, action shots, fake wrestling magazine covers, all presented in a deluxe hardcover that echoes the lucha libre magazines of the 1960s.

Softcover. NY, Ballantine Books, 1st, 1970, Book: Very Good, Dust Jacket: None, Large format softcover, 64 pages of b&w comic art by Crumb. Introduction by Paul Krassner. Some tanning to edges of wrappers. Otherwise clean.

Softcover. Cambridge MA, Boatner Norton Press, 1st, 1981, Book: Very Good, Dust Jacket: None, Softcover, Illustrated with black & white examples of works by Robert Crumb - 4 pages in full color.

Hardcover. NY, Taschen, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. "Silly Fool Comics" fills the final page in this sixth volume, with a devilish creature telling the anguished Crumb, "YOU Will Soon Be DEAD!" He was a mere 67, but in his self-absorbed Crumbish way was obsessing about death, when not making intimate and loving portraits of his wife Aline and all the other women who'd tormented his libido since boyhood. Most impressive in this book are his historic tableau, some single page, others multi-page strips, including Piers the Ploughman of 14th century England, My Secret Life by "Walter," Rough Women of the Dark Ages and The Apache Dance, from a 1930s Parisian postcard. His Rapidographed cross hatching is superb as ever and we are treated to long screeds displaying his undimmed brilliance at analyzing the human condition, in a morbid but nonetheless amusing way. One could say there are no surprises in content, as Crumb has produced a consistent body of work over the last 40, if not 50, years, yet each page is also jarringly different from the one before, due to his personal juxtaposition of images. So much is packed in you can spend an hour and find you're only a quarter of the way through, with Crumb bemoaning his mortality, while continuing to prosper, every few pages. A fine stand-alone volume, and must-have completion for the sketchbook set.

Hardcover. NY, Taschen, reprint, Book: Very Good, Dust Jacket: None, Hardcover, illustrated boards. "Silly Fool Comics" fills the final page in this sixth volume, with a devilish creature telling the anguished Crumb, "YOU Will Soon Be DEAD!" He was a mere 67, but in his self-absorbed Crumbish way was obsessing about death, when not making intimate and loving portraits of his wife Aline and all the other women who'd tormented his libido since boyhood. Most impressive in this book are his historic tableau, some single page, others multi-page strips, including Piers the Ploughman of 14th century England, My Secret Life by "Walter," Rough Women of the Dark Ages and The Apache Dance, from a 1930s Parisian postcard. His Rapidographed cross hatching is superb as ever and we are treated to long screeds displaying his undimmed brilliance at analyzing the human condition, in a morbid but nonetheless amusing way. One could say there are no surprises in content, as Crumb has produced a consistent body of work over the last 40, if not 50, years, yet each page is also jarringly different from the one before, due to his personal juxtaposition of images. So much is packed in you can spend an hour and find you're only a quarter of the way through, with Crumb bemoaning his mortality, while continuing to prosper, every few pages. A fine stand-alone volume, and must-have completion for the sketchbook set.

Hardcover. NY, Norton, 1st, 2011, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages, in slim decorated slipcase. Robert Crumb first began drawing record covers in 1968 when Janis Joplin, a fellow Haight Ashbury denizen, asked him to provide a cover for her album Cheap Thrills. It was an invitation the budding artist couldn't resist, especially since he had been fascinated with record covers-particularly for the legendary jazz, country, and old-time blues music of the 1920s and 1930s-since he was a teen. This early collaboration proved so successful that Crumb went on to draw hundreds of record covers for both new artists and largely forgotten masters. So remarkable were Crumb's artistic interpretations of these old 78 rpm singles that the art itself proved influential in their rediscovery in the 1960s and 1970s. Including such classics as Truckin' My Blues Away, Harmonica Blues, and Please Warm My Weiner, Crumb's opus also features more recent covers done for CDs. R. Crumb: The Complete Record Cover Collection is a must-have for any lover of graphics and old-time music. 450 four-color illustrations.

