Hardcover. Seattle, Fantagraphics, 1st, 2023, Book: Very Good, Dust Jacket: None, Hardcover, pictorial cloth, 212 pages. Atlas holds a special place among aficionados of the genre, producing more horror titles and issues by far, than anyone in the industry. While the quality of EC's six horror/sci-fi titles was unsurpassed with their elite cadre of talent, Atlas was the equivalent of the B-movies studio, churning out anywhere from 8 to 12 different horror titles a month, giving a wider array of artists, including some of the best craftsmen of the era, a chance to show off their talents: in addition to those already mentioned, future volumes will include Bill Everett, John Romita, Bernie Krigstein, Jerry Robinson, Harry Anderson, and Matt Fox. Stories from Marvel's Atlas line have barely been reprinted.The Fantagraphics Atlas Comics Library is the first attempt to publish a carefully curated line of Atlas titles. The first volume, Adventures Into Terror, includes a treasure trove of stories drawn by many of the most stylistically accomplished artists of the Golden Age including George Tuska, Carl Burgos, Mike Sekowsky, Joe Maneely, and Joe Sinnott. Highlights include Russ Heath's two-part story "The Brain" from issue #4 and "Return of the Brain" from issue #6; Basil Wolverton's classic "Where Monsters Dwell" from issue #7; Gene Colan's moody "House of Horror" in issue #3; and Don Rico's wild layouts are on display from #4's "The Torture Room." The stories are written firmly in the tradition of the pulpy, perverse, borderline deranged style that brought Fredric Wertham, the United States Senate Sub-Committee, and public opinion down like a sledgehammer on comics in the early '50s.Edited by Atlas scholar Dr. Michael J. Vassallo, scanned directly from the published comics, and meticulously restored by Allan Harvey, the first volume of the new Fantagraphics Atlas Library series is an event among comics lovers, collectors, and historians.

Hardcover. NY, H. Bittner and Company, 1st, 1945, Book: Very Good, Dust Jacket: None, Hardcover, blue buckram stamped with gilt code of arms and lettering on spine. Limited to 1000 copies. A study of an artistic family who created theatrical designs dating from the 1680s to the 1780s under eight names. Illustrated with 53 plates. Small review slip tipped on front fly leaf. Some darkening to covers and spine, internally clean and bright. No dust jacket.

Hardcover. Last Gasp, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 288 pages. Illustrated with photographs and back and white illustrations. Introduction by Drew Friedman. Fantastic reference work on the history and back story of the creation of R. Crumb's legendary humor comics anthology.

Hardcover. Last Gasp, 1st, 2019, Book: Very Good, Dust Jacket: None, Hardcover, 288 pages. The Book of Weirdo is the definitive - and hugely entertaining- examination of Weirdo magazine, renowned underground comix cartoonist Robert Crumb's legendary humor comics anthology, which was originally published throughout the 1980s. A "low-brow" counterpoint to Art Spiegelman and Francoise Mouley's rather high-faluttin' RAW comix publication, Weirdo influenced an entire generation of alternative and neo-underground artists, as well as creative refuge for the underground comix veterans, and this book features the complete story of the well-recalled comics magazine, along with testimonials from over 130 of the publication's contributors, including interviews with Weirdo's three editors - R. "Keep on Truckin'" Crumb, Peter "Hate" Bagge, and Aline "The Bunch" Kominsky-Crumb - and publisher "Baba Ron" Turner. As much a history of the alternative comics scene of the 1980s - from New York City punk to Seattle grunge - this exhaustive retrospective includes rare and unseen artwork from that era, as well as new comics from modern-day artists celebrating their love for the great oddball magazine. In its time, the periodical featured the finest work of many artists, particularly the best material by Robert Crumb himself, Weirdo's founder and best known for ZAP Comix, Fritz the Cat, and Mr. Natural, and a man widely heralded as the greatest cartoonist of all time. We get photos of the various contributors, some samples of the work, more than a few brand-spanking-new artistic tributes to the magazine and the people who made it. And lots and lots of stories about what it was like to work for and with Robert Crumb.

