Softcover. Washington D.C., National Gallery of Art Washington, 1st, 1982, Book: Very Good, Dust Jacket: None, 271 pages. Softcover. National Gallery of Art publications from exhibition laid in. Color and b/w illustrations throughout. In beautiful condition. Wrapper bright and excellent. Pages clean, binding good. Catalogue to accompany exhibition held from February 7, 1991-May 9, 1982.
Hardcover. Hanover, NH, New England University Press, 1st Revised , 2002, Book: Very Good, Dust Jacket: Very Good, Hardcover. Revised and enlarged from the 1st Edition of 1993 with 13 new illustrations. SIGNED BY SABRA FIELD on the half-title page.
Hardcover. Springfield, MA, Pond Ekberg, 1st, 1941, Book: Very Good, Dust Jacket: None, 199 pages, illustrated throughout in b&w. Limited edition. #219/500 copies SIGNED BY THE AUTHOR. Blue cloth spine. blue paper boards, gilt titles. No dust jacket. Light wear around edges and spine, front cover slightly sunned with tape mark from old price-sticker. Bookplate. A nice, tight copy.
Hardcover. New Haven, CT, William Edwin Rudge, 1st, 1941, Book: Very Good, Dust Jacket: None, 73 pages. Dark gray cloth covers, gilt titles, b&w photographic frontispiece, top edge red. Clean covers with slight wear to corners, pages crisp and unmarked, stiff binding; a very neat tight copy in great condition.
Hardcover. Boston, David R. Godine, 1st, 2000, Book: Very Good, Dust Jacket: Very Good, 273 pages, oblong hardcover illustrated in color and b&w. Frank Benson, a pivotal artist of the American Impressionist movement had three great loves in his long and productive life: his family, his art, and the sporting life. As a boy, Benson dreamed of being an ornithological illustrator. In mid-life, after an extremely successful career as a portraitist, he returned to the wildfowl and sporting subjects that were his lifelong passion. Over the next forty years, in etching, lithography, watercolor, and oil and wash, he portrayed birds beloved since childhood, scenes of his hunting and fishing expeditions, and still lives of incomparable delicacy. Whether painting a hunter setting out decoys, a wash of geese by moonlight, a watercolor of a companion poised to gaff a salmon, or an etching of a group of ducks silently gliding in for a landing, Benson conveyed the joy and beauty of a sportsman's life.
Hardcover. London, Lund Humphries, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 184 pages, b&w and some color illustrations. Dust jacket bright, unclipped.
Hardcover. Huntington, NY, Black Oak Publishers, 1st, 1982, Book: Very Good, Dust Jacket: Very Good, Hardcover, 117 pages. b&w illustrations throughout. Completes the cataloguing of Wengenroth's prints which began with "The Lithographs of Stow Wengenroth, 1931-1972", also by the Stuckeys. Cream cloth, light staining to upper edge. Pictorial endpapers. Dust jacket with light edge wear to back cover, otherwise a very nice, tight and well preserved copy.
Hardcover. New York, Praeger Publishers, 1st, 1971, Book: Very Good, Dust Jacket: Very Good, Hardcover, 212 pages, illustrated throughout with 52 plates, 10 in full color. Gray cloth, silver lettering to front and spine, Pictorial dust jacket. Light wear to edges and spine, else a very nice, tight, clean copy.
Softcover. Baltimore MD, International Exhibitions Foundation, 1st, 1972, Book: Very Good, Dust Jacket: None, Softcover. Black illustrated wraps. 95 pages. Numerous b&w plates. Accompanying a loan exhibition from the Tamarind Lithography Workshop, this catalogue includes an introduction by E. Maurice Bloch, prints by such artists as Albers, Altoon, Asawa, Celmins, Cremean, Diebenkorn, Frasconi, Townley and many more, as well as a bibliography. Clean copy.
Softcover. New York , Metropolitan Museum of Art, 1st, 2001, Book: Very Good, Dust Jacket: None, 40 pages, exhibition catalog includes intaglios, lithographs, screenprints, woodcuts, and linoleum cuts by the artist.