Hardcover. New York, W. W. Norton & Company, 1st, 2011, Book: Very Good, Dust Jacket: None, Hard cover in slipcase. Like new in publishers shrink-wrap. A landmark work that pays splendid homage to a forgotten era of seminal American music. Robert Crumb first began drawing record covers in 1968 when Janis Joplin, a fellow Haight Ashbury denizen, asked him to provide a cover for her album Cheap Thrills. It was an invitation the budding artist couldn't resist, especially since he had been fascinated with record covers-particularly for the legendary jazz, country, and old-time blues music of the 1920s and 1930s-since he was a teen. This early collaboration proved so successful that Crumb went on to draw hundreds of record covers for both new artists and largely forgotten masters. So remarkable were Crumb's artistic interpretations of these old 78 rpm singles that the art itself proved influential in their rediscovery in the 1960s and 1970s. Including such classics as Truckin' My Blues Away, Harmonica Blues, and Please Warm My Weiner, Crumb's opus also features more recent covers done for CDs. R. Crumb: The Complete Record Cover Collection is a must-have for any lover of graphics and old-time music. 450 four-color illustrations

Hardcover. New York, W. W. Norton & Company, 1st, 2011, Book: Very Good, Dust Jacket: None, Hard cover in slipcasse. Like new in publishers shrink-wrap. A landmark work that pays splendid homage to a forgotten era of seminal American music. Robert Crumb first began drawing record covers in 1968 when Janis Joplin, a fellow Haight Ashbury denizen, asked him to provide a cover for her album Cheap Thrills. It was an invitation the budding artist couldn't resist, especially since he had been fascinated with record covers-particularly for the legendary jazz, country, and old-time blues music of the 1920s and 1930s-since he was a teen. This early collaboration proved so successful that Crumb went on to draw hundreds of record covers for both new artists and largely forgotten masters. So remarkable were Crumb's artistic interpretations of these old 78 rpm singles that the art itself proved influential in their rediscovery in the 1960s and 1970s. Including such classics as Truckin' My Blues Away, Harmonica Blues, and Please Warm My Weiner, Crumb's opus also features more recent covers done for CDs. R. Crumb: The Complete Record Cover Collection is a must-have for any lover of graphics and old-time music. 450 four-color illustrations

Softcover. New York , Penguin Books, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 201 pages illustrated in b&w and color by artists like Charles Burns, Kim Deitch, Art Spiegelman, Pascal Doury, others. Clean, bright copy.

Softcover. New York , Penguin Books, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 201 pages illustrated in b&w and color by artists like Charles Burns, Kim Deitch, Art Spiegelman, Pascal Doury, others. Clean, bright copy.

Hardcover. Seattle, Fantagraphics Books, 1st, 2016, Book: Very Good, Dust Jacket: None, 159 pages. Hardcover with laminated boards. Clean, tight copy with color illustrations throughout. Inspired by magazines like Mad and traditional superhero comics, Real Deal magazine was a self-published,independent comic book created in the 1990s by Lawrence Hubbard (a.k.a "RawDog") and H.P. McElwee (a.k.a. "R.D. Bone"). Peopled with a cast out of a blaxploitation movie - convicts, hustlers, drug addicts,crack whores, car thieves,and murderers - these cult-classic comics straddle the line between satirizing and showing the harsh realities of urban life.

Hardcover. Seattle, WA, Fantagraphics, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 256 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout. Founded by Paul Krassner, "The Realist" was a satirical magazine that took aim at American culture during the period of 1958 to 2001. Paul Krassner collaborates with Fantagraphics to create a collection of the best of "The Realist" drawings with contributions by R. Crumb, Art Spiegelman, S. Clay Wilson, Jay Lynch, Wallace Wood and others. Illustrated front board, 291 pages plus annotations, black/white and 2-color images. Volume numbers and year published accompanies each cartoon.

Hardcover. US, Fantagraphics Books, 1st, 2003, Book: Very Good, Dust Jacket: Very Good, 292 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Black and white pictures throughout.

Hardcover. San Diego, CA, IDW Publishing, 1st, 2016, Book: Very Good, Dust Jacket: Very Good, 284 pages. Hardcover with dust jacket. Clean, unmarked copy with only minor wear to dust jacket. Orange ribbon marker. Black and white comics throughout. Red Barry was one of the most visually innovative adventure strips of the mid-1930s, combining fluid brushwork and noir shadows (in bold blues and purples) with figures that were constantly inventive.