Hardcover. NY, The Monacelli Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 640 pages, pofusely illustrated. In the late nineteenth century, Chicago -- the birthplace of modern architecture in the United States -- was a magnet for aspiring architects. The city was forced to rebuild after the destruction wrought by the Great Fire of 1871 and also to expand to accommodate a surge in the population. The seemingly endless demand for taller and more sophisticated buildings offered young draftsmen an unprecedented opportunity to influence the design of the American skyscraper. The Chicago Architecture Club: Prelude to the Modern documents the history of these draftsmen, the organization they founded, and its role in shaping architectural education and modern architectural practice.

Hardcover. NY, The Monacelli Press, 1st, 2005, Book: Very Good, Dust Jacket: Very Good, Hardcover, 640 pages, pofusely illustrated. In the late nineteenth century, Chicago -- the birthplace of modern architecture in the United States -- was a magnet for aspiring architects. The city was forced to rebuild after the destruction wrought by the Great Fire of 1871 and also to expand to accommodate a surge in the population. The seemingly endless demand for taller and more sophisticated buildings offered young draftsmen an unprecedented opportunity to influence the design of the American skyscraper. The Chicago Architecture Club: Prelude to the Modern documents the history of these draftsmen, the organization they founded, and its role in shaping architectural education and modern architectural practice.

Hardcover. Cleveland, World Publishing Company, 1st, 1966, Book: Very Good, Dust Jacket: Good, 336 pages. Hardcover. Previous owners name on front endpaper. Includes cartoonists: John Held, Jr., Charles Keene, George Herriman, A. B. Frost, Peter Arno, Saul Steinberg, Charles Addams, Virgil Partch, William Steig, Gerald Scarfe, Shel Silverstein, Tomi Ungerer, and more. Black & white illustrations. Dust jacket with chipping along edges. Clean, unmarked pages.

Hardcover. Prion, 1st, 2009, Book: Very Good, Dust Jacket: Very Good, Hardcover, 230 pages. In terms of both words and images the world had never seen the like of the American comic book. They were bizarre, morbid, lurid, risque and bursting with subconscious desires of burgeoning youth culture. By the time 1954 arrived their were 500 different comics being published by 35 different companies, selling over 60 million copies a month between them. This is the history of the era and the art it produced. The book looks at the pioneers of the comic book and the comic's founding links with sleazy pulp magazines; the campaign for censorship; the fraught relationship between the comic book artists and their publishers; how what they did was rarely recognized as art at the time - and of course the comics themselves.

Hardcover. Cambridge MA, The MIT Press, 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket In this book, 380 pages, illustrated in color. The award-winning historian Regina Lee Blaszczyk traces the relationship of color and commerce, from haute couture to automobile showrooms to interior design, describing the often unrecognized role of the color profession in consumer culture. Blaszczyk examines the evolution of the color progression from 1850 to 1970, telling the stories of innovators who managed the color cornucopia that modern artificial dyes and pigments made possible. These color stylists, color forecasters, and color engineers helped corporations understand the art of illusion and the psychology of color. Clean copy.

Hardcover. London, Paul Holberton Publishing, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 197 pages. Color and b&w plates throughout. This groundbreaking architectural history examines what people actually wanted in their institutional and private patronage over the last two centuries as opposed to what architects and theorists thought they should want - as seen through the prism of Oxford's principal building contractor and craft practitioner, Symm & Company. Clean, bright copy.

Softcover. Seattle, Fantagraphics, 1st, 2008, Book: Very Good, Dust Jacket: None, Softcover, 200 pages. Gary Groth interviews father and son cartoonists Gene and Kim Deitch. Academy-award-winning Gene Deitch, whose wide-ranging career has spanned over 60 years, talks about doing illustrations for The Record Changer, directing cartoons such as Munro and Krazy Kat, and creating his comic strip Terr'ble Thompson. Underground comics pioneer Kim Deitch, touches on his father's influence, reminisces about the New York-based scene and outlines the evolution of Waldo the Cat. Plus: The innovative Grant Morrison fills us in on his X-Men run, All Star Superman, the ambitious Seven Soldiers "maxiseries," and how he became one of the architects of the current DC Comics universe. Finally, the comics gallery presents an historical essay and highlights from the turn-of-the-19th-century work of Puck cartoonist, F. M. Howarth.

Softcover. Seattle, Fantagraphics, 1st, 2009, Book: Very Good, Dust Jacket: None, Softcover, 207 pages. A career-spanning interview with Mort Walker, the creator of Beetle Bailey and Hi & Lois. Jordan Crane discusses The Clouds Above: comics by the famous 17th century caricaturist Thomas K. Rowlandson.

Softcover. Seattle, Fantagraphics, 1st, 2015, Book: Very Good, Dust Jacket: None, Large softcover, 263 pages, b&w photos ad illustrations. In-depth, career-spanning interviews with the cartoonists - Crumb, Shelton, and more - who forever altered the course of American comics with their anthology title, Zap Comix.The definitive Comics Journal interviews with the cartoonists behind Zap Comix, featuring: Supreme 1960s counterculture/underground artist Robert Crumb on how acid unleashed a flood of Zap characters from his unconscious; Marxist brawler Spain Rodriguez on how he made the transition from the Road Vultures biker gang to the exclusive Zap cartoonists' club; Yale alumnus Victor Moscoso and Christian surfer Rick Griffin on how their poster-art psychedelia formed the backdrop of the 1960s San Francisco music scene; Savage Id-choreographer S. Clay Wilson on how his dreams insist on being drawn; Painter and Juxtapoz-founder Robert Williams on how Zap #4 led to 150 news-dealer arrests; Fabulous, Furry, Freaky Gilbert Shelton on the importance of research; Church of the Subgenius founder Paul Mavrides on getting a contact high during the notorious Zap jam sessions; and much more. In these career-spanning interviews, the Zap contributors open up about how they came to create a seminal, living work of art. Partial color.

Softcover. Seattle, Fantagraphics, 1st, 2015, Book: Very Good, Dust Jacket: None, Large softcover, 263 pages, b&w photos ad illustrations. In-depth, career-spanning interviews with the cartoonists - Crumb, Shelton, and more - who forever altered the course of American comics with their anthology title, Zap Comix.The definitive Comics Journal interviews with the cartoonists behind Zap Comix, featuring: Supreme 1960s counterculture/underground artist Robert Crumb on how acid unleashed a flood of Zap characters from his unconscious; Marxist brawler Spain Rodriguez on how he made the transition from the Road Vultures biker gang to the exclusive Zap cartoonists' club; Yale alumnus Victor Moscoso and Christian surfer Rick Griffin on how their poster-art psychedelia formed the backdrop of the 1960s San Francisco music scene; Savage Id-choreographer S. Clay Wilson on how his dreams insist on being drawn; Painter and Juxtapoz-founder Robert Williams on how Zap #4 led to 150 news-dealer arrests; Fabulous, Furry, Freaky Gilbert Shelton on the importance of research; Church of the Subgenius founder Paul Mavrides on getting a contact high during the notorious Zap jam sessions; and much more. In these career-spanning interviews, the Zap contributors open up about how they came to create a seminal, living work of art. Partial color.