Hardcover. New York, D. Appleton, 1st, 1895, Book: Very Good, Dust Jacket: None, 2 Volumes. Elephant Folios. 3/4 leather. Raised bands on spines. Titles in gilt. Designed by Stanford White, a.e.g. with marbled end papers. Set is 16 5/8 inches tall. Profusely illustrated with textual illustrations with fifty photogravures in color on heavy stock. There are also one hundred and twenty full-page typogravures in black and white. One plate with chipped edges - E. L. Weeks - "Three Beggars of Cordova". Rubbing to corner covers and along spines. Interiors clean and unmarked. Both volumes Very Good. Combined volumes weigh approximately 30 lbs - please contact us concerning shipping costs.
Hardcover. Rutland VT, Charles E. Tuttle, 1st US, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover, 256 pages. Illustrated with 190 pages of Cruikshank's drawings. Clean copy in a bright dust jacket. the author's third art monograph, reproducing Cruikshank's illustrations of Dickens, Ainsworth, Sterne, Smollett, and others, with extensive commentary and context. Clean copy.
Hardcover. NY, Random House, 1st, 1954, Book: Very Good, Dust Jacket: Good, 403 pages. Hardcover. 65 illustrations, 40 in full color. Price clipped dust jacket worn with tape repairs, fading - jacket now protected with clear plastic cover. "An account of the life and death of an art, of the men who made it and of the lusty age in which they flourished. 65 illustrations, including 40 in full color." Index, glossary, bibliography, appendices, artist biographies, chronology. Clean, tight copy.
Hardcover. London, The Nonesuch Press, 1st Ltd. Ed., 1937, Book: Very Good, Dust Jacket: None, Hardcover. In patterned paper covered boards, printed title label to spine, 8vo, 38 pages + proofs of Blake's blocks in their original state and sixteen of Blake's designs for the wood-engravings. No. 969 of a limited edition of 1000 copies printed at the Curwen Press. Inserted into a pocket at the rear of the book in a blue paper folder are 17 wood-engravings taken direct from electrotypes of the wood blocks and printed on Japon paper. Small inscription on inside front cover, light wear yo top of spine. Otherwise very good.
Softcover. NY, Hudson Hills Press, 1st, 1983, Book: Very Good, Dust Jacket: None, Softcover, 192 pages illustrated in color and b&w. INSCRIBED to previous owners and SIGNED BY RICHARD AXSOM & FRANK STELLA on the front fly leaf. Clean, bright copy.
Hardcover. NY, Knoedler Publishers, 1st, 1980, Book: Very Good, Dust Jacket: Very Good, Hardcover in a lightly worn dust jacket, 362 pages. 219 color plates and 75 black and white illustrations. White buckram with tipped in color illustration of elephants on front panel, embossed gilt lettering on the spine. This beautifully produced book contains four color reproductions of every serigraph, lithograph and etching that Neiman has published since he began making prints to 1980. Says "Book-of-the-Month-Club Selection" on front flap of DJ, though the quality of the book appears to be an original printing. Tight, clean and crisp. DOMESTIC SHIPPING ONLY.
Hardcover. NY, Hudson Hills Press, 1st, 1984, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 304 pages. 243 color and 181 duo-tone illustrations. Extensive bibliography included at the back. Showcases these works by American artist Robert Motherwell (1915-1991). "Provides a definitive study of the artist's work as a printmaker. It includes a catalogue raisonne of all his graphic work from 1943 through 1984, covering nearly 350 prints in virtually every medium: engraving, lithography, silkscreen, etching, aquatint, mezzotint, monotype, collage, and others. Each work is documented and reproduced, more than 200 of them in full color." Clean copy.
Tulsa OK, Thomas Gilcrease Museum, 1st, 1986, Book: Very Good, Dust Jacket: None, Hardcover. light gray cloth with black lettering, 255 pages, b&w plates throughout. Thomas Moran (1837-1926) from Bolton, England was an American painter & printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. This catalog features 129 prints with extensive notes. Bibliography and index. Bright, clean copy.