Softcover. Seattle, WA, Fantagraphics Books, 1st, 1989, Book: Very Good, Dust Jacket: None, 96 pages Softcover with light edgewear to paper wrappers. Black and white comic illustrations throughout. Tight copy.

Softcover. Raleigh NC, TwoMorrows Publishing , 1st pbk, Book: Very Good, Dust Jacket: None, Paperback, 256 pages, illustrated in color. From the 1940s to the '70s, Reed Crandall brought a unique and masterful style to American comic art. Using an illustrator's approach on everything he touched, Crandall gained a reputation as the "artist's artist" through his skillful interpretations of Golden Age super-heroes Doll Man, The Ray, and Blackhawk (his signature character); horror and sci-fi for the legendary EC Comics line; Warren Publishing's Creepy, Eerie, and Blazing Combat; the THUNDER Agents and Edgar Rice Burroughs characters; and even Flash Gordon for King Features. Comic art historian Roger Hill has compiled a complete and extensive history of Crandall's life and career, from his early years and major successes, through his tragic decline and passing in 1982. This full-color softcover includes never-before-seen photos, a wealth of rare and unpublished artwork, and over eighty thousand words of insight into one of the true illustrators of the comics. Bookplate signed by Roger Hill laid in.

Hardcover. New York, Cupples & Leon, 1st, 1929, Book: Very Good, Dust Jacket: None, Publisher's cloth-backed boards illustrated in color, 86 pages of b&w cartoons reprinted from the New York Herald Tribune, most dated 1927. Light use to edges of boards; tight and sound, no markings.

Softcover. Tahiti, Pacific Comics Club, 1st, 1980, Book: Very Good, Dust Jacket: None, Four softcover volumes that cover the Rip Kirby comic strip for a full year, Dec. 5 1949 through Dec. 23 1950. Color wraps, daily strips in b&w. Titles: "White Inferno", "Gunpowder Dreams", "Buried Treasure", "The Missing Nightingale." Clean copies.

Softcover. Toronto , Dragon Lady Press, reprint, 1987, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers with staple binding. 56 pages of b&w Rip Kirby strips. Clean, very good.

Softcover. San Francisco, Rip Off Press, 1st, 1977, Book: Very Good, Dust Jacket: None, Softcover in pictorial wraps, 48 pages, 75 cents cover price. B&w art by Shelton, Sheridan, Foolbert Sturgeon (Frank Stack), Richards, Bill Griffith, R. Diggs (Harry Driggs) & Justin Green. Clean copy.

Softcover. San Francisco, Rip Off Press, 1st, 1987, Book: Very Good, Dust Jacket: None, Softcover, 28 pages, $2 cover price. B&w art by Gilbert Shelton. Clean copy.

Softcover. Auburn CA, Rip Off Press, 1988, Book: Very Good, Dust Jacket: None, Softcover, 32 pages, $2.50 cover price. B&w art by Gilbert Shelton. Clean copy.

Softcover. New York , Monacelli Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 224 pages, color illustrations throughout by Robert Risko. These celebrity caricatures are instantly recognizable -- recognizable both as unmistakable portraits of famous subjects and as examples of Risko's bold and fluid style. Risko's career was launched in 1978 when Andy Warhol gave him an assignment for Interview magazine. Since then he has drawn likenesses of hundreds of notables from the worlds of film, television, politics, and culture. In addition to countless images for Vanity Fair, Rolling Stone, The New Yorker, and other major magazines, Risko has illustrated book jackets, video covers, movie posters, and CD packages. Very good plus.

Softcover. New York , Monacelli Press, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover, 224 pages, color illustrations throughout by Robert Risko. These celebrity caricatures are instantly recognizable -- recognizable both as unmistakable portraits of famous subjects and as examples of Risko's bold and fluid style. Risko's career was launched in 1978 when Andy Warhol gave him an assignment for Interview magazine. Since then he has drawn likenesses of hundreds of notables from the worlds of film, television, politics, and culture. In addition to countless images for Vanity Fair, Rolling Stone, The New Yorker, and other major magazines, Risko has illustrated book jackets, video covers, movie posters, and CD packages. Very good plus.

Softcover. New York, Nbm Pub Co, 1st, 2000, Book: Very Good, Dust Jacket: None, Softcover. Unpaginated graphic novel. Adult content. Light edge wear to wrappers. Else a clean, tight copy.

Hardcover. London, William Heinemann, 1st, 1922, Book: Very Good, Dust Jacket: None, Hardcover. Unpaginated, a series of tipped-in color plates. Blue cloth covers w/ gilt lettering. Light edge wear to covers, spine darkened. Light yellowing to end papers. Else a clean, tight copy.

Hardcover. London, William Heinemann, 1st, 1922, Book: Very Good, Dust Jacket: Very Good, Unpaginated, a series of tipped-in color plates. Blue cloth covers w/ gilt lettering. Light edge wear to covers, spine darkened. Light yellowing to end papers. Else a clean, tight copy. A humorous tribute to the Rossetti family and their circle, including Wilde, Ruskin, Millais, Ford Madox Brown, Swinburne, et al. Twenty two color plates mounted on art paper with amusing descriptive tissue guards.

Hardcover. London, PS publishers, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color and Black and white pictures throughout. Rulah first appeared in Zoot Comics #7 back in June 1947 and she's generally regarded as being the brainchild of Matt Baker and, some time later, Jack Kamen and Ghastly Graham Ingels. Collects Rulah #17-27, August 1948 to June 1949. These are typical Good Girl stories of simplistic morality and mega-violence, with a bit of erotic sizzle. Rulah defends people's rights and fights evil. But she was a bit different than the standard "Good Girl Art" stuff of that era. Most of her stories feature a bad girl so there are a lot of catfights.

Hardcover. London, PS publishers, 1st, 2015, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color and Black and white pictures throughout. Originally published in magazine form in All Top Comics 8-18, Tegra/Zegra Aug 1948 - Apr 1949, and Seven Seas Comics 1-6.

Hardcover. US, PS publishers, 1st, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color and Black and white pictures throughout.

Hardcover. UK, PS publishers, 1st, 2014, Book: Very Good, Dust Jacket: None, Hardcover with no dust jacket. Clean, unmarked copy with only minor wear to covers. Color and Black and white pictures throughout. She may still be everyone's favourite yellow-tressed leopard-skin-clad Jungle Jane but, having made her first appearance almost 80 years ago (courtesy of Will Eisner and 'Jerry' Iger in the British mag Wags #1), Sheena, Queen of the Jungle could be forgiven for being somewhat less spritely swinging through the trees righting wrongs and wielding her knife. In 1938, she made it Stateside with her first showing in Jungle Comics #1 where she settled happily in every issue (plus a decade in her own title) until April 1953. There have been other incarnations, of course, but it's this classic material that strikes at the very heart of Good Girl Art! Collects issues #11-18, Spring 1951 to Winter 1952.

Hardcover. UK, PS Publishing, 1st, 2013, Book: Very Good, Dust Jacket: None, Volume 2 only. Hardcover, 312 pages. Color illustrated throughout. Minor shelf-wear to covers, else a clean, tight hardcover.

Hardcover. New York , Simon and Schuster, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 190 pages, b&w cartoon contraptions by the master. Bright, clean copy in unclipped dust jacket. A collection of Rube Goldberg's wackiest inventions features more than two thousand "schematics" from the immensely popular comic for everything from suicide machines to a pick-pocket device designed for politicians.

Softcover. Chicago, Indiana Society of Chicago, 1st, 1940, Book: Very Good, Dust Jacket: None, Softcover, illustrated wrappers with red plastic comb binding. 40 full-page b&w cartoons by various artists, all honoring McCutcheon at the 29th Annual Dinner of The Indiana Society on Dec. 14, 1940: Fontaine Fox, Webster, Fitzpatrick, Milton Caniff, Shoemaker, Chester Gould, many others. Cover by Paul Plaschke. Bright, clean copy. Scarce.

Softcover. New York , Marvel Entertainment, 1st, 1989, Book: Very Good, Dust Jacket: None, Softcover, 63 pages illustrated in color by Glanzman. Clean, bright copy.