Softcover. New York, Fantagraphics Books, 1st, 2014, Book: Very Good, Dust Jacket: None, 300 pages. Softcover with light edgewear to paper wrappers. Clean, tight copy. Color and black and white illustrations throughout. The definitive Comics Journal interviews with the cartoonists behind Zap Comix, featuring: Supreme 1960s counterculture/underground artist Robert Crumb on how acid unleashed a flood of Zap characters from his unconscious; Marxist brawler Spain Rodriguez on how he made the transition from the Road Vultures biker gang to the exclusive Zap cartoonists' club; Yale alumnus Victor Moscoso and Christian surfer Rick Griffin on how their poster-art psychedelia formed the backdrop of the 1960s San Francisco music scene; Savage Id-choreographer S. Clay Wilson on how his dreams insist on being drawn; Painter and Juxtapoz-founder Robert Williams on how Zap #4 led to 150 news-dealer arrests; Fabulous, Furry, Freaky Gilbert Shelton on the importance of research; Church of the Subgenius founder Paul Mavrides on getting a contact high during the notorious Zap jam sessions; and much more. In these career-spanning interviews, the Zap contributors open up about how they came to create a seminal, living work of art.

Hardcover. San Diego, Clover Press, Revised Ed., 2023, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, oblong format. 254 pages, some color, mostly black and white. Introduction by Max Allan Collins. Reformatted and re-scanned, revised from the 2007 printing. Includes over 500 comic strips from January 1935 to July 1936. A special section on the Dick Tracy Big Little Books in color. Clean copy.

Softcover. Stanford CA, Stanford University Press, 1st pbk, 2004, Book: Very Good, Dust Jacket: None, Softcover, 271 pages, b&w illustrations. The Cult of Art in Nazi Germany presents a new interpretation of National Socialism, arguing that art in the Third Reich was not simply an instrument of the regime, but actually became a source of the racist politics upon which its ideology was founded. Through the myth of the "Aryan race," a race pronounced superior because it alone creates culture, Nazism asserted art as the sole raison d'etre of a regime defined by Hitler as the "dictatorship of genius." Michaud shows the important link between the religious nature of Nazi art and the political movement, revealing that in Nazi Germany art was considered to be less a witness of history than a force capable of producing future, the actor capable of accelerating the coming of a reality immanent to art itself. Light sticker residue to rear cover otherwise clean, very good.

Hardcover. University Park PA, Pennsylvania State University Press, 1st, 2010, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 295 pages illustrated in b&w and color. Beginning in the 1730s, Heather Minor tells us, Rome "began to resemble one huge construction site," with a series of ambitious and expensive new building campaigns that transformed the face and substance of the city. From renovations of the Santa Maria Maggiore and San Giovanni in Laterano and the restoration of the Arch of Constantine to the creation of the Capitoline Museum and the establishment of the papacy's Calcografia, the push for reform not only renewed papal and Church identity but also revived Italian culture as a whole. Based on extensive archival research and full of fascinating stories about the often stormy theological and intellectual debates central to the attempts at reform, The Culture of Architecture in Enlightenment Rome brings to life the personalities of architects, theologians, and intellectuals and links the extensive architectural programs with powerful shifts in the intellectual climate of the time. Clean, bright copy.

Hardcover. NY, Princeton Architectural Press, 1st, 2015, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright, unclipped dust jacket, 224 pages. The Dakota is arguably the best-known residential address in the world, home to dozens of New York City's most famous artists, performers, and successful executives. The rare sale of an apartment there, usually at jaw-dropping prices, is newsworthy, as is the financial and architectural health of the building itself, a landmark in every sense of the word.The first true luxury apartment house built in New York City, more than 130 years ago, the Dakota is still the gold standard against which all other apartment buildings are weighed. Historian Andrew Alpern tells the fascinating story of how the Dakota came to be, how Singer sewing magnate Edward Clark dared to build an apartment building luxurious enough to coax the city's wealthy from their mansions downtown for ultra-modern living on what was then the swamplands of the Upper West Side. Redrawn plans of the entire building, published here for the first time, show how Clark created apartments glamorous enough that they made living under a shared roof as acceptable in Manhattan as it already was in Europe's grand capitals, forever revolutionizing apartment life in New York City.

Hardcover. Princeton NJ, Princeton University Press, 1st, 1979, Book: Very Good, Dust Jacket: Very Good, Two volume set. Matching gold cloth boards with titles in gold on spine, in bright dust jackets. Transcribed and with Introduction by Lilian M.C. Randall. B&w illustrations of the sculptures, paintings, drawings and etchings that Lucas dealt with while in Europe. Double-column English text. Provides an extraordinary archive for historians and dealers. Provides a hugely empirical database for prices paid and commissions issued to artists, dealers, and craftsmen. George A. Lucas's acquaintances include Daumier, Cassatt, Whistler and Barye, among many, many others. Volume Two is given over wholly to Lucas's daily diary, which ran for an extraordinary length of time. Volume 1: xv [2], 3-148 pages.; Volume 2: iv [ii], 3-965 pages. DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.

Hardcover. NY, NBM, 1st, 2007, Book: Very Good, Dust Jacket: Very Good, Hardcover, 192 pages. Early b&w comic strips. Mutt and Jeff was the first successful daily comic strip; before it, the funnies were Sunday features. It debuted in 1907, however, as A. Mutt, limning the follies of lanky racetrack gambler Augustus Mutt. Diminutive sidekick Jeff appeared the following year to form a partnership that lasted until the strip's overdue demise in 1983. Mutt and Jeff was the first strip to essay weeks-long story lines, such as a trip to Mexico to join Pancho Villa's revolution. Compared to better-remembered strips of the era, Mutt and Jeff was crudely drawn, yet it captured the nation's fancy. Despite its significance in comics history, Mutt and Jeff is scantly regarded today. By the mid-1920s, Fisher handed creative duties over to ghosts to free up time for the playboy lifestyle that the strip's sizable revenues allowed him. Clean copy.

Hardcover. Weldon Owen , 1st, 2012, Book: Very Good, Dust Jacket: Very Good, Hardcover, 320 pages. In 2012 Disney celebrated the 75th anniversary of the Snow White movie, a beloved classic and an important milestone in film history. This book, created with the Walt Disney Family Foundation, run by Walt's daughter, is an exploration of the making of the film that includes never-before-published facts and art. This book is the first to reconstruct that process in exacting detail, with the loving attention it deserves from an internationally noted film scholar. Author J.B. Kaufman spent years researching the film's history, interviewing participants, and studying the marvelous archival art that appears in these pages. The result is a work that can be appreciated equally as a piece of film history and as a collectable art book, a joy for anyone who loves film, animation, and the magical world that Walt Disney created.

Hardcover. NY, Random House, 1st, 1954, Book: Very Good, Dust Jacket: Good, 403 pages. Hardcover. 65 illustrations, 40 in full color. Price clipped dust jacket worn with tape repairs, fading - jacket now protected with clear plastic cover. "An account of the life and death of an art, of the men who made it and of the lusty age in which they flourished. 65 illustrations, including 40 in full color." Index, glossary, bibliography, appendices, artist biographies, chronology. Clean, tight copy.

Hardcover. London, Thames & Hudson, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. 536 pages, 1117 illustrations, 74 in color. Translated from the Dutch & edited by Elizabeth Willems-Treeman. The chapter headings are: iconoclasm & revolt 1566-1588; the artist's social position; the patrons; theories of art; realism & symbolism; different genres; the development of painting in the early 17th century; painting in Haarlem, Leiden, Amsterdam, the Northern Quarter, Utrecht, Delft, The Hague etc 1625-1650; The Republic in the third quarter of the 17th Century; painting in Haarlem, Leiden, Amsterdam, the Northen Quarter, Utrecht, Delft, The Hague etc 1650-1680. Name on half-titile page, otherwise clean. NOTE: DUE TO WEIGHT, DOMESTIC SHIPPING ONLY.