Hardcover. New Haven CT, Yale University Press, 1st, 1994, Book: Very Good, Dust Jacket: None, Hardcover, black cloth covers with gilt lettering on spine. No dust jacket. Profusely illustrated throughout in black & white and color. 433 pages. This book examines the technical and aesthetic experimentation that went into printmaking, workshop practices, and the material and social contexts of print production, and it gives the fullest account ever written of the ways in which Renaissance prints were produced, distributed, and acquired. David Landau and Peter W. Parshall pose a range of practical questions about the production of prints. They investigate, for example, what materials were used, how they were acquired, and how a Renaissance printmaker's workshop operated. They explore the evidence that individual prints were beginning to be esteemed as works of art rather than as inexpensive substitutes for them, and the relationship between prints made to be collected and those of a more ephemeral nature intended for a wider audience. They discuss how prints were valued during the period, including the relative value of woodcuts to engravings, and engravings to etchings. And they investigate how prints evolved in relation to the pictorial arts of the Renaissance generally. Clean, bright copy. NOTE: DUE TO SIZE AND WEIGHT, DOMESTIC SHIPPING ONLY.
Cambridge MA, Harvard University Press, 1st, 1926, Book: Very Good, Dust Jacket: None, Hardcover, original blue cloth-backed boards. Quarto. 17 pages & 8 plates. From a limited printing of 385 copies under the direction of Bruce Rogers. Also laid in :2 color photos and one b&w photo of the medallion. Clean copy.
Softcover. Berkeley CA, University of California Press, 1st, 1997, Book: Very Good, Dust Jacket: None, Softcover, 203 pages, approximately 200 color plates. In publisher's shrinkwrap.
Softcover. Berkeley CA, University of California Press, 1st, 1997, Book: Near Fine, Dust Jacket: None, Softcover, 203 pages, approximately 200 color plates. In publisher's shrinkwrap.
 "Ron Janowich: Monotypes 1988 1990 From the Garner Tullis Workshop by: Janowich Ron; Auchincloss Pamela Essay")
 "Rosenwald, Lessing J.: Tribute to a Collectorby: Fine, Ruth E.")
 "Sabra Field - The Art of Place (SIGNED COPY)by: Slayton, Tom")
 "Shades of My Forefathers (SIGNED COPY)by: London, Hannah")
 "Some Aspects of Printing, Old and Newby: Updike, Daniel Berkeley")
 "Sotheby's: Prints: November 7, 8 & 9, 2002 by: Sotheby's")
 "Sporting Art of Frank W. Benson, Theby: Bedford, Faith Andrews")
 "Stanley Morison: His Typographic Achievementby: Moran, James")
 "Stow Wengenroth's Lithographs: A Supplementby: Stuckey, Ronald, Joan")
 "Stuart Davisby: Kelder, Diane")
 "Tamarind: a Renaissance of Lithographyby: E. Maurice Bloch (Introduction)")
 "Terry Winters: Printed Worksby: Rosenthal, Nan")
 "The Book Illustrations of George Cruikshankby: Buchanan-Brown, John")
 "The Floating World - The Story of Japanese Printsby: James A. Michener")
 "The Illustrations of William Blake for Thornton's Virgil with the First Eclogue and the Imitationby: Philips, Ambrose/William Blake")
 "The Prints of Frank Stella: A Catalogue Raisonne, 1967-1982 (SIGNED BY STELLA & AXSOM)by: Frank Stella. Richard H. Axsom")
 "The Prints of Leroy Neiman: A Catalogue Raisonne of Serigraphs Lithographs and Etchingsby: Leibovitz, Maury / Leroy Neiman")
 "The Prints of Robert Motherwell: A Catalogue Raisonne 1943-1984 by: Terenzio, Stephanie/ Dorothy C. Belknap")
 "THE PRINTS OF THOMAS MORAN. In the Thomas Gilcrease Institute of American History and Art Tulsa, Oklahomaby: Morand, Anne & Friese, Nancy")
 "The Renaissance Print 1470-1550by: David Landau and Peter Parshall")
 "The Wedgwood Medallion of Samuel Johnson: A Study in Iconography by: Tinker, Chauncey Brewster")
 "Thirty-Five Years at Crown Point Press: Making Prints, Doing Artby: Breuer, Karin and others")
 "Thirty-Five Years at Crown Point Press: Making Prints, Doing Artby: Breuer, Karin and